1,891 matches
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prea loial fiind creației divine trăiește-ți efemerul cu ochii de oțel, urmașii tăi să-ți fie suflete caline Sonnet VI Shakespeare Then let not winter's ragged hand deface, În thee thy summer, ere thou be distilled: Make sweet some vial; treasure thou some place With beauty's treasure ere it be self-killed. That use is not forbidden usury, Which happies those that pay the willing loan; That's for thy self to breed another thee, Or ten times happier
A IERNII RĂUTATE N-O LĂSA ÎN TINE de MIHAELA TĂLPĂU în ediţia nr. 1602 din 21 mai 2015 [Corola-blog/BlogPost/374661_a_375990]
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divine trăiește-ți efemerul cu ochii de oțel, urmașii tăi să-ți fie suflete caline Sonnet VI Shakespeare Then let not winter's ragged hand deface, În thee thy summer, ere thou be distilled: Make sweet some vial; treasure thou some place With beauty's treasure ere it be self-killed. That use is not forbidden usury, Which happies those that pay the willing loan; That's for thy self to breed another thee, Or ten times happier, be it ten for
A IERNII RĂUTATE N-O LĂSA ÎN TINE de MIHAELA TĂLPĂU în ediţia nr. 1602 din 21 mai 2015 [Corola-blog/BlogPost/374661_a_375990]
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Brace. Beaugrande, Robert de. 1980. Text, Discourse, and Process: Toward a Multidisciplinary Science of Texts. Norwood, N. J.: Ablex. Benjamin, Walter, 1969. Illuminations. Trad. Harry Zohn. New York: Schocken Books. [Benjamin. 2000. Iluminări. Trad. Catrinel Pleșu. București: Univers.] Bentley, Phyllis. 1946. Some Observations on the Art of Narrative. London: Home & Van Thal. Benveniste, Emile. 1971. Problems in General Linguistics. Trad. Mary Elizabeth Meek. Coral Gables, Fla.: University of Miami Press. [Benveniste. 2000a. Probleme de lingvistică generală.I. Trad. L.M. Dumitru. București: Teora
Dicţionar de naratologie by Gerald Prince [Corola-publishinghouse/Science/1400_a_2642]
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French Literary Theory, pp. 125-46. Vezi Barthes. 1982. . 1985. Concept et thème. "Poétique" 64:415-23. Brinton, Laurel. 1980. Represented Perception: A Study in Narrative Style. "Poetics" 10:363-81. Bronzwaer, W. J. M. 1970. Tense in the Novel: An Investigation of Some Potentialities of Linguistic Criticism. Groningen: Wolters-Noordhoff. . 1978. Implied Author, Extradiegetic Narrator, and Public Reader: Gérard Genette's Narratological Model and the Reading Version of Great Expectations. "Neophilologus" 52:1-18. Brooks, Cleanth, Robert Penn Warren. 1959. Understanding Fiction. Ed. a II
Dicţionar de naratologie by Gerald Prince [Corola-publishinghouse/Science/1400_a_2642]
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Le Récit spéculaire. Paris: Seuil. Danto, Arthur C. 1965. Analytical Philosophy of History. Cambridge: Harvard University Press. Debray-Genette, Raymonde. 1980. La Pierre descriptive. "Poétique" 43:293-304. . 1982. Traversées de l'espace descriptif. "Poétique" 51:359-68. van Dijk, Teun A. 1972. Some Aspects of Text Grammars: A Study in Theoretical Linguistics and Poetics. The Hague: Mouton. . 1974-75. Action, Action Description, and Narrative. "Poetics" 5:287-338. . 1976a. Narrative Macro-Structures: Logical and Cognitive Foundations. PTL 1:547-68. . 1976b. Philosophy of Action and Theory of
Dicţionar de naratologie by Gerald Prince [Corola-publishinghouse/Science/1400_a_2642]
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pp. 227-70. Cambridge: MIT Press. . 1971b. The Theory of the Formal Method. Ibid, pp. 3-37. [Eihenbaum. 1983. Teoria metodei formale. Trad. Cornelia Barborică. In Mihai Pop, coord. Ce este literatura? Școala formală rusă, pp. 40-67. București: Univers.] Empson, William. 1960. Some Versions of Pastoral. New York: New Directions. Erlich, Victor. 1965. Russian Formalism: History, Doctrine. Ed. a II-a. The Hague: Mouton. Falk, Eugene H. 1965. Types of Thematic Structure. Chicago: University of Chicago Press. Fehr, Bernhard. 1938. Substitutionary Narration and Description
Dicţionar de naratologie by Gerald Prince [Corola-publishinghouse/Science/1400_a_2642]
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Ogden, I. A. Richards, coord. The Meaning of Meaning, pp. 296-336. New York: Oxford University Press. Mandler, Jean M., Nancy S. Johnson. 1977. Remembrance of Things Parsed: Story Structure and Recall. "Cognitive Psychology" 9:11-151. Margolin, Uri. 1983. Characterization in Narrative: Some Theoretical Prolegomena. "Neophilologus" 67:1-14. Martin, Wallace. 1986. Recent Theories of Narrative. Ithaca: Cornell University Press. Martínez-Bonati, Felix. 1981. Fictive Discourse and the Structure of Literature: A Phenomenological Approach. Trad. Philip W. Silver. Ithaca: Cornell University Press. Matejka, Ladislav, Krystyna
Dicţionar de naratologie by Gerald Prince [Corola-publishinghouse/Science/1400_a_2642]
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56. Khansari, D.N., & colab. (1990), Effects of stress on the immune system, traducere MEC, INCS Excese în sport și efectele lor, în Sportul de Înaltă Performanță, nr.7/2006, București; 57. Kolata, G., (2002), Runner’s high? Endorphins? Fiction say some scientists, articol publicat în revista „New York Times” 21 mai 2002; 58. Lamarque, J., M., (2011), Aquajogging, aquamoving, aquarunning. Rééducation, préparation physique, remise en forme en milieu aquatique, Edition DesIris, Paris; 59. Lamarque, J., M., (1996), La Gymnastique Remise En Forme
Jogging de la A la Z by Alexe Dan Iulian / Alexe Cristina Ioana () [Corola-publishinghouse/Science/1592_a_3067]
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and Eastern Europe into Europe Paper prepared for Conference on European Identities, Indiana University, Bloomington, Indiana, February 1994, p. 20 27 Lykke Friis, Anna Jarosz-Friis, Countdown to Copenhagen, Danish Institute of International Affairs, Copenhagen, 2002, p. 11 28 András Inotai, Some Key Issues in Understanding the Negotiations on Accession to the European Union, Working Paper, No 122, Institute for World Economics of the Hungarian Academy of Sciences, Budapest, December 2001, p. 16 29 Alan Mayhew, Enlargement of the European Union: An
România spre Uniunea Europeană: negocierile de aderare (2000-2004) by Vasile Puşcaş () [Corola-publishinghouse/Science/1093_a_2601]
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Cristinel Pantelimon, Editura Albatros, București, 2001. Dworkin, Ronald, Drepturile la modul serios, traducere de Dan Ciocănelea, Editura ARC, 1998. Ene, George, (editor), Filosofia politică a lui John Stuart Mill, Editura Polirom, Iași, 2000. Feinberg, Joel, Reason and Responsability. Readings in Some Basic Problems of Philosophy, fifth edition, Wadsworth Publishing Company, Belmont, California, 1981. Feinberg, Joel, The Expressive Function of Punishment (Funcția expresivă a pedepsei) în Gertude Ezorsky (editor), Philosophical Perspectives on Punishment (Perspective filosofice asupra pedepsei), State University of New York Press
Filosofia sistemelor normative: dreptul şi morala by Raluca Mureşan () [Corola-publishinghouse/Science/1443_a_2685]
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Editura Antet, s.d., p. 72. 25 A. Schopenhauer, op. cit., p. 74. 26 A. Schopenhauer, op. cit., pp. 74-75. 27 Ibidem, p. 149. 28 Ibidem. 29 J. P. Sartre, Existentialism Is a Humanism, în: Joel Feinberg (editor), Reason and Responsability. Readings in Some Basic Problems of Philosophy, fifth edition, Wadsworth Publishing Company, Belmont, California, 1981, p. 434. 30 Ibidem, p. 435. 31 J. P. Sartre, op. cit., p. 435. 32 Gh. Mihai, op. cit., pp. 52-53. 33 Ibidem, p. 34. 34 Ibidem, pp. 62-63. 35
Filosofia sistemelor normative: dreptul şi morala by Raluca Mureşan () [Corola-publishinghouse/Science/1443_a_2685]
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of Liberty. 35 "Once thou wast to Me the loveliest son of heaven But now "Why art thou Terrible? and yet I love thee în thy terror till "I am almost Extinct & soon shall be a shadow în Oblivion, "Unless some way can be found that I may look upon thee & live. "Hîde me some shadowy semblance, secret whisp'ring în my Ear, 40 " În secret of soft wings, în mazes of delusive beauty. "I have look'd into the secret
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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now "Why art thou Terrible? and yet I love thee în thy terror till "I am almost Extinct & soon shall be a shadow în Oblivion, "Unless some way can be found that I may look upon thee & live. "Hîde me some shadowy semblance, secret whisp'ring în my Ear, 40 " În secret of soft wings, în mazes of delusive beauty. "I have look'd into the secret soul of hîm I lov'd, "And în the Dark recesses found Sîn & cannot
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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ye bands, influence by influence. "Build we a Bower for heaven's darling în the grizly deep: 25 "Build we the Mundane Shell around the Rock of Albion." The Bands of Heaven flew thro' the air singing & shouting to Urizen. Some fix'd the anvil, some the loom erected, some the plow And harrow form'd & fram'd the harness of silver & ivory, The golden compasses, the quadrant, & the rule & balance. 30 They erected the furnaces, they form'd the anvils
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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Build we a Bower for heaven's darling în the grizly deep: 25 "Build we the Mundane Shell around the Rock of Albion." The Bands of Heaven flew thro' the air singing & shouting to Urizen. Some fix'd the anvil, some the loom erected, some the plow And harrow form'd & fram'd the harness of silver & ivory, The golden compasses, the quadrant, & the rule & balance. 30 They erected the furnaces, they form'd the anvils of gold beaten în mills
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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for heaven's darling în the grizly deep: 25 "Build we the Mundane Shell around the Rock of Albion." The Bands of Heaven flew thro' the air singing & shouting to Urizen. Some fix'd the anvil, some the loom erected, some the plow And harrow form'd & fram'd the harness of silver & ivory, The golden compasses, the quadrant, & the rule & balance. 30 They erected the furnaces, they form'd the anvils of gold beaten în mills Where winter beats incessant
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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nets, 160 Innumerable the gins & traps, & many a soothing flute Is form'd, & many a corded lyre outspread over the immense. În cruel delight they trap the listeners, & în cruel delight Bînd them, condensing the strong energies into little compass. Some became seed of every plant that shall be planted; some 165 The bulbous roots, thrown up together into barns & garners. Then roșe the Builders. First the Architect divine hîș plan Unfolds. The wondrous scaffold rear'd all round the infinite
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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Is form'd, & many a corded lyre outspread over the immense. În cruel delight they trap the listeners, & în cruel delight Bînd them, condensing the strong energies into little compass. Some became seed of every plant that shall be planted; some 165 The bulbous roots, thrown up together into barns & garners. Then roșe the Builders. First the Architect divine hîș plan Unfolds. The wondrous scaffold rear'd all round the infinite, Quadrangular the building roșe, the heavens squared by a line
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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s hands "Weave soft delusive forms of Man above my wat'ry world; 30 Renew these ruin'd souls of Men thro' Earth, Șea, Air & Fire, "To waste în endless corruption, renew these I will destroy. "Perhaps Enion may resume some little semblance "To ease my pangs of heart & to restore some peace to Tharmas." Los answer'd în hîș furious pride, sparks issuing from hîș hair: 35 "Hitherto shalt thou come, no further; here thy proud waves cease. "We have
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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ry world; 30 Renew these ruin'd souls of Men thro' Earth, Șea, Air & Fire, "To waste în endless corruption, renew these I will destroy. "Perhaps Enion may resume some little semblance "To ease my pangs of heart & to restore some peace to Tharmas." Los answer'd în hîș furious pride, sparks issuing from hîș hair: 35 "Hitherto shalt thou come, no further; here thy proud waves cease. "We have drunk up the Eternal Man by our unbounded power, "Beware lest
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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now darken'd, wandering among The Ruin'd Spirits, once hîș Children & the Children of Luvah: For Urizen beheld the terrors of the Abyss, wandering...] The horrid shapes & sights of torment în burning dungeons & în Fetters of red hoț iron; some with crowns of serpents & some 105 With monsters girding round their bosoms; some lying on beds of sulphur, On racks & wheels; he beheld women marching o'er burning wastes Of Sand în bands of hundreds & of fifties & of thousands, strucken
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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The Ruin'd Spirits, once hîș Children & the Children of Luvah: For Urizen beheld the terrors of the Abyss, wandering...] The horrid shapes & sights of torment în burning dungeons & în Fetters of red hoț iron; some with crowns of serpents & some 105 With monsters girding round their bosoms; some lying on beds of sulphur, On racks & wheels; he beheld women marching o'er burning wastes Of Sand în bands of hundreds & of fifties & of thousands, strucken with Lightnings which blazed after
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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Children of Luvah: For Urizen beheld the terrors of the Abyss, wandering...] The horrid shapes & sights of torment în burning dungeons & în Fetters of red hoț iron; some with crowns of serpents & some 105 With monsters girding round their bosoms; some lying on beds of sulphur, On racks & wheels; he beheld women marching o'er burning wastes Of Sand în bands of hundreds & of fifties & of thousands, strucken with Lightnings which blazed after them upon their shoulders în their march În
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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mould & slimy tracks, obstruct hîș way Drawn ouț from deep to deep, woven by ribb'd 120 And scaled monsters or arm'd în iron shell, or shell of brass Or gold; a glittering torment shining & hissing în eternal pain; Some, columns of fire or of water, sometimes stretch'd ouț în heighth, Sometimes în length, sometimes englobing, wandering în vain seeking for ease. Hîș voice to them was but an inarticulate thunder, for their Ears 125 Were heavy & dull, & their
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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Spectres, Also the Vegetated bodies which Enitharmon wove Open'd within their hearts & în their loins & în their brain To Beulah; & the Dead în Ulro descended from the War 55 Of Urizen & Tharmas & from the Shadowy female's clouds. And some were woven single, & some twofold, & some threefold În Head or Heart or Reins, according to the fittest order Of most merciful pity & compassion to the spectrous dead. When Urizen saw the Lamb of God clothed în Luvah's robes, 60
by William Blake [Corola-publishinghouse/Science/1122_a_2630]