35,594 matches
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did the same în my case. I went from office window to office window until I did what hâd to be done and it wasn’ț easy. When I called the UNHCR (United Nations High Commissioner for Refugees) to ask for help, the lady there told me she can only offer guidance. I said “thank you, but that’s not what I need.” I met a girl from ARCA (Romanian Association for Refugees and Migrants) and she offered to help me
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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UNHCR (United Nations High Commissioner for Refugees) to ask for help, the lady there told me she can only offer guidance. I said “thank you, but that’s not what I need.” I met a girl from ARCA (Romanian Association for Refugees and Migrants) and she offered to help me get citizenship. She gave me all the materials I needed and she also gave lessons. Until 5 p.m. it was free of charge. But I was at work until 5 and
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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Until 5 p.m. it was free of charge. But I was at work until 5 and I couldn’ț go, and I also couldn’ț ask her to stay after 5 without paying. Șo I thought to ask an organization for help. But nobody did. They kept saying: “We’re not budgeted for that, we can’ț help you.” What could I do with one paycheck? Every document requires money, when you translate it, when you certify it with a notary
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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work until 5 and I couldn’ț go, and I also couldn’ț ask her to stay after 5 without paying. Șo I thought to ask an organization for help. But nobody did. They kept saying: “We’re not budgeted for that, we can’ț help you.” What could I do with one paycheck? Every document requires money, when you translate it, when you certify it with a notary public. Everything costs money and time. I hâd to pay for the
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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budgeted for that, we can’ț help you.” What could I do with one paycheck? Every document requires money, when you translate it, when you certify it with a notary public. Everything costs money and time. I hâd to pay for the passports and I never went anywhere. I hâd to make two or three passports every year. Because with citizenship applications, you have to submit your passport along with your ID and uș, refugees, hâd to renew our passports every
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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and I never went anywhere. I hâd to make two or three passports every year. Because with citizenship applications, you have to submit your passport along with your ID and uș, refugees, hâd to renew our passports every year, and for me that was 100 lei (roughly 22 euro) for 3 people. I hâd to pay the state taxes and also the consulate tax. But the latter was paid by ARCA, I have to say. They paid half of it the
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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two or three passports every year. Because with citizenship applications, you have to submit your passport along with your ID and uș, refugees, hâd to renew our passports every year, and for me that was 100 lei (roughly 22 euro) for 3 people. I hâd to pay the state taxes and also the consulate tax. But the latter was paid by ARCA, I have to say. They paid half of it the first time I applied for a residence. What do
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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lei (roughly 22 euro) for 3 people. I hâd to pay the state taxes and also the consulate tax. But the latter was paid by ARCA, I have to say. They paid half of it the first time I applied for a residence. What do you feel about the role of the theater? Some say the theater should talk about beautiful things, not embark on a social critique. People have to see the other side of life, too. Maybe the good
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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bad than good. Those who only want to see beauty în the theater are those who are afraid of life, of the truth. People need to know a lot of things - not just about refugees. Nobody talks about cancer patients, for instance. It’s a taboo everywhere, not just în România. I like to talk about all sorts of issues. I say something, she says something, you say something - and something good hâș to come ouț of it. Because I can
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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Students at the University of Nairobi, reading from the play "There Is a Field", by Jen Marlowe.[/caption] How did you get involved în doing theatre and community work? I was trained aș a teacher and became a classroom teacher for 16 years. During the time I also involved myself with dramă, even though it was very negligible aș I taught în the rural areas and hâd no exposure. I was then lucky aș I was able to transfer to Nairobi
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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contemporary plays? Do you try to make your political message visible through the plays? Most border on Contemporary. Kenya is a very interesting country. There is a huge gap between the rich and the poor. Șo there is a place for classic work and also community development work. We also use the churches a lot aș they are very receptive. We make people think about their situations, what is possible and how change can be achieved. Our message is usually discreet
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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change can be achieved. Our message is usually discreet, but visible. How important is the role of music and movement în your work? Are your shows text-based or rather musical/visual/sensorial? They can be both, depending on audiences. Africans for starters are very visual and music and movement are important. Using dramă, mime, song and dance creates a realistic environment where appreciation of all aspects of the Arts by aș wide an audience aș possible is encouraged. The style is
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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create instances în which creativity is enhanced. We especially look to make kids confident în presentations. Do you also work with theatre aș therapy? I have trained în Counseling Psychology but în Kenya therapy is still largely looked at aș for psychotic people. Șo I’m not involved în theatre aș therapy. And it is a new concept în Kenya but I know it is going to happen. How does your work affect/change your life/your career/your humane experience
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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a career teacher, a playwright and an Artistic Director and Counsellor. I usually get small speaking training or counselling jobs with schools, churches and other organisations. I use all the skills I have în this. Dramă makes information palatable even for groups that cannot read or write and în that way I feel privileged and work easier with them. I have a very good standing în the society and feel fulfilled. I know my work should pay very well but unfortunately
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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easier with them. I have a very good standing în the society and feel fulfilled. I know my work should pay very well but unfortunately it usually does not. Although appreciated a lot, that is not what people will pay for because they don’ț have that sort of money. Earn.... If the work is funded, I get paid depending on work and project funder. If I work say, with organizations, they will also pay some little money. Churches will hardly
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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you think that art can change something without the help of the politics and social system? No. It will take a really long time. How important is the work of the internațional foundations or NGOs în Kenya? Do they work for the people, or rather do wrong? They have been funding and supported NGO work în Kenya and în some sectors have done tremendously well. But now aș we speak there is donor fatigue aș a lot of NGOs did not
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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fatigue aș a lot of NGOs did not use donor money appropriately. That is the good answer and the easy one, but personally I also think communities would do better growing themselves and empowering each other. What are your hopes for the future of the marginalized and impoverished children în Kenya? Do you think the economical situation will improve? Ok. Right now although the world might not agree, we have a good government. There is a lot of hope în me
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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and impoverished children în Kenya? Do you think the economical situation will improve? Ok. Right now although the world might not agree, we have a good government. There is a lot of hope în me and în the common mân for tomorrow. Yes, I believe the situation will improve but I also know that, that will take a long time because like I said before, value systems have changed and there is a lot of greed. What are your artistic plâns
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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tomorrow. Yes, I believe the situation will improve but I also know that, that will take a long time because like I said before, value systems have changed and there is a lot of greed. What are your artistic plâns for the future? My own artistic plâns would involve making very short community message films. This ensures that more people get reached and work can be easily documented. Thank you very much.
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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care se confruntă cu probleme similare, evaluarea unui subiect problematic și croirea drumului spre un discurs profesional și responsabil pe această temă - este doar o soluție pe termen scurt?[:en]<i>by Panna Adorjáni</i></b> Can the theater be for everyone? And if it can, how exactly can it do that? Does subsidized theater have the ability to attract everyone? The fact that young people are no longer interested în the theater or that there are no performances for children
Facem sau nu teatru pentru toți? Despre proiectul Noul spectator (Új néző) () [Corola-website/Science/295741_a_297070]
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be for everyone? And if it can, how exactly can it do that? Does subsidized theater have the ability to attract everyone? The fact that young people are no longer interested în the theater or that there are no performances for children, the fact that the theater is too elitist or that the level of the artworks is on a downward spiral - all these otherwise burning issues have become aș many clichés used by applicants to various management positions, who promise
Facem sau nu teatru pentru toți? Despre proiectul Noul spectator (Új néző) () [Corola-website/Science/295741_a_297070]
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or that the level of the artworks is on a downward spiral - all these otherwise burning issues have become aș many clichés used by applicants to various management positions, who promise that all these issues will be solved once and for all. Undisputedly, even în revolutionary fashion - if possible, even în one performance. Joking aside, if we take a closer look at the theater, we see that it neglects certain social categories: employees of multinațional corporations, industrial workers, pensioners or marginalized
Facem sau nu teatru pentru toți? Despre proiectul Noul spectator (Új néző) () [Corola-website/Science/295741_a_297070]
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caption id="attachment 1325" align="aligncenter" width="300"] The New Spectator[/caption] În Hungary there are several theater groups which deal with one of the above-mentioned communities. “Káva - Cultural Workshop (Káva Kulturális Műhely)” hâș been doing projects of education through theater for 18 years. Their performances are aimed at small groups (a class of 14-15 year-olds, for instance) and follow the guidelines of the Theater în Education (ȚIE) programs. This group was the inițiator of The New Spectator</b> <b>(Új néző
Facem sau nu teatru pentru toți? Despre proiectul Noul spectator (Új néző) () [Corola-website/Science/295741_a_297070]
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several theater groups which deal with one of the above-mentioned communities. “Káva - Cultural Workshop (Káva Kulturális Műhely)” hâș been doing projects of education through theater for 18 years. Their performances are aimed at small groups (a class of 14-15 year-olds, for instance) and follow the guidelines of the Theater în Education (ȚIE) programs. This group was the inițiator of The New Spectator</b> <b>(Új néző) </b>project în 2010, together with the Association for Culture and Social Sciences “anblokk” and
Facem sau nu teatru pentru toți? Despre proiectul Noul spectator (Új néző) () [Corola-website/Science/295741_a_297070]
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groups (a class of 14-15 year-olds, for instance) and follow the guidelines of the Theater în Education (ȚIE) programs. This group was the inițiator of The New Spectator</b> <b>(Új néző) </b>project în 2010, together with the Association for Culture and Social Sciences “anblokk” and Krétakör, ăn independent group from Budapest, founded by Árpád Schilling în 1995, which later became one of the most important centers of Hungarian theater. This collective stopped producing tradițional performances în 2008 and became
Facem sau nu teatru pentru toți? Despre proiectul Noul spectator (Új néző) () [Corola-website/Science/295741_a_297070]