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and subway cleaner, both of these nightshifts. I could barely make ends meet, let alone pay the mortgage installments. The wages were terrible. I mean, there is money to be made aș a security guard, but I wasn’ț equipped for it, neither physically, nor by training. Șo I really fell behind on my installments. În January 2014, aș I was under pressure to pay, with the interest rate rising and no experience with loans and no one to advise me
„Nu aș mai face niciodată credit ipotecar” () [Corola-website/Science/296064_a_297393]
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London E14 4HB , UK Tel . ( 44- 20 ) 74 18 84 00 Fax ( 44- 20 ) 74 18 84 16 E- mail : mail@ emea . europa . eu http : // www . emea . europa . eu ©EMEA 2007 Reproduction and/ or distribution of this document is authorised for non commercial purposes only provided the EMEA is acknowledged lucru determină modificări ale activității cerebrale , provocând apariția undelor delta ( lente ) pe durata somnului din timpul nopții . Cum a fost studiat Xyrem ? Efectele Xyrem în tratamentul narcolepsiei și cataplexiei au fost
Ro_1193 () [Corola-website/Science/291951_a_293280]
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London E14 4HB , UK Tel . ( 44- 20 ) 74 18 84 00 Fax ( 44- 20 ) 74 18 84 16 E- mail : mail@ emea . europa . eu http : // www . emea . europa . eu ©EMEA 2007 Reproduction and/ or distribution of this document is authorised for non commercial purposes only provided the EMEA is acknowledged antigen ) din corp . Omalizumab se fixează de imunoglobulina umană E care este produsă în cantități mari la pacienții cu alergii și care generează o reacție alergică ca răspuns la un alergen
Ro_1191 () [Corola-website/Science/291949_a_293278]
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London E14 4HB , UK Tel . ( 44- 20 ) 74 18 84 00 Fax ( 44- 20 ) 74 18 84 16 E- mail : mail@ emea . europa . eu http : // www . emea . europa . eu ©EMEA 2007 Reproduction and/ or distribution of this document is authorised for non commercial purposes only provided the EMEA is acknowledged Cum funcționează Yondelis ? Cum a fost studiat Yondelis ? Efectele medicamentului Yondelis au fost inițial testate pe modele experimentale înainte de a fi studiate la oameni . De asemenea , efectele medicamentului Yondelis au fost
Ro_1199 () [Corola-website/Science/291957_a_293286]
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unsurprisingly written by the powerful and used aș an instrument of power. David, let’s start by talking about the aspects of Moldovan history which made you approach the topics în this way. The topic is very vast. We aimed for a subjective, truncated approach. This was the idea: to have a contrast between the perspective of the average person and the mainstream one, from the time of the independence of Moldova, în 1991, until the present day. When the team
„Despre aceste lucruri nu se vorbește nici acolo, nici aici.” () [Corola-website/Science/295807_a_297136]
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performance, the idea was to pitch several research topics and I insisted on coming to Kishinev before the actual rehearsal period în order to find a topic of local interest to work on together. To do this, I needed time for research, especially since Moldovan reality is very different from the Romanian one, even more șo from the one în Bucharest. We are talking about a country with a different history and a different culture, even if we speak a similar
„Despre aceste lucruri nu se vorbește nici acolo, nici aici.” () [Corola-website/Science/295807_a_297136]
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history of another country? This was one of the main things I discussed with the actors, the actresses, Nicoleta [Esinencu] and Dora [Dorogan]. I told them I wouldn’ț like this to be my perspective on the history of Moldova. For them, ăn outside perspective was very interesting, but at the same time, to me it seemed ethically problematic to come from the West and tell them how things stood în their country. I wanted to find ouț about things and
„Despre aceste lucruri nu se vorbește nici acolo, nici aici.” () [Corola-website/Science/295807_a_297136]
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identity, what it means to be Moldovan versus Romanian, versus Russians, or Romanian speakers versus Russian speakers etc., but during the research, while talking to them, it became clear to me that this issue of identity is more a concern for the elites, one which hâș little bearing on the issues of ordinary people and on the ways în which they experienced history. And then, asking questions like “Why is Moldova the poorest country în Europe?” or “What was it like
„Despre aceste lucruri nu se vorbește nici acolo, nici aici.” () [Corola-website/Science/295807_a_297136]
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are în România. We don’ț have a theatre performance on the post-socialist transition period în România. The transition from state capitalism, according to a so-called “socialist” model, to market capitalism after 1990, was extremely brutal. It was an ordeal for many. I’ve seen two sociological studies, done by the British, which concluded that this period (the1990s) hâș experienced the highest number of avoidable, peacetime deaths în European history. Deaths caused by depression, alcoholism, people losing their homes, their jobs
„Despre aceste lucruri nu se vorbește nici acolo, nici aici.” () [Corola-website/Science/295807_a_297136]
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European history. Deaths caused by depression, alcoholism, people losing their homes, their jobs and șo on. În Moldova, the situation was even harder, because the 1980s were relatively prosperous there, whereas în România, the 80s were the harshest. The rupture for them was more severe. Nobody talks about these things în either Moldova or România. What I find really relevant is that it isn’ț just about formally implementing new working methods or about a part the actors play, but about
„Despre aceste lucruri nu se vorbește nici acolo, nici aici.” () [Corola-website/Science/295807_a_297136]
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not fought only at the point of “Oh, God, they stole our land”, but also at the point of the soldiers’ traumă, the soldiers who are often their own parents, not just some abstract soldiers. This is the real gain for me. History does not belong to the elites and is not the history of conquests or of heads of state. This was one of the main stakes of the performance, to depict a history different from that of the textbooks
„Despre aceste lucruri nu se vorbește nici acolo, nici aici.” () [Corola-website/Science/295807_a_297136]
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Saitoc. În 2012, când ne-am început activitatea în spațiu, noi lucram deja împreună iar direcția noastră a fost dată în primul rând de limbajul comun pe care îl dezvoltasem și de logica colaborării nostre. Urma să expunem seria Casting for a Perfect Gentleman în spațiu, iar în timp ce instalam ni s-a spus că acesta avea să fie ultimul proiect Atelier 35. Echipa de-atunci urma să se retragă și se zvonea că UAPR ar intenționa să transforme spațiul într-un
Atelier 35. Între model de autogestiune și brand. O discuție cu Xandra Popescu, Larisa Crunțeanu și Veda Popovici () [Corola-website/Science/295806_a_297135]
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arunce casa în aer. Dar acum nu mai sunteți în pericol”. (p. 23) De ce era Moore o țintă? Publicase cumva caricaturi cu profetul Mahomed? Buclucul a început în prima săptămînă a războiului din Irak, în 2003, cînd filmul lui, Bowling for Columbine, a cîștigat premiul Oscar pentru cel mai bun documentar. La Academy Awards, pe 23 martie, Moore a spus întregii lumi: „I‑am invitat cu noi pe scenă și pe ceilalți colegi, autori de documentare nominalizate. Sunt aici, solidari cu
Charlie Hebdo și războiul pentru civilizație () [Corola-website/Science/295814_a_297143]
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which was requested to keep the campuses safe. The protests were legitimate, since the students were faced with overcrowded campuses and lacked the conditions to study. But their discontent was framed in an anti-Semitic key and resulted in a demand for a “numerous clausus”, a cap on the number of Jewish students in universities. “Numerus clausus” became one of the main slogans of anti-Semitic nationalists and contributed, to a large extent, to the high degree of politicization amongst students. The radicalization
Cu carte și ciomag – Mișcarea studențească antisemită în perioada interbelică () [Corola-website/Science/295833_a_297162]
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journalist, în 1934, he militated against the political terror the country would experience în the 1940s. He was arrested and interned în Târgu-Jiu internment câmp </i><i>during the winter of 1942-1943: “I became prisoner nr. 3912, who was ‘responsible for spreading alarming news with the criminal intent to undermine citizens’ morale.’” His book, <b>Prison Days [</b></i><b><i>Zile de lagăr]</i></b><b><i> </i></b><i>was published for the first time în 1945. <b>Prison
Zile de lagăr () [Corola-website/Science/295839_a_297168]
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became prisoner nr. 3912, who was ‘responsible for spreading alarming news with the criminal intent to undermine citizens’ morale.’” His book, <b>Prison Days [</b></i><b><i>Zile de lagăr]</i></b><b><i> </i></b><i>was published for the first time în 1945. <b>Prison Days</b> documents the time spent în the câmp, the oppressive political atmosphere of the years 1933-1944 and several meetings Zaharia Stancu hâd with well-respected public figures of their time: I. Gh. Maurer
Zile de lagăr () [Corola-website/Science/295839_a_297168]
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firewood or just to light their cigarettes. Every once în a while, you can heat the sentinels cry ouț. Everybody everywhere is waking up. I strike up a conversation with Simion. ‘How long have you been here?’ ‘Eight months.’ ‘What for?’ ‘Damned if I know. Șo far, I haven’ț been able to find ouț. But I suspect a guy from Galați ratted me ouț. I’m a gym teacher there, at a local high-school. I like to party sometimes. Ad
Zile de lagăr () [Corola-website/Science/295839_a_297168]
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times. I wish it were more than a couple of times. Now the guy is cozying up to the new regime. Șo he ratted me ouț. Until things clear up - they will eventually - I’m stuck here. I’m paying for my short fuse, șo to speak. It’s easy to get here, leaving is the hard part. The authorities often forget why they sent you here în the first place. They even forget about you entirely. I know the câmp
Zile de lagăr () [Corola-website/Science/295839_a_297168]
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șo I wouldn’ț go crazy. I’m în charge of beds, blankets and sheets. I keep track of all of them. The colonel is very pleased with my work and I hope he’ll puț în a good word for me when the commission arrives. It makes a world of difference if the colonel puts în a good word with the commission.’ ‘Which colonel would that be?’ ‘Wait, you don’ț know? Colonel Leoveanu, of course, the câmp commander. He
Zile de lagăr () [Corola-website/Science/295839_a_297168]
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of difference if the colonel puts în a good word with the commission.’ ‘Which colonel would that be?’ ‘Wait, you don’ț know? Colonel Leoveanu, of course, the câmp commander. He’s nicer than others. Before him, it was hell for uș. There was another guy, a brute. You might have heard of him: colonel Zlătescu.’ ‘I haven’ț’, I replied, professing my ignorance. ‘He killed șo many! He destroyed șo many lives, the brute. But there is a God above
Zile de lagăr () [Corola-website/Science/295839_a_297168]
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to the câmp and told the new commanding officer of his wish. They both went to the workshop and called the two Chinese workers. Zlătescu talked to them. Less superior, but still patronizing. ‘Chinks, I’m here to ask you for a headstone. My boy died în battle, God rest his soul!’ The two Chinese burst în protest: ‘May God not rest his soul! And may He not rest yours, either! We’ve been held here for almost two years. We
Zile de lagăr () [Corola-website/Science/295839_a_297168]
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here to ask you for a headstone. My boy died în battle, God rest his soul!’ The two Chinese burst în protest: ‘May God not rest his soul! And may He not rest yours, either! We’ve been held here for almost two years. We have children, too. We have wives, too. Have you ever considered how our wives and children get by? May God not rest your son’s soul! We won’ț build you a headstone! We’d rather
Zile de lagăr () [Corola-website/Science/295839_a_297168]
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13 and deported to Moghilev concentration câmp în Transnistria/Pridnestrovie. Today he is the president of the Association of Romanian Jews Victims of the Holocaust. Alexandru Elias was deported to Tirgu-Jiu labor câmp în 1942, at the age of 16, for his political activity. He was a member of the left-wing Zionist organization Hașomer Hațair, ăn organization which militated for a bi-national (Jewish-Arab) state în Palestine. [caption id="attachment 1916" align="aligncenter" width="600"] Leon Misosniky, artist and antifascist militant, no title
„Holocaustul este referitor la evrei, dar există pericolul peste tot – pentru toată lumea.” () [Corola-website/Science/295840_a_297169]
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Romanian Jews Victims of the Holocaust. Alexandru Elias was deported to Tirgu-Jiu labor câmp în 1942, at the age of 16, for his political activity. He was a member of the left-wing Zionist organization Hașomer Hațair, ăn organization which militated for a bi-national (Jewish-Arab) state în Palestine. [caption id="attachment 1916" align="aligncenter" width="600"] Leon Misosniky, artist and antifascist militant, no title, 93 x 65, marker[/caption] Liviu Beris: [...] On July 5, 1941, Romanian troops entered Herta. Someone came and told
„Holocaustul este referitor la evrei, dar există pericolul peste tot – pentru toată lumea.” () [Corola-website/Science/295840_a_297169]
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them, and I found ouț they were executed without any trial. Afterwards, we were set free from the synagogues, returned to our homes and obviously found them plundered. [...] Alexandru Elias: There is a difference between the oppression of innocent people for the “crime” of being born Jewish and my experience. The things I’d like to talk to you about happened when I wasn’ț yet 17. I turned 17 în Antonescu’s prisons. Now I’m just a few months
„Holocaustul este referitor la evrei, dar există pericolul peste tot – pentru toată lumea.” () [Corola-website/Science/295840_a_297169]