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ones, în host cities. Women’s rights are not taken into account. These are phenomena which have taken place în other countries which hosted the World Cup, it is not something new. Our demands since 2011 have been în favor of efficient, coherent government programs to prevent such issues. And nothing hâș happened. În the matter of housing issues, Sao Paulo hâș 74 communities living în the proximity of stadiums and have been or are soon to be evicted because of
„74 de comunități urmează să fie evacuate din cauza Cupei Mondiale” () [Corola-website/Science/295764_a_297093]
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have taken place în other countries which hosted the World Cup, it is not something new. Our demands since 2011 have been în favor of efficient, coherent government programs to prevent such issues. And nothing hâș happened. În the matter of housing issues, Sao Paulo hâș 74 communities living în the proximity of stadiums and have been or are soon to be evicted because of the World Cup. The government claims only 6 families have been evacuated în order to renovate
„74 de comunități urmează să fie evacuate din cauza Cupei Mondiale” () [Corola-website/Science/295764_a_297093]
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affected by the gentrification în the eastern part of the city, a traditionally impoverished area, where this process hâș been accelerated since 2007, when Brazil officially became the host of the World Cup. For instance, we, together with a group of architects, helped a community located only 800 meters away from the stadium and devised an alternative eviction plan which we submitted to the municipality. And how did they react? We didn’ț receive an answer. Only this year did the
„74 de comunități urmează să fie evacuate din cauza Cupei Mondiale” () [Corola-website/Science/295764_a_297093]
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care trei locuitoare din comunitate - Cristina Eremia, Gabriela Dumitru, Cornelia (Cami) Ioniță - își performează propriile istorii personale. Premieră a avut loc în ianuarie 2012, la Teatrul LUNI de la Green Hours. [:en]Interview with Cristina Eremia Cristina Eremia is a member of Rahova-Uranus-Sabinelor community and the leader of a group of tenants threatened with eviction from the nationalized houses which are being returned by the state to those who clăim pre-socialist rights over them. During 2009-2011, she was the co-initiator and host
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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Eremia, Gabriela Dumitru, Cornelia (Cami) Ioniță - își performează propriile istorii personale. Premieră a avut loc în ianuarie 2012, la Teatrul LUNI de la Green Hours. [:en]Interview with Cristina Eremia Cristina Eremia is a member of Rahova-Uranus-Sabinelor community and the leader of a group of tenants threatened with eviction from the nationalized houses which are being returned by the state to those who clăim pre-socialist rights over them. During 2009-2011, she was the co-initiator and host of LaBomba Community Center. În this
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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art project în Rahova-Uranus. What did it mean to you to have artists coming here and work with all of you for șo long? At first, I didn’ț know who you were and what you wanted. Seeing a bunch of youngsters engaging the kids în all sorts of games, the kind that I used to play when I was little...I suspected they were students, their clothes were different from ours, ordinary people - skirt and pants, glasses, backpacks, the hairdos
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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to you to have artists coming here and work with all of you for șo long? At first, I didn’ț know who you were and what you wanted. Seeing a bunch of youngsters engaging the kids în all sorts of games, the kind that I used to play when I was little...I suspected they were students, their clothes were different from ours, ordinary people - skirt and pants, glasses, backpacks, the hairdos - they seemed different from uș. Initially I thought
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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worked ouț nicely, the kids continued with the performances and the music. And the first book came ouț - the Generosity Offensive album. Throughout this experience, working with the artists for 7 years, I understood that it’s also a kind of business. I don’ț call it a project, this is how I heard you call it. And with all our issues, the evictions, losing the house, Cherecheș[1] and șo on, I didn’ț care about it, I’ll do
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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în return is to show these people who come to see uș all the forgeries, all the problems people have, how they end up on the streets. That’s what I was interested în! Even if you got a bit of cash for your projects, I didn’ț care! No one could be that stupid and not realize that the artist can’ț come forever without money for the bus or for cigarettes and șo on. I mean, I thought it
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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they did help with certain projects, but on the other hand, they are precisely the ones who benefit most from the evacuation of the community? I could say we have a lovely, but non-existent relationship with Doru Frollu [the owner of The Ark]. I think I first met him în 2008. He came to several events at our community center, but also to other events organized at the Museum of Contemporary Art and Eden Club. I know there are various events
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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told me “Doru Frollu goes on and on about his projects with the community.” And she also told me that the first time she came here, she asked him: “How are the people here?” and he replied: “Just a bunch of Gypsies.” That’s when I started to understand their world, because I could have gone a long time seeing only the nice Doru Frollu, the mân who shared some pizza with the kids. [...] Interview conducted by David Schwartz [1] Cherecheș
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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by the municipality to the Orthodox Church. On December 6 2013, the theology student campus worth 30 million lei (approximately 7 million euro) was inaugurated. On December 30 2013, the Appeals Court în Cluj ordered Cluj municipality “to grant damages of 2000 euro per person to compensate for the injustice suffered by the plaintiffs în the process of eviction and relocation to the container area în Pata-Rât and for the improper living conditions.” We talked to Enikő Vincze, activist and researcher
„Am pus împreună bazele unui concept de activism artistic” () [Corola-website/Science/295761_a_297090]
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talked to Enikő Vincze, activist and researcher into the ghettoization at Pata-Rât and elsewhere în România. You were heavily involved în the protests against the eviction of the families from Coastei Street to Pata-Rât. Could you elaborate on the history of these protests and their political relevance? I learned to articulate în practice a critique of the system which represses the very people it impoverishes. The way I managed this was by protesting the forced evictions în Cluj. We militated for
„Am pus împreună bazele unui concept de activism artistic” () [Corola-website/Science/295761_a_297090]
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10-minute symbolic takeover of the administration which was meant to benefit the people of Pată Rât. Linda Greta, from the Coastei Street community, who received the award for civic activism from the “Români Women’s Gală”, was an important part of organizing the protest. When we marked three years since the eviction, we withdrew into the confines of the container-houses and sent the message “SOS! Get uș ouț of Pată Rât!”, which became a landmark of the city’s imagery due
„Am pus împreună bazele unui concept de activism artistic” () [Corola-website/Science/295761_a_297090]
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inhuman living conditions of the Romă în Pată Rât and framed them în terms of universal housing rights<a title="" href="file:///D:/Marus/GAP/numărul%205/Eniko%20English.docx# ftn5">[5]</a>. I was also involved în other types of street manifestations such aș <b>I, too, am a garbage mân</b> (which emphasized the fact that the precarious labor undertaken with no protection în hazardous conditions was and continues to be useful for the city, since it hâș ensured
„Am pus împreună bazele unui concept de activism artistic” () [Corola-website/Science/295761_a_297090]
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aș <b>I, too, am a garbage mân</b> (which emphasized the fact that the precarious labor undertaken with no protection în hazardous conditions was and continues to be useful for the city, since it hâș ensured the selective collection of waste în Cluj for several decades and now the workers, whose livelihood was threatened by the closing of the dump, were claiming their right to decent work). I took part în the performance <b>Work is no luxury, it is
„Am pus împreună bazele unui concept de activism artistic” () [Corola-website/Science/295761_a_297090]
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from Coastei Street (especially Florin Stancu) to establish a social economy unit to work with support from local authorities în creating jobs for the members of the community, generating income for community activities and offering useful services for the inhabitants of Cluj. All these protests - and the way în which they constructed the messages - aimed (and succeeded, I believe) to turn an issue neglected by local authorities - the status of the marginalized communities of Pată Rât and the municipality’s direct
„Am pus împreună bazele unui concept de activism artistic” () [Corola-website/Science/295761_a_297090]
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point of view of the precarious ones.</i> I. <b>Carol 53: anti-squatting and gentrification</b></li> by Mihai Codreanu, Arnold Schlachter and Veda Popovici</b> Carol 53 was introduced on July 25th aș a squat. The occupants, mostly students of Architecture, began their presentation by mentioning the landlord’s approval and “the support of architect Sturdza”, the reason for their inițiative being “the rescue of a heritage site”. It quickly became clear that the rescue they were talking about was
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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their presentation by mentioning the landlord’s approval and “the support of architect Sturdza”, the reason for their inițiative being “the rescue of a heritage site”. It quickly became clear that the rescue they were talking about was the rescue of a house from people described aș “Gypsies stealing iron to make money”. This way, the occupants ended up separating negative squatting </i>from <i>positive squatting</i>. Positive squatting, în their view, “respected” property, its practitioners striving to maintain and
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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align="aligncenter" width="550"] Arnold Schlachter, Carol 53, 2014.[/caption] M. C.: What do you know about the building at Carol 53?</b> Mărită Iakab: We knew it hâd been empty for 7 or 8 years. After the Revolution, half of it was made up of revolutionaries, the other half was office space. We didn’ț know who the landlord was. M. C.: Why did you go into the building?</b> M. I.: We hâd nowhere to go. Where I and
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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Schlachter, Carol 53, 2014.[/caption] M. C.: What do you know about the building at Carol 53?</b> Mărită Iakab: We knew it hâd been empty for 7 or 8 years. After the Revolution, half of it was made up of revolutionaries, the other half was office space. We didn’ț know who the landlord was. M. C.: Why did you go into the building?</b> M. I.: We hâd nowhere to go. Where I and Silvia were staying, on Banu
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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They said they’d call the police if anything went missing, that they hâd our personal information. Then, about 10 young boys showed up, they were students and they started working, too: Matei, Dorel and others. Matei is a student of Architecture. He wrote a project șo that others would come see their work and not have to pay rent. A. S.:</b> <b><i>How long were you here with the students?</i></b> S. M.: About a month. They fitted the
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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uș ouț, they brought în a toilet. Then Gabi, the foreman, said the landlord hâd come back from abroad and we have one week left. Matei said we couldn’ț stay any longer, that the landlord hâd returned a couple of weeks ago and he can căușe uș a lot of trouble with the police. [...] July 31st 2012</i> [caption id="attachment 1496" align="aligncenter" width="550"] Arnold Schlachter, basement at the crossroad Vulcănescu - Calea Griviței, 2014.[/caption] ÎI. <b>Guarding the ruins
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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b>Guarding the ruins</b></li> by Mihai Codreanu and Arnold Schlachter</b> On February 27th 2014, we went to meet with the Iakabs again and talked to Mărită Iakab, Sorin Murariu and Dorin Mincu. M. C.: În the summer of 2012 you were kicked ouț of Carol 53, where you hâd been staying for several weeks. Where did you go from there?</b> Dorin Mincu: I’ll tell you about Carol 53: one of them won the project, the other
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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by Mihai Codreanu and Arnold Schlachter</b> On February 27th 2014, we went to meet with the Iakabs again and talked to Mărită Iakab, Sorin Murariu and Dorin Mincu. M. C.: În the summer of 2012 you were kicked ouț of Carol 53, where you hâd been staying for several weeks. Where did you go from there?</b> Dorin Mincu: I’ll tell you about Carol 53: one of them won the project, the other talked to the landlord behind our
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]