2,037 matches
-
The first person I play is a retired miner from Aninoasa who used to work for the mining rescue unit. Whenever there were explosions and accidents, he would go down to recover the bodies of his workmates. He talks about some gruesome events. But he also talks about the lack of solidarity between miners, which is something I heard my grandfather talk about. There were people from very different environments and of different ethnicities who came to work în the mines
„Am înțeles care e miza mea ca actor. Nu e vorba doar despre mine, e și despre celălalt” () [Corola-website/Science/295718_a_297047]
-
business în Petrila, a fast-food. She talks about how she handles her responsibilities aș a boss and what it’s like to be a miner’s wife. [...] [caption id="attachment 1210" align="aligncenter" width="300"] A performance în Petrila, 2012.[/caption] Some of the people whose stories you performed came to see the show. There are various ethical implications here, since we’re talking about other people’s lives. How would you describe the experience? Andrei: It was very emoțional for me
„Am înțeles care e miza mea ca actor. Nu e vorba doar despre mine, e și despre celălalt” () [Corola-website/Science/295718_a_297047]
-
other for a lifetime. After I started my monologue, he stood up, raised his hand and said “That’s me!” And he was standing right în front me. It was very touching. He recognized his story and wanted to add some more information. I felt the text was being written then and there and we were writing it together. Sometimes he approved: “That’s right!” It is, indeed, a huge responsibility, especially since there was a significant age gap and there
„Am înțeles care e miza mea ca actor. Nu e vorba doar despre mine, e și despre celălalt” () [Corola-website/Science/295718_a_297047]
-
to local tradition the wood hâd been shot down from a primeval forest, Dumbrava, wich is missing for a long time. An inscription on the iconostasis keep the year 1757, the year în which the inside hâd been painted, probably some time after the completion of the construction work. The kingly icon of Jesus was also dated from the same year 1757, marking the effort made by the community for the preparation of the interior of the church. The church was
Biserica de lemn din Peceiu () [Corola-website/Science/309981_a_311310]
-
are confronted by issues such aș “what’s more important: the house or the car?”, “to what extent should you help ouț family members?”, “is it a bad thing to say ‘enough is enough’ and kick the relatives ouț at some point?”. Another exercise - improvised by the young volunteers from Szomolya - depicts a typical situation: an ethnic Hungarian mân and a Romă woman fall în love. How will the families and the village react? Can love defeat prejudice and racism? În
Facem sau nu teatru pentru toți? Despre proiectul Noul spectator (Új néző) () [Corola-website/Science/295741_a_297070]
-
asemenea pe scena Teatrului din West End cu Brett în "The Secret of Sherlock Holmes" (1989). În același an, a regizat "Going On" de Charles Dennis la Festivalul din Edinburgh. Celelalte apariții la televiziune au fost numeroase și au inclus "Some Mothers Do 'Ave 'Em" (1973), "Holocaust" (1978), "Oppenheimer" (1980), "Lovejoy" (1992), "The Ruth Rendell Mysteries" (1997), "David Copperfield" (2000), "Agatha Christie's Poirot" (2004), "Fanny Hill" (2007), "Holby City" și "Shameless" (2010) că veteran din Al doilea război mondial. El
Edward Hardwicke () [Corola-website/Science/323627_a_324956]
-
„” este o piesă country a interepretei americane Carrie Underwood. Cântecul a fost inclus pe albumul de debut al artistei, "Some Hearts", fiind lansat ca cel de-al patrulea disc single al materialului. „” a obținut locul 1 în Billboard Hot Country Songs, devenind cel de-al doilea single al artistei ce ajunge în vârful clasamentului. De asemenea, discul a obținut clasări
Before He Cheats () [Corola-website/Science/313756_a_315085]
-
toate acestea, filmele franceze și germane au fost fără gangsterii care sunt o parte integrantă a filmului "". În timpul filmării, titlul filmului pe care-l regiza Wilder a fost "Fanfares of Love", apoi "Not Tonight, Josephine", înainte de a se hotărî pentru "Some Like It Hot" ca titlul sub care a fost lansat filmul. În cursul anului 1981, după succesul la nivel mondial al comediei franceze "La Cage aux Folles", United Artists a relansat "Unora le place jazz-ul" în teatre. În anul
Unora le place jazz-ul () [Corola-website/Science/324895_a_326224]
-
din film atunci când Joe, deghizat ca "Junior", îi spune lui Sugar că preferă muzica clasică jazz-ului fierbinte. Titlul filmului în timpul producției a fost "Fanfares of Love", apoi "Not Tonight, Josephine", înainte ca titlul să fie schimbat cu cel de "Some Like It Hot". Filmul a fost aclamat în toată lumea ca fiind unul dintre cele mai bune filme făcute vreodată. În 1989, el a fost selectat de Biblioteca Congresului Statelor Unite ale Americii pentru păstrarea în National Film Registry din Statele Unite ale Americii ca
Unora le place jazz-ul () [Corola-website/Science/324895_a_326224]
-
wing made of fabric prominently coming ouț of the picture frame. [...] My parents' bedroom was spacious. The main furniture consisted of two large beds placed next to each other [...] and a black piano, actually a pianino, that my mother and some guests used to play. There were also two large closets and a dressing table made of three parts: two side pieces like nightstands and a big mirror în the middle; my father would use it în the morning to shave
(English) A Subjective History of Housing in Romania as Seen by the “Moses Rosen” Rest Home Residents. THE INTERWAR PERIOD: 1920-1930 (part II) () [Corola-website/Science/296138_a_297467]
-
you go live there for 4 years then come and teach me a lesson.” This really pisses me off: when someone hanging ouț only în the city center, going only to bars and parties în that area and maybe doing some volunteer work where they talk to people for a couple of minutes, teaches me about fetishizing and racism when they have no actual contact with that life. [...] Interview conducted by ALICE MONICA MARINESCU [1] Ferentari is a neighborhood în Bucharest
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
-
was continued (and most likely concluded) în the Might campaign of Heroes IV wherein he continues watching over his foster son, Waerjak, who aspires to unite his scattered people and become the new Barbarian King. The campaign makes reference to some of Tarnum's past adventures, and Tarnum is actually slain by a rogue warlord named Vogel BackBreaker. He does not return to Axeoth immediately, aș he enters Paradise to be judged by the Ancestors for the second and final time
Heroes Chronicles () [Corola-website/Science/322515_a_323844]
-
ghetto.<a title="" href="file:///D:/Marus/GAP/numărul%207/Diana%20Dumitru%20-%20Clear%20History%20English.docx# ftn10">[10]</a> At the same time, the conclusion of survivors regarding the attitude of the Bessarabian population is different. Without denying that some Bessarabians helped the deportees, survivors say that, în general, their attitude was worse than the one în Transnistria. În an attempt to generalize, the survivors describe people of Bessarabia aș indifferent or "cold to Jews."[ 11] It does not seem
Atitudinea populației ne-evereiești din Basarabia și Transnistria față de evrei în perioada Holocaustului: o perspectivă a supraviețuitorilor () [Corola-website/Science/295809_a_297138]
-
copiii, fie ambii folosesc minciuna pentru a altera realitatea și a-l deziluziona pe celălalt. De asemenea, acest fenomen a fost observat și la relația dintre angajații clinicilor de psihiatrie și pacienți. Într-un articol de mare influență din 1981, "Some Clinical Consequences of Introjection: ", Calef și Weinshel analizează proiectarea psihologică și introiecția de la abuzor la victimă: "aceste fenomene se bazează pe un transfer special... de conflicte mentale dureroase." Autorii explorează o varietate de motive pentru care victimele au "o tendință
Gaslighting () [Corola-website/Science/336311_a_337640]
-
rent. We lived în a basemen apartment, în the attic, în shared flats. Back then, there was an unwritten rule: people used to move ouț and change tenancy în lațe April and lațe October [probably due to the fact that some families went to the countryside during the warm months, ed.n.]. There were “for rent” announcements posted on the streets, on the houses. It wasn’ț like nowadays, when we have the adverts. Our landlords would live în a house în
O istorie subiectivă a locuirii în România, din perspectiva rezidentelor și rezidenților căminului „Moses Rosen”. PERIOADA INTERBELICĂ: ANII 1920 - 1930 () [Corola-website/Science/296134_a_297463]
-
în the yard, if I remember correctly. I remember the furniture: în the bedroom there were my parents’ bed, two more beds, a wooden wardrobe and a sort of storage box. În the living room there were a table and some chairs, a small buffet and a washstand; the latter was a tripod with a washbowl în the middle and a place to hold a cup. We would use the washstand and the washbowl to wash up, not only în the
O istorie subiectivă a locuirii în România, din perspectiva rezidentelor și rezidenților căminului „Moses Rosen”. PERIOADA INTERBELICĂ: ANII 1920 - 1930 () [Corola-website/Science/296134_a_297463]
-
the paved yard. În the yard we used to make the magiun [a special sort of jam], which was then deposited either în the well stocked storage room, or în the cellar. The kitchen hâd a small țin boiler. At some point, the boiler broke and became useless. We hâd a cast iron cooking stove and cupboards and a cooler. Back în the days, the cooler functioned with ice, șo we would buy ice for it. I vaguely remember: the paved
O istorie subiectivă a locuirii în România, din perspectiva rezidentelor și rezidenților căminului „Moses Rosen”. PERIOADA INTERBELICĂ: ANII 1920 - 1930 () [Corola-website/Science/296134_a_297463]
-
is what it is - now it’s ok because I get paid for both the dressing room work and the work aș technical director. All theater employees are underpaid. We’re lucky whenever there’s a festival and we get some extra money for the performances outside the usual theater program. I think people should fight for their wages, for the rights they have after working șo many years. Is there solidarity between theater workers? Do you think things would change
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
-
theater workers? Do you think things would change if there was a strong union? I think șo, but we should all stick together. Now they all have their own personal issues, their own needs. I’m în the theater union. Some withdrew and now they regret it. But there are some benefits. Like what? At Easter or Christmas we get a 100 lei voucher. And it comes în handy. What fond memories do you have of your day-to-day work? Well, when
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
-
was a strong union? I think șo, but we should all stick together. Now they all have their own personal issues, their own needs. I’m în the theater union. Some withdrew and now they regret it. But there are some benefits. Like what? At Easter or Christmas we get a 100 lei voucher. And it comes în handy. What fond memories do you have of your day-to-day work? Well, when I was hired, after a screening, we would all go
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
-
D. Spulber) 27. Leș anneaux semi-noethériens, C.R. Acad. Sci. Paris 272 (1971), 1439-1441. 28. Sur leș C. P. anneaux, C.R. Acad. Sci. Paris 272 (1971) 1493-1496. 29. Théorie de la décomposition primaire dans leș anneaux semi-noethériens, J. Algebre 2399172), 482-492. 30. Some remarks about semi-artinian rings, Rev. Roumaine Math. Pures et Appl. 17, nr. 9(1973), 1413-1422. (with C. Vraciu) 31. Exemple de inele semi-artiniene, St. Cerc. Math. 26, nr.8 (1974), 1153-1157. (with Ț. Spircu) 32. Quelques considérations sur leș anneaux
Nicolae Popescu (matematician) () [Corola-website/Science/309314_a_310643]
-
Anneaux Absolument plats commutatifs, J. Algebra 40 (1976), 364-383. (with C. Vraciu) 35. Sur l'anneau des quotients d'un anneau noethérien (à droite) par rapport au système localisant associe à un idéal bilatéral premier, C.R. Acad. Sci. Paris. 36. Some remarks about the regular ring associated to a commutative ring, Rev. Roumaine Math. Pures et Appl. 23(1978), 269-277. (with C. Vraciu) 37. Sur la sous-catégorie localisant associée a un idéal bilatéral premier dans un anneau noethérien (à droite), Rev
Nicolae Popescu (matematician) () [Corola-website/Science/309314_a_310643]
-
On the structure of the irreducible polynomials over local fields, J. Number Theory, Vol. 52 No.1 (1993), 98-118. (with A. Zaharescu) 53. The valuations on k(x,y) which are trivial on k, Proc. Conf. Algebra, Constantă, 1994. 54. Some elementary remarks about n-local fields, Rend. Sem. Math. Univ. Padova, Vol. 91 (1994). (with V. Alexandru) 55. A characterization of Generalized Dedekind Domains, Bull. Math. de la Șoc. Sci. Math de la Roumanie, tome 35 (83), Nr.1-2 (1991), 139-141. (with
Nicolae Popescu (matematician) () [Corola-website/Science/309314_a_310643]
-
în Pure and Appl. Math. Dekker 1996. (with M. Fontana) 66. Invertible ideals and Picard group of generalized Dedekind domains, J. Pure and Appl. Alg., Vol 135, Nr. 3 (1999), 237-251. (with S. Gabelli) 67. The Lüroth's Theorem for some complete fields, în "Abelian Groups, Module Theory and Topology, Editors Dikranian-Salce, Marcel Dekker Inc., 1998, 55-58. (with V. Alexandru) 68. On minimal pairs and residually transcendental extensions of valuations (Mathematika, 49(2002), 93-106 ) (with S. Khanduja and K.W. Roggenkamp
Nicolae Popescu (matematician) () [Corola-website/Science/309314_a_310643]
-
M. Vajaitu and A. Zaharescu) 107. On localizing systems în a Prüfer Domain (to appear în Communications în Algebra) (with H. Marubayashi and E.L. Popescu) 108. The study of the spectral p-adic extension (to appear în Proc. Rom. Acad.) 109. Some compact subsets of Qp (to appear în Rev. Roum. Math. Pures et Apll.) 110. Representation results for equivariant rigid analytic functions (to appear) (V. Alexandru, N. Popescu, M. Vajaitu and A. Zaharescu) 111. On the zeros of rigid analytic functions
Nicolae Popescu (matematician) () [Corola-website/Science/309314_a_310643]