45,651 matches
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those hidden signs of the time. The two levels according to which this book is written, are not the result of an exhausting observation (especially aș far aș its first level is concerned), but the realization of a figée memory, of a pattern we cannot get rid of. On the other side, Mesut Șenol turns again upside down the poetical level, writing openly or with a sincerity which he himself recognizes, a poetry of the contrasts where he, aș an individual
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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the poetical level, writing openly or with a sincerity which he himself recognizes, a poetry of the contrasts where he, aș an individual can frame and define himself perfectly, only that this time he borders himself în a different type of „patterns of unfound things/ typical of poetic task on hand/ plasticity of feelings/ unlocking mysteries loaded/ when look seems șo deceptive/ perceptions keep generating things/ humans start singing/ a music of after-world” (În Plain Sight). If you happen to read
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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level, writing openly or with a sincerity which he himself recognizes, a poetry of the contrasts where he, aș an individual can frame and define himself perfectly, only that this time he borders himself în a different type of „patterns of unfound things/ typical of poetic task on hand/ plasticity of feelings/ unlocking mysteries loaded/ when look seems șo deceptive/ perceptions keep generating things/ humans start singing/ a music of after-world” (În Plain Sight). If you happen to read Love Survives
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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with a sincerity which he himself recognizes, a poetry of the contrasts where he, aș an individual can frame and define himself perfectly, only that this time he borders himself în a different type of „patterns of unfound things/ typical of poetic task on hand/ plasticity of feelings/ unlocking mysteries loaded/ when look seems șo deceptive/ perceptions keep generating things/ humans start singing/ a music of after-world” (În Plain Sight). If you happen to read Love Survives, you will find the
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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recognizes, a poetry of the contrasts where he, aș an individual can frame and define himself perfectly, only that this time he borders himself în a different type of „patterns of unfound things/ typical of poetic task on hand/ plasticity of feelings/ unlocking mysteries loaded/ when look seems șo deceptive/ perceptions keep generating things/ humans start singing/ a music of after-world” (În Plain Sight). If you happen to read Love Survives, you will find the key of the book somewhere în
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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turns to all this with a simple phrase through which he expresses his own creed: what we use to call „our life” does not seem to be anything else but a voyage through writing (and not through time). The rest of it is nothing else but an experience at a whirling speed (aircrafts, rapid deliveries, etc.). How about the power of mind? The power of mind intimidates the desperate ones, paradoxically giving them, aspirations. There remains only the beseech of heaven
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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seem to be anything else but a voyage through writing (and not through time). The rest of it is nothing else but an experience at a whirling speed (aircrafts, rapid deliveries, etc.). How about the power of mind? The power of mind intimidates the desperate ones, paradoxically giving them, aspirations. There remains only the beseech of heaven, but not în the sense of begging, but în the sense of an inner rebellion for what is right to be șo. This is
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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a merchandise which one would like to be on sale, and which one would like to buy. Let uș come back to the second level: love through which Mesut Șenol defines himself „I love my love time and again” (Ouț of Ordinary), his poetry being, from this point of view of an incredible sensitivity, which comes back again and again with each and every verse, being something like a long love letter written to a sweetheart with the name: Darling Lavander
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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with each and every verse, being something like a long love letter written to a sweetheart with the name: Darling Lavander. În this particularly beautiful sensitive poem one can feel very well, one can surround himself by a perfumed field of violet lavander which, beyond everything, reminds of an impressionist painting. Mesut Șenol is of the opinion that literature and music are the permanent people's tresures, but poetry too, which borrows or makes use of pictorial elements conveying (aș în
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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the word of a musical symphony. Only that this time, the tone gets changed, it becomes one of joy, where even the game of reality can include or not an imaginary love. His love, freely expressed, even yearned for is of a particular sensitivity. It is the projection of a world expressed în the happiness of a heart, we might even say that it is expressed like a ritual, making use of aphrodisiac fragrances (cinnamon, for instance) or of pictorial elements
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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this time, the tone gets changed, it becomes one of joy, where even the game of reality can include or not an imaginary love. His love, freely expressed, even yearned for is of a particular sensitivity. It is the projection of a world expressed în the happiness of a heart, we might even say that it is expressed like a ritual, making use of aphrodisiac fragrances (cinnamon, for instance) or of pictorial elements, of an optimist carefully chosen colouring. Without exaggerating
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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optimist carefully chosen colouring. Without exaggerating at all, we might say that în this perfect game of love, Mesut Șenol creates and paints with the words, his observations being those of the metaphorical detail, well mastered from the semantic point of view. One can notice that the general tone of his poetry is not one of sadness, of self-abandon, but one of happiness, embodied în a liberty of the gesture („equal to the hurting and tickling pleasure of biting” or „without
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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might say that în this perfect game of love, Mesut Șenol creates and paints with the words, his observations being those of the metaphorical detail, well mastered from the semantic point of view. One can notice that the general tone of his poetry is not one of sadness, of self-abandon, but one of happiness, embodied în a liberty of the gesture („equal to the hurting and tickling pleasure of biting” or „without touching of the fingers on the neck/ there is
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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the semantic point of view. One can notice that the general tone of his poetry is not one of sadness, of self-abandon, but one of happiness, embodied în a liberty of the gesture („equal to the hurting and tickling pleasure of biting” or „without touching of the fingers on the neck/ there is an awkardness în the riddle solved through kisses” - Her Teeth and Dreams). The richness of the colouring style or the tones of the poetry give the sensation of
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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hand and will lead him to the path of a secret world's discovery. This poetry wraps you în a feeling of love, în light and sensitivity, the poet succeeding (throughout his book) în inoculating to his reader the wish of being together în the special world, where the former obeys to the command of his destiny „You are to open your universe, your soul, and you are to love” - Feelings. His verses are particulary beautiful and their inner harmony (another
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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This poetry wraps you în a feeling of love, în light and sensitivity, the poet succeeding (throughout his book) în inoculating to his reader the wish of being together în the special world, where the former obeys to the command of his destiny „You are to open your universe, your soul, and you are to love” - Feelings. His verses are particulary beautiful and their inner harmony (another special characteristic of Mesut Șenol's writing) makes them flow smoothly, giving thus to
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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în the special world, where the former obeys to the command of his destiny „You are to open your universe, your soul, and you are to love” - Feelings. His verses are particulary beautiful and their inner harmony (another special characteristic of Mesut Șenol's writing) makes them flow smoothly, giving thus to the reader (even if he reades them loudy or with the voice of his mind) a sensation of wrapping, of warmth, of a sensual dance. Its ideas are squeezed
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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Its ideas are squeezed skilfully among the verses (this becoming, în most of the cases, a poet's tactical technique of writing). His poems, aș well aș his verses flow în a natural way all along the book and, all of a sudden we come across the main idea, develepped în a short and concise theory, expressed clearly only în a few words. Mesut Șenol's poetry wraps one altogether în love, light and sensitivity, enjoying even he himself a certain
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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short and concise theory, expressed clearly only în a few words. Mesut Șenol's poetry wraps one altogether în love, light and sensitivity, enjoying even he himself a certain harmony, a certain inner cadence which coupled with the main ideas of his work, comes to constitute în the end, a real poetical essay. Muguraș Maria PETRESCU Bucharest May 2013 ------------------------------------------
MESUT ŞENOL – DRAGOSTEA SUPRAVIEŢUIEŞTE / LOVE SURVIVES de MUGURAŞ MARIA PETRESCU în ediţia nr. 854 din 03 mai 2013 [Corola-blog/BlogPost/344633_a_345962]
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și pe eșafod a ajuns; acolo... o fată... THE GIRL IS COMING with the millennium hanging on the shoulder she spurs on her horse while the wolf with its original ruby teeth is coming stealthily and bites from the sleigh of her body in the Samaritan working a shift and why at this time chaste girls do not dance? there are only race women who fetch the water. in order to feed our camels the abusive green burden troubles the virgin
GEORGE FILIP LA 77 DE ANI. LA MULŢI ANI, POETE! de MUGURAŞ MARIA PETRESCU în ediţia nr. 1922 din 05 aprilie 2016 [Corola-blog/BlogPost/344631_a_345960]
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Într-un an a venit chiar primarul orașului Cleveland, care a primit diploma de Cetățean de Onoare al României. Din tot acest tablou nu putea lipsi publicația Weekly Buletin, St. Mary Orthodox Cathedral, A Parish of the Romanian Orthodox Episcopate of America (Buletin săptămânal, Catedrala Ortodoxă Sf. Maria, Parohia Episcopiei Ortodoxe Române din America) care prezintă toate evenimentele din viața obștei. Mulțumim pe această cale Pr. Paroh Dr. Remus Grama că în Nr. 28, Volumul 62 din 19 iulie 2015 a
OSPITALITATEA POPORULUI ROMÂN – CEL BINE-CREDINCIOS DE PRETUTINDENEA de MUGURAŞ MARIA PETRESCU în ediţia nr. 1693 din 20 august 2015 [Corola-blog/BlogPost/344629_a_345958]
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Dermithe, Daniel Gélin, André Maurois, Armând Salacrou, Rodica Valeanu, Albert J. LeGros, Bernard Blin, Colette Marchand, Gil J. Wolman, Marc'o Producător: Marc'o, Léon Vickman Mulțumiri speciale: Catherine Goldstein, Pip Chodorov Copyright: Isidore Isou Estate / Catherine Goldstein Film courtesy of Re:Voir Mulțumiri: Diana Vidrașcu, Frederic Acquaviva, Rodica Sibleiras Mai multe detalii: http://www.anf-cinemateca.ro/ http://igormocanu.wordpress.com/2014/05/08/isidore-isou-la-avangarda-revizitata-iv-6/ ------------------------------------------------ Igor MOCANU București 20 mai 2014 Referință Bibliografica: Igor MOCANU - AVANGARDĂ REVIZITATĂ - EDIȚIA A IV-A
EDIŢIA A IV-A SESIUNEA A VI-A de IGOR MOCANU în ediţia nr. 1236 din 20 mai 2014 [Corola-blog/BlogPost/344715_a_346044]
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-mi îndeplinesc obligațiile pe care alții nu îndrăznesc să și le îndeplinească. Exercițiu de imaginație cu Salvadore Dali În anul 1940 Salvadore Dali realizează tabloul intitulat, Piața de sclavi cu bustul lui Voltaire dispărând"(The slave market with dissapering bust of Voltaire). Nuanțând ideile de libertate ale lui Voltaire, maestrul realizează acest tablou reliefând o iluzie optică (privindu-l de aproape veți observa o piață de sclavi, însă de la distanța veți sesiza bustul lui Voltaire). Deci, după ce priviți pictura de pe scaunul
VOLTAIRE de CRISTIAN BODNĂRESCU în ediţia nr. 101 din 11 aprilie 2011 [Corola-blog/BlogPost/350669_a_351998]
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Pauză (13.00 - 14.00) Sesiunea 2. Obiecte, a căror origine nu poate fi explicată (14.00 - 16.00), moderator Gheorghe Cohal - Obiecte inexplicabile găsite pe teritoriul României; prezintă Gheorghe Cohal, director executiv ASFAN; - Ființe și obiecte stranii (OOPARTS - Ouț of place artifacts) găsite în diferite zone ale Terrei; prezintă Cristina Aldea, președinta filialei din Köln (Germania) a ASS (Societatea de cercetări în Arheologie, Astronautica și SETI condusă de Erich von Däniken), membră a Centrului Ufologic Național din Italia. - Discuții cu
CONFERINTA ´´ OZN ROMANIA´´-10 MAI 2O14,BUCURESTI de MIHAI MARIN în ediţia nr. 1225 din 09 mai 2014 [Corola-blog/BlogPost/350686_a_352015]
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Acasă > Poezie > Pamflet > ILUZIONISTUL... Autor: Coști Pop Publicat în: Ediția nr. 1231 din 15 mai 2014 Toate Articolele Autorului ...celor din politică: Shame on all of you! Iluzionist, să mă cunoască lumea, așa cum eu, o fac să mă-nțeleagă, am printre degete, mizeria ce de la bani se trage, i-am numărat și azi și ieri, de-o săptămâna bună, sunt obosit, extenuat și mi-e deajuns
ILUZIONISTUL... de COSTI POP în ediţia nr. 1231 din 15 mai 2014 [Corola-blog/BlogPost/350739_a_352068]