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avec la critique des sources et nuance l'action de l'influence. Les pages de critique littéraire qui ont suivi l'intertexte de la culture universelle dans l'oeuvre de Mihai Eminescu pourraient être sous-titrées la différence d'Eminescu pour l'intertexte romantique. Les études qui se sont arrêtées à l'intertextualité de l'oeuvre d' Eminescu ont donné naissance à deux types de rapports : affinités (pour la relation avec les auteurs romantiques) et parallélismes (pour la comparaison entre Eminescu et d
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qui a adopté l'intratextualité et notre démarche. Abstract Concepts: intertextuality/ intratextuality, hypotext/hypertext, Myth of the Eternal Return, prosaic intratextuality, transprosaic intratextuality, transgeneric intratextuality, transauthorial intratextuality. The theory that this doctor's degree aims to promote refers to the intertext reading in the key of Eliade's Myth of the Eternal Return (MER). Since we have never had pre-cutouts (Charles Mauron) we have left ourselves to the will of Eminescu's work, sitting at the writing table with the thought
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deeper into Eminescu's prosaism, new forms of intratextuality revealed and at the same time, the light of certain points in the intratextual constellations or of certain areas intensified through intratextual reiteration from one page to another. The first chapter "Intertext/intertextuality. Intratextuality " has provided an overview of the theoretical path of intertextuality, since 1967 until today. The diachronic picture is punctuated by theoretical hints that have marked the evolution from notion to concept, up to the poetics of intertextuality. The
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operationalization of the intertextuality (A few taxonomic boundaries). Removing the mechanism highlights dichotomies that trigger the intertextual engine: repeating/differencing hypotext/hypertext, explicit/implicit, intertextuality in texts/around texts, surface structure/deep structure, global/partial intertextuality, homotaxia/heterotaxia, homointertextuality/heterointertextuality, intertext/interdiscursive, rewriting/ hipertextuality, réécriture/récriture, intertext/intertextuality, internal/ external intertextuality, intertextuality intratextuality. As if it was not enough, we have added four intratextual categories which we hope will facilitate the operationalization of the intratexual in authors' work. So it was
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taxonomic boundaries). Removing the mechanism highlights dichotomies that trigger the intertextual engine: repeating/differencing hypotext/hypertext, explicit/implicit, intertextuality in texts/around texts, surface structure/deep structure, global/partial intertextuality, homotaxia/heterotaxia, homointertextuality/heterointertextuality, intertext/interdiscursive, rewriting/ hipertextuality, réécriture/récriture, intertext/intertextuality, internal/ external intertextuality, intertextuality intratextuality. As if it was not enough, we have added four intratextual categories which we hope will facilitate the operationalization of the intratexual in authors' work. So it was for Eminescu's prose. Chapter 2
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As if it was not enough, we have added four intratextual categories which we hope will facilitate the operationalization of the intratexual in authors' work. So it was for Eminescu's prose. Chapter 2, "An anthropological perspective on intertextuality. From intertext to myth" promotes the hypothesis according to which intertextuality could be perceived in the MER key. The essential characteristics of the myth are checked for the intertext, if the latter is not seen as a simple transfer of a textual
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was for Eminescu's prose. Chapter 2, "An anthropological perspective on intertextuality. From intertext to myth" promotes the hypothesis according to which intertextuality could be perceived in the MER key. The essential characteristics of the myth are checked for the intertext, if the latter is not seen as a simple transfer of a textual sequences from one page to another. Moreover, to identify intratextual correspondences from the epidermal surface of the text, special programs have been invented. In our case, the
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motion: the implicit and creative differing, the tension that is released from overlapping (never complete), the escape from the profane to the sacred. The four principles that Mircea Eliade attributes to myth and that this research will pursue for the intertext are: an exemplary model; repeating; rupture of profane duration; reintegration into primordial time. The third chapter "The intertext of the universal literature in Mihai Eminescu's work" makes the transition from theory to practice. In its opening, the methodological considerations
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the profane to the sacred. The four principles that Mircea Eliade attributes to myth and that this research will pursue for the intertext are: an exemplary model; repeating; rupture of profane duration; reintegration into primordial time. The third chapter "The intertext of the universal literature in Mihai Eminescu's work" makes the transition from theory to practice. In its opening, the methodological considerations clarify why intertextuality study is not congruent to the critiques of sources and tones the action of influence
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makes the transition from theory to practice. In its opening, the methodological considerations clarify why intertextuality study is not congruent to the critiques of sources and tones the action of influence. The pages of literary criticism that have followed the intertext from the universal literature in Mihai Eminescu's work could be subtitled as differing the romantic intertext in Eminescu's work. From the studies that have stopped at the intertextuality in Eminescu's work there follow two types of reporting
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is not congruent to the critiques of sources and tones the action of influence. The pages of literary criticism that have followed the intertext from the universal literature in Mihai Eminescu's work could be subtitled as differing the romantic intertext in Eminescu's work. From the studies that have stopped at the intertextuality in Eminescu's work there follow two types of reporting: affinities (for the relation with the romantic authors) and parallels (for the comparison between Eminescu and other
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text analysis has followed a progressive style (by the contrastive stylistics model) onto the labyrinthic path (sometimes intratextual) between text and foretext, circumscribed to the genetic criticism that has adopted intra textuality and our approach. Cuprins CUVÂNT ÎNAINTE 9 1. INTERTEXT / INTERTEXTUALITATE. INTRATEXTUALITATEA 17 1.1. INTERTEXTUALITATEA PREMISE PENTRU DEFINIRE 17 1.2. DRUMUL INTERTEXTUALITĂȚII 24 1.2.1. Geneza conceptului 24 1.2.2. Anii 1970: primele apropieri 27 1.2.3. Anii 1980: productivitatea și stabilizarea conceptului 33 1
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3. Anii 1980: productivitatea și stabilizarea conceptului 33 1.2.4. Anii 1990 : "topiri definiționale" 39 1.2.5. Anii 2000: intertextualitatea între rigoare și exces 42 1.3. CÂTEVA DELIMITĂRI TAXINOMICE 50 2. O PERSPECTIVĂ ANTROPOLOGICĂ ASUPRA INTERTEXTULUI. DE LA INTERTEXT LA MIT 73 2.1. DE LA INTERTEXT LA MIT 75 2.2. DESPRE MIT ȘI MIT LITERAR 78 2.3. MITUL ETERNEI REÎNTOARCERI 79 2.3.1. Model exemplar 80 2.3.2. Repetarea 82 2.3.3. Ruptură a
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33 1.2.4. Anii 1990 : "topiri definiționale" 39 1.2.5. Anii 2000: intertextualitatea între rigoare și exces 42 1.3. CÂTEVA DELIMITĂRI TAXINOMICE 50 2. O PERSPECTIVĂ ANTROPOLOGICĂ ASUPRA INTERTEXTULUI. DE LA INTERTEXT LA MIT 73 2.1. DE LA INTERTEXT LA MIT 75 2.2. DESPRE MIT ȘI MIT LITERAR 78 2.3. MITUL ETERNEI REÎNTOARCERI 79 2.3.1. Model exemplar 80 2.3.2. Repetarea 82 2.3.3. Ruptură a duratei profane 90 2.3.4. Reintegrarea
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2.2.2. [Archaeus]. Alegoria intertextualității 232 4.3. INTRATEXTUALITATE TRANSGENERICĂ. AL TREILEA MODEL COSMOLOGIC, EINSTEINIAN 250 4.4. INTRATEXTUALITATE TRANSAUCTORIALĂ 268 BIBLIOGRAFIE PRIMARĂ CORPUS RESTRÂNS: PROZA LUI MIHAI EMINESCU.....289 CORPUS DE LUCRU: OPERE MIHAI EMINESCU.............285 BIBLIOGRAFIE CRITICĂ INTERTEXT/INTERTEXTUALITATE ȘI ALTE NOȚIUNI 286 BIBLIOGRAFIE MIHAI EMINESCU 294 DICȚIONARE, ANTOLOGII, PERIODICE...............................................................................301 BIBLIOGRAFIE GENERALĂ. RESURSE WEB (URL) 306 ÎN LOC DE ÎNCHEIERE 309 RÉSUMÉ 311 ABSTRACT 316 DIN CATALOGUL COLECȚIEI "EMINESCIANA" Editura JUNIMEA * EMINESCU, Mihai. Poezii. Selecție și prefață de Const.
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text tradus din volumul Théorie d'ensemble, Paris: Éditions du Seuil, Collection "Tel Quel", 1968. 4 Prima ediție a Dicționarului de poetică a apărut în 1993, iar la reeditare nu este abordată noțiunea de interdiscurs. 5 [tout texte est un intertexte; d'autres textes sont présents en lui, à des niveaux variables, sous des formes plus ou moins reconnaissables : les textes de la culture antérieure et ceux de la culture environnante; tout texte est un tissu nouveau de citations révolues] Encyclopœdia universalis, article
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plus ou moins reconnaissables : les textes de la culture antérieure et ceux de la culture environnante; tout texte est un tissu nouveau de citations révolues] Encyclopœdia universalis, article "Texte". De altfel, R. Barthes vorbește în întreg spațiul alocat de enciclopedie textului despre intertext, plecând de la cuvântul-cheie tissu, care ar demonstra, aprioric-etimologic, faptul că intertextul constituie "condiția oricărui text". Putem considera articolul respectiv ca purtând titlul intertexte. Fenomenologul plăcerii textului subliniază trecerea de la textul-pânză (produs) la textura pânzei (producere). Un ochi atent ar sesiza
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de la culture environnante; tout texte est un tissu nouveau de citations révolues] Encyclopœdia universalis, article "Texte". De altfel, R. Barthes vorbește în întreg spațiul alocat de enciclopedie textului despre intertext, plecând de la cuvântul-cheie tissu, care ar demonstra, aprioric-etimologic, faptul că intertextul constituie "condiția oricărui text". Putem considera articolul respectiv ca purtând titlul intertexte. Fenomenologul plăcerii textului subliniază trecerea de la textul-pânză (produs) la textura pânzei (producere). Un ochi atent ar sesiza anticiparea ajutorului pe care intertextualitatea îl va acorda criticii genetice. 6
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Encyclopœdia universalis, article "Texte". De altfel, R. Barthes vorbește în întreg spațiul alocat de enciclopedie textului despre intertext, plecând de la cuvântul-cheie tissu, care ar demonstra, aprioric-etimologic, faptul că intertextul constituie "condiția oricărui text". Putem considera articolul respectiv ca purtând titlul intertexte. Fenomenologul plăcerii textului subliniază trecerea de la textul-pânză (produs) la textura pânzei (producere). Un ochi atent ar sesiza anticiparea ajutorului pe care intertextualitatea îl va acorda criticii genetice. 6 [On distinguera la fausse citation on a la formule "comme on dit
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spațiul unui text mai multe enunțuri luate din alte texte se încrucișează și se neutralizează.] (Antologia "Tel Quel" : 1980, 252). 14 Laurent Jenny "La stratégie de la forme", Poétique, no. 27/1976, Paris : Éditions du Seuil, pp. 257-281. 15 Lucien Dällenbach "Intertexte et autotexte", Poétique, nr. cit., pp. 282-296. Pentru finalități care urmăresc sistematizarea eforturilor științifice de limpezire noțională a intertextualității, articolele semnate de Laurent Jenny și de Lucien Dällenbach vor fi citate în capitolul "Câteva delimitări taxinomice" (infra). 16 André Topia
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enregistrement doit être effacé]. 19 Despre criticii care au insistat pe demarcația intertext-intertextualitate, mai multe în subcapitolul referitor la delimitările taxinomice ale intertextualității (vezi infra). 20 Iar Revue des Sciences Humaines își intitulează numărul 196/octombrie-decembrie 1984 Citation. 21 "Intertextualité : intertexte, autotexte, intratexte", Texte, Revue de critique et de théorie littéraire, no. 2, Toronto, Trinity Collège, 1983. 22 Michael Riffaterre "Production du roman : l'intertexte du " Lys dans la vallée " ", numărul citat al revistei Texte, pp. 23-35. 23 Daniel Bilous "Intertexte
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infra). 20 Iar Revue des Sciences Humaines își intitulează numărul 196/octombrie-decembrie 1984 Citation. 21 "Intertextualité : intertexte, autotexte, intratexte", Texte, Revue de critique et de théorie littéraire, no. 2, Toronto, Trinity Collège, 1983. 22 Michael Riffaterre "Production du roman : l'intertexte du " Lys dans la vallée " ", numărul citat al revistei Texte, pp. 23-35. 23 Daniel Bilous "Intertexte/pastiche : intermimotexte", numărul citat al revistei Texte, pp. 135-161. 24 Ideea unei poetici a intertextualității va face carieră : dacă vom face din intertextualitate memoria
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intertexte, autotexte, intratexte", Texte, Revue de critique et de théorie littéraire, no. 2, Toronto, Trinity Collège, 1983. 22 Michael Riffaterre "Production du roman : l'intertexte du " Lys dans la vallée " ", numărul citat al revistei Texte, pp. 23-35. 23 Daniel Bilous "Intertexte/pastiche : intermimotexte", numărul citat al revistei Texte, pp. 135-161. 24 Ideea unei poetici a intertextualității va face carieră : dacă vom face din intertextualitate memoria literaturii, aceasta presupune o poetică inseparabilă de o hermeneutică [En faisant de l'intertextualité la mémoire
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de référentiel représentatif, et par rapport auquel se calcule la valeur de paramètres (pondérations...) et se construit l'interprétation des résultats, (iii) un corpus de travail,ensemble des textes pour lesquels on veut obtenir une caractérisation.] ("Des genres à l'intertexte" publicat în Cahiers de Praxématique no. 33/1999, "Sémantique de l'intertexte", pp. 83-111, extras din teza de doctorat realizată sub îndrumarea lui François Rastier și susținută la Université de Paris IV Sorbonne, 6 aprilie 1999). http://icar.univ-lyon2.fr
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paramètres (pondérations...) et se construit l'interprétation des résultats, (iii) un corpus de travail,ensemble des textes pour lesquels on veut obtenir une caractérisation.] ("Des genres à l'intertexte" publicat în Cahiers de Praxématique no. 33/1999, "Sémantique de l'intertexte", pp. 83-111, extras din teza de doctorat realizată sub îndrumarea lui François Rastier și susținută la Université de Paris IV Sorbonne, 6 aprilie 1999). http://icar.univ-lyon2.fr/membres/bpincemin/biblio/rastier pincemin prax99.pdf 48 Douwe Fokkema "The Concept of Rewriting
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