5,761 matches
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aș a political laboratory: social experiments, designs and analyses could be first tested on stage. The new theatrical worker could emerge only through radical transformations: “The psychological make-up of the actor will need to undergo a number of changes. There must be no pauses, no psychology, no ‘authentic emotions’ - either on the stage or whilst building a role. Here is our theatrical programme: plenty of light, plenty of high spirits, plenty of grandeur, plenty of infectious enthusiasm, unlaboured creativity, the participation
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
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aș the basic method of Soviet artistic literature and literary criticism, requires of the artist a true, historically concrete depiction of reality în its revolutionary development. În this respect, truth and the historical concreteness of the artistic depiction of reality must be combined with the task of the ideological transformation and education of the workers în the spirit of Socialism.”[25] The new actor of the realist theatre was first of all a political activist, able to recreate the language and
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
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more and more kids fall ouț of this current system, more and more kids finish school without really learning to read and the system can offer almost nothing to those who do not fit în immediately for whatever reason. I must say, though, that the so-called IPR schools (Integrated Pedagogical System) are a great exception to this. IPR schools are without question the best functioning schools în Hungary. Another thing that we see în the villages and small towns is in-your-face
Clovnii () [Corola-website/Science/295693_a_297022]
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but is the one who interferes and changes both the reality and those who are part of it. The question that follows is: what kind of actor does this viewer need în order to have a conversation and how non-self-centered must the performance become în order to encapsulate the existence of the people interfering în its dynamics? The actor, în this instance, is no longer a creator of neutral fiction, but an activist actor, one who communicates the political biographies of
Teatrul spectatorului indecent () [Corola-website/Science/295711_a_297040]
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the existence of the people interfering în its dynamics? The actor, în this instance, is no longer a creator of neutral fiction, but an activist actor, one who communicates the political biographies of those he/she hâș researched. The researcher-actor must regulate his presence on stage în agreement with what is going on off-stage. The actor replies immediately to the person who regards him/her aș someone with whom he/she is sharing a life experience. The actor becomes the neighbor
Teatrul spectatorului indecent () [Corola-website/Science/295711_a_297040]
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identification with personal story În Forum Theatre, when the story is enacted, it is no longer just that person’s tale. Each person’s story is but the raw material from which the scene, with which everyone în the group must identify, is created. În testimony about social oppressions, the teller is speaking on behalf of not just himself but a whole class of people struggling against similar unjust treatment. Under what conditions are people with no social cachet individually not
De la povestire personală la act politic () [Corola-website/Science/295715_a_297044]
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1995: xx) With ascesis aș an underpinning, personal stories în the Forum Theatre process are combined, and invented elements inserted to get to the scenario that the actors will perform. Boal writes, “All the singular elements of the individual story must acquire a symbolic character, and shed the constraints of singularity, uniqueness” (1995: 40). Boal identifies singularity aș the domain of the psychotherapist, and generalization aș the terrain of the theatre artist. He emphasizes that TO “is the theatre of the
De la povestire personală la act politic () [Corola-website/Science/295715_a_297044]
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aș the terrain of the theatre artist. He emphasizes that TO “is the theatre of the first person plural. It is absolutely vital to begin with an individual account, but if it does not pluralize of its own accord we must go beyond it by means of analogical induction”—that is, proceeding by analogy rather than identification (1995: 45). I have by and large been astounded by the significant discoveries people have made through this process. Although Boal counsels participants to
De la povestire personală la act politic () [Corola-website/Science/295715_a_297044]
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make sure they feel represented în the story brought to forum, given the degree of self-assertion required, it is questionable if people necessarily do șo. And does the collectivization of the story inadvertently take it away from the teller? Attention must be paid to balancing the usefulness of stories for both the identifying group and the individual teller. Boal, O’Neal, and Lacy all fulfill what Benhabib [...] calls redefining the “private, non-public, and non-political” aș “matters of public concern, issues of
De la povestire personală la act politic () [Corola-website/Science/295715_a_297044]
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for one off activities. Did you get support from the magazines and media or just individuals? Yes, we got support from the media, although sometimes they would write that we are publishing materials that are too feminine and domestic. It must be, you know, just women issues, not important. Șo they looked to the men for the important stories of society, of politics, and when Femrite launched a book, they would say it must be about love, about domestic issues. Different
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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that are too feminine and domestic. It must be, you know, just women issues, not important. Șo they looked to the men for the important stories of society, of politics, and when Femrite launched a book, they would say it must be about love, about domestic issues. Different people told uș that. It was really mixed feelings from different angles. The issue is, however, that people write the stories that are closest to their hearts. Șo, we could not force the
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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and linguistic “representation” set ouț în advance the criterion by which subjects themselves are formed, with the result that representation is extended only to what can be acknowledged aș a subject. În other words, the qualifications for being a subject must first be met before representation can be extended. Foucault points ouț that juridical systems of power produce the subjects they subsequently come to represent. Juridical notions of power appear to regulate political life în purely negative terms—that is, through
Feminismul și subversiunea identității () [Corola-website/Science/295774_a_297103]
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subject proceeds with certain legitimating and exclusionary aims, and these political operations are effectively concealed and naturalized by a political analysis that takes juridical structures aș their foundation. Juridical power inevitably “produces” what it claims merely to represent; hence, politics must be concerned with this dual function of power: the juridical and the productive. În effect, the law produces and then conceals the notion of “a subject before the law”2 în order to invoke that discursive formation aș a naturalized
Feminismul și subversiunea identității () [Corola-website/Science/295774_a_297103]
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moral virtue. It is the first and most important step towards “reconnecting with yourself.” But without questioning it, the self remains a product of social influence, and this reconnecting will most likely remain a “guideline” for what the female self must be like within this mechanism. The objectification of women, although currently present under new guises, remains a classical symbol of patriarchy. From the “deification” of feminine beauty between symbol of divine purity (the Virgin) and source of temptation (the seductress
Patriarhatul, mașina de vise. Metamorfoză și hipersexualizare () [Corola-website/Science/295778_a_297107]
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This is because official records are both sufficient and insufficient. On the one hand, there are always more dată în the records than the historian can include în his representation of a certain part of the historical process. The historian must therefore “interpret” the dată by deeming some of the information irrelevant for his account and excluding them from the narrative. On the other hand, în his effort to reconstruct a certain historical period “aș it was”, the historian cannot exclude
Problematizarea istoriei recente în teatrul independent din România post-socialistă – reflecții teoretice () [Corola-website/Science/295796_a_297125]
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seem surprising, în this context, that the Romanian gendarmes noticed the same mood. We believe that în order to explain this obvious difference în the perception of the attitude of the population în Bessarabia and Transnistria towards the Jews, we must take into account the issue of identity. În Bessarabia, the problem of național loyalty - deeply connected to the identification, aș incomplete aș it may have been, of Moldovans with the Romanian nation - placed the compassion towards the victim and general
Atitudinea populației ne-evereiești din Basarabia și Transnistria față de evrei în perioada Holocaustului: o perspectivă a supraviețuitorilor () [Corola-website/Science/295809_a_297138]
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the gentrification process hâș a special dynamic due to the city’s position în the global political economy. În 2000, Liviu Chelcea published a study on the gentrification of an area în downtown Bucharest wherein he argued that “special emphasis must be placed on the role and transformations of property rights.”[2] În his study, he described this aș a process of primitive accumulation, meaning a way to obtain a profit with little or no investment. Chelcea described this accumulation în
Spațiul creativ este noul tău loc de muncă! Gentrificare, artă și muncitori culturali () [Corola-website/Science/295757_a_297086]
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ca lumea islamică să fie «distrusă de propriile noastre mîini »”. The Times continua: „Iar dl Al‑Sisi nu este singurul. Najib Razak, premierul Malaeziei, propovăduiește un Islam politic moderat, atît la el în țară, cît și în străinătate” (editorial: Freedom Must Prevail, Times, 9 ianuarie 2015). Astfel, Sisi, conducător al unei lovituri de stat militare, omul care a comandat masacrul a 1.000 de protestatari civili într‑o singură zi din august 2013, este salutat ca un „propovăduitor al islamului politic
Charlie Hebdo și războiul pentru civilizație () [Corola-website/Science/295814_a_297143]
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history aș the great, Hegelian, European History of the transcendental political organisms which are the nation-states. This is the typical perspective of a colonized subjectivity, ăn internalization of the colonial gaze which claims that you are outside history and you must perform an extraordinary act to overcome your condition în order to enter history. [...] D: If we look towards other areas or to other processes of decolonization, we come across a very significant aspect: the need for a history or a
Națiune, subalternitate și dorința de Europa. O discuție despre identitate națională și nevoia apartenenței europene () [Corola-website/Science/295826_a_297155]
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deportation, medical assistance, free transportation, tax exemption for radio, TV and telephone, free resting place etc. There exists two ways to receive the compensation: the survivors have to prove that they were deported with archive documents or affidavit. The affidavit must come from other survivors în front of a notary. For a lot of Romă survivors it is not easy to prove their status aș deportees. Some of them do not know about this law, some are old and sick, and
„Fie zi, fie noapte, afară tot întuneric era. Asta era Transnistria, unde-am trăit iadul pe pamânt.” Deportarea romilor în Transnistria () [Corola-website/Science/295835_a_297164]
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on a project made by the Center for Community Resources (CRC) în which he tries to help the victims of the Holocaust to get their monthly allowance. At a certain point în the project he called uș and said you must be here with me, because it’s terrible. He went with some survivors to a notary to legalize his statements, because there were no papers în the archive to proof that they were în Transnistria. And the notary was yelling
„Fie zi, fie noapte, afară tot întuneric era. Asta era Transnistria, unde-am trăit iadul pe pamânt.” Deportarea romilor în Transnistria () [Corola-website/Science/295835_a_297164]
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paying 11% and there’s no war. And how did things progress after you agreed to the loan? I paid my installments on time the first year, then they jumped from 200 euro to 460. And I told them there must some kind of mistake, No mistake, they said, the variable interest went up. What was the reason for that? Initially, I thought that the variable interest hâd to be paid according to the ROBOR or EURIBOR indexes (for loans în
„Cred că, peste câțiva ani, o să ne uităm la chestia asta cum ne uităm acum la Caritas și la FNI” () [Corola-website/Science/296009_a_297338]
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2008 19 19 9100 - - - în ambalaje directe cu un conținut net de maximum 1 kg: - - - - altele: ex 2008 19 99 - - - - - altele: - - - - - - Alune comune (fructe din specia Corylus avelana), cu excepția amestecurilor 2008 19 99 9100 ex 2009 Sucuri de fructe (inclusiv must de struguri) sau de legume, nefermentate, fără adaos de alcool, cu sau fără adaos de zahăr sau alți îndulcitori: - Suc de portocale: ex 2009 11 - - congelate: - - - cu o valoare Brix care nu depășește 67: ex 2009 11 99 - - - - altele: - - - - - Suc
jrc6220as2003 by Guvernul României () [Corola-website/Law/91392_a_92179]
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de zahăr aromatizate sau cu adaos de coloranți: 2106 90 30 - - - de izoglucoză 2106 90 30 9000 - - - altele: 2106 90 59 - - - - altele 2106 90 59 9000 15. Vinuri Codul NC Descrierea mărfurilor Codul produselor ex 2009 Sucuri de fructe (inclusiv must de struguri) sau de legume, nefermentate, fără adaos de alcool, cu sau fără adaos de zahăr sau alți îndulcitori: - Suc de struguri (inclusiv must de struguri): ex 2009 69 - - altele: - - - cu o valoare Brix care depășește 67: 2009 69 11
jrc6220as2003 by Guvernul României () [Corola-website/Law/91392_a_92179]
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59 9000 15. Vinuri Codul NC Descrierea mărfurilor Codul produselor ex 2009 Sucuri de fructe (inclusiv must de struguri) sau de legume, nefermentate, fără adaos de alcool, cu sau fără adaos de zahăr sau alți îndulcitori: - Suc de struguri (inclusiv must de struguri): ex 2009 69 - - altele: - - - cu o valoare Brix care depășește 67: 2009 69 11 - - - - cu o valoare de maximum 22 EUR la 100 kg greutate netă: - - - - - Must de struguri concentrat conform definiției prezentate la pct. 6 din anexa
jrc6220as2003 by Guvernul României () [Corola-website/Law/91392_a_92179]