3,804 matches
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nu se aplică în cazurile vizate de prezentul alineat." 4. Se inserează următorul articol: "Articolul 9 În cazul certificatelor prevăzute în art. 4 alin. (1), andorsate de autoritățile competente în fiecare trimestru și care vizează tranșele cu os obținute de la buturi, statele membre notifică următoarele în cea de a doua lună următoare fiecărui trimestru: - greutatea netă totală indicată în certificatele vizate de cazurile prevăzute în art. 6 alin. (1), - greutatea netă totală indicată în certificatele vizate de cazurile prevăzute în art.
jrc4868as2000 by Guvernul României () [Corola-website/Law/90035_a_90822]
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aplicată componentelor unui motor de rachetă, de exemplu carcasei, duzei, gurii de admisie a orificiilor de închidere și include un adaos de placă semicompusă din cauciuc ce conține un material izolator sau refractar. Poate fi de asemenea inclusă sub forma buturilor cu tensiuni în exterior sau a flapsurilor. "Interconectarea senzorilor radar" reprezintă doi sau mai mulți senzori radar care sunt interconectați când schimbul de date mutuale se face în timp real. "Căptușeala interioară (9) este potrivită interfeței de legătură dintre carburantul
jrc4712as2000 by Guvernul României () [Corola-website/Law/89878_a_90665]
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commercial filmed by some foreigners în Buftea, at MediaPro Pictures. A more ambitious project, with a big team, on which I worked for a week. I’d start în the morning at six o’clock and work for twelve hours, but the schedule wasn’ț always observed. There were days when I worked from six în the morning till two a.m.. Overtime wasn’ț paid for. Did you sign any contract with them?</b> I did sign something, but I never
„Au fost zile în care am lucrat de la șase dimineața până la ora două noaptea#034; () [Corola-website/Science/295667_a_296996]
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twelve hours, but the schedule wasn’ț always observed. There were days when I worked from six în the morning till two a.m.. Overtime wasn’ț paid for. Did you sign any contract with them?</b> I did sign something, but I never got any copies back. It’s aș if I hadn’ț signed anything. What’s different when you work with a foreign film crew?</b> Generally speaking, the relation with film crews is more or less the same
„Au fost zile în care am lucrat de la șase dimineața până la ora două noaptea#034; () [Corola-website/Science/295667_a_296996]
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aș if I hadn’ț signed anything. What’s different when you work with a foreign film crew?</b> Generally speaking, the relation with film crews is more or less the same, whether you’re working with foreigners or Romanians, but there are certain complexes at play when it comes to westerners, which we haven’ț gotten over yet. I thought this only happened în the nineties, the way we regard each other, I mean. I’ll give you an example
„Au fost zile în care am lucrat de la șase dimineața până la ora două noaptea#034; () [Corola-website/Science/295667_a_296996]
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I was transferred here from Teatrul Mască. I hâd been working there for two years. The actors cried when I left. I came here at the end of 1998. I was pregnant. They assigned me straight to the dressing rooms, but there weren’ț aș many performances back then. There were only two or three. Teatrul Mundi were staging their plays here, they’d rented the hall. After I gave birth, someone else was given my job and when I returned
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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and I came back to the village to go through ninth and tenth grade. [...] What did you do after school? I did nine months of sewing at APACA. I didn’ț like it. I mean, I’m good at it, but it wasn’ț what I wanted to do. After sewing, I worked at Danubiana[1] handling the supply and demand of raw materials, and from there I left for Teatrul Mască and then for Teatrul Mic. I have about 27
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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good money at APACA? At APACA I worked on the button seams and at the end of the supply line, meaning I checked if the fly and the pockets matched. I don’ț remember exactly how much I was making, but it was enough. I left Danubiana with 800 lei. It was a lot at the time. And we hâd food stamps, cold food, we hâd a lot of benefits. But it didn’ț last long. Is the money enough now
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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I don’ț remember exactly how much I was making, but it was enough. I left Danubiana with 800 lei. It was a lot at the time. And we hâd food stamps, cold food, we hâd a lot of benefits. But it didn’ț last long. Is the money enough now? It’s not. I have to pay the bank and there’s șo much stuff to do. My husband works aș a taxi driver and it’s not going well
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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I have to pay the bank and there’s șo much stuff to do. My husband works aș a taxi driver and it’s not going well, our little girl is în school and she needs things, too. We save, but... what can you do? There’s little money working în the theater. The actors earn little, aș well. Are you happy with the working conditions în the theater? I’m happy because I love what I do and I’ve
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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program. I think people should fight for their wages, for the rights they have after working șo many years. Is there solidarity between theater workers? Do you think things would change if there was a strong union? I think șo, but we should all stick together. Now they all have their own personal issues, their own needs. I’m în the theater union. Some withdrew and now they regret it. But there are some benefits. Like what? At Easter or Christmas
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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change if there was a strong union? I think șo, but we should all stick together. Now they all have their own personal issues, their own needs. I’m în the theater union. Some withdrew and now they regret it. But there are some benefits. Like what? At Easter or Christmas we get a 100 lei voucher. And it comes în handy. What fond memories do you have of your day-to-day work? Well, when I was hired, after a screening, we
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
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you are? Because there are very few jobs available, șo the owners think you are always disposable. There are 100 people waiting în line to get your job. When I started my current job I knew I would be bad. But I just did not know how bad. Being humiliated, being insulted, being called a bum, a punk, a thief, a filth... That’s the way it’s going... (...) Before 1989, at least some basic rights of the worker were respected
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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Being humiliated, being insulted, being called a bum, a punk, a thief, a filth... That’s the way it’s going... (...) Before 1989, at least some basic rights of the worker were respected. You were not allowed to speak freely, but at least you hâd a decent life! School guard (Hațeg): I am qualified for 12 jobs. Twelve. But there are no working places. I am qualified to work în food industry, aș I used to work at the cans factory
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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it’s going... (...) Before 1989, at least some basic rights of the worker were respected. You were not allowed to speak freely, but at least you hâd a decent life! School guard (Hațeg): I am qualified for 12 jobs. Twelve. But there are no working places. I am qualified to work în food industry, aș I used to work at the cans factory. It is useless now. I am qualified aș a mechanic, no job for mechanics. I am qualified aș
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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now. I am qualified aș a mechanic, no job for mechanics. I am qualified aș a smith, no job for smiths. I worked aș a fireman for 20 years, now they only hire young firemen. I have worked în constructions, but my health doesn’ț allow it anymore, I have problems with my back. Șo, at over 50 years old, I went through professional reconversion and attended a course for guards. I worked at a private company aș guard and they
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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50 years old, I went through professional reconversion and attended a course for guards. I worked at a private company aș guard and they didn’ț pay me for 4 months. Șo I left. People say I should sue them. But I can hardly make a living, how can I get the money to sue them? Pensioner (Tăuții Măgherăuș): This is the greatest truth that hâș been said here since 1989! Student, 12 years old (Brad): Regarding survival... I, for example
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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a living, how can I get the money to sue them? Pensioner (Tăuții Măgherăuș): This is the greatest truth that hâș been said here since 1989! Student, 12 years old (Brad): Regarding survival... I, for example, am a student today. But în 10 years I will need a place to work în order to survive. Where will that be? Because the mines are gone. The factories are gone. Even the marmalade factory hâș been privatized and closed. Șo what can we
”Locurile de muncă ar trebui trecute în categoria bunurilor publice” () [Corola-website/Science/295659_a_296988]
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i> Some seem surprised that you would choose to write about a ‘world of those who dwell on the periphery’, aș one of your writer colleagues would say.</b><b> </b> Not only do I write about the so-called ‘losers’, but I also empathize with my characters. Research and empathize with the characters and their universe, that’s what a writer is supposed to do. Many don’ț understand this, because they’re stuck. We hâd no solidarity between intellectuals and
„La noi n-a existat o solidaritate între intelectuali și muncitori nici înainte și nici după ’89” () [Corola-website/Science/295664_a_296993]
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masses, the crowd. A Jesus for the intellectuals. You say the intellectuals knew about the strikes. What do you think they ought to have done în those circumstances?</b> Rally with the strikers, that’s what they should have done, but the Romanian intellectual, aș opposed to the Czech or Polish one, hâș a certain respectability complex. It would be a tragedy for him to be removed from his teaching position and sent ouț to sweep the streets, aș it happened
„La noi n-a existat o solidaritate între intelectuali și muncitori nici înainte și nici după ’89” () [Corola-website/Science/295664_a_296993]
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way this art can enable important transformations: “If social art ends up being consumed and puț on a pedestal by the art system, it’s not enough. I’m not naïve, I don’ț believe art can change the world. But if it manages to știr some discussions on certain delicate issues, then it’s an important step forward.” For Matei Bejenaru, making art with workers represents a form of social involvement from the part of the artist, who then becomes
„Am făcut gem în Barcelona din căpşunile culese de căpşunarii noştri” () [Corola-website/Science/295668_a_296997]
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of fighting back. </i>(David Schwartz) Did you ever discuss with other props masters the possibility of unionizing, or maybe just adopting some common work principles, to prevent companies from imposing their own contracts and terms & conditions? Yes, we did, but it’s not doable. How do you keep everyone în check? How do we keep ourselves în check, for that matter? Let’s say I have a team, others bring their teams and we get around five teams which agree
”Munceam pe degeaba. Adică sclavie direct!”. Interviu cu Cristi Badea. () [Corola-website/Science/295661_a_296990]
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he’s the one who told me about it. Other than him, there’s only Alo Casting that I know of. I know them from Facebook, they provide extras. Șo most people somehow puț up with this? Well, they do, but how long can you puț up with it? There are times when there’s no job for you. And you wait and wait, you know you have money that’s due, you know you have no work to do and
”Munceam pe degeaba. Adică sclavie direct!”. Interviu cu Cristi Badea. () [Corola-website/Science/295661_a_296990]
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something about it. You need to get your money back one way or another. Why do you think other people puț up with this? They’re scared they might not find other jobs, that no one else will hire them. But now I don’ț care anymore, because I don’ț want to work with them.
”Munceam pe degeaba. Adică sclavie direct!”. Interviu cu Cristi Badea. () [Corola-website/Science/295661_a_296990]
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with Andreea Eșanu, Andrei Ioniță, Sânziana Nicola Corporation v. community ACTIVE ART Galeria 26 (OTA), Bucharest În ForTheWin, there is a lot of talking about death (a ski accident, a case of suicide due to debt, a case of overworking), but the manner of speaking is detached and blând, lacking în voice variations. Here, death seems to be just another piece of information among others, and one of the merits of this performance is that it captures a type of homogenous
Noul aur (For The Win, vineri 17 mai, ora 21.00, Galeria26) () [Corola-website/Science/295663_a_296992]