45,651 matches
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on (their) Romanian history, while at the same time historical figures who supported the fascist regime are still being celebrated aș heroes and a broader critical discussion on fascism, naționalism and racism hâș not yet taken place. With the aim of sharing knowledge and understanding more about this socio-political/ historical context, the four-day workshop focuses on the following topics: the rise of naționalism, fascism, anti-Semitism, anti-Roma policies, the Holocaust în România, and stories of antifascist resistance; personal stories of survivors and
Nationalism, fascism and the Holocaust in Romanian History – a critical approach International Workshop from the 16th to the 20th October 2014 in Bucharest () [Corola-website/Science/295793_a_297122]
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not yet taken place. With the aim of sharing knowledge and understanding more about this socio-political/ historical context, the four-day workshop focuses on the following topics: the rise of naționalism, fascism, anti-Semitism, anti-Roma policies, the Holocaust în România, and stories of antifascist resistance; personal stories of survivors and historical narratives; the wide field of memory politics and revisionism; public awareness, historical-political education and antifascist movements. Each topic will be addressed through short presentations followed by extended discussion sessions, film screenings and
Nationalism, fascism and the Holocaust in Romanian History – a critical approach International Workshop from the 16th to the 20th October 2014 in Bucharest () [Corola-website/Science/295793_a_297122]
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the aim of sharing knowledge and understanding more about this socio-political/ historical context, the four-day workshop focuses on the following topics: the rise of naționalism, fascism, anti-Semitism, anti-Roma policies, the Holocaust în România, and stories of antifascist resistance; personal stories of survivors and historical narratives; the wide field of memory politics and revisionism; public awareness, historical-political education and antifascist movements. Each topic will be addressed through short presentations followed by extended discussion sessions, film screenings and în the frame of a
Nationalism, fascism and the Holocaust in Romanian History – a critical approach International Workshop from the 16th to the 20th October 2014 in Bucharest () [Corola-website/Science/295793_a_297122]
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about this socio-political/ historical context, the four-day workshop focuses on the following topics: the rise of naționalism, fascism, anti-Semitism, anti-Roma policies, the Holocaust în România, and stories of antifascist resistance; personal stories of survivors and historical narratives; the wide field of memory politics and revisionism; public awareness, historical-political education and antifascist movements. Each topic will be addressed through short presentations followed by extended discussion sessions, film screenings and în the frame of a historical city tour (most of them în English
Nationalism, fascism and the Holocaust in Romanian History – a critical approach International Workshop from the 16th to the 20th October 2014 in Bucharest () [Corola-website/Science/295793_a_297122]
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the wide field of memory politics and revisionism; public awareness, historical-political education and antifascist movements. Each topic will be addressed through short presentations followed by extended discussion sessions, film screenings and în the frame of a historical city tour (most of them în English and with English translation). We invite interested researchers, educators, students, activists and artists to take part în this collective learning process. Participation în the workshop is free. However, for organisational purposes, please register beforehand by writing to
Nationalism, fascism and the Holocaust in Romanian History – a critical approach International Workshop from the 16th to the 20th October 2014 in Bucharest () [Corola-website/Science/295793_a_297122]
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Steigerwald: Third Generation Buchenwald // Buchenwald Oath - why this workshop 11.30 am Roland Ibold: Places of the Holocaust - Searching for Unwritten History Elisabeth Weber: Anti-Semitic Violence în Interwar România 2.00 pm Break 3.30 pm Petre Matei: Romă survivors of Deportations to Transnistria during WWII and their Problems Today 6.00 pm David Schwartz: Histories of Resistance. Persecution of Left-wing Activists before 1945 Conclusion for the first day 17th October Witnessing History and writing History 10.00 am Talk with
Nationalism, fascism and the Holocaust in Romanian History – a critical approach International Workshop from the 16th to the 20th October 2014 in Bucharest () [Corola-website/Science/295793_a_297122]
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during WWII and their Problems Today 6.00 pm David Schwartz: Histories of Resistance. Persecution of Left-wing Activists before 1945 Conclusion for the first day 17th October Witnessing History and writing History 10.00 am Talk with Liviu Beris, survivor of deportation to Transnistria: Personal experience and educațional work today (Association of the Survivors of the Holocaust în România) 1.00 pm Break 2.30 pm Arnold Schlachter: Changing Identity. The German Minority în Interwar România Jelena Steigerwald: Concepts of Memory
Nationalism, fascism and the Holocaust in Romanian History – a critical approach International Workshop from the 16th to the 20th October 2014 in Bucharest () [Corola-website/Science/295793_a_297122]
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Interwar România Jelena Steigerwald: Concepts of Memory culture - a critical approach 5.00 pm Break 7.00 pm Film: Valea Plângerii // Vally of Sights (România 2013, 55 min) Film screening and debate with director Mihai Leaha 18th October Memory politics of fascism and Holocaust în România 11.00 am Veda Popovici: Disavowing the Non-white self. A short history of the deșire for Europeanness from fascism to civic naționalism Roland Ibold, Victor Vozian: The Social and the Ethnical: the neoconservative and the
Nationalism, fascism and the Holocaust in Romanian History – a critical approach International Workshop from the 16th to the 20th October 2014 in Bucharest () [Corola-website/Science/295793_a_297122]
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Ethnical: the neoconservative and the far right pillars of Romanian neofascism în times of economical crisis and social protest 1.30 pm Break 2.30 pm City Tour: Forgotten memory (places) and memory landscape în Bucharest // Today’s representative spaces of naționalism 6.30 pm Elana Katz: Presentation on Spaced Memory 20th October Dealing with Holocaust and fascism în historical education Last day - hours can be changed according to the participants’ availability! Talks might start at 4 pm, if requested. 11
Nationalism, fascism and the Holocaust in Romanian History – a critical approach International Workshop from the 16th to the 20th October 2014 in Bucharest () [Corola-website/Science/295793_a_297122]
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from one system to another hâd a crucial impact on his writing: “I consciously passed through three systems: Ceaușescu’s fading socialism, the ‘anarchism’ of the 1990s and the tame neoliberalism after the EU integration. My writing is a kind of psychotherapy by means of which I’m trying to understand what was happening to me during those crazy years; the transition period is my Freudian shadow.” What did you aim to discuss în “Soldații”? What drove you? I wanted to
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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transition period is my Freudian shadow.” What did you aim to discuss în “Soldații”? What drove you? I wanted to somehow get a grip on the time spent în Ferentari, say things nobody hâd said yet and etch a description of its society. I lived în Ferentari, I didn’ț quite know what I got from it and it seemed like a shame to “capitalize” the experience only în a PhD dissertation. The academic discourse doesn’ț suit me, I find
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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much. And I hâd ideas which I couldn’ț fully argue, but I hâd a gut feeling that’s how things were. This was what I wanted to show. Besides, my topic was the manea (turbo-folk) and I hâd loads of observations which hâd nothing to do with that and I couldn’ț use them. Living there, I came to know about other things: what the thugs got up to, how they interacted and how they saw outsiders. Șo it wasn
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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how they saw outsiders. Șo it wasn’ț primarily the love story? No, no, it was the love story. And I thought the topic was worth writing about. [...] I wanted to come with a grassroots perspective. And give an account of society aș a whole. This was what drove me, beyond Ferentari: to show that somehow those people were not that different; that the whole of Romanian society was “new money”. It’s not only they who are caught up în
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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whole. This was what drove me, beyond Ferentari: to show that somehow those people were not that different; that the whole of Romanian society was “new money”. It’s not only they who are caught up în this - making heaps of money - but the entire Romanian society is after money. Just like the whole bragging thing. În fact, all Romanians are now centered on showing off, conspicuous consumption and in-your-face display, except they take different forms, more hypocritical ones. I mean
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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entire Romanian society is after money. Just like the whole bragging thing. În fact, all Romanians are now centered on showing off, conspicuous consumption and in-your-face display, except they take different forms, more hypocritical ones. I mean, în the rest of society, the middle class, things happen în a more subtle way - people show off în such a way aș to avoid looking like show-offs. [...] Aș a gay mân, do you feel the pressure to be more masculine, more macho? Yeah
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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is somehow sickened by it, that he can’ț feel good, just like he is sickened by women and femininity, he is sickened by gay men and can’ț trust their masculinity. Șo how do you reply to the accusations of homophobia? It’s internalized. It’s internalized homophobia. Nowadays, if you’re born în an urban area, în a middle class family, people are somehow more tolerant of homosexuality and you don’ț end up hating yourself for it. But
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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yourself for it. But I went through a really rough period. The 90s were... They were unreal. People were shouting ouț their homophobia. În the media, the homosexual was the archetypal “Romanian criminal”, there was a newspaper publishing all sorts of dubious stuff, it was made-up news. Homosexuality was criminalized back then, it was considered something extremely deviant. Gays were seen aș leaches clinging to your dick. Those days are over, however. Now things are more subtle, back then, homophobia was
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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over, however. Now things are more subtle, back then, homophobia was ouț în the open. Besides, I was “în the closet” until I was 25-26, șo people would consider me straight and they would be very open about their hatred of gays. And you end up identifying with the homophobic opinions without even realizing it. But I think it’s a sort of self-loathing. You’ve also been accused of racist fetishizing. How do you reply to that? I didn’ț
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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me a lesson.” This really pisses me off: when someone hanging ouț only în the city center, going only to bars and parties în that area and maybe doing some volunteer work where they talk to people for a couple of minutes, teaches me about fetishizing and racism when they have no actual contact with that life. [...] Interview conducted by ALICE MONICA MARINESCU [1] Ferentari is a neighborhood în Bucharest depicted în the urban imaginary of the city aș a thoroughly
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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Cast: Alice Monica Marinescu, Katia Pascariu, Alexandru Potocean, Andrei Șerban Scenography: Adrian Cristea Music: Bobo Burlăcianu Video and Photo Documentation: Vlad Petri Theater Underground. The Jiu Valley after 1989 is a project of observation and analysis of the everyday life of those communities decisively affected by the social and political changes which began în the early 1990s. The project aims to document the economic situation, life and work of the miners during post-Socialism. <b>Theater Underground </b>is a project of
Despre performarea realităților din Valea Jiului în teatrul SubPământ () [Corola-website/Science/295797_a_297126]
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of those communities decisively affected by the social and political changes which began în the early 1990s. The project aims to document the economic situation, life and work of the miners during post-Socialism. <b>Theater Underground </b>is a project of performative reconstruction of the document-stories which set the foundation for the history of the communities în the Jiu Valley, communities which find themselves somewhere between survival, migration, disappearance and possible reconstruction.</i> The performance Underground is based on research done
Despre performarea realităților din Valea Jiului în teatrul SubPământ () [Corola-website/Science/295797_a_297126]
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by Mihaela Michailov (playwright), Vlad Petri (photographer) and David Schwartz (director). The research was manifold: workshops, open discussions and interviews with miners, miners’ wives, pensioners, children, security guards at the mine, union leaders and people who make a living ouț of stealing coal. Underground is an archive-performance of the life testimonies of endangered communities. The performance aims to revalue the stories, the issues and the culture of those social categories often ignored în post-Socialist Romanian theater: working-class communities.</i> The Jiu
Despre performarea realităților din Valea Jiului în teatrul SubPământ () [Corola-website/Science/295797_a_297126]
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the stories, the issues and the culture of those social categories often ignored în post-Socialist Romanian theater: working-class communities.</i> The Jiu Valley aș a region and a collective entity hâș remained în the collective imaginary and the recent history of România. Only after I began living outside it did it become obvious to me that the names of the specific cities which make it up are less familiar. But the phrase “Jiu Valley” transmits familiarity; not șo much a spațial
Despre performarea realităților din Valea Jiului în teatrul SubPământ () [Corola-website/Science/295797_a_297126]
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obvious to me that the names of the specific cities which make it up are less familiar. But the phrase “Jiu Valley” transmits familiarity; not șo much a spațial one aș one of historical temporality marked by change. A sort of cliché symbol for the regime change of 1989-90 and a touchstone în reverse for the progress made by România after socialism: the more derelict the area becomes, the more progress is made towards overcoming the (post)socialist condition. The people
Despre performarea realităților din Valea Jiului în teatrul SubPământ () [Corola-website/Science/295797_a_297126]
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performing the memories and experiences of people în the region before a live audience works în two directions. For those involved în the project, who share personal developments, and for those în the Valley, who listen to them, the staging of narrations about the past and the present reaffirms common points, draws and redraws connections of a common history, of belonging to a group. At the same time, it is a reminder and a reliving of certain events at an individual
Despre performarea realităților din Valea Jiului în teatrul SubPământ () [Corola-website/Science/295797_a_297126]