1,907 matches
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822, 833, 855, 866, 877, 888) 845: New York (Rockland, Poughkeepsie, Middletown, West Point, Newburgh and southeastern New York) 846 -- Nu este utilizat deocamdată 847: Illinois (Arlington Heights, Buffalo Grove, Wauconda, Waukegan, Des Plaines, northwest Chicago suburbs and northeastern Illinois, overlays with some of 224) 848: New Jersey (New Brunswick, Neptune, Lakewood, and east central New Jersey, overlays with 732) 849 -- Nu este utilizat deocamdată 850: Florida (Pensacola, Tallahassee, Panama City and the Florida panhandle) 851-854 -- Nu este utilizat deocamdată 855: reserved for
Listă de prefixe telefonice din Canada și Statele Unite ale Americii () [Corola-website/Science/308836_a_310165]
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there someone în your life you can count on? Someone who will watch over you when you stumble and fall? And în that moment, give you the strength to face your fears alone?" "Regret comes în all shapes and sizes. Some are small like when we do a bad thing for a good reason. Some are bigger like when you let down a friend. Some of uș escape the pain of regret by making the right choice. Some of uș have
Ruleta destinului () [Corola-website/Science/313611_a_314940]
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you when you stumble and fall? And în that moment, give you the strength to face your fears alone?" "Regret comes în all shapes and sizes. Some are small like when we do a bad thing for a good reason. Some are bigger like when you let down a friend. Some of uș escape the pain of regret by making the right choice. Some of uș have little time for regret because we're looking forward to the future. Sometimes we
Ruleta destinului () [Corola-website/Science/313611_a_314940]
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give you the strength to face your fears alone?" "Regret comes în all shapes and sizes. Some are small like when we do a bad thing for a good reason. Some are bigger like when you let down a friend. Some of uș escape the pain of regret by making the right choice. Some of uș have little time for regret because we're looking forward to the future. Sometimes we have to fight to come to terms with the past
Ruleta destinului () [Corola-website/Science/313611_a_314940]
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shapes and sizes. Some are small like when we do a bad thing for a good reason. Some are bigger like when you let down a friend. Some of uș escape the pain of regret by making the right choice. Some of uș have little time for regret because we're looking forward to the future. Sometimes we have to fight to come to terms with the past, and sometimes we bury our regret by promising to change your own ways
Ruleta destinului () [Corola-website/Science/313611_a_314940]
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that change ultimately break your heart? Or break the heart of another? Or would you choose an entirely different path? Or would you change just one thing, just one moment? One moment, that you've always wanted back." "Much aș some of uș fight it, Our parents have a mystical hold over uș, The power to affect ouț thoughts and emotions, The way only they can. It's a bond that changes over time, but doesn't diminish, Even if they
Ruleta destinului () [Corola-website/Science/313611_a_314940]
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directed by Luminița Ticu.</i><i> I talked to Irina Vacarciuc, ăn actress on the independent scene, about the performance and the interaction with an audience unfamiliar with theater performances <b>(David Schwartz)</b>.</i> În România în recent years, some artists have begun taking performances to small towns and villages across the country. I’d like to talk to you about your experience with CasaM<i>. How did you get to perform în those venues and how did your first
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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have a conversation with them during the performance? No, not during the performance. But there were moments when certain lines from the text were very suitable, șo I emphasized them. I took advantage of certain lines în order to have some sort of a conversation with them. We did a lot of shows, 5 tours, 8 performances for each tour. One of these tours was funded by the foster home “Amicul” and those performances were very well organized, în the sense
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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for and they said they came to the concert. Șo the organizers didn’ț even bother to tell people that the performance was not suitable for children. The OSCE was basically checking another box on their activity roster. They receive some funds and they have to spend it. What do you think of the audience în these small towns? Are the people interested? Can they relate to the stories? It’s really complicated. I think people do relate, but their reactions
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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pe Zoey. A native American Cherokee and a Wise Woman (also referred aș a 'Ghigua Woman' în the book), Zoey's grandma provides comfort and advice to Zoey. She is by default the mother figure în Zoey's life, and some of the names she calls her are Zoeybird, and U-we-tsi-a-ge-ya (the Cherokee word for daughter). În touch with ancient Cherokee spirits, she helps Zoey deal with her new world of Vampyres, spirits and demons. She also accepts Zoey for who
Casa Nopții () [Corola-website/Science/317224_a_318553]
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Cycle of paintings and a drawing by Aubrey Beardsley gave way to the twentieth century works of Paul Klee, John Singer Sargent, Pablo Picasso, Pierre et Gilles, and Auguste Rodin's bronze sculpture "". The head of Medusa is featured on some regional symbols. One example is that of the flag and emblem of Sicily, together with the three legged "trinacria". The inclusion of Medusa în the center implies the protection of the goddess Athena, who wore the Gorgon's likeness on
Medusa () [Corola-website/Science/300151_a_301480]
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series, în a play entitled The Prisoner seen on NBC în May 23, 1961. 1961 was the worst year for Frieda. On August 2, 1961, she and her husband dined ouț at a restaurant. Ben Redman hâd been despondent for some time. Returning home he went upstairs to bed. He then called Frieda informing her he was depressed over the state of the world and hâd taken pills. Frieda, distraught, immediately called an ambulance. By the time the paramedics arrived, Ben
Frieda Inescort () [Corola-website/Science/326062_a_327391]
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writer for the Saturday Review and was also involved în the translation of European classics into English. Due, no doubt, to the tremendous shock of her husband’s death, Frieda’s disease accelerated. Although she was able to function for some time with nursing help, she was wheelchair bound by the mid-Sixties. On July 7, 1964, Elaine Inescort died în Brighton, England at the age of 87. There hâd been little contact between mother and daughter over the years. Fighting to
Frieda Inescort () [Corola-website/Science/326062_a_327391]
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după apariția romanului în limba română. În 1931, autoarea feministă Sarina Cassvan a inclus traduceri în limba franceză a textelor sale într-o antologie menită să promoveze cultura română la nivel internațional. Tot în acea perioadă, unele dintre textele lui some of Sadoveanu au fost traduse în chineză de către Lu Xun. Tudor Vianu a atribuit primirea călduroasă a operelor sale de către comunitatea internațională abilității sale de a reda „propriul fel de a vedea și de a simți natura și umanitatea” pe
Mihail Sadoveanu () [Corola-website/Science/297556_a_298885]
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în the secondary sector and there were 147 businesses în this sector. 13,000 people were employed în the tertiary sector, with 1,067 businesses în this sector. There were 8,299 residents of the municipality who were employed în some capacity, of which females made up 43.8% of the workforce. University of Applied Sciences Northwestern Switzerland is located în Olten. EHC Olten, hockey team playing în the Swiss Național League B. They play their home games în the 6
Olten () [Corola-website/Science/334719_a_336048]
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Daimler, pe o perioadă de 32 de ani. G-class a fost dezvoltat ca un vehicul militar, la sugestia șahului Iranului (la momentul respectiv un acționar mare) la Mercedes și a oferit o versiune civilă a vehiculului în 1979. Press kit: Some history on the GWagen:
Mercedes-Benz G-Class () [Corola-website/Science/331026_a_332355]
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production industries, about the (im)possibility of unionizing and about taking production companies to court aș a method of fighting back. </i>(David Schwartz) Did you ever discuss with other props masters the possibility of unionizing, or maybe just adopting some common work principles, to prevent companies from imposing their own contracts and terms & conditions? Yes, we did, but it’s not doable. How do you keep everyone în check? How do we keep ourselves în check, for that matter? Let
”Munceam pe degeaba. Adică sclavie direct!”. Interviu cu Cristi Badea. () [Corola-website/Science/295661_a_296990]
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you keep everyone în check? How do we keep ourselves în check, for that matter? Let’s say I have a team, others bring their teams and we get around five teams which agree not to go work and set some clear fees. That leaves ten other teams which will go work. They don’ț care, they’re going to work anyways. There’s a lack of solidarity. I think the only solution might be a union led by a racketeer
”Munceam pe degeaba. Adică sclavie direct!”. Interviu cu Cristi Badea. () [Corola-website/Science/295661_a_296990]
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lobby for women’s literary space, promote women writing and to train more women șo more women could excel and get invited by any publisher. And your inițiative hâd a lot of support or...? I could say yes and no. Some people and institutions supported it, because they knew it was a development project and it was good for Ugandan women. On the other hand, however, there are not many development partners that support Art and Culture activities. Șo for a
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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only to please the donors and that soon the organisation would be off the scene. That was în the 1990. Now Femrite is heading towards scooping a whole twenty years and will surely not go off the scene anytime soon. Some people have been supportive though. For instance individual lecturers and scholars see the importance of women’s literature în balancing Uganda’s literary scene, the literary arena. Șo our books are taught în some universities and other institutions of higher
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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go off the scene anytime soon. Some people have been supportive though. For instance individual lecturers and scholars see the importance of women’s literature în balancing Uganda’s literary scene, the literary arena. Șo our books are taught în some universities and other institutions of higher learning. What were the books, if you remember? I think it was Silent Patience, A Season of Mirth, Memoirs of a Mother</b> and, I think, <b>Invisible Evil</b>. That was a grand
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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Beyond the Dance is a record of experiences of women that underwent female genital mutilation (FGM) or experienced it în other ways aș cutters or candidates. But is genital mutilation a tradition or...? Yes, it’s a tradițional practice, by some tribes în Uganda, Kenya, Somalia, Ethiopia, Senegal and, I think, Côte d’Ivoire aș well. You find different small groups that have carried it ouț for generations. It is carried ouț silently. It is promoted by the community and șo
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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Although I think this cutting is against their will, isn’ț it? Culture is kind of a double-edged sword. Yes, it’s against their will, but tradition hâș made it seem like a good thing for the women. Șo în some cases, the women go for it because they have been told that if they are not cut, they are not women and they will never know the secrets of womanhood. This is assimilation. The traditions are șo entrenched that it
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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tell others aș well, we shall create a strong movement against FGM. În Uganda for instance, by the time we did the project, There was no law or Act about FGM. Beyond the Dance was one of the tools that some groups used to pressure government. Now there is the FGM Act. But even with the law or Act, there is still need for literature to sensitize people, to remove from their system that information that they were given. To destroy
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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I don’ț know if you heard of the war of the Lord’s Resistance Army în northern Uganda. We have two books with stories of the girls and women and what they went through during war. We also recorded some stories of women and their experiences with the law, about how the law is oppressive to women. Another project was related to women speaking about HIV AIDS. All this is în addition to the fiction. Fiction such aș these two
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]