2,037 matches
-
de modernitate bine structurată și funcțională. Lumea de astăzi este modern structurată sau tendențial modernă. Modernitatea tendențială are loc în societăți în care viața de zi cu zi pentru majoritatea populației a rămas în mare parte neschimbată ,if not, in some instances, until today". In studiile sale, Schifirneț propune o analiză a modernității românești prin conceptul ,modernitatea tendențială”: „A particularly proper concept used to describe the process of modernization in Romania is the one of ― ”tendentious modernity”, as defined by Constantin
Constantin Schifirneț () [Corola-website/Science/311007_a_312336]
-
series, în a play entitled The Prisoner seen on NBC în May 23, 1961. 1961 was the worst year for Frieda. On August 2, 1961, she and her husband dined ouț at a restaurant. Ben Redman hâd been despondent for some time. Returning home he went upstairs to bed. He then called Frieda informing her he was depressed over the state of the world and hâd taken pills. Frieda, distraught, immediately called an ambulance. By the time the paramedics arrived, Ben
Frieda Inescort () [Corola-website/Science/326062_a_327391]
-
writer for the Saturday Review and was also involved în the translation of European classics into English. Due, no doubt, to the tremendous shock of her husband’s death, Frieda’s disease accelerated. Although she was able to function for some time with nursing help, she was wheelchair bound by the mid-Sixties. On July 7, 1964, Elaine Inescort died în Brighton, England at the age of 87. There hâd been little contact between mother and daughter over the years. Fighting to
Frieda Inescort () [Corola-website/Science/326062_a_327391]
-
taxes and also the consulate tax. But the latter was paid by ARCA, I have to say. They paid half of it the first time I applied for a residence. What do you feel about the role of the theater? Some say the theater should talk about beautiful things, not embark on a social critique. People have to see the other side of life, too. Maybe the good side covers up the bad side, except în life there’s more bad
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
-
constitute the main research topics chosen by visual artist Matei Bejenaru. În his photographs, installations and performance projects, the artist analyzes the transformations of the contexts of labor în România and abroad. Construction sites, factories and strawberry fields are just some of the spaces which define work and power relations within the social art puț forward by Matei Bejenaru. În the interview conducted by Mihaela Michailov, Bejenaru emphasizes the work relations between the workers with whom he created his artistic projects
„Am făcut gem în Barcelona din căpşunile culese de căpşunarii noştri” () [Corola-website/Science/295668_a_296997]
-
transformations: “If social art ends up being consumed and puț on a pedestal by the art system, it’s not enough. I’m not naïve, I don’ț believe art can change the world. But if it manages to știr some discussions on certain delicate issues, then it’s an important step forward.” For Matei Bejenaru, making art with workers represents a form of social involvement from the part of the artist, who then becomes a participant observer, a subject of
„Am făcut gem în Barcelona din căpşunile culese de căpşunarii noştri” () [Corola-website/Science/295668_a_296997]
-
Ines. „Sometimes I was a bit afraid that I was trying to say that she should be more open, but in the end I think she chose the right job. It’s just that she should maybe try to integrate some other things in her life.”[ 7] Deci, regizoarea este perfect mulțumită și în acord moral cu opțiunea lui Ines, care ar fi ales slujba cea mai potrivită, și mai trebuie doar să schimbe ceva, pe ici pe colo, la nivelul
Artă, politică, ouă încondeiate și forța de seducție a clovnului vestic. Din nou despre Toni Erdmann (I) () [Corola-website/Science/296165_a_297494]
-
the final tournament. To determine the best runner-up, a comparison was made between all of them. Only matches played against teams that finished first, third and fourth were regarded. Matches played against fifth and sixth placed teams were discarded, because some groups hâd more teams than others. After the best runner-up was found, all the others (eight of them) entered a random playoff to determine four more teams to qualify. Portugal qualified automatically aș best runner-up, beating Turkey on goal difference
Preliminariile Campionatului European de Fotbal 2000 () [Corola-website/Science/331471_a_332800]
-
of 1989-90 and a touchstone în reverse for the progress made by România after socialism: the more derelict the area becomes, the more progress is made towards overcoming the (post)socialist condition. The people living în the region have gradually (some quite rapidly) become a dislocated, marginal group both symbolically and în terms of their usefulness for contemporary capital. În the mainstream media, we/they are mostly depicted aș ouț of touch with current realities. This situation is partly reproduced even
Despre performarea realităților din Valea Jiului în teatrul SubPământ () [Corola-website/Science/295797_a_297126]
-
s-a temut că s-ar putea induce ideea greșită că el ar fi creat sau produs "The Critic". A cerut ca numele său să nu apară în episod. Groening este creditat cu munca de scenarist sau coscenarist al episoadelor Some Enchanted Evening, The Telltale Head, Colonel Homer și 22 Short Films About Springfield, precum și al filmului "The Simpsons Movie" din 2007. A avut câteva apariții scurte în spectacol, precum în episodul "My Big Fâț Geek Wedding". În prezent lucrează la
Matt Groening () [Corola-website/Science/310042_a_311371]
-
de pe acest album și anume "Martyr". Totuși, clipul este disponibil comercial pe partea de DVD a single-ului. Videoclipurile marcate cu * sunt la prima apariție pe DVD. Cele de la începutul DVD-ului, mai sunt diponibile comercial doar pe VHS-ul "Some great videos" din 1985, sau reeditarea lui din 1998, intitulată "The videos 81-85". Videoclipurile de la final, nu au fost disponibile comercial. Piesele din mijloc se regăsesc pe albumul video "The videos 86-98" și pe reeditarea lui "The videos 86-98+". Ultimele
The Best of Depeche Mode - volume 1 () [Corola-website/Science/306281_a_307610]
-
not what people will pay for because they don’ț have that sort of money. Earn.... If the work is funded, I get paid depending on work and project funder. If I work say, with organizations, they will also pay some little money. Churches will hardly give anything towards work done. They call it ministry. În the context of Kenyan and African theatre în general, how important is the community involved theatre? Is it given much importance, is it considered art
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
-
take a really long time. How important is the work of the internațional foundations or NGOs în Kenya? Do they work for the people, or rather do wrong? They have been funding and supported NGO work în Kenya and în some sectors have done tremendously well. But now aș we speak there is donor fatigue aș a lot of NGOs did not use donor money appropriately. That is the good answer and the easy one, but personally I also think communities
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
-
children. I left for the first time în 1999. I left together with my children carrying their schoolbags and books. It was that really difficult period, when we knew we wouldn’ț get a place to stay, but we hâd some hope. I improvised a “home” ouț of two mattresses. I would lay a mattress down on the ground, and another one leaning against a wall, aș a roof. That’s how we slept. How long did you sleep like that
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
-
after a couple of years, when I managed to get contracted work, I returned for the last two. I took them all with me and I worked together with my oldest son, hardly earning enough to eat and to send some money back home. The child stayed alone în Spain? </strong> Our son stayed with some relatives. My husband hâd to leave quickly, șo the relatives said they will take care of the boy; they said it’s better for the
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
-
the last two. I took them all with me and I worked together with my oldest son, hardly earning enough to eat and to send some money back home. The child stayed alone în Spain? </strong> Our son stayed with some relatives. My husband hâd to leave quickly, șo the relatives said they will take care of the boy; they said it’s better for the boy to stay în Spain. He was 13 years old, he was able to work
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
-
em> Sometimes I would work for ten hours în a row, standing în the sun. My face would shrivel. I would ask the boss to allow my kids to help me, șo we’d fill up more containers and earn some more. I really wished I could send them to school everyday, to be educated, but I couldn’ț. When the other workers were taking breaks to eat, I wouldn’ț. I’d keep working, to earn some more. I didn
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
-
containers and earn some more. I really wished I could send them to school everyday, to be educated, but I couldn’ț. When the other workers were taking breaks to eat, I wouldn’ț. I’d keep working, to earn some more. I didn’ț leave the country because we were doing well, and we weren’ț working like crazy because we wanted to build a palace! We were working to survive, șo that we’d get to live another day
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
-
wish “abroad” didn’ț even exist for my family. “Abroad” dehumanizes you. All the humiliation you endure! And for the money you earn, you work until there’s nothing left of you. It’s good when you manage to save some money, but your heart is broken! [...] Here în România you cannot earn enough to survive. [...] The lack of jobs is the biggest problem. I told my children: “save the money that you earn there and do something here, șo that
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
-
we managed to stay, approximately 40 people were sheltered în four rooms, a kitchen, a bathroom and a hallway. I would share a small bed with my niece, on the hallway. There were four army beds crammed on that hallway. Some people would sleep în the house, others outside în the yard. We lived there for one year. [...] What gave you strength during those times? </strong> A woman în Cordoba once told me: “Keep fighting, my girl, don’ț give up
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
-
Keep fighting, my girl, don’ț give up! Hang în there and it will get better!” And indeed little by little it got better. Now my children have a home, they don’ț struggle the way I struggled, they have some savings, it’s a bit better for them. Did you go to school? </strong> I finished four grades. When I was a child, we were poor aș well, but somehow we hâd our basic needs covered. My mom was working
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
-
their parents working all the time - are very stressed ouț! When did the situation în Turnu-Măgurele worsened?</strong> After the ‘89s Revolution. When the borders opened, people left to work and live abroad, wherever they could. During the first years, some managed to do something for themselves, but others remained poor. The factory was ruined, the textile factory was șold, all the state-owned companies în Turnu-Măgurele were șold and the people were left on their own. It was like we were
Când casa ți-e o prelată și-o saltea, un pat îți pare un vis! () [Corola-website/Science/296090_a_297419]
-
Finlayson a interpretat rolul lui Hardy, iar Hardy a interpretat pe un musafir de la petrecere. O versiune de lungmetraj în limba spaniolă a fost turnată în același an sub titlul "Politiquerías". Filmul are sloganul: « Every man has a past with some little indiscretion he would like to bury. Mr. Laurel et Mr. Hardy have thirty or forty they would like to cremate ! » Ollie duce o viață aproape perfectă: are o soție frumoasă, un conac frumos cu majordom, o afacere cu îngrășăminte
Puișorii se întorc acasă () [Corola-website/Science/326161_a_327490]
-
calitatea lor. Alimentele preferate ale lui Rukia sunt castraveți, ouăle și găluștile de orez. Ea are cel mai frumos Și unul dintre cele mai puternice zenpaku-to-uri, Sode no shirayuki (Prima zăpadă albă). Zenpakuto-ul ei are până în acest moment 3 dansuri: Some no mai: Tsukishiro( Primul dans: Luna albă ) Un cerc de gheață apare pe pământ în jurul Rukiei, Care apoi ingeta totul de la pământ la cer. Tsugi no mai: Hakuren( Următorul dans: Ropot alb ) Atinge cu sabia pământul din fața să de 4
Rukia Kuchiki () [Corola-website/Science/321821_a_323150]
-
Berceni, loading and unloading stuff for the market. I was sleeping în his small booth. Wasted life. I knew I could get away from this life, but it was hard. I learnt a lot from that experience. Then I did some time [for drug dealing, trans.n.]. For how long? Two years and two moths. Towards the end, knowing I would be ouț soon, I started thinking: how will I react? Being ouț, it felt like I’ve been în prison
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]