45,651 matches
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cazul copiilor maltratați. Documentele și radiografiile prezentate de data aceasta, impun atenției participanților, subiectul copilului maltratat. Apare diagnosticul: „sindromul copilului bătut”care intră în manualele de medicină. Henry Kempe pune bazele unei asociații de profil: ISPCAN (International Society for Prevention of Child Abuse and Neglect)2. Inițiază și o publicație de specialitate, cunoscuta revistă: Child Abuse and Neglect. The International Journal. ISPCAN, <footnote id="1"> DSM-IV (1994), Diagnostic and Statistical Manual of Mental Disorders, a IV-a ediție, American Psychiatric Association
VIOLENTA, TRAUMA, REZILIENTA by ANA MUNTEANU, ANCA MUNTEANU () [Corola-publishinghouse/Science/804_a_1761]
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unei asociații de profil: ISPCAN (International Society for Prevention of Child Abuse and Neglect)2. Inițiază și o publicație de specialitate, cunoscuta revistă: Child Abuse and Neglect. The International Journal. ISPCAN, <footnote id="1"> DSM-IV (1994), Diagnostic and Statistical Manual of Mental Disorders, a IV-a ediție, American Psychiatric Association. < footnote> <footnote id="2"> www.ispcan.org. <-footnote> care-și desfășoară activitatea aproape peste tot în lume, a ajuns o voce respectată pe plan internațional cu privire la prevenirea maltratării copilului, colaborând strâns
VIOLENTA, TRAUMA, REZILIENTA by ANA MUNTEANU, ANCA MUNTEANU () [Corola-publishinghouse/Science/804_a_1761]
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reușește să se implice în actul respectiv cu integralitate și autentică devoțiune. Rostită detașat, mecanic, cu mintea transportată pe alte cărări, mai mult sau mai puțin cotidiene, valențele transfiguratoare ale rugăciunii sunt regretabil amputate. O investigație condusă de American Academy of Family Physicians (2001), semnalează că 96% dintre medicii de familie americani susțin rolul major pe care credința și speranța îl joacă în vindecare, de aceea majoritatea dintre aceștia (73%) pledează pentru importanța rugăciunii. Mai apoi, Centrul Național pentru Medicină Complementară
VIOLENTA, TRAUMA, REZILIENTA by ANA MUNTEANU, ANCA MUNTEANU () [Corola-publishinghouse/Science/804_a_1761]
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1.3.3. De la "geniul național" la "demonul teoriei" Conceptul de "poezie a gramaticii" apare în gândirea lui Roman Jakobson abia după război, în momentul în care ajunsese deja în SUA. Articolul, publicat sub titlul "Poetry of grammar and grammar of poetry" în 1968, a fost prezentat într-o primă versiune, într-o conferință din 1960. Astfel e contemporan cu mai multe texte ale savantului rus: "Linguistics and Poetics" publicat în 1960, "Grammatical parallelism and its Russian facet" din 1966 sau
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]
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EPL, București, 1966. Cornea, Paul, Originile romantismului românesc. Spiritul public, mișcarea ideilor și literatura între 1780-1840, Minerva, București, 1972. Cornea, Paul, Regula jocului. Versantul colectiv al literaturii, Eminescu, București, 1980. Cornis-Pope, Marcel, John Neubauer (eds.), History of the Literary Cultures of East-Central Europe. Junctures and disjunctures in the 19th and 20th centuries, I-IV, John Benjamins Publishing, Amsterdam, 2004-2010. Costache, Iulian, Eminescu. Negocierea unei imagini, Cartea Românească, București, 2008. Crépon, Marc, Le malin génie des langues, Vrin, Paris, 2000. Crépon, Marc
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Literature and Culture, vol. 8 (2006), nr. 2, http://dx.doi.org/10.7771/1481-4374.1304. Domínguez, César, Theo D'haen (eds.), Cosmopolitanism and the Postnational. Literature and the New Europe, Brill Rodopi, Leiden - Boston, 2015. Drace-Francis, Alex, The Making of Modern Romanian Culture. Literacy and the Developement of National Identity, Tauris Academic Studies, London - New York, 2006. Fabre, Daniel (dir.), Domestiquer l'histoire. Ethnologie des monuments historiques, Editions de la Maison des sciences de l'homme, Paris, 2000. Ferry, Luc, Homo æstheticus
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de la Maison des sciences de l'homme, Paris, 2000. Ferry, Luc, Homo æstheticus. L'invention du goût à l'âge démocratique, Grasset, Paris, 1990. Finné, Jacques, Des mystifications littéraires, José Corti, Paris, 2010. Fishelov, David, Metaphors of Genre. The Role of Analogies in Genre Theory, The Pennsylvania State University Press, Pennsylvania, 1993. Fontanille, Jacques, Juliette Vion-Dury et Bertrand Westphal (éds.), L'Émergence. En réponse aux travaux de Jean-Marie Grassin, collection "Littératures de langue française", vol. 13, Peter Lang, Bern - Frankfurt - Paris
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Susan Noakes (eds.), The Comparative Perspective on Literature: Approaches to Theory and Practice, Cornell University Press, Ithaca, 1988, pp. 18-36. Grassin, Jean-Marie (ed.), Littératures Émergentes/ Emerging Literatures, Peter Lang, Bern - Frankfurt - Paris - New York, 1996. Guillén, Claudio, Emerging Literatures: Critical Questionings of a Historical Concept, în Reingard Nethersole (ed.), Emerging Literatures, Peter Lang, Bern - Frankfurt - Paris - New York, 1990, pp. 1-23. Halbawchs, Maurice, La mémoire collective (1950), Albin Michel, Paris, 2012. Hastings, Adrian, The Construction of Nationhood. Ethnicity, Religion and Nationalism (1997), Cambridge
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1996. Guillén, Claudio, Emerging Literatures: Critical Questionings of a Historical Concept, în Reingard Nethersole (ed.), Emerging Literatures, Peter Lang, Bern - Frankfurt - Paris - New York, 1990, pp. 1-23. Halbawchs, Maurice, La mémoire collective (1950), Albin Michel, Paris, 2012. Hastings, Adrian, The Construction of Nationhood. Ethnicity, Religion and Nationalism (1997), Cambridge University Press, Cambridge, 2006. Heinich, Nathalie, Être écrivain: création et identité, La Découverte, Paris, 2000. Heinich, Nathalie, L'élite artiste. Excellence et singularité en régime démocratique, Gallimard, Paris, 2005. Heinich, Nathalie, La fabrique
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Nicolae, Istoria învățământului românesc (1928), ediție îngrijită de Ilie Popescu Teiușan, Editura Didactică și Pedagogică, București, 1971. Jacques-Lefèvre, Nicole Frédéric Regard (dir.), Une histoire de la "fonction-auteur" est-elle possible?, Publications de l'Université de Saint-Etienne, Saint-Etienne, 2001. Jaffe, Kineret, "The Concept of Genius: Its changing Role in 18th Century French Aesthetics", Journal of the History of Ideas, vol. 41 (1980), nr. 4, pp. 579-589. Jakobson, Roman, Essais de linguistique générale, traducere de Nicolas Ruwet, Minuit, Paris, 1963. Jakobson, Roman, Questions de poetique
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Princeton, 2014. Kindle edition. Jefferson, Ann, Jean-Alexandre Perras (eds.), Thinking Genius, Using Genius/ Penser le génie à travers ses usages, L'Esprit Créateur, vol. 55 (2015), nr. 2. Jenny, Laurent, La vie esthétique, Verdier, Paris, 2013. Kubler, George, The Shape of Time. Remarks on the History of Things (1962), Yale University Press, New Haven - London, 2008. Latour, Bruno, "Comment représenter les forêts, les pôles et les océans", Le Monde, 18.01.2016, web: http://www.lemonde.fr/international/article/2016/01
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Știință, Cluj-Napoca, 2015, pp. 101-106. Philippe, Gilles, Sujet, verbe, complément. Le moment grammatical de la littérature française 1890-1940, Gallimard, Paris, 2002. Philippe, Gilles, Le français, dernière des langues. Histoire d'un procès littéraire, PUF, Paris, 2010. Pigman III, G.W., "Versions of Imitation in the Renaissance", Renaissance Quarterly, vol. 33 (1980), nr. 1, pp. 1-32. Popovici, Dumitru, Ideologia literară a lui I. Heliade Rădulescu, Cartea Românească, București, 1935. Popovici, Dumitru, Santa cetate, între utopie și poezie (1935), în Studii literare, IV, ediție
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2007. Thiesse, Anne-Marie, La création des identités nationales. Europe XVIIIe-XIXe siècle (1999), Seuil, Paris, 2001. Thompson, Michael, Rubbish theory. The Creation and the Destruction of Value, Oxford, Oxford University Press, 1979. Tihanov, Galin, "Do "Minor Literatures" Still Exists? The Fortunes of a Concept in the Changing Frameworks of Literary History", în Vladimir Biti (ed.), Reexamining the National-Philological. Quest for a New Paradigme?, Rodopi, Amsterdam - New York, 2014, pp. 169-191. Tihanov, Galin, "Why Did Modern Literary Theory Originate in Central and Eastern Europe
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nationales. Europe XVIIIe-XIXe siècle (1999), Seuil, Paris, 2001. Thompson, Michael, Rubbish theory. The Creation and the Destruction of Value, Oxford, Oxford University Press, 1979. Tihanov, Galin, "Do "Minor Literatures" Still Exists? The Fortunes of a Concept in the Changing Frameworks of Literary History", în Vladimir Biti (ed.), Reexamining the National-Philological. Quest for a New Paradigme?, Rodopi, Amsterdam - New York, 2014, pp. 169-191. Tihanov, Galin, "Why Did Modern Literary Theory Originate in Central and Eastern Europe? (And Why Is It Now Dead)?", Common
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227 W Walter, Carole, 227 Weber, Max, 166-169, 182, 195, 235 Westphal, Bertrand, 14, 230 Wilhelm, Fabrice, 174, 235 Z Zamfir, Mihai, 60, 213-214, 225, 235 Zane, Gheorghe, 75, 225 Zanini, Adelino, 78, 235 Abstract The Genius Factory: the Birth of a Productivity Myth in the Romanian Culture proposes an approach to the ideas and realities that are usually associated with the themes of the genius in the Romanian culture between 1825 and 1875. The main aim of this book is
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]
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Factory: the Birth of a Productivity Myth in the Romanian Culture proposes an approach to the ideas and realities that are usually associated with the themes of the genius in the Romanian culture between 1825 and 1875. The main aim of this book is to restore the functions fulfilled by a wide and rather miscellaneous range of figures related to the term "Genius", such as the genius of the Romanian language, the genius of the Romanian country, the Genius of the
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]
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the term "Genius", such as the genius of the Romanian language, the genius of the Romanian country, the Genius of the Romanian peasant, the genius of the Romanian poets, and so forth. These figures are also characteristic for a process of emergence undergone by the modern Romanian literary culture. Hence, the lower limit of this period (1825) corresponds to the establishment of the first literary institutions within the Romanian Principalities, while the upper limit (1875) traces the first national consensus concerning
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]
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to the establishment of the first literary institutions within the Romanian Principalities, while the upper limit (1875) traces the first national consensus concerning the figure of the "genial poet". Between the two limits, one may delineate a very special period of literary creation that is characterized by both a rich productivity and by an enhanced affirmation of the already existing national patrimony, as well as by a low recognition of the individual literary careers and of their accomplishments. The topic of
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]
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to the imaginary triggers that this type of productivity has: because the figures and the techniques of the creative spontaneity comprised by the sphere of geniality actually participate in the stimulation of this collective mobilization, which, drives to the constitution of a literary patrimony. This hypothesis is based on a broad comparative perspective that comprises the thematic recurrences of the term "Genius" along with the process of the literary emergence. Several historical episodes give evidence about the importance of such an
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]
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played by what has been called "the genius of the French language" (le génie de la langue française) in the process of legitimizing the French literary culture of the 16th century. Moreover, one has to bear in mind the political signification of "the national genius" (Volksgeist) in the German intellectuals' fight for recognition during the second part of the 18th century, which functioned as a standard recipe for all the emergent cultures of the 19th century. Our approach is thus centered on
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]
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and Its Uses, Princeton University Press, Princeton, 2014; Jean-Alexandre Perras, L'Exception exemplaire: Inventions et usages du génie, XVIe-XVIIIe siècle, Garnier, Paris, 2016). Its main novelties regard the movement from an ideological analysis - devoted to the developments of "the idea of Genius" to two main directions of research. The first direction proposes an analysis that follows the discursive practices and their applications. The second is looking for the deployment of a collective poetics, which would endow the writers with specific resources
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]
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of the 19th century. What I wanted to emphasize is not an inventory of themes or domains related with the use of the term "Genius", but their functioning within "the literary machine" whose essential purpose is to augment the production of works. Through the figures of "the Genius", I tried to look for certain social resources and for their specific engagement within the production of literary objects. My research was articulated on three specific moments, demarcated according to the models that
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]
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I tried to look for certain social resources and for their specific engagement within the production of literary objects. My research was articulated on three specific moments, demarcated according to the models that manages and regulates the Genius's regime of use and application to the realities of Romanian society. In the first place, it is a matter of import, more specifically the import of Saint Simon's ideas on the writer's sacredness, launched around 1835. It is to this
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]
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objects. My research was articulated on three specific moments, demarcated according to the models that manages and regulates the Genius's regime of use and application to the realities of Romanian society. In the first place, it is a matter of import, more specifically the import of Saint Simon's ideas on the writer's sacredness, launched around 1835. It is to this regime of "sacredness" that we owe the knowhow to engage demographic resources in the production and consumption of
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]
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three specific moments, demarcated according to the models that manages and regulates the Genius's regime of use and application to the realities of Romanian society. In the first place, it is a matter of import, more specifically the import of Saint Simon's ideas on the writer's sacredness, launched around 1835. It is to this regime of "sacredness" that we owe the knowhow to engage demographic resources in the production and consumption of literary works. Secondly, it is a
Fabrica de geniu. Nașterea unei mitologii a productivității literare în cultura română (1825-1875) by Adrian Tudurachi () [Corola-publishinghouse/Science/84955_a_85740]