45,651 matches
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long time and it is not something that protects you. The only real option is to leave the moment he first becomes violent, because nothing helps, you just have to get ouț of there. But women and mothers primarily think of their children and I think that most women accept it mainly because of that, because they have nowhere to go and nobody helps them the moment they need help, and not five months later. I was lucky, or maybe I
(English) ” I was living in a sealed concrete cube, there was no way out” - Interview with a domestic violence survivor (part II) () [Corola-website/Science/296120_a_297449]
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the therapist, I found the center, I made an appointment, the process was slow, these things take time, and he was trying to intimidate me, he was saying: “Where do you think you’re going? You will only get rid of me when you will be dead.”, that sort of thing. When I realised the conflict was growing and I hâd come to a point when I couldn’ț sleep at night, I couldn’ț go to work anymore, I understood
(English) ” I was living in a sealed concrete cube, there was no way out” - Interview with a domestic violence survivor (part II) () [Corola-website/Science/296120_a_297449]
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appointment, the process was slow, these things take time, and he was trying to intimidate me, he was saying: “Where do you think you’re going? You will only get rid of me when you will be dead.”, that sort of thing. When I realised the conflict was growing and I hâd come to a point when I couldn’ț sleep at night, I couldn’ț go to work anymore, I understood the situation was really serious. Simona from the foundation
(English) ” I was living in a sealed concrete cube, there was no way out” - Interview with a domestic violence survivor (part II) () [Corola-website/Science/296120_a_297449]
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and I hâd come to a point when I couldn’ț sleep at night, I couldn’ț go to work anymore, I understood the situation was really serious. Simona from the foundation was constantly telling me I should get ouț of there, I still didn’ț want to leave my home and she taught me what to do, what were the steps, how to protect myself and what were the steps I hâd to take șo that we would be safe
(English) ” I was living in a sealed concrete cube, there was no way out” - Interview with a domestic violence survivor (part II) () [Corola-website/Science/296120_a_297449]
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europejska-stolica-kultury-z-plonaca-kukla-zyda-w-tle-korespondencja-z-marsylii/</u></spân></p> Citiți materialul integral în numărul 15 al G.A.P.: Capitale Europene ale culturii în contextul politicilor economice și culturale ale UE, care va apărea în octombrie.[:en]Marta Talacha În 2013, Marseilles became a European Capital of Culture - to the awe and discontent of other French cities, but to the joy of intermediaries and speculators în real estates. The second largest city after Paris, first în inequalities and social divisions, leading în poverty and its nearly 40
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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în numărul 15 al G.A.P.: Capitale Europene ale culturii în contextul politicilor economice și culturale ale UE, care va apărea în octombrie.[:en]Marta Talacha În 2013, Marseilles became a European Capital of Culture - to the awe and discontent of other French cities, but to the joy of intermediaries and speculators în real estates. The second largest city after Paris, first în inequalities and social divisions, leading în poverty and its nearly 40% unemployment, the town hâș built its identity
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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but to the joy of intermediaries and speculators în real estates. The second largest city after Paris, first în inequalities and social divisions, leading în poverty and its nearly 40% unemployment, the town hâș built its identity on a coexistence of many cultures, races and religions. Immigrants have been forming the pulse of life here for ages. Armenians escaping the Turkish holocaust, Italians fleeing fascism and poverty, North-African Jews, pieds-noirs or Algerian repatriates, resettlers from Tunisia and Morocco. Here is the
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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second largest city after Paris, first în inequalities and social divisions, leading în poverty and its nearly 40% unemployment, the town hâș built its identity on a coexistence of many cultures, races and religions. Immigrants have been forming the pulse of life here for ages. Armenians escaping the Turkish holocaust, Italians fleeing fascism and poverty, North-African Jews, pieds-noirs or Algerian repatriates, resettlers from Tunisia and Morocco. Here is the largest seaport în France, fifth în Europe. The spot of passage, transfer
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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the pulse of life here for ages. Armenians escaping the Turkish holocaust, Italians fleeing fascism and poverty, North-African Jews, pieds-noirs or Algerian repatriates, resettlers from Tunisia and Morocco. Here is the largest seaport în France, fifth în Europe. The spot of passage, transfer, random or ultimate migration. The Gateway of the Orient. Following the all-european trend, years ago the city hâd begun shaping its new urban space - it was supposed to shine, amaze and attract investors. The price was the gradual
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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cités, which politicians hâd once provided aș a gift to the society, în order to locate cheap workforce and poor immigrants there. Today, they are fortunately distant, beyond the scope of an Old Port tourist, beyond the range of vision of marketing. Today they are there to sweep desperation, unemployment and social inequalities under the cârpet. [caption id="attachment 3836" align="aligncenter" width="747"] Photo: Bharat Choudhary, Silence of the Other - Marsylia, 2013[/caption] Marseille-Provence 2013, or the European Capital of Culture
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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vision of marketing. Today they are there to sweep desperation, unemployment and social inequalities under the cârpet. [caption id="attachment 3836" align="aligncenter" width="747"] Photo: Bharat Choudhary, Silence of the Other - Marsylia, 2013[/caption] Marseille-Provence 2013, or the European Capital of Culture Together with other investments aimed at transforming the downtown and make it a touristic postcard, the event of Marseille-Provence 2013, or the European Capital of Culture MP 2013, sealed the process of systemic expulsion of people from the downtown
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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attachment 3836" align="aligncenter" width="747"] Photo: Bharat Choudhary, Silence of the Other - Marsylia, 2013[/caption] Marseille-Provence 2013, or the European Capital of Culture Together with other investments aimed at transforming the downtown and make it a touristic postcard, the event of Marseille-Provence 2013, or the European Capital of Culture MP 2013, sealed the process of systemic expulsion of people from the downtown and of taking apart any authentic character this place used to have. But there was more. The MP 2013
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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or the European Capital of Culture Together with other investments aimed at transforming the downtown and make it a touristic postcard, the event of Marseille-Provence 2013, or the European Capital of Culture MP 2013, sealed the process of systemic expulsion of people from the downtown and of taking apart any authentic character this place used to have. But there was more. The MP 2013 organizers surprised all with their arrogance and disregard to the inhabitants, potential participants of that grand feast
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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of that grand feast, pushing local artists and small associations aside, while implementing a policy of taking comfortable, and, above all, commercially viable, decisions. Viable not for all, however. Viable for officials seeing culture aș a tool and a mean of promoting the city, for the purposes of increasing sales mostly. Culture for all? În what form? MP2013 left all no choice of either entering and becoming a part of the show or staying hush and sitting at home. Obviously, there
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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mostly. Culture for all? În what form? MP2013 left all no choice of either entering and becoming a part of the show or staying hush and sitting at home. Obviously, there were grant funding options, open discussion panels, a lot of fuss and many hopes aroused. All according to the guidelines. A nicely and modern packed Pandora box, labelled with a shining slogan close to the hearts of many: Culture. It was soon to be found ouț, however, that the participation
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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at home. Obviously, there were grant funding options, open discussion panels, a lot of fuss and many hopes aroused. All according to the guidelines. A nicely and modern packed Pandora box, labelled with a shining slogan close to the hearts of many: Culture. It was soon to be found ouț, however, that the participation of bottom-up organisations and associations was to be fake: everybody got their lollipop to calm down, while the biggest cakes remained shut în the fridge. A lack
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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many: Culture. It was soon to be found ouț, however, that the participation of bottom-up organisations and associations was to be fake: everybody got their lollipop to calm down, while the biggest cakes remained shut în the fridge. A lack of a wider paricipation în major decision-making, a lack of common planning or thinking of culture aș a value, not an exported product, was visible. There were no community-related or local perpectives or thinking. The "Ephemeral Gardens" project, apparently planned aș
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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however, that the participation of bottom-up organisations and associations was to be fake: everybody got their lollipop to calm down, while the biggest cakes remained shut în the fridge. A lack of a wider paricipation în major decision-making, a lack of common planning or thinking of culture aș a value, not an exported product, was visible. There were no community-related or local perpectives or thinking. The "Ephemeral Gardens" project, apparently planned aș a show-off of a cooperation with local activists (working
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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paricipation în major decision-making, a lack of common planning or thinking of culture aș a value, not an exported product, was visible. There were no community-related or local perpectives or thinking. The "Ephemeral Gardens" project, apparently planned aș a show-off of a cooperation with local activists (working daily aș volunteers), concluded în excluding the latter - nine NGOs în total - because în practice, they were unable to influence any decision. Those people hâd refused to partake în creating a temporary garden of
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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of a cooperation with local activists (working daily aș volunteers), concluded în excluding the latter - nine NGOs în total - because în practice, they were unable to influence any decision. Those people hâd refused to partake în creating a temporary garden of arts for 420 thousand euro, which was to disappear after 2013. Such scandals were plenty. However, the problem was mainly în ignoring the inhabitants, invisible aș they worked în bottom-up organisations and urban movements - unpaid, driven by sheer passion and
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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is subject to market speculation I come across an article on Marseilles în Gazeta Wyborcza (31/10/2015, Tramwajem po Marsylii), saying it is nice and smooth, trams running fast on their rails, not blue but white, pure, untainted; speaking of "changes", of a new modern style creating a beautiful urban climate. A touch of authenticity is here, too - fishermen with their old boats! This is an openly touristic perspective, exactly what the team of city officials and a handful of
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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to market speculation I come across an article on Marseilles în Gazeta Wyborcza (31/10/2015, Tramwajem po Marsylii), saying it is nice and smooth, trams running fast on their rails, not blue but white, pure, untainted; speaking of "changes", of a new modern style creating a beautiful urban climate. A touch of authenticity is here, too - fishermen with their old boats! This is an openly touristic perspective, exactly what the team of city officials and a handful of real estate
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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Wyborcza (31/10/2015, Tramwajem po Marsylii), saying it is nice and smooth, trams running fast on their rails, not blue but white, pure, untainted; speaking of "changes", of a new modern style creating a beautiful urban climate. A touch of authenticity is here, too - fishermen with their old boats! This is an openly touristic perspective, exactly what the team of city officials and a handful of real estate investors strive to create. The tram lines were built where it was
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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blue but white, pure, untainted; speaking of "changes", of a new modern style creating a beautiful urban climate. A touch of authenticity is here, too - fishermen with their old boats! This is an openly touristic perspective, exactly what the team of city officials and a handful of real estate investors strive to create. The tram lines were built where it was completely aimless, aș a metro line hâd been covering exactly the same route already, while the uptown remained deliberately cut
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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of real estate investors strive to create. The tram lines were built where it was completely aimless, aș a metro line hâd been covering exactly the same route already, while the uptown remained deliberately cut off from the grand world of beautiful changes. This knowledge, however, is not necessary when expressing amazement with a prop bought from world-renowned architects. Such is the aim of this transformation. The better-off inhabitant hâș also become a tourist. Never before interested with museums, he or
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]