704 matches
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paper. It was cool to talk about them because they existed aș text. Therefore, they hâd dignity. Therefore, it was OK to acknowledge them. I still hâd no idea about naming aș an act of conveying power, and I clearly remember that until The Vagina Monologues, feminism was a nasty thing, with hairy legs, burning bras and nothing else, really. And yet, a drop of this nasty thing suddenly involved me. Weird. I saw only one staging of The Vagina Monologues
Vocea din „Monoloagele vaginului” () [Corola-website/Science/295745_a_297074]
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to assist you to integrate, to go to school... Șo did you go to school? I did. I hâd to and I went. [...] At the day centre I met Radu Apostol, who was there to work for Acasă. [...] I still remember those emotions when playing Acasă, when I was looking at the people în the first three rows with tears în their eyes and feeling our story is touching them, when we were telling them: “see, life is about this aș
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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aș my second birthday. This was the first contact I hâd with the troops during the war against the Soviets. After about 3 days, all Jews în Herta hâd been arrested, taken to different synagogues and guarded. I can’ț remember what I was eating during those days, but I do remember it was horribly difficult to get any water. On the third day, the so-called new local authorities - appointed by the Gendarmerie - arrived and started calling ouț names. They took
„Holocaustul este referitor la evrei, dar există pericolul peste tot – pentru toată lumea.” () [Corola-website/Science/295840_a_297169]
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with the troops during the war against the Soviets. After about 3 days, all Jews în Herta hâd been arrested, taken to different synagogues and guarded. I can’ț remember what I was eating during those days, but I do remember it was horribly difficult to get any water. On the third day, the so-called new local authorities - appointed by the Gendarmerie - arrived and started calling ouț names. They took the people they’d called ouț, some 132 of them, and
„Holocaustul este referitor la evrei, dar există pericolul peste tot – pentru toată lumea.” () [Corola-website/Science/295840_a_297169]
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monuments about the Romă Holocaust- only one together with the Jewish Holocaust memorial [în Bucharest]. We need more memorials, let’s puț monuments în some villages for instances, let’s puț places of memory în many more parts just to remember this and let’s then reconcile. Reconcile with everybody because that’s the whole message of the film. It is not just pointing the finger to the guilty ones - let’s do something for those who hâd to suffer this
„Fie zi, fie noapte, afară tot întuneric era. Asta era Transnistria, unde-am trăit iadul pe pamânt.” Deportarea romilor în Transnistria () [Corola-website/Science/295835_a_297164]
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că nu pot vorbi despre sex, nu-mi pare rău, e natura ființei umane”". Videoclipul piesei a primit două nominalizări la premiile MTV VMA pentru „Cel mai bun videoclip dance” și „Cea mai bună coreografie”. În 1995 apare "Something to Remember", care cuprinde cele mai faimoase balade ale Madonnei și piese noi precum „I Want You”, cover după Marvin Gaye, „You'll See” și „One More Chance”. „I Want You” a fost inițial primul single, filmându-se și un videoclip pentru
Madonna () [Corola-website/Science/299602_a_300931]
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greatest hits”, "GHV2". Acesta conține câteva din hit-urile artistei din 1993 până în 2001, printre care „Erotica”, „Deeper and Deeper”, „Secret”, „Don't Cry for Me Argentina”, „Frozen” și „Music”, cu toate că unele au fost omise: „You'll See, „I'll Remember” sau „American Pie”. În 2002 a jucat în filmul "Naufragiați", regizat de soțul ei, Guy Ritchie, iar spre sfârșitul anului a lansat hit-ul „Die Another Day” de pe coloana sonoră a noului film James Bond, "Die Another Day". Melodia a
Madonna () [Corola-website/Science/299602_a_300931]
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Constanța (ulterior publicat în cotidianul „Telegraf”) a relevat multe lucruri inedite despre formație. În acest an apare primul fan-club Phoenix, anume în București, sub coordonarea lui Florian Pittiș. Tot în 1991, casa de discuri „Electrecord” a scos un disc, intitulat „Remember Phoenix” (titlul de pe eticheta discului diferă: „Negru Vodă”), ce cuprindea mai multe piese ale formației de pe discurile din 1968, 1969, 1972 și 1973. Acest disc a fost editat și pe casetă audio. În aceeași perioadă apar casetele-compilații „Phoenix (1)” și
Phoenix (formație) () [Corola-website/Science/299249_a_300578]
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were the steps I hâd to take șo that we would be safe and manage to be included în their program. I am not really good at recounting, it seems to me I am being incoherent, I don’ț really remember the events în their chronological sequence because I am constantly trying to wipe ouț and forget this part of my life. There was a time I couldn’ț even speak about it, nor remember facts, believe me that even now
(English) ” I was living in a sealed concrete cube, there was no way out” - Interview with a domestic violence survivor (part II) () [Corola-website/Science/296120_a_297449]
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being incoherent, I don’ț really remember the events în their chronological sequence because I am constantly trying to wipe ouț and forget this part of my life. There was a time I couldn’ț even speak about it, nor remember facts, believe me that even now, it is still very painful. I was going to therapy once a week, once every two weeks, because I was down, I hâd been mentally torn for a long time, because he hâd dragged
(English) ” I was living in a sealed concrete cube, there was no way out” - Interview with a domestic violence survivor (part II) () [Corola-website/Science/296120_a_297449]
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hâd a lot of different domiciles because my father hâd this habit of not paying the rent. At a very young age I moved from Delea Veche street, where I was born, on the Elisabeta boulevard. [...] The first house I remember is the one on Nicușor street [Bucharest ed.n.] în which we lived when I was around six - six and a half. It was a house with a ground floor and an upper floor with a slightly sloping roof. There must
(English) A Subjective History of Housing in Romania as Seen by the “Moses Rosen” Rest Home Residents. THE INTERWAR PERIOD: 1920-1930 (part II) () [Corola-website/Science/296138_a_297467]
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must have been three if not four rooms; I know that we hâd one entrance through the front and one through the courtyard în the back. To enter the house and the kitchen you would pass through a hallway. I remember a bright room, very big and beautiful. I also recall the bathroom where I was once given a beating. The courtyard was not well kept but big. There was an old walnut there în which I joyfully used to climb
(English) A Subjective History of Housing in Romania as Seen by the “Moses Rosen” Rest Home Residents. THE INTERWAR PERIOD: 1920-1930 (part II) () [Corola-website/Science/296138_a_297467]
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an old walnut there în which I joyfully used to climb. În this house we first lived on the upper floor and after one year we moved to the ground one. We spent two years în this house and I remember the rooms hâd subtly sloping ceilings. From here we moved în the standard dwellings between Iancului and Vatra Luminoasă where we hâd a whole two storey house to ourselves. On the ground floor we hâd the kitchen and a living
(English) A Subjective History of Housing in Romania as Seen by the “Moses Rosen” Rest Home Residents. THE INTERWAR PERIOD: 1920-1930 (part II) () [Corola-website/Science/296138_a_297467]
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kitchen and a living room. A beautiful indoor stairway lead to the upper floor where there were the bathroom and I believe two rooms - one was my parents' bedroom and the other belonged to my sister and me. I clearly remember that staircase: șo beautiful, dark brown - I believe it was made of oak. În the courtyard there was a storeroom that also hâd a summer kitchen. My mother would cook there în the summertime șo aș not to heat up
(English) A Subjective History of Housing in Romania as Seen by the “Moses Rosen” Rest Home Residents. THE INTERWAR PERIOD: 1920-1930 (part II) () [Corola-website/Science/296138_a_297467]
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a permanent construction site în that area. Can you imagine just how much “hide and seek” we would play among those houses under construction, piles of bricks and sand?... it was amazing, such a bliss! [...] The oldest toy I can remember was a handcar; a sort of bicycle that hâd a sidecar similar to those used on motorcycles. I used to take the family dog for a ride în it. I didn't have many more toys. When I was much
(English) A Subjective History of Housing in Romania as Seen by the “Moses Rosen” Rest Home Residents. THE INTERWAR PERIOD: 1920-1930 (part II) () [Corola-website/Science/296138_a_297467]
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din Marx, Jason este mai degrabă fatidic și împăcat cu soarta underclass-ului: ”<spân style="font-size: medium;">Silent dreams are a blag on time/ They get away with the worst crimes/ You fall fast în a void of pain/ Only to remember that you still remain” (</spân></spân><spân style="font-size: medium;">Silly me). Vampirismul clasei de mijloc în a imita și poză în masculinitatea și dress code-ul subculturilor de odinioară este condamnat în </spân><spân style="font-size: medium;"><i>Cunt
No one’s bOthered () [Corola-website/Science/296153_a_297482]
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Marx, Jason is more fatalistic and hâș come to terms with the fâțe of the underclass: ”Silent dreams are a blag on time/ They get away with the worst crimes/ You fall fast în a void of pain/ Only to remember that you still remain” (Silly me). The vampirism of the middle class emulates the masculinity and dress codes of past subcultures and is given an earful în Cunt Make It Up: ”Wannabes never change/, it’s the wannabe show/ And
No one’s bOthered () [Corola-website/Science/296153_a_297482]
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ouț. That’s why we lived în 12 different houses în that period and we moved ouț 12 times! It’s said that moving ouț three times produces losses and damages equal to a house fire. [...] The first house I remember - must have been around the year 1920. It hâd a 40-50 metres long yard with a wooden fence. În the backyard there was an orchard with wax-cherry trees. We were six families renting în that yard, three on the left
O istorie subiectivă a locuirii în România, din perspectiva rezidentelor și rezidenților căminului „Moses Rosen”. PERIOADA INTERBELICĂ: ANII 1920 - 1930 () [Corola-website/Science/296134_a_297463]
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the backyard; purchasing and storing firewood was really vital and difficult. The toilet - without running water - was the furthermost în the backyard. Back then it was called “privată” [private]; there were two or three toilets în the yard, if I remember correctly. I remember the furniture: în the bedroom there were my parents’ bed, two more beds, a wooden wardrobe and a sort of storage box. În the living room there were a table and some chairs, a small buffet and
O istorie subiectivă a locuirii în România, din perspectiva rezidentelor și rezidenților căminului „Moses Rosen”. PERIOADA INTERBELICĂ: ANII 1920 - 1930 () [Corola-website/Science/296134_a_297463]
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and storing firewood was really vital and difficult. The toilet - without running water - was the furthermost în the backyard. Back then it was called “privată” [private]; there were two or three toilets în the yard, if I remember correctly. I remember the furniture: în the bedroom there were my parents’ bed, two more beds, a wooden wardrobe and a sort of storage box. În the living room there were a table and some chairs, a small buffet and a washstand; the
O istorie subiectivă a locuirii în România, din perspectiva rezidentelor și rezidenților căminului „Moses Rosen”. PERIOADA INTERBELICĂ: ANII 1920 - 1930 () [Corola-website/Science/296134_a_297463]
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boiler. At some point, the boiler broke and became useless. We hâd a cast iron cooking stove and cupboards and a cooler. Back în the days, the cooler functioned with ice, șo we would buy ice for it. I vaguely remember: the paved yard hâd two water pumps with hoses attached șo we could water the orchard. My mom was doing this work and she really cared about the garden. Besides the roses, we hâd șo many different flowers. The whitewashed
O istorie subiectivă a locuirii în România, din perspectiva rezidentelor și rezidenților căminului „Moses Rosen”. PERIOADA INTERBELICĂ: ANII 1920 - 1930 () [Corola-website/Science/296134_a_297463]
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ori favorizat și lăudat de către părinții săi. Pentru a scăpa de acest abuz, el s-a refugiat în biblioteca locală, unde a descoperit pasiunea să pentru poezie. Avea să scrie mai târziu în „"Biographia Literaria"” : "At six years old I remember to have read Belisarius, Robinson Crusoe, and Philip Quarll - and then I found the Arabian Nights' Entertainments - one tale of which (the tale of a mân who was compelled to seek for a pure virgin) made șo deep an impression
Samuel Taylor Coleridge () [Corola-website/Science/308248_a_309577]
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seek for a pure virgin) made șo deep an impression on me (I hâd read it în the evening while my mother was mending stockings) that I was haunted by spectres whenever I was în the dark - and I distinctly remember the anxious and fearful eagerness with which I used to watch the window în which the books lay - and whenever the sun lay upon them, I would seize it, carry it by the wall, and bask, and read." "Îmi amintesc
Samuel Taylor Coleridge () [Corola-website/Science/308248_a_309577]
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au făcut-o formații importante ale curentului psihedelic. Piese compuse de el (de exemplu, „Vinovații fără vină”, „Bradu-i brad fără topoare”), alături de versiunea în limba română a piesei italiene «E' la pioggia che va» (compusă de Bob Lind cu titlul "Remember The Rain" și făcută cunoscută în Italia de formația The Rokes, tradusă de Zaharia drept „Ploaia care va veni”) au fost preluate de cunoscuți interpreți sau grupuri, precum Adrian Ivanițchi, Mircea Vintilă și Pasărea Colibri. a scris și unele texte
Dorin Liviu Zaharia () [Corola-website/Science/307729_a_309058]
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variantă a meciului o reprezintă aceea în care cei doi wrestleri fac parte din promoții (divizii) diferite de wrestling și luptă pentru dreptul de a ridica steagul propriei promoții. Un astfel de meci a avut loc la evenimentul November to Remember al Extreme Championship Wrestling în 1997, între Rob Van Dam (reprezentând World Wrestling Federation) și Tommy Dreamer (reprezentând Extreme Championship Wrestling). Un Anthem Match este un Flag Match care prevede la sfârșitul meciului intonarea imnului echipei învingătoare. Un meci în
Tipuri de meciuri de wrestling () [Corola-website/Science/306618_a_307947]