35,594 matches
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very perverse: during the post-performance discussions, people seemed to hold the teacher in very high regard, but the media had done so much initial damage. Andreea Eșanu: </b>Monica mentions something very important. During the discussions, people showed their appreciation for the teacher. [caption id="attachment 1302" align="aligncenter" width="300"] Turneu la țară. Photo: Bogdan Paraschiv.[/caption] Interview conducted by Mihaela Michailov [1] Project team made up of: Andrei Sever Bârzan, Andreea Eșanu, Bogdan Georgescu, Alice Monica Marinescu, Sânziana Nicola; research
În teatrul comunitar „nu poți să o ții langa în lumea ta!” () [Corola-website/Science/295738_a_297067]
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gazeta@artapolitica.ro</a>[:en]Within the ranks of the global feminist movement, art hâș played an important part în structuring and developing a critical discourse which hâș shattered the fundamental inequalities between women and men. Initially focused on claims for judicial regulation and political rights for white, heterosexual women, the feminist discourse - or to puț it more accurately, some radical feminist positions - also focuses on sexual and gender minorities. The need to question the state-endorsed heteronormativity joined forces with the
Apel la texte și intervenții: GAP 6 – Artă, Gen, Sexualitate () [Corola-website/Science/295759_a_297088]
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the ranks of the global feminist movement, art hâș played an important part în structuring and developing a critical discourse which hâș shattered the fundamental inequalities between women and men. Initially focused on claims for judicial regulation and political rights for white, heterosexual women, the feminist discourse - or to puț it more accurately, some radical feminist positions - also focuses on sexual and gender minorities. The need to question the state-endorsed heteronormativity joined forces with the freedom from the patriarchal logic and
Apel la texte și intervenții: GAP 6 – Artă, Gen, Sexualitate () [Corola-website/Science/295759_a_297088]
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positions - also focuses on sexual and gender minorities. The need to question the state-endorsed heteronormativity joined forces with the freedom from the patriarchal logic and sexism: “Until all of uș are free, all of uș are prisoners” is the premise for practices deriving from the sphere of queer, anti-racist and anti-transphobic feminist discourses. Alongside feminism, sexual revolution and LGBT activism (lesbian, gay, bisexual, transgender) become important stakes în achieving equality în contemporary societies. Issue #6 of Gazeta de Artă Politică</b
Apel la texte și intervenții: GAP 6 – Artă, Gen, Sexualitate () [Corola-website/Science/295759_a_297088]
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main work on the topic is Loft Living. Culture and Capital în Urban Change, published by Sharon Zukin în 1982.[1] Her argument revolves around industrial warehouses în New York which appeared on the real-estate market and were turned into housing for the middle class, discussing the role played by art and artists în the process. Although Zukin talks about a significant change în the global political economy and adjacent transformations în the organization of capitalist production, her arguments have been often
Spațiul creativ este noul tău loc de muncă! Gentrificare, artă și muncitori culturali () [Corola-website/Science/295757_a_297086]
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to obtain a profit with little or no investment. Chelcea described this accumulation în the following terms: “[...] a dynamic group of real-estate agents and private individuals appropriate the difference between the market value of centrally located property and the value for which they were șold or allocated by the state. They aim to influence the municipality and former tenants turned owners, especially the poor ones, to sell them such properties - and they are very persistent. These informal, non-procedural transfers of property
Spațiul creativ este noul tău loc de muncă! Gentrificare, artă și muncitori culturali () [Corola-website/Science/295757_a_297086]
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în the colonial logic of the capitalist real estate market. One or more groups of artists find the area attractive (low rents, “inspiration”) and are allowed a couple of years to settle în. Slowly, but surely, the area becomes interesting for the middle class. Artist owned galleries, bars and “bohemian” cafes crop up and suddenly property values surge. The inițial inhabitants can no longer afford the new rents and leave. This is one of the many scenarios în which art is
Artă, cultură și gentrificare () [Corola-website/Science/295767_a_297096]
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the many scenarios în which art is involved în easing the aggressive takeover of urban space by capital. At an internațional level, big cultural events (mostly sports-related) with their implicit massive construction work have also been and still are pretexts for the acceleration of gentrification processes. The Winter Olympics în Sochi (2014), the World Cup 2014 and the Summer Olympics of 2016 în Brazil are the most recent examples of this sort. The low-income population în certain areas of interest for
Artă, cultură și gentrificare () [Corola-website/Science/295767_a_297096]
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for the acceleration of gentrification processes. The Winter Olympics în Sochi (2014), the World Cup 2014 and the Summer Olympics of 2016 în Brazil are the most recent examples of this sort. The low-income population în certain areas of interest for realtors is forcefully evicted and driven away under the pretext of construction work for mega-events. În the context of Romanian post-socialism, especially în Bucharest and Cluj, gentrification hâș often been accompanied by direct aggression aimed at forcing the eviction of
Artă, cultură și gentrificare () [Corola-website/Science/295767_a_297096]
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Cup 2014 and the Summer Olympics of 2016 în Brazil are the most recent examples of this sort. The low-income population în certain areas of interest for realtors is forcefully evicted and driven away under the pretext of construction work for mega-events. În the context of Romanian post-socialism, especially în Bucharest and Cluj, gentrification hâș often been accompanied by direct aggression aimed at forcing the eviction of “undesirables” - forced evictions under various pretexts, from property returned to its pre-socialist owners (real
Artă, cultură și gentrificare () [Corola-website/Science/295767_a_297096]
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Jurnaliștii de la publicația independentă Think Outside the Box au invitat 15 elevi bucureșteni de școală generală și liceu, la o serie de ateliere de jurnalism cetățenesc, realizate în parteneriat cu Policy Center for Roma and Minorities și Centrul pentru Acțiune și Responsabilitate în Educație (CARE). Scopul atelierelor a fost să testeze curiozitatea față de jurnalism a copiilor și adolescenților, care își vor putea publica primele articole în cadrul site-ului curteașcolii.totb.ro. Acest site
15 elevi din București, „Jurnaliști în curtea școlii” () [Corola-website/Science/296039_a_297368]
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Theatre în Bucharest, I saw Vodă perform în the play Acasă [Home] (text by Ludmila Razumovskaia, directed by Radu Apostol), which revolutionized the Romanian theatre through its social and community-oriented approach and its solid poetic construction. Acasă marked the path for new theatrical practices, for profound aesthetic and political reflections upon extremely vulnerable realities, upon the world of fragile “undesirables” whose self-representation is usually shunned by the art with capital A. <strong>Acasă</strong> was created by director Radu Apostol together
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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saw Vodă perform în the play Acasă [Home] (text by Ludmila Razumovskaia, directed by Radu Apostol), which revolutionized the Romanian theatre through its social and community-oriented approach and its solid poetic construction. Acasă marked the path for new theatrical practices, for profound aesthetic and political reflections upon extremely vulnerable realities, upon the world of fragile “undesirables” whose self-representation is usually shunned by the art with capital A. <strong>Acasă</strong> was created by director Radu Apostol together with a group of
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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any connection to my dad, I didn’ț feel he was “dad”, but someone taking care of me aș if he wanted to believe I was his child. Later on I found ouț I was adopted. Dad was never there for me, I was never on his good side. I wanted to run away and escape, to become my own self. I wanted to be free. This is what I was feeling, but I didn’ț know how to express it
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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his good side. I wanted to run away and escape, to become my own self. I wanted to be free. This is what I was feeling, but I didn’ț know how to express it în words. This... the need for freedom. Then, around the time I turned 17, things changed. I started to be interested în girls, I wanted to be clean for them to look at me, I was watching them... Something was growing inside me, I was no
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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I was feeling, but I didn’ț know how to express it în words. This... the need for freedom. Then, around the time I turned 17, things changed. I started to be interested în girls, I wanted to be clean for them to look at me, I was watching them... Something was growing inside me, I was no longer a child. But I was dirty, and I was feeling dirty... And little by little I hâd to wish for a change
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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be clean for them to look at me, I was watching them... Something was growing inside me, I was no longer a child. But I was dirty, and I was feeling dirty... And little by little I hâd to wish for a change, and that change came. I started going to a day centre around Dristor neighbourhood. You would go there during the day, wash your clothes, eat, there was a schedule, a psychologist and a social worker trying to assist
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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a social worker trying to assist you to integrate, to go to school... Șo did you go to school? I did. I hâd to and I went. [...] At the day centre I met Radu Apostol, who was there to work for Acasă. [...] I still remember those emotions when playing Acasă, when I was looking at the people în the first three rows with tears în their eyes and feeling our story is touching them, when we were telling them: “see, life
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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you want to make the change? You cannot ignore these realities forever!” It felt aș if I was about to take wing! I was feeling on the right tracks. [...] I have to admit that at first I was mostly there for the fun, but then I started to like it a lot and wanted it never to end. I was very enthused with everything that was happening to me. I kept being amazed! Then, în parallel, I started working with ARAS
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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Association against AIDS), supporting homeless and sex workers - a new environment, new colleagues. I grew up close to wonderful very dedicated people. [...] After the Acasă<em> project, you received social housing.</em></strong> Yes, and I stayed în the apartment for about seven years. At first, we were six people în the flat, and then 4 were left, then only 2. I brought a lot of people from the neighbourhood to the theatre. People who only went to the theatre when
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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who only went to the theatre when they were kids, to see Snow White, and haven’ț been there since. I would tell them: come to see how it’s like! Leaving the apartment felt like falling off a cliff. For 2-3 months I stayed with a friend at Big Berceni, loading and unloading stuff for the market. I was sleeping în his small booth. Wasted life. I knew I could get away from this life, but it was hard. I
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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haven’ț been there since. I would tell them: come to see how it’s like! Leaving the apartment felt like falling off a cliff. For 2-3 months I stayed with a friend at Big Berceni, loading and unloading stuff for the market. I was sleeping în his small booth. Wasted life. I knew I could get away from this life, but it was hard. I learnt a lot from that experience. Then I did some time [for drug dealing, trans
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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and unloading stuff for the market. I was sleeping în his small booth. Wasted life. I knew I could get away from this life, but it was hard. I learnt a lot from that experience. Then I did some time [for drug dealing, trans.n.]. For how long? Two years and two moths. Towards the end, knowing I would be ouț soon, I started thinking: how will I react? Being ouț, it felt like I’ve been în prison for only
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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market. I was sleeping în his small booth. Wasted life. I knew I could get away from this life, but it was hard. I learnt a lot from that experience. Then I did some time [for drug dealing, trans.n.]. For how long? Two years and two moths. Towards the end, knowing I would be ouț soon, I started thinking: how will I react? Being ouț, it felt like I’ve been în prison for only one second, although it was
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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time [for drug dealing, trans.n.]. For how long? Two years and two moths. Towards the end, knowing I would be ouț soon, I started thinking: how will I react? Being ouț, it felt like I’ve been în prison for only one second, although it was really harsh there. We were 9 to 34 people în the cell. No place to sit, no place to eat, it’s like a horror movie. It’s inhuman. You cannot expect the person
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]