3,804 matches
-
soliști din care s-au remarcat deja venerabilul Mircea Moisa, în rolul lui Padre Guardiano, Marius Chioreanu - Marchizul de Calatrava -, Fülöp Martin - Don Carlo di Vargas -, Marius Vlad Budoiu în rolul Don Alvaro, Liliana Neciu în rolul Preziosillei și, last but not least, soprana Carmen Gurban - impecabilă, atât în maniera în care-și conduce și susține glasul, cât și în jocul de scenă, de o grație și o minuțiozitate ce fascinează de fiecare dată.
Toamna muzicală clujeană by Despina Petecel Theodoru () [Corola-journal/Journalistic/6697_a_8022]
-
telefoanele. For consumers and enterprises that might be interested în deploying this technology, it’s certainly one worth watching. There seems to be a critical mass of investment behind the technology that may iron ouț some of the above problems, but I’d be hesitant before betting the ranch on any particular mobile payment system until the above problems have a solution în sight. Do you agree? Share your insight în the discussion thread below.
Portofel în telefonul mobil by Gherman Doina () [Corola-journal/Journalistic/65990_a_67315]
-
am uitat să miros/Al treilea tufiș de pe stânga); 4. ”Your breath intrigues me/And I am fairly certain/You had ribs for lunch” (Respirația ta mă intrigă/Și sunt aproape sigur/Că ai avut costițe la prânz); 5. ”Apologies, but /How could I have known that was/Your cheesy sandwich?” (Îmi cer scuze, dar/De unde era să știu că era/Sandvișul tău cu brânză?); 6. ”Puddled on the floor/A symbol of excitement/You've come to visit” (Murdărind podeaua
Zece poeme haiku scrise de câini by Căloiu Oana () [Corola-journal/Journalistic/65073_a_66398]
-
You've come to visit” (Murdărind podeaua/Un simbol de încântare/ Tocmai te întâmpină); 7. ”Crestfallen, for my /Nose cannot fit more deeply/Inside your slip-on” (Abătut, al meu / Nas nu putea să încapă mai bine/Înauntrul papucului tău); 8. ”But I thought I heard/You say you didn't want that/Folder of receipts” (Credeam că te-am auzit/Spunând că nu vrei acel/Dosar cu facturi); 9. ”You say the leash word/And I'm no longer obsessed/With
Zece poeme haiku scrise de câini by Căloiu Oana () [Corola-journal/Journalistic/65073_a_66398]
-
lonely hole There was no one there to care about me anymore And I needed a way to climb and grab a hold of the edge You were sitting there holding a rope And we'll go up, up, up But I'll fly a little higher We'll go up în the clouds because the view is a little nicer Up here my dear It won't be long now, it won't be long now When I get back
Emoționant. Cum își ia un tânăr rămas bun de la lume () [Corola-journal/Journalistic/65311_a_66636]
-
ready to live and it'll be ripped right ouț of my hands Maybe someday we'll take a little ride We'll go up, up, up and everything will be just fine And we'll go up, up, up But I'll fly a little higher We'll go up în the clouds because the view is a little nicer Up here my dear It won't be long now, it won't be long now If only I hâd
Emoționant. Cum își ia un tânăr rămas bun de la lume () [Corola-journal/Journalistic/65311_a_66636]
-
And sit there holding hands And everything would be just right And maybe someday I'll see you again We'll float up în the clouds and we'll never see the end And we'll go up, up, up But I'll fly a little higher We'll go up în the clouds because the view is a little nicer Up here my dear It won't be long now, it won't be long now
Emoționant. Cum își ia un tânăr rămas bun de la lume () [Corola-journal/Journalistic/65311_a_66636]
-
intitulat „The Very Best Of Me”, eveniment ce se ține în această perioadă în țările est-europene, informează ziare.com. Artistul va interpreta melodii precum „How Am I Supposed to Live Without You”, „A Love Șo Beautiful”, „Said I Loved You... But I Lied”, „When a Mân Loves a Woman”. Michael Bolton are în palmares două premii Grammy, șase trofee American Music Awards și pește 53 de milioane de albume vândute de-a lungul carierei. Bolton este cunoscut nu numai pentru interpretare
Michael Bolton, pentru a treia oară în România. Unde va concerta și cât costă biletele by Căloiu Oana () [Corola-journal/Journalistic/64856_a_66181]
-
care cândva a fost plină, rotundă, iar acum a fost înghițită în întregime de întuneric, boala contagioasă a inimii și rațiunii: „I don’ț smoke no cigarette/ I don’ț drink no alcohol/ I ain’ț hâd much loving yet/ But that’s always been your call/ Hey I don’ț miss it baby/ I got no taste for anything at all.” Complexele de inferioritate, amărăciunea perceperii finalului, senzația insuportabila a înfrângerii sunt notele dominante ale cântecului Anyhow. Piesă poate fi
Vechimea, adâncul (4) by Mircea Mihăieș () [Corola-journal/Journalistic/4796_a_6121]
-
vocii - la rândul ei, retractila, șoptita, înfrânta - să-și expună întreaga dramă și amărăciune a resentimentului adunat în cuvinte: „It’s a shame and it’s a pity/ The way you treat me now/ I know you cânt forgive me/ But forgive me anyhow./ The ending got șo ugly. I even heard you say/ You never ever loved me/ Oh, but I love you anyway.” Compusă împreună cu Patrick Leonard, si aceasta melodie e dinadins subminată de interpretarea derizivă a Danei Glover
Vechimea, adâncul (4) by Mircea Mihăieș () [Corola-journal/Journalistic/4796_a_6121]
-
s a shame and it’s a pity/ The way you treat me now/ I know you cânt forgive me/ But forgive me anyhow./ The ending got șo ugly. I even heard you say/ You never ever loved me/ Oh, but I love you anyway.” Compusă împreună cu Patrick Leonard, si aceasta melodie e dinadins subminată de interpretarea derizivă a Danei Glover. Ea subliniază starea de înfrângere totală, accentuând sentimentul batjocurii și autobatjocurii în care cântărețul ni se livrează: „Have mercy on
Vechimea, adâncul (4) by Mircea Mihăieș () [Corola-journal/Journalistic/4796_a_6121]
-
crazy to love you/ You who were never the one/ Whom I chased through the souvenir heartache/ Her braids and her blouse all undone/ Sometimes I’d head for the highway/ I’m old and the mirrors don’ț lie/ But crazy hâș places to hide în/ Deeper than saying goodbye.” N-ai cum să nu fii cucerit de sinceritatea mărturisirii, de regretul enorm ce răzbate din fiecare silaba. Dar cântecul te mai învăța ceva: că nu doar suferință e inevitabilă
Vechimea, adâncul (4) by Mircea Mihăieș () [Corola-journal/Journalistic/4796_a_6121]
-
aproape bucolica răscumpără suferință la mărturisirea căreia am fost părtași. Într-o formulă ludica, dialogul se metamorfozează în confruntare domestică, în reproș amoros și, finalmente, într-un vivace apel la armonie: „Both of uș say there are laws to obey/ But frankly I dont like your tone/ You want to change the way I make love/ But I want to leave it alone...” Construcție desăvârșită, Old Ideas este creația unui mare artist, care, pe lângă imensul talent, are și inteligența de a
Vechimea, adâncul (4) by Mircea Mihăieș () [Corola-journal/Journalistic/4796_a_6121]
-
metamorfozează în confruntare domestică, în reproș amoros și, finalmente, într-un vivace apel la armonie: „Both of uș say there are laws to obey/ But frankly I dont like your tone/ You want to change the way I make love/ But I want to leave it alone...” Construcție desăvârșită, Old Ideas este creația unui mare artist, care, pe lângă imensul talent, are și inteligența de a transforma inevitabilele pierderi aduse de varsta în strălucite afirmări ale spiritului uman.
Vechimea, adâncul (4) by Mircea Mihăieș () [Corola-journal/Journalistic/4796_a_6121]
-
Regia: Woody Allen. Cu: Naomi Watts, Josh Brolin, Antonio Banderas, Anthonz Hopkins, Gemmma Jones. Genul filmului: Comedie, Dramă. Durata: 98 minute. Premiera în România: 28.01.2011. Produs de: Gravier productions. Distribuit în România de: RoImage 2000, Prorom. „Life’s but a walking shadow, a poor player,/ That struts and frets his hour upon the stage, /And then is heard no more. It is a tale/ Told by an idiot, full of sound and fury,/ Signifing nohing.” Astfel monologhează Macbeth după ce
Zgomotul și furia farsei by Angelo Mitchievici () [Corola-journal/Journalistic/5772_a_7097]
-
the Memory of Romanian Exile was amputated by government decision on its ability to literally investigate crimes and abuses committed during the communist regime. Recently, this ability was given back. Unfortunately, we still cannot speak of the condemnation of communism, but only about one conviction of a single torturer. Otherwise, justice remains blind în terms of both perpetrators and victims of the communist regime and yet Parliament remains mute. For this reason, I thought of drafting a law that could not
Polis () [Corola-journal/Science/84977_a_85762]
-
terms of both perpetrators and victims of the communist regime and yet Parliament remains mute. For this reason, I thought of drafting a law that could not be counted nor unconstitutional by restricting the rights of certain categories of people, but nor "dedicated" to one mân. It is a similar law to the Law no. 217/2015, which will regard the prohibition of organizations and symbols of communism and also the prohibition on the promotion of the cult of persons guilty
Polis () [Corola-journal/Science/84977_a_85762]
-
of population. În Italy, în particular, the foreign population hâș grown from 2000 to 2013 at an average rate of 10% per annum. This scenario, plus the emergence of immigrant landings on the Italian coast aș a point of arrival but also aș a point of departure to other European countries, leads to awareness of the need for answers, not only at the Italian instituțional level but also within a European convergence framework, în the search of policies and programs most
Polis () [Corola-journal/Science/84977_a_85762]
-
the emergence of immigrant landings on the Italian coast aș a point of arrival but also aș a point of departure to other European countries, leads to awareness of the need for answers, not only at the Italian instituțional level but also within a European convergence framework, în the search of policies and programs most appropriate to a new social context, strongly characterized by the presence of the immigrant population Keywords: migration flows, regulation, security, European convergence Nuovi flussi e nuove
Polis () [Corola-journal/Science/84977_a_85762]
-
Romanian migrants) Alina-Andreia AILINCĂI Abstract. În a globalized world economy we can focus on șo many theories to discuss the labor force migration, from push and pull theory, macro/structural theories, dual labor market theory, to economic or demographic theories. But the primary key variable, researching this phenomenon, is the human resource, the people involved în the migratory process. Every single person, that starts a "working journey" from the sending to the receiving country, hâș his own, specific, symbolic, cultural, educațional
Polis () [Corola-journal/Science/84977_a_85762]
-
the most important philosophers of the 18th and 19th centuries: Kant, Hegel and Marx. Based on their philosophies, I aim to prove that liberty is to be understood contextually, meaning that its relation with necessity varies regarding time and place but, on the whole, Hegel's approach to the matter is the most balanced and trustworthy, even if Kant and Marx ofered their own valuable insights and critics to the problem of modern freedom. Keywords: freedom, necessity, phenomenon, noumenon, recognition, politics
Polis () [Corola-journal/Science/84977_a_85762]
-
democratic participation to main decisions regarding the urban management. This new right can be regarded aș derived from solidarity rights aș the right to a healthy, clean, durable environment, aș well aș the right to continuous improvement of life quality, but also, it can be seen aș a special, distinct kind of human right. Right to have clean, sustainable cities can be recognized, at național, regional, internațional levels, to individuals, to local groups (aș the metropolitan inhabitants of one city) or
Polis () [Corola-journal/Science/84977_a_85762]
-
say having în mind the archetype of the Five Books of Moses (the Torah, the Pentateuch). The book catches from the beginning through the author's option for a "biblical" structure. This is unquestionably an effective strategy of captatio benevolentie. But of course the author does not seek to carry ouț a comprehensive parallel between the biblical story and the history of his own community. However, the central messages of the Books of Moses can be used în order to decode
Polis () [Corola-journal/Science/84977_a_85762]
-
of the Books of Moses can be used în order to decode each of the main sections of Ernu's book. It hâș to be clearly said from the beginning that we are not speaking about a religious history book but an anthropology book that can be of interest not only for those preoccupied with religion but also for those interested în sociology, economics or politics. The first section (Genesis) describes the "powers" that sit at the base of a community
Polis () [Corola-journal/Science/84977_a_85762]
-
sections of Ernu's book. It hâș to be clearly said from the beginning that we are not speaking about a religious history book but an anthropology book that can be of interest not only for those preoccupied with religion but also for those interested în sociology, economics or politics. The first section (Genesis) describes the "powers" that sit at the base of a community that perceives itself aș "the chosen one". It tells the story of "the family's first
Polis () [Corola-journal/Science/84977_a_85762]