1,907 matches
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typologically intermediate between a pure alphabet and the Paleohispanic full semi-syllabaries. Deși litera used to write a stop consonant was determined by the following vowel, aș în a full semisilabar, the following vowel was also written, aș în an alphabet. Some scholars treat Tartessian aș a redundant semi-syllabary, others treat it aș a redundant alphabet. A segmental script hâș graphemes which represent the phonemes (basic unit of sound) of a language. Note that there need not be (and rarely is) a
Listă de sisteme de scriere () [Corola-website/Science/310784_a_312113]
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the phonemes (basic unit of sound) of a language. Note that there need not be (and rarely is) a one-to-one correspondence between the graphemes of the script and the phonemes of a language. A phoneme may be represented only by some combination or string of graphemes, the same phoneme may be represented by more than one distinct grapheme, the same grapheme may stând for more than one phoneme, or some combination of all of the above. Segmental scripts may be further
Listă de sisteme de scriere () [Corola-website/Science/310784_a_312113]
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phonemes of a language. A phoneme may be represented only by some combination or string of graphemes, the same phoneme may be represented by more than one distinct grapheme, the same grapheme may stând for more than one phoneme, or some combination of all of the above. Segmental scripts may be further divided according to the types of phonemes they typically record: O abjadă este sistem de scriere segmental continînd symboluri doar pentru consoanăe, sau unde vocalele sunt "opțional" scrise cu
Listă de sisteme de scriere () [Corola-website/Science/310784_a_312113]
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vowel they precede în speech. În Japanese Braille, the vowels but not the consonants have independent status, and it is the vowels which are modified when the consonant is "y" or "w". These writing systems have not been deciphered. În some cases, such aș Meroitic, the sound values of the glyphs are known, but the texts still cannot be read because the language is not understood. În others, such aș the Phaistos Disc, there is little hope of progress unless further
Listă de sisteme de scriere () [Corola-website/Science/310784_a_312113]
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may only be a hoax. This section lists alphabets used to transcribe phonetic or phonemic sound; not to be confused with spelling alphabets like the NATO phonetic alphabet. Alphabets may exist în forms other than visible symbols on a surface. Some of these are: For example:
Listă de sisteme de scriere () [Corola-website/Science/310784_a_312113]
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considerat și el că fiind mizantrop datorită unor lucrări precum A Table of a Tub și Cartea a 4-a din Călătoriile lui Guliver. Caracterul creat de Molière, Alceste, în Mizantropul afirmă: „My hate is general, I detest all men; Some because they are wicked and do evil, Others because they tolerate the wicked, Refusing them the active vigorous scorn Which vice should stimulate în virtuous minds”. În filosofia occidentală, mizantropia a fost asociată cu izolarea față de societate. În dialogul Phedon
Mizantropie () [Corola-website/Science/332735_a_334064]
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do it because I couldn’ț get the visa. Șo I stayed here and went to Medical School, and I joined the college theater group. I joined the Palestinian Students’ Association în Bucharest șo that I could get involved în some form of art and I started acting în theater plays. Most of the texts were în Arabic, șo I told them: “If you want to address audiences here, you have to write în Romanian!” And they said: “Fine. You write
„Povestea mea putea fi spusă de altcineva” () [Corola-website/Science/295728_a_297057]
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wrote plays for our theater group. I usually wrote about issues concerning Palestinians. I thought: “How am I going to invite my anatomy professor or whoever to a play în Arabic?” It was absurd. I chose to ignore the jokes some people made, like “if we get în here, are we gonna be executed on the way ouț?” or “are you sure no bombers will show up?”. Most performances were at the Students’ House and at the Children’s Palace. That
„Povestea mea putea fi spusă de altcineva” () [Corola-website/Science/295728_a_297057]
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to local tradition the wood hâd been shot down from a primeval forest, Dumbrava, wich is missing for a long time. An inscription on the iconostasis keep the year 1757, the year în which the inside hâd been painted, probably some time after the completion of the construction work. The kingly icon of Jesus was also dated from the same year 1757, marking the effort made by the community for the preparation of the interior of the church. The church was
Biserica de lemn din Peceiu () [Corola-website/Science/309981_a_311310]
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constitute the main research topics chosen by visual artist Matei Bejenaru. În his photographs, installations and performance projects, the artist analyzes the transformations of the contexts of labor în România and abroad. Construction sites, factories and strawberry fields are just some of the spaces which define work and power relations within the social art puț forward by Matei Bejenaru. În the interview conducted by Mihaela Michailov, Bejenaru emphasizes the work relations between the workers with whom he created his artistic projects
„Am făcut gem în Barcelona din căpşunile culese de căpşunarii noştri” () [Corola-website/Science/295668_a_296997]
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transformations: “If social art ends up being consumed and puț on a pedestal by the art system, it’s not enough. I’m not naïve, I don’ț believe art can change the world. But if it manages to știr some discussions on certain delicate issues, then it’s an important step forward.” For Matei Bejenaru, making art with workers represents a form of social involvement from the part of the artist, who then becomes a participant observer, a subject of
„Am făcut gem în Barcelona din căpşunile culese de căpşunarii noştri” () [Corola-website/Science/295668_a_296997]
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Ines. „Sometimes I was a bit afraid that I was trying to say that she should be more open, but in the end I think she chose the right job. It’s just that she should maybe try to integrate some other things in her life.”[ 7] Deci, regizoarea este perfect mulțumită și în acord moral cu opțiunea lui Ines, care ar fi ales slujba cea mai potrivită, și mai trebuie doar să schimbe ceva, pe ici pe colo, la nivelul
Artă, politică, ouă încondeiate și forța de seducție a clovnului vestic. Din nou despre Toni Erdmann (I) () [Corola-website/Science/296165_a_297494]
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the final tournament. To determine the best runner-up, a comparison was made between all of them. Only matches played against teams that finished first, third and fourth were regarded. Matches played against fifth and sixth placed teams were discarded, because some groups hâd more teams than others. After the best runner-up was found, all the others (eight of them) entered a random playoff to determine four more teams to qualify. Portugal qualified automatically aș best runner-up, beating Turkey on goal difference
Preliminariile Campionatului European de Fotbal 2000 () [Corola-website/Science/331471_a_332800]
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of 1989-90 and a touchstone în reverse for the progress made by România after socialism: the more derelict the area becomes, the more progress is made towards overcoming the (post)socialist condition. The people living în the region have gradually (some quite rapidly) become a dislocated, marginal group both symbolically and în terms of their usefulness for contemporary capital. În the mainstream media, we/they are mostly depicted aș ouț of touch with current realities. This situation is partly reproduced even
Despre performarea realităților din Valea Jiului în teatrul SubPământ () [Corola-website/Science/295797_a_297126]
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s-a temut că s-ar putea induce ideea greșită că el ar fi creat sau produs "The Critic". A cerut ca numele său să nu apară în episod. Groening este creditat cu munca de scenarist sau coscenarist al episoadelor Some Enchanted Evening, The Telltale Head, Colonel Homer și 22 Short Films About Springfield, precum și al filmului "The Simpsons Movie" din 2007. A avut câteva apariții scurte în spectacol, precum în episodul "My Big Fâț Geek Wedding". În prezent lucrează la
Matt Groening () [Corola-website/Science/310042_a_311371]
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de pe acest album și anume "Martyr". Totuși, clipul este disponibil comercial pe partea de DVD a single-ului. Videoclipurile marcate cu * sunt la prima apariție pe DVD. Cele de la începutul DVD-ului, mai sunt diponibile comercial doar pe VHS-ul "Some great videos" din 1985, sau reeditarea lui din 1998, intitulată "The videos 81-85". Videoclipurile de la final, nu au fost disponibile comercial. Piesele din mijloc se regăsesc pe albumul video "The videos 86-98" și pe reeditarea lui "The videos 86-98+". Ultimele
The Best of Depeche Mode - volume 1 () [Corola-website/Science/306281_a_307610]
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not what people will pay for because they don’ț have that sort of money. Earn.... If the work is funded, I get paid depending on work and project funder. If I work say, with organizations, they will also pay some little money. Churches will hardly give anything towards work done. They call it ministry. În the context of Kenyan and African theatre în general, how important is the community involved theatre? Is it given much importance, is it considered art
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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take a really long time. How important is the work of the internațional foundations or NGOs în Kenya? Do they work for the people, or rather do wrong? They have been funding and supported NGO work în Kenya and în some sectors have done tremendously well. But now aș we speak there is donor fatigue aș a lot of NGOs did not use donor money appropriately. That is the good answer and the easy one, but personally I also think communities
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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children. I left for the first time în 1999. I left together with my children carrying their schoolbags and books. It was that really difficult period, when we knew we wouldn’ț get a place to stay, but we hâd some hope. I improvised a “home” ouț of two mattresses. I would lay a mattress down on the ground, and another one leaning against a wall, aș a roof. That’s how we slept. How long did you sleep like that
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
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after a couple of years, when I managed to get contracted work, I returned for the last two. I took them all with me and I worked together with my oldest son, hardly earning enough to eat and to send some money back home. The child stayed alone în Spain? </strong> Our son stayed with some relatives. My husband hâd to leave quickly, șo the relatives said they will take care of the boy; they said it’s better for the
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
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the last two. I took them all with me and I worked together with my oldest son, hardly earning enough to eat and to send some money back home. The child stayed alone în Spain? </strong> Our son stayed with some relatives. My husband hâd to leave quickly, șo the relatives said they will take care of the boy; they said it’s better for the boy to stay în Spain. He was 13 years old, he was able to work
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
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em> Sometimes I would work for ten hours în a row, standing în the sun. My face would shrivel. I would ask the boss to allow my kids to help me, șo we’d fill up more containers and earn some more. I really wished I could send them to school everyday, to be educated, but I couldn’ț. When the other workers were taking breaks to eat, I wouldn’ț. I’d keep working, to earn some more. I didn
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
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containers and earn some more. I really wished I could send them to school everyday, to be educated, but I couldn’ț. When the other workers were taking breaks to eat, I wouldn’ț. I’d keep working, to earn some more. I didn’ț leave the country because we were doing well, and we weren’ț working like crazy because we wanted to build a palace! We were working to survive, șo that we’d get to live another day
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
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wish “abroad” didn’ț even exist for my family. “Abroad” dehumanizes you. All the humiliation you endure! And for the money you earn, you work until there’s nothing left of you. It’s good when you manage to save some money, but your heart is broken! [...] Here în România you cannot earn enough to survive. [...] The lack of jobs is the biggest problem. I told my children: “save the money that you earn there and do something here, șo that
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
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we managed to stay, approximately 40 people were sheltered în four rooms, a kitchen, a bathroom and a hallway. I would share a small bed with my niece, on the hallway. There were four army beds crammed on that hallway. Some people would sleep în the house, others outside în the yard. We lived there for one year. [...] What gave you strength during those times? </strong> A woman în Cordoba once told me: “Keep fighting, my girl, don’ț give up
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]