35,594 matches
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1996, at the Național PCC Congress, then officially presented by President Jiang Zemin, at the General ASEAN Conference /1997 (în 1996, China became "full-fledged member" of ASEAN). See Pat Blannin, The New Security Concept. China's 21st Century Security Strategy for a Multi-Polar World, February 2011, ÎNTR 13-303 Chinese Defence Policy, pdf. 5 Idem 6 În the view of the Chinese officials, NCS must be harmonized with a security environment different from the bipolar period, characterize by peace and development, marked
Polis () [Corola-journal/Science/84980_a_85765]
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Delhi, IPCS Special Report, 125/May 2012, IPCS Series on Inside Chină, China Research Programme, www.ipcs.org 7Although another part of the doctrine ("the realists", such aș Kaplan) rejects this approach, considering that "China's benefit would entail loss for other large powers", seeing the economic and military rise of Chină aș "a direct danger to the stability of the internațional security environment". According toPat Blannin, op. cît., pdf. 8Strategic view, with deep philosophical roots în the Chinese culture (Confucianism
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other large powers", seeing the economic and military rise of Chină aș "a direct danger to the stability of the internațional security environment". According toPat Blannin, op. cît., pdf. 8Strategic view, with deep philosophical roots în the Chinese culture (Confucianism); for example, we quote a fragment from XunZi, The Path to Ideal Governing, the chapter on Honour and Shame (Rongru): "... if we consider the Path of the Kings Aforetime, the guiding principles of humanity and justice, are they not the ones
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the 21st century "security can no longer be guaranteed by a strengthening of the military capacities or by military alliances; instead, it should be based on mutual trust and common interests". Chină should "promote dialogue-based trust, seek cooperation-based security, respect for the sovereignty of the other, solving disputes through peaceful means and make efforts to achieve common development." White Paper, Ministry of Național Defence, The People's Republic of Chină, Beijing, 1998. 11China's Position Paper on the New Security Concept
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Concept, www.china-un.org/eng/xw/t27742.htm 12Marc Lanteigne, Who Makes Chinese Foreign Policy? Strategic Thinking and the Role of the Military. Chinese Foreign Policy: An Introduction, 2009, quoted by Pat Blannin, op. cît., pdf. Jiang Zemin spoke for the first time about the "strategic opportunity", în a speech addressing the Ministers of Foreign Affairs, în Geneva, 1999; afterwards the term was used în the 2002 Declaration of the PCC Congress. 13Zbigniew Brzezinski, Triada geostrategică. Conviețuirea cu Chină, Europa
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used în the 2002 Declaration of the PCC Congress. 13Zbigniew Brzezinski, Triada geostrategică. Conviețuirea cu Chină, Europa, Rusia, translated by Sanda-Ileana Racoviceanu, Historia Publishing House, Bucharest, 2006, p. 19. 14Strategic conception dating back to the beginning of the 21st century, for which we identify the Taoist philosophy aș a source: "The Tao of Heaven:Does not contend and yet excels în winning (...) The heavenly net is vast/Loose, and yet does not let anything slip through (chapter 73); The Tao of
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advantageous cooperation and the spirit of inclusion should be encouraged, în order to achieve common security and prosperity and to build a world în which all the civilizations coexist în harmony" "(s.n.). Li Shijia, Harmonious World: China's Ancient Philosophy for New Internațional Order, http://capetown.china-consulate.org/eng/zt/nd2007/t370299.htm 16In July 2000, during his visit to Indonesia, Hu Jintao referred to NCS and its Four Pillars, talking about "new security order should be established to ensure genuine
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wshd/t214571.htm 18Qianqian Liu, China's Rise and Regional Strategy: Power, Interdependence and Identity, vol. 5, no.4, journal.acs-cam.org.uk/dată/archive/2010/201004-article7.pdf 19Pat Blannin, The New Security Concept. China's 21st Century Security Strategy for a Multi-Polar World, February 2011, ÎNTR 13-303 Chinese Defence Policy, pdf. 20David Lai, Learning from the Stones: A Go Approach to Mastering China's Strategic Concept, Shi. Strategic Studies Institute, 2004, p. 6, www.strategicstudiesinstitute.army.mil/psffiles/PUB378/pdf
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www.china-un.org/eng/xw/t27742.htm 28Wu Baiyi, The Chinese Security Concept and its Historical Evolution, Journal of Contemporary Chină, 2001, 10:2, p. 278. 29Pat Blannin, The New Security Concept. China's 21 st Century Security Strategy for a Multipolar World, February 2011, ÎNTR 13-303 Chinese Defence Policy, pdf. 30Idem 31R. Dellios, Mandalas of Security, Culture Mandala; The Bulletin of the Centre for East-West Cultural and Economic Studies, vol.2, issue 1, article 1, pg. 18, 1996, http
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p. 278. 29Pat Blannin, The New Security Concept. China's 21 st Century Security Strategy for a Multipolar World, February 2011, ÎNTR 13-303 Chinese Defence Policy, pdf. 30Idem 31R. Dellios, Mandalas of Security, Culture Mandala; The Bulletin of the Centre for East-West Cultural and Economic Studies, vol.2, issue 1, article 1, pg. 18, 1996, http://epublications.bond.edu.au/cgi. R. Dellios, Chinese Strategic Culture, Part 1: The Heritage from the Past, Center for East-West Cultural and Economic Studies Research
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Mandala; The Bulletin of the Centre for East-West Cultural and Economic Studies, vol.2, issue 1, article 1, pg. 18, 1996, http://epublications.bond.edu.au/cgi. R. Dellios, Chinese Strategic Culture, Part 1: The Heritage from the Past, Center for East-West Cultural and Economic Studies Research Paper, no.1, April 1994, citat de Pat Blannin, quoted op., pdf. 32R. Dellios, Mandalas of Security, Culture Mandala; The Bulletin of the Centre for East-West Cultural and Economic Studies, vol.2, issue 1
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Culture, Part 1: The Heritage from the Past, Center for East-West Cultural and Economic Studies Research Paper, no.1, April 1994, citat de Pat Blannin, quoted op., pdf. 32R. Dellios, Mandalas of Security, Culture Mandala; The Bulletin of the Centre for East-West Cultural and Economic Studies, vol.2, issue 1, article 1, pg. 18, 1996, http://epublications.bond.edu.au/cgi. R. Dellios, Chinese Strategic Culture, Part 1: The Heritage from the Past, Center for East-West Cultural and Economic Studies Research
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Mandala; The Bulletin of the Centre for East-West Cultural and Economic Studies, vol.2, issue 1, article 1, pg. 18, 1996, http://epublications.bond.edu.au/cgi. R. Dellios, Chinese Strategic Culture, Part 1: The Heritage from the Past, Center for East-West Cultural and Economic Studies Research Paper, no.1, April 1994, quoted by Pat Blannin, quoted op., pdf. 33 The concept of "Peaceful Rise" was subsequently translated, depending on China's level of "economic assertion", aș "Peaceful development" (aș a
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36Anna Eva Budura, Diplomația chineză. Chaogong, sistemul de relații ale Chinei cu lumea din afara ei, op.cit., pp. 216-217. 37According to the doctrine, the concept of "harmonious world", launched by president Hun Jintao, în 2005, intends to state China's engagement for global peace and stability and the wish to create a more just and fair internațional system. Also see Tatyana Flegontova, Peaceful Rise of Chină: Greater Chină Strategy, Geopolitică, year X, nr. 44-45 (1/2012), p. 216 38Alejandro Colás, Empire, Polity
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of this system, în Imperial Chinese tributary system, http://en.wikipedia.org/wiki/Imperial Chinese tributary system, accessed on July 20th 2014 43Anna Eva Budura, Diplomația chineză. Chaogong, sistemul de relații ale Chinei cu lumea din afara ei, pp. 216-218. 44Idem, p. 218. 45 For example, the period of China's opening towards commerce with the Occident (1839-1901). See Jean Sellier, op. cît., pp. 147-152. 46Anna Eva Budura, op. cît., p. 216. 47Anna Eva Budura, Spiritualitatea chineză, inDiplomațiachineză, quoted op.,pp. 147-148. 48Idem, p. 148-149
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Eva Budura, Spiritualitatea chineză, inDiplomațiachineză, quoted op.,pp. 147-148. 48Idem, p. 148-149. 49Ibidem, p. 150. 50Ibidem, pp. 153-154. 51Teodor Frunzeti, Sebastian Oprescu, Lumea marilor puteri (2011-2013), col. Geopolitică, Top Form Publishing House, Bucharest, 2013, p. 172. 52Values based on respect for the ancestors, respect for the scholars, cultivating reason and high virtues, cultivating systems organized on the basis of meritocracy, governing by the example of rulers' virtues, respecting the human being and his/her rights, peaceful and respectful contacts with other
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inDiplomațiachineză, quoted op.,pp. 147-148. 48Idem, p. 148-149. 49Ibidem, p. 150. 50Ibidem, pp. 153-154. 51Teodor Frunzeti, Sebastian Oprescu, Lumea marilor puteri (2011-2013), col. Geopolitică, Top Form Publishing House, Bucharest, 2013, p. 172. 52Values based on respect for the ancestors, respect for the scholars, cultivating reason and high virtues, cultivating systems organized on the basis of meritocracy, governing by the example of rulers' virtues, respecting the human being and his/her rights, peaceful and respectful contacts with other cultures and civilizations, harmonious
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Uniunii Scriitorilor din România (1970), profesor de medicină internă... George Popa a confirmat în toate cele înfăptuite. A obținut premiul pentru traducerea din Omar Khayyam la Salonul Național de Carte (1999), Diplomă of Honor, The 3rd World Congress of Poets for Poetry Research, Iași (2001), premiul U.S.R., Filiala Iași pentru Opera omnia (2003), premiul revistei Convorbiri literare pentru creația eseistica (2004); Doctor Honoris Causa al Universității de Arte „George Enescu” din Iași (2008) ș.a.m.d. 2. George POPA, Luceafărul. Treptele
Destine literare by Editura Destine Literare () [Corola-journal/Science/89_a_362]
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ale timpului, nici retorica hieratică a frescelor și nici lumina stinsă a icoanei nu mai sunt suficiente. Este nevoie de o expresie directă, puternică și purtătoare a unor mesaje fără echivoc. Altfel spus, este nevoie de sculptură, de arta de for. Cei care vor umple golul de pînă acum și vor genera un fenomen viguros și nou, sunt, evident, artiști veniți din Occident și, la fel de evident, din spațiul catolic. Unii au venit doar să lucreze și să execute anumite comenzi, precum
Sculptura românească, de la reprezentare la teologie by Pavel Șușară () [Corola-journal/Journalistic/10628_a_11953]
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Uniunii Scriitorilor din România (1970), profesor de medicină internă... George Popa a confirmat în toate cele înfăptuite. A obținut premiul pentru traducerea din Omar Khayyam la Salonul Național de Carte (1999), Diplomă of Honor, The 3rd World Congress of Poets for Poetry Research, Iași (2001), premiul U.S.R., Filiala Iași pentru Opera omnia (2003), premiul revistei Convorbiri literare pentru creația eseistica (2004); Doctor Honoris Causa al Universității de Arte „George Enescu” din Iași (2008) ș.a.m.d. 2. George POPA, Luceafărul. Treptele
Destine literare by Editura Destine Literare () [Corola-journal/Science/89_a_363]
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PSB, vol. 29, p. 185. footnote>. Pe măsură ce progresează, sufletul obține constant parte din ceea ce dorește, fără a fi îndestulat niciodată și cu o dorință care sporește neîncetat<footnote H. J. M. Turner, „St Gregory of Nyssa as a Spiritual Guide for Today”, în Eastern Churches Review, vol. VII, Nr. 1, Oxford, 1975, p. 23. footnote>. Fiind veșnic îndrăgostit de Frumusețea sublimă, sufletul dorește să se umple „de chipul însuși al Arhetipului și să-l vadă față către față”<footnote Marius Telea
Editura Teologie și Viaţă devenirii și a dorinței la Sfântul Grigorie de Nyssa. In: Teologie și viață by Liviu Petcu () [Corola-journal/Science/176_a_431]
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perioadă «Clasic-Romantică» mai largă și care le combină pe ambele. Această îndepărtează delimitările care contracarează recunoașterea unei omogenități stilistice - una îngropată cu ușurință în retorica despre inovație și exces în secolul al XIX-lea.”<footnote Ibidem, pp. 211-212: „In music, for example, Friedrich Blume has shown how the labels ‘Classic’ and ‘Romantic’ for successive blocks of historical time conceal and distort the continued importance of sonata form in the nineteenth century. For Blume the solution is a larger ‘Classic-Romantic’ era that
Fenomenul compresiei stilistice în muzica europeană (II) by Oleg Garaz () [Corola-journal/Science/83140_a_84465]
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delimitările care contracarează recunoașterea unei omogenități stilistice - una îngropată cu ușurință în retorica despre inovație și exces în secolul al XIX-lea.”<footnote Ibidem, pp. 211-212: „In music, for example, Friedrich Blume has shown how the labels ‘Classic’ and ‘Romantic’ for successive blocks of historical time conceal and distort the continued importance of sonata form in the nineteenth century. For Blume the solution is a larger ‘Classic-Romantic’ era that combines the two. This removes barriers that thwart recognition of an important
Fenomenul compresiei stilistice în muzica europeană (II) by Oleg Garaz () [Corola-journal/Science/83140_a_84465]
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al XIX-lea.”<footnote Ibidem, pp. 211-212: „In music, for example, Friedrich Blume has shown how the labels ‘Classic’ and ‘Romantic’ for successive blocks of historical time conceal and distort the continued importance of sonata form in the nineteenth century. For Blume the solution is a larger ‘Classic-Romantic’ era that combines the two. This removes barriers that thwart recognition of an important stylistic commonality - one easily buried in the rhetoric about the innovation and excess of the nineteenth century”. footnote> Numitorul
Fenomenul compresiei stilistice în muzica europeană (II) by Oleg Garaz () [Corola-journal/Science/83140_a_84465]
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in the music of Alfred Schnittke, teză de doctorat, The University of British Columbia, aprilie 2007, p. 5: „I dream of the Utopia of a united style, where fragments of ‘U’ (Unterhaltung) [entertaining] and ‘E’ (Ernst) [serious] are not used for comic effect but seriously represent multi-faceted musical reality. That’s why I’ve decided to put together some fragments from my cartoon film music: a joyful children’s chorus, a nostalgic atonal serenade, a piece of hundred-percent-guaranteed Corelli (Made in
Fenomenul compresiei stilistice în muzica europeană (II) by Oleg Garaz () [Corola-journal/Science/83140_a_84465]