35,594 matches
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me there? What’s your work schedule? What exactly do you do? I do the washing, the ironing, I take care of all the changes done backstage and în the dressing rooms. If an actor hâș any modifications to make for a certain scene, I have to be prepared. I really enjoy working with actors, it’s a nice atmosphere. Could you take me through one of your workdays? A show day, perhaps. I come în at around 14.30-15.00
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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didn’ț like it. I mean, I’m good at it, but it wasn’ț what I wanted to do. After sewing, I worked at Danubiana[1] handling the supply and demand of raw materials, and from there I left for Teatrul Mască and then for Teatrul Mic. I have about 27 years work experience and I’d like to retire here, în the theater. Did you make good money at APACA? At APACA I worked on the button seams and
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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mean, I’m good at it, but it wasn’ț what I wanted to do. After sewing, I worked at Danubiana[1] handling the supply and demand of raw materials, and from there I left for Teatrul Mască and then for Teatrul Mic. I have about 27 years work experience and I’d like to retire here, în the theater. Did you make good money at APACA? At APACA I worked on the button seams and at the end of the
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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you happy with the working conditions în the theater? I’m happy because I love what I do and I’ve grown fond of the people. The money is what it is - now it’s ok because I get paid for both the dressing room work and the work aș technical director. All theater employees are underpaid. We’re lucky whenever there’s a festival and we get some extra money for the performances outside the usual theater program. I think
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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is - now it’s ok because I get paid for both the dressing room work and the work aș technical director. All theater employees are underpaid. We’re lucky whenever there’s a festival and we get some extra money for the performances outside the usual theater program. I think people should fight for their wages, for the rights they have after working șo many years. Is there solidarity between theater workers? Do you think things would change if there was
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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room work and the work aș technical director. All theater employees are underpaid. We’re lucky whenever there’s a festival and we get some extra money for the performances outside the usual theater program. I think people should fight for their wages, for the rights they have after working șo many years. Is there solidarity between theater workers? Do you think things would change if there was a strong union? I think șo, but we should all stick together. Now
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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the work aș technical director. All theater employees are underpaid. We’re lucky whenever there’s a festival and we get some extra money for the performances outside the usual theater program. I think people should fight for their wages, for the rights they have after working șo many years. Is there solidarity between theater workers? Do you think things would change if there was a strong union? I think șo, but we should all stick together. Now they all have
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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1 a.m. It’s like you leave happier, more at peace with yourself. There were also sad moments, like when actors passed away. I felt very sorry when Mrs. Albu died - Mr. Veroiu’s wife. She would tell me off for smoking when I was pregnant and she’d bring me sweets and fruit. After her, it was Mrs. Gilda Teodorescu. We shared a room on tour. Relationships change and you feel there are people who have a lt of respect
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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smoking when I was pregnant and she’d bring me sweets and fruit. After her, it was Mrs. Gilda Teodorescu. We shared a room on tour. Relationships change and you feel there are people who have a lt of respect for you even though they have something above you. They don’ț differentiate. It’s important to have respect în work relations. People should be people regardless of their status. Interview by Mihaela Michailov. [1] A manufacturer of tires and rubber
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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our uncles, we recognized perhaps... our widows, because we, too, have enough widows here, being a mining area. We have the same problems, șo we were a little „shaken” by the show. Miner pensioner (Aninoasa): This area is very good for cattle and for sheep! There used to be here 10.000 sheep, only în Aninoasa. There were 7 herds. Șo I think the best solution would be to go back to animal farming. Miner - electrician (Petrila): I noticed that everybody
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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recognized perhaps... our widows, because we, too, have enough widows here, being a mining area. We have the same problems, șo we were a little „shaken” by the show. Miner pensioner (Aninoasa): This area is very good for cattle and for sheep! There used to be here 10.000 sheep, only în Aninoasa. There were 7 herds. Șo I think the best solution would be to go back to animal farming. Miner - electrician (Petrila): I noticed that everybody accepts very easily
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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Miner - electrician (Petrila): I noticed that everybody accepts very easily this concept of „survival” instead of the terms of growing and sustainability. I think we have to ask ourselves this question: when and why is „survival” really the solution? and for whom? I would like to hear the opinion of the directors, actors, everybody here. Because I think instead of living a decent life we are now forced to think only în terms of survival. (...) I think the problem is this
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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problem is this one: jobs should be thought of aș public goods! Jobs should be considered public goods and become a național priority! Waitress (Hațeg): În Communist times we were going ouț of town, every week-end we used to go for a barbeque, or go to the river, somewhere. Now you wait for 2 or 3 weeks or a month to go somewhere. And you think a million times if you afford to go or not. If you have a kid
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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Jobs should be considered public goods and become a național priority! Waitress (Hațeg): În Communist times we were going ouț of town, every week-end we used to go for a barbeque, or go to the river, somewhere. Now you wait for 2 or 3 weeks or a month to go somewhere. And you think a million times if you afford to go or not. If you have a kid or two, forget about it! You are not even sure that you
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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go somewhere. And you think a million times if you afford to go or not. If you have a kid or two, forget about it! You are not even sure that you can have bread on the table. And what for? To be humiliated everywhere you work? And no matter how good you are? Because there are very few jobs available, șo the owners think you are always disposable. There are 100 people waiting în line to get your job. When
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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That’s the way it’s going... (...) Before 1989, at least some basic rights of the worker were respected. You were not allowed to speak freely, but at least you hâd a decent life! School guard (Hațeg): I am qualified for 12 jobs. Twelve. But there are no working places. I am qualified to work în food industry, aș I used to work at the cans factory. It is useless now. I am qualified aș a mechanic, no job for mechanics
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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qualified for 12 jobs. Twelve. But there are no working places. I am qualified to work în food industry, aș I used to work at the cans factory. It is useless now. I am qualified aș a mechanic, no job for mechanics. I am qualified aș a smith, no job for smiths. I worked aș a fireman for 20 years, now they only hire young firemen. I have worked în constructions, but my health doesn’ț allow it anymore, I have
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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places. I am qualified to work în food industry, aș I used to work at the cans factory. It is useless now. I am qualified aș a mechanic, no job for mechanics. I am qualified aș a smith, no job for smiths. I worked aș a fireman for 20 years, now they only hire young firemen. I have worked în constructions, but my health doesn’ț allow it anymore, I have problems with my back. Șo, at over 50 years old
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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food industry, aș I used to work at the cans factory. It is useless now. I am qualified aș a mechanic, no job for mechanics. I am qualified aș a smith, no job for smiths. I worked aș a fireman for 20 years, now they only hire young firemen. I have worked în constructions, but my health doesn’ț allow it anymore, I have problems with my back. Șo, at over 50 years old, I went through professional reconversion and attended
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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now they only hire young firemen. I have worked în constructions, but my health doesn’ț allow it anymore, I have problems with my back. Șo, at over 50 years old, I went through professional reconversion and attended a course for guards. I worked at a private company aș guard and they didn’ț pay me for 4 months. Șo I left. People say I should sue them. But I can hardly make a living, how can I get the money
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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allow it anymore, I have problems with my back. Șo, at over 50 years old, I went through professional reconversion and attended a course for guards. I worked at a private company aș guard and they didn’ț pay me for 4 months. Șo I left. People say I should sue them. But I can hardly make a living, how can I get the money to sue them? Pensioner (Tăuții Măgherăuș): This is the greatest truth that hâș been said here
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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them. But I can hardly make a living, how can I get the money to sue them? Pensioner (Tăuții Măgherăuș): This is the greatest truth that hâș been said here since 1989! Student, 12 years old (Brad): Regarding survival... I, for example, am a student today. But în 10 years I will need a place to work în order to survive. Where will that be? Because the mines are gone. The factories are gone. Even the marmalade factory hâș been privatized
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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One of the most important contemporary Romanian writers of prose, Radu Aldulescu (born on June 29, 1954, în Bucharest) made his debut în 1993, at the Albatros publishing house, with the novel Sonata pentru acordeon (<b>The Accordion Sonata</b>), for which he received the Romanian Writers’ Union Award. Since, he hâș published the novels <b>Amantul Colivăresei</b> (<b>The Funeral Cake Maker’s Lover</b>), <b>Îngerul încălecat</b> (<b>The Mounted Angel</b>), <b>Istoria eroilor unui ținut
„La noi n-a existat o solidaritate între intelectuali și muncitori nici înainte și nici după ’89” () [Corola-website/Science/295664_a_296993]
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Green and Chill</b>), <b>Proorocii Ierusalimului </b>(<b>The Prophets of Jerusalem</b>), <b>Mirii nemuririi </b>(<b>Immortality’s Bridegrooms</b>), <b>Ana-Maria și îngerii </b>(<b>Ana-Maria and the Angels</b>)<b>.</b> He co-wrote the script for <b>Terminus Paradis</b>, a movie directed by Lucian Pintilie.</i> Some seem surprised that you would choose to write about a ‘world of those who dwell on the periphery’, aș one of your writer colleagues would say.</b><b
„La noi n-a existat o solidaritate între intelectuali și muncitori nici înainte și nici după ’89” () [Corola-website/Science/295664_a_296993]
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to the point where a book like Parabolele lui Iisus (Jesus’ Parables) comes ouț, written by Andrei Pleșu, where he offers uș the image of a personal Jesus, which hâș nothing to do with the masses, the crowd. A Jesus for the intellectuals. You say the intellectuals knew about the strikes. What do you think they ought to have done în those circumstances?</b> Rally with the strikers, that’s what they should have done, but the Romanian intellectual, aș opposed
„La noi n-a existat o solidaritate între intelectuali și muncitori nici înainte și nici după ’89” () [Corola-website/Science/295664_a_296993]