902 matches
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Olivia de Havilland, then 21, played her daughter, and Peter Willes, 24, her son. Frieda was only 35! Not knowing what to do with Frieda’s calm, sophisticated style, Warners loaned her ouț to a number of studios during this period. Two of her better roles were leads at Republic. Aș a lawyer în Porția on Trial, for which she received high critical praise, and Woman Doctor. În the latter she co-starred with Henry Wilcoxon. Wilcoxon referred to Frieda jokingly, but
Frieda Inescort () [Corola-website/Science/326062_a_327391]
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ani. Sargon a murit cu aproximație în anul 2315 î.H. Politica sa externă va fi continuată de urmașii săi, în special de Naram-Sin. ,Istoria lumii pentru toți. Antichitatea”, autori: Magda Stan, Cristian Vornicu. Douglas R. Frayne, "Sargonic and Gutian Period (2334-2113 BC), în "The Royal Inscriptions of Mesopotamia. Early Periods", volumul al II-lea, Toronto, Buffalo, and New York: University of Toronto Press, 1993, p. 31. http://etcsl.orinst.ox.ac.uk/cgi-bin/etcsl.cgi?simplesearchword=Sargon&simplesearch=translation&searchword=&charenc
Sargon I () [Corola-website/Science/304670_a_305999]
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to yourself: ”maybe we’ll manage, after all”, but în the end you see that you don’ț. I got married în 1997 and the child was born în 1999. The problems begun during the last years of the kindergarten period, and the first years of school, around 2007. When I realized it was really bad, it was already 2008-2009, when the crisis begun, and with the crisis our financial problems got worse. On top of these, there were his drinking
(English) ” I was living in a sealed concrete cube, there was no way out” - Interview with a domestic violence survivor (part I) () [Corola-website/Science/296119_a_297448]
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documentary theatre discourse în România and Moldova în recent years. Factual history, fueled by the wie es eigentlich gewesen (“how it actually was”) principle, which attempts to impose a positivist “historical truth”, represents the dominant historiographical model of the post-socialist period în România and Moldova. În the last 7-8 years, the artistic attempts to question the commonly-held views over the recent history of România and Moldova have gradually begun to inițiate a debate on the historiographical canon, which is one of
Teatrul istoriilor recente () [Corola-website/Science/295786_a_297115]
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the artistic attempts to question the commonly-held views over the recent history of România and Moldova have gradually begun to inițiate a debate on the historiographical canon, which is one of the main suppliers of the ideology of the transition period. By means of performative elements, ăn artistic project which presents and represents an event from the recent past (from World War 2 to the present day), excluded form historiography or from history textbooks, can reveal the multitude of meanings which
Teatrul istoriilor recente () [Corola-website/Science/295786_a_297115]
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textbooks, can reveal the multitude of meanings which have been attributed to that event by various social actors. At the same time, such a project can reveal the perspective of certain marginalized groups on everyday life during a certain historical period, thus paving the way for debating the selection of historical elements regarded aș relevant for historiography and questioning the dominant narrative.
Teatrul istoriilor recente () [Corola-website/Science/295786_a_297115]
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I saying, it was actually really hard. I stayed for five years alone with my children. I left for the first time în 1999. I left together with my children carrying their schoolbags and books. It was that really difficult period, when we knew we wouldn’ț get a place to stay, but we hâd some hope. I improvised a “home” ouț of two mattresses. I would lay a mattress down on the ground, and another one leaning against a wall
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
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ground, and another one leaning against a wall, aș a roof. That’s how we slept. How long did you sleep like that?</strong> For months on end. Winter included. Mark my words, we slept like that for a long period of time and winter was really harsh! Sometimes, when I remember the things we went through, I feel like crying. You hope for something good to happen - but the situation you find yourself în is șo bad that you don
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
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social body segregating the marginals. The unrepresented self-represented themselves and defined their own poetic and political position. (<strong>Mihaela Michailov</strong>)</em> [caption id="attachment 3816" align="aligncenter" width="1024"] Photo from Acasă play[/caption] Tell me a bit about the period when you lived on the street. Where were you staying? Aș you can realize, nothing was safe about where I was staying. I lived on the street since I was six and a half years old, until I was 17
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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a participat an de an, din anul 1954 și pâna la sfârșitul vieții. A fost cunoscut, între altele, prin interpretarea muzicii lui Alban Berg, Anton von Webern și Arnold Schoenberg. A înregistrat pentru casele de discuri Decca, Colombia, Vanguard și Period. A continuat să cânte la vioară și să-și exerseze exercițiile zilnice până în anii 80 ai vieții. Cvartetul Galimir și-a încetat activitatea în anul 1993. În timpul liber a îndrăgit fotbalul și a adunat o colecție de ceasuri. Soția sa
Felix Galimir () [Corola-website/Science/326938_a_328267]
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artă contemporană postsovietice, [2] Marc Verlan, (n. 1963, Cocieri, Dubăsari) Artist contemporan moldovean. [:en]by Ovidiu Țichindeleanu The city of Kishinev is a massive construction site. În the Eastern European public spaces, one of the asymmetrical struggles of the transition period was fought between the concrete of the common housing blocks and the digitally processed images of the commercial billboards. Șo long aș most of the inhabitants hâd trained their gaze on black-and-white TV sets, the blocks hâd been “silver” and
Cultura independentă şi întoarcerea la lucrurile însele: câteva reflecţii din Moldova () [Corola-website/Science/295808_a_297137]
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paradigmatic shifts, unlike inherences. But multiple external and internal influences, be they implicit or explicit, are never translated în a linear fashion or în a single environment. This is part of the reason why the social history of the transition period is written at Teatrul Spălătorie / Theatre Washroom (the mass migration of the labor force, both eastward and westward; the succession of naționalist and Western ideologies; the oral history of the Holocaust or of LGBT daily life etc.), the history of
Cultura independentă şi întoarcerea la lucrurile însele: câteva reflecţii din Moldova () [Corola-website/Science/295808_a_297137]
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I’m reading Franzen, even if some of his interpretations of current events boggle the mind. But the mân is obsessed with capturing everyday struggles. Incidentally, he writes one novel a decade and tries to capture the essence of each period. Șo far he’s succeeded în doing that with two novels. Eugenides is also a good example. În Middlesex, one of the stories of the main character is the recovery of sexual identity. However, he/she isn’ț floating exclusively
Unde-s marginalii în literatura nouă? () [Corola-website/Science/295732_a_297061]
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to which the teacher was subjected by the people around her. It turns out they didn’t have a problem with her being a teacher and a cleaning lady, they just had a problem with her being a cleaning lady, period. If she were to decide one day to sell notebooks, they wouldn’t have bought any because she was a cleaning lady. I was completely put off by this aspect of the story. In the performance, all the things I
În teatrul comunitar „nu poți să o ții langa în lumea ta!” () [Corola-website/Science/295738_a_297067]
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the ‘anarchism’ of the 1990s and the tame neoliberalism after the EU integration. My writing is a kind of psychotherapy by means of which I’m trying to understand what was happening to me during those crazy years; the transition period is my Freudian shadow.” What did you aim to discuss în “Soldații”? What drove you? I wanted to somehow get a grip on the time spent în Ferentari, say things nobody hâd said yet and etch a description of its
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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internalized homophobia. Nowadays, if you’re born în an urban area, în a middle class family, people are somehow more tolerant of homosexuality and you don’ț end up hating yourself for it. But I went through a really rough period. The 90s were... They were unreal. People were shouting ouț their homophobia. În the media, the homosexual was the archetypal “Romanian criminal”, there was a newspaper publishing all sorts of dubious stuff, it was made-up news. Homosexuality was criminalized back
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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city hâș survived practically unchanged since that time until the present day. The following three hundred years, running until the middle of the 17th century, were quite prosperous for the city. The most important historical buildings were built during this period. This golden age came to an end în 1655 when Swedish forces captured the city în the course of the Deluge. After briefly holding ouț în the city, the withdrawing Swedes blew up the castle and caused heavy damage to
Sandomierz () [Corola-website/Science/297842_a_299171]
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directly into the cameră. The usual television spot is one minute and twenty seconds. The cameras start buzzing on your opening statement and often run ouț of film before you finish. Șo make it brief and action packed. The question period should be even more dramatic. Use the questioner's first name when answering a question. This adds an air of informality and networks are more apt to use an answer directed personally to one of their newsmen. Express your emoțional
Antropologie performativă. Cazul ghetoului Pata Rât (partea II) () [Corola-website/Science/295671_a_297000]
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If the Messiah will come, there will be no complains for sure. MIHAELA BÂRLEGI The house of the future will be a special one. At the entrance buttons will help uș to control that we need. This will be a period of automation when robots will make all the household chores. People will fly în their electric cars that charges from outlets. Children will study using computers and laptops. The houses will be round în such way that you can see
Locuințe în viitor imaginate de rezidentele și rezidenții Căminului Rosen () [Corola-website/Science/296101_a_297430]
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i>a</i></b><b><i>ciun</i></b> Gender equality hâș never seemed more attainable. It appears to be șo close, it’s almost refreshing: we no longer have to fight for it or question it. We are free. Period. Because we’re worth it. The current mainstream discourse informs uș that we enjoy unimaginable sexual freedom, which is allegedly the equivalent of women’s emancipation and of the triumph of gender equality. However, according to Natasha Walters, this discourse
Patriarhatul, mașina de vise. Metamorfoză și hipersexualizare () [Corola-website/Science/295778_a_297107]
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Ioana Florea, Isabela Panek, Jelena Steigerwald</b> Between 1937 and 1945, more than 250.000 people from all over Europe, including Northern Transylvania, were imprisoned by the Nazi regime în Buchenwald concentration câmp and its adjacent camps. Testimonies from this period were given by survivors în interviews taken în 1998, 2002, 2005 and during a discussion between Miklós/Nicolae Kallós, Ladislau/Vasile Nuszbaum, László Székely, <i>the activists from “Third Generation Buchenwald” and researchers from the UȘ Holocaust Memorial Museum, which
„Cred că nu e numai ţelul nostru, e interesul umanităţii.” Supravieţuitori români ai lagărului de concentrare Buchenwald () [Corola-website/Science/295842_a_297171]
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măsurile antisemite ale guvernului Goga-Cuza, au întreținut pe tot parcursul perioadei interbelice o atmosfera antisemită, pregătind în același timp terenul pentru excesele antisemite care urmau să se aibe loc sub regimul Ion Antonescu.[:en]By Elisabeth Weber</b> The interwar period, often dubbed “The Golden Age of Romanian Culture”, was also the age of student violence and disorder. Several student strikes and many violent conflicts between “Christian” students and Jews left their mark on the everyday academic life of those times
Cu carte și ciomag – Mișcarea studențească antisemită în perioada interbelică () [Corola-website/Science/295833_a_297162]
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the rent periodically: a while after moving în, the landlord would ask for a higher rent. If we couldn’ț pay the new rent, we hâd to move ouț. That’s why we lived în 12 different houses în that period and we moved ouț 12 times! It’s said that moving ouț three times produces losses and damages equal to a house fire. [...] The first house I remember - must have been around the year 1920. It hâd a 40-50 metres
O istorie subiectivă a locuirii în România, din perspectiva rezidentelor și rezidenților căminului „Moses Rosen”. PERIOADA INTERBELICĂ: ANII 1920 - 1930 () [Corola-website/Science/296134_a_297463]
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statului au fost triburi nord-americane numite Alabama (cunoscuți și ca "Alibamu"), Cherokee, Chickasaw, Choctaw, Creek, Koasati și Mobile. Comerțul cu zonele din nord-estul Statelor Unite de azi, folosind Râul Ohio, au început în timpul perioadei istorice cunoscută sub numele de "Burial Mound Period" (1000 îHr - 700) și au continuat în timpul contactului cu europenii care s-au stabilit în America de Nord. Influența mezo-americană este evidentă în cultura agrară a Mississippi-ului care a urmat. Francezii au stabilit prima așezare a europenilor în perimetrul de azi al
Alabama () [Corola-website/Science/302432_a_303761]
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numărul 8 al Gazetei de Artă Politică a rezultat în urmă atelierului respectiv. At a time when survivors or witnesses of Fascist/Nazi regimes, both în România and în Europe, are getting older and fewer, we aim to discuss this period în recent history în order to understand the present. The reasons for that are manifold: - The decisions taken during that period affect our lives today - There is a continuity between the repressive structures and institutions of the Fascist regime and
Naționalism, fascism și Holocaust în istoria românească () [Corola-website/Science/295827_a_297156]