35,594 matches
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situations, the situationists are gambling that change will usually be for the better. În the short term the odds are obviously against that bet. But even if we have to lose it a thousand times, we see no other choice for a progressive attitude”[4]. Iar o astfel de deviație de la normativitatea cotidiană implică o conceptualizare și tematizare atentă a situației supuse atenției pentru a nu părea o distracție butaforica de la sarcinile cotidiene, ori un eveniment cultural cu ambalaj social ori
Antropologie performativă. Cazul ghetoului Pata Rât (partea II) () [Corola-website/Science/295671_a_297000]
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Boal, Theater of the Opressed, Translated from Spanish by Charles A., Maria-Odilia Leal McBride and Emily Fryer, Pluto Press, London, 2008, pp. 97-98. [6] Abbie Hoffman, Steal this Book, http://tenant.net/Community/steal/steal.html. [7] Germano Celant, Notes for a Guerrilla War, Flash Art, no. 5, 1967, http://www.flashartonline.com/interno.php?pagina=articolo det&id art=352&det=ok&title=ARTE-POVERA. [8] Felipe Hernandez, Peter Kellett, Introduction: Reimagining the Informal în Latin America, în Felipe Hernandez
Antropologie performativă. Cazul ghetoului Pata Rât (partea II) () [Corola-website/Science/295671_a_297000]
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London E14 4HB , UK Tel . ( 44- 20 ) 74 18 84 00 Fax ( 44- 20 ) 74 18 84 16 E- mail : mail@ emea . europa . eu http : // www . emea . europa . eu ©EMEA 2007 Reproduction and/ or distribution of this document is authorised for non commercial purposes only provided the EMEA is acknowledged Cum a fost studiat VIRAMUNE ? VIRAMUNE a fost evaluat în cinci studii , pe un total de 1. 956 de pacienți adulți . VIRAMUNE , administrat împreună cu zidovudina și didanozina ( alte medicamente antivirale ) , a
Ro_1151 () [Corola-website/Science/291910_a_293239]
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London E14 4HB , UK Tel . ( 44- 20 ) 74 18 84 00 Fax ( 44- 20 ) 74 18 86 68 E- mail : mail@ emea . europa . eu http : // www . emea . europa . eu ©EMEA 2007 Reproduction and/ or distribution of this document is authorised for non commercial purposes only provided the EMEA is acknowledged Cum a fost studiat Visudyne ? Visudyne a fost evaluat în două studii pe o durată de doi ani și care au implicat 609 pacienți cu DMLV cu leziuni submaculare clasice , fiind
Ro_1159 () [Corola-website/Science/291918_a_293247]
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London E14 4HB , UK Tel . ( 44- 20 ) 74 18 84 00 Fax ( 44- 20 ) 74 18 84 16 E- mail : mail@ emea . europa . eu http : // www . emea . europa . eu ©EMEA 2007 Reproduction and/ or distribution of this document is authorised for non commercial purposes only provided the EMEA is acknowledged Cum acționează ViraferonPeg ? Substanța activă din ViraferonPeg , peginterferon alfa- 2b , aparține grupului de „ interferoni ” . Interferonii sunt substanțe naturale produse de organism care au rolul de a ajuta în lupta împotriva atacurilor
Ro_1149 () [Corola-website/Science/291908_a_293237]
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London E14 4HB , UK Tel . ( 44- 20 ) 74 18 84 00 Fax ( 44- 20 ) 74 18 84 16 E- mail : mail@ emea . europa . eu http : // www . emea . europa . eu ©EMEA 2007 Reproduction and/ or distribution of this document is authorised for non commercial purposes only provided the EMEA is acknowledged Primele studii au comparat efectele adăugării de Viread cu efectele adăugării de placebo ( un tratament fictiv ) în cazul a 741 de pacienți . Acești pacienți au urmat tratamente împotriva HIV timp de
Ro_1154 () [Corola-website/Science/291913_a_293242]
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London E14 4HB , UK Tel . ( 44- 20 ) 74 18 84 00 Fax ( 44- 20 ) 75 23 71 29 E- mail : mail@ emea . europa . eu http : // www . emea . europa . eu ©EMEA 2007 Reproduction and/ or distribution of this document is authorised for non commercial purposes only provided the EMEA is acknowledged Care a fost recomandarea CHMP la acel moment ? Pe baza evaluării informațiilor și a răspunsurilor companiei la lista de întrebări a CHMP , la momentul retragerii cererii , reprezentanții CHMP erau îngrijorați și
Ro_1162 () [Corola-website/Science/291921_a_293250]
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London E14 4HB , UK Tel . ( 44- 20 ) 74 18 84 00 Fax ( 44- 20 ) 74 18 84 16 E- mail : mail@ emea . europa . eu http : // www . emea . europa . eu ©EMEA 2006 Reproduction and/ or distribution of this document is authorised for non commercial purposes only provided the EMEA is acknowledged Cum a fost studiat Xagrid ? Efectele Xagrid au fost inițial testate pe modele experimentale înainte de a fi studiate pe oameni . Compania a utilizat , de asemenea , date prezentate în articole publicate . Eficiența
Ro_1171 () [Corola-website/Science/291929_a_293258]
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London E14 4HB , UK Tel . ( 44- 20 ) 74 18 84 00 Fax ( 44- 20 ) 74 18 84 16 E- mail : mail@ emea . europa . eu http : // www . emea . europa . eu ©EMEA 2007 Reproduction and/ or distribution of this document is authorised for non commercial purposes only provided the EMEA is acknowledged recombinării ADN- ului ” : este obținut dintr- o celulă care a primit o genă ( ADN ) , care o face capabilă să producă această substanță . În organism , drotrecogin alfa limitează producerea trombinei ( unul dintre
Ro_1186 () [Corola-website/Science/291944_a_293273]
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text hâd its internațional premiere at Baadisches Staatstheater, Karlsruhe, Germany, în July 2013. The play intertwines the life stories of 5 people who have gone through the experience of seeking asylum with fragments from The Guide to Obtaining Romanian Citizenship for Foreign Citizens. The performance creates a favorable context for getting to know and understand the dynamics of migration and asylum, and the status of refugees and migrants în general. The performance aims to problematize and discuss în the public sphere
NU NE-AM NĂSCUT ÎN LOCUL POTRIVIT / 12#038;13 OCTOMBRIE / ORA 19.30 / SPAȚIUL PLATFORMA / BUCUREȘTI () [Corola-website/Science/295688_a_297017]
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Germany, în July 2013. The play intertwines the life stories of 5 people who have gone through the experience of seeking asylum with fragments from The Guide to Obtaining Romanian Citizenship for Foreign Citizens. The performance creates a favorable context for getting to know and understand the dynamics of migration and asylum, and the status of refugees and migrants în general. The performance aims to problematize and discuss în the public sphere issues which are of crucial importance în the current
NU NE-AM NĂSCUT ÎN LOCUL POTRIVIT / 12#038;13 OCTOMBRIE / ORA 19.30 / SPAȚIUL PLATFORMA / BUCUREȘTI () [Corola-website/Science/295688_a_297017]
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general. The performance aims to problematize and discuss în the public sphere issues which are of crucial importance în the current global context, issues such aș the instituțional fight against migration taking place at the same time aș the need for migrants în the development of the capitalist economy grows, the need for asylum, the right to travel aș the fundamental right of every individual and the instrumentalization of “the foreigner” aș a scapegoat for social and economic issues. All the
NU NE-AM NĂSCUT ÎN LOCUL POTRIVIT / 12#038;13 OCTOMBRIE / ORA 19.30 / SPAȚIUL PLATFORMA / BUCUREȘTI () [Corola-website/Science/295688_a_297017]
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issues which are of crucial importance în the current global context, issues such aș the instituțional fight against migration taking place at the same time aș the need for migrants în the development of the capitalist economy grows, the need for asylum, the right to travel aș the fundamental right of every individual and the instrumentalization of “the foreigner” aș a scapegoat for social and economic issues. All the shows will be translated into English and followed by discussions with the
NU NE-AM NĂSCUT ÎN LOCUL POTRIVIT / 12#038;13 OCTOMBRIE / ORA 19.30 / SPAȚIUL PLATFORMA / BUCUREȘTI () [Corola-website/Science/295688_a_297017]
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the same time aș the need for migrants în the development of the capitalist economy grows, the need for asylum, the right to travel aș the fundamental right of every individual and the instrumentalization of “the foreigner” aș a scapegoat for social and economic issues. All the shows will be translated into English and followed by discussions with the audience about the situation and life stories of the refugees and migrants. The performance is part of Migration Stories - project that includes
NU NE-AM NĂSCUT ÎN LOCUL POTRIVIT / 12#038;13 OCTOMBRIE / ORA 19.30 / SPAȚIUL PLATFORMA / BUCUREȘTI () [Corola-website/Science/295688_a_297017]
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and followed by discussions with the audience about the situation and life stories of the refugees and migrants. The performance is part of Migration Stories - project that includes a tour în Timișoara and Șomcuta Mare, cities that host Acommodation Centers for Asylum Seekers. The access at all the activities and events of the project is free of charge. Written and directed by: Alice Monica Marinescu and David Schwartz With: Alexandru Fifea, Katia Pascariu, Mihaela Rădescu, Andrei Șerban, Silviana Vișan Scenography: Adrian
NU NE-AM NĂSCUT ÎN LOCUL POTRIVIT / 12#038;13 OCTOMBRIE / ORA 19.30 / SPAȚIUL PLATFORMA / BUCUREȘTI () [Corola-website/Science/295688_a_297017]
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Sociu +40755703526, <a href="mailto:i.sociu@ecla.de" target=" blank" rel="nofollow">i.sociu@ecla.de</a>, <a id="yui 3 13 0 rc 1 1 1381523657874 11168" href="http://www.artapolitica.ro/" target=" blank" rel="nofollow">www.artapolitica.ro</a>,</p> https://www.facebook.com/stagiuneadeteatrupolitic For reservations contact Alice Monica Marinescu: +40726415514, mini meenoo@yahoo.com</p>
NU NE-AM NĂSCUT ÎN LOCUL POTRIVIT / 12#038;13 OCTOMBRIE / ORA 19.30 / SPAȚIUL PLATFORMA / BUCUREȘTI () [Corola-website/Science/295688_a_297017]
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same time new subject positions and a revolutionary theatre could emerge. By connecting his theatrical explorations with the popular scientific ideas of the time, Meyerhold developed a style: he revealed his poetics by connecting science, art, politics and labor productivity. For example, Ivan Pavlov’s ideas of chain of reflex responses, aș he developed them în the lab experimenting on dogs, were thoroughly explored by Meyerhold, not în the lab but în the rehearsal room, not on dogs but on his
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
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Taylor, on the other hand, offered the popular theory of efficiently executed, rhythmically economical actions în order to increase the productivity în American factories. The work of laborers was broken into simple and connected tasks and with a maximum speed for each task to be executed. High productivity was an obsession for the Soviet state aș well aș capitalist economies and became an obsession for the Bolshevik Meyerhold. În one lecture from 1922 he militates for a radical “Taylorization of the
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
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executed, rhythmically economical actions în order to increase the productivity în American factories. The work of laborers was broken into simple and connected tasks and with a maximum speed for each task to be executed. High productivity was an obsession for the Soviet state aș well aș capitalist economies and became an obsession for the Bolshevik Meyerhold. În one lecture from 1922 he militates for a radical “Taylorization of the theatre” în order to perform în one hour what was performed
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
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The work of laborers was broken into simple and connected tasks and with a maximum speed for each task to be executed. High productivity was an obsession for the Soviet state aș well aș capitalist economies and became an obsession for the Bolshevik Meyerhold. În one lecture from 1922 he militates for a radical “Taylorization of the theatre” în order to perform în one hour what was performed în four hours. Biomechanics is the fusion of these two theories în theatre
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
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and with a maximum speed for each task to be executed. High productivity was an obsession for the Soviet state aș well aș capitalist economies and became an obsession for the Bolshevik Meyerhold. În one lecture from 1922 he militates for a radical “Taylorization of the theatre” în order to perform în one hour what was performed în four hours. Biomechanics is the fusion of these two theories în theatre, where the actor works aș a dog, în an efficient and
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
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the theatre” în order to perform în one hour what was performed în four hours. Biomechanics is the fusion of these two theories în theatre, where the actor works aș a dog, în an efficient and productive way. În order for this type of theatrical work to be effective, the actors requires two skills: “(1) the innate capacity for reflex excitability, which will enable him to cope with any employ within the limits of his physical characteristics; (2) ‘physical competence’, consisting
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
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fusion of these two theories în theatre, where the actor works aș a dog, în an efficient and productive way. În order for this type of theatrical work to be effective, the actors requires two skills: “(1) the innate capacity for reflex excitability, which will enable him to cope with any employ within the limits of his physical characteristics; (2) ‘physical competence’, consisting of a true eye, a sense of balance, and the ability to sense at any given moment the
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
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of his physical characteristics; (2) ‘physical competence’, consisting of a true eye, a sense of balance, and the ability to sense at any given moment the location of his centre of gravity.”[ 2] Biomechanics was supposed to offer the method for the process. Even if the actors were not working în factory conditions, Meyerhold developed his methods în an open solidarity with industry workers: performances were supposed to be effective and were treated aș finished products, they were made to “hit
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
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were made to “hit the mark” and communicate important messages, like a well-organized industrial unit producing goods without any waste and to specification. The usage of the language of science and industry was not an accident: the new language used for theatrical thinking was expressing the conscious theoretical change în response to the Revolution. Meyerhold rejected any type of psychological or humanist understanding of theatre and, în the line of post-revolutionary science, puț all his efforts into transforming theatre into a
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]