64 matches
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stable family), homeless children etc. For each of these audiences, it is necessary to develop specific projects. Aș long aș each of them can relate to the performances and projects aimed at them, the theater is alive and can legitimately clăim to belong to the community. Children relate to it aș a place of their own, where their opinion matters, where they can meet others like them and even their own selves.” (Gavril Cadariu, Ariel Theater manager) [caption id="attachment 1147" align
Al cui este teatrul pentru copii și adolescenți? () [Corola-website/Science/295713_a_297042]
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proved a better way of having dialogue than argument because, explains O’Neal, Adversarial debates reward people who are trained în their techniques. Those tend to be people who have the largest vocabularies and largest egos and most willingness to clăim ground and hold it. Which merely affirms the problem you’re starting with în the first place. Șo instead of standing on stage and answering questions, I moved off the stage and sat în the audience and said, “Why don
De la povestire personală la act politic () [Corola-website/Science/295715_a_297044]
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Green Hours. [:en]Interview with Cristina Eremia Cristina Eremia is a member of Rahova-Uranus-Sabinelor community and the leader of a group of tenants threatened with eviction from the nationalized houses which are being returned by the state to those who clăim pre-socialist rights over them. During 2009-2011, she was the co-initiator and host of LaBomba Community Center. În this interview, we talk about the community’s view on the artistic projects and activities în the area, the relation with the artists
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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the crucial question emerges: What kind of subversive repetition might call into question the regulatory practice of identity itself? [...] “One is not born a woman, but rather becomes one.” (Simone de Beauvoir) If there is something right în Beauvoir’s clăim that one is not born, but rather becomes a woman, it follows that woman itself is a term în process, a becoming, a constructing that cannot rightfully be said to originate or to end. Aș an ongoing discursive practice, it
Feminismul și subversiunea identității () [Corola-website/Science/295774_a_297103]
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is the sexual kind. Women tend to be the first to adopt the change, the adjective liberated being assimilated with the modern woman.”[ 1] Modernity is therefore conditioned by the adoption of this discourse. But to what extent can we clăim that empowering women means sexualizing them? Is this discourse of hypersexualization a genuine form of empowering and liberating women or just a means of reinforcing the patriarchy through the illusion of freedom it provides? From beauty products to artistic currents
Patriarhatul, mașina de vise. Metamorfoză și hipersexualizare () [Corola-website/Science/295778_a_297107]
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throughout the 19<sup>th</sup> and 20<sup>th</sup> century more than any other). The second way of relating to the past considers this instrumentalist, presentist approach (“what we do with the past”) to be insufficient. Collective memory, clăim those who criticize this approach, hâș proven relatively immune to attempts at remaking it “from above.” Moreover, ăn exclusively presentist approach would explain where present interests come from. The instrumentalist approach is also not considered suitable to explain why the
Problematizarea istoriei recente în teatrul independent din România post-socialistă – reflecții teoretice () [Corola-website/Science/295796_a_297125]
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judicial letters - pleadings - third-party notices - enforcement orders - writs of execution - judgments - judgments by default - decisions - decisions on the amount of costs Extra-judicial documents are documents which are served for the purposes of safeguarding, enforcing or repelling a civil or commercial clăim outside the context of a judicial procedure. These include: - notarised deeds - out-of-court settlements FR Conformément au règlement, leș actes judiciaires ou extrajudiciaires en matière civile ou commerciale șont susceptibles d'être signifiés ou notifiés. Leș actes judiciaires șont ceux qui
jrc5516as2002 by Guvernul României () [Corola-website/Law/90686_a_91473]
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râului Vienne: - bazinul râului Vienne, de la izvoare până la barajul Châtellerault (Vienne), - bazinul râului Gartempe, de la izvoare până la barajul Saint-Pierre-de-Maillé (Vienne), - bazinul râului Creuse, de la izvoare până la barajul Bénavent (Indre), - bazinul râului Suin, de la izvoare până la barajul Douadic (Indre), - bazinul râului Clăise, de la izvoare până la barajul Bossay-sur-Claise (Indre-et-Loire), - bazinul pâraielor Velleches și Trois Moulins, de la izvoare până la barajul Trois Moulins (Vienne), - bazinele râurilor litorale atlantice (Vendée). Zone litorale - Toată coasta bretona, cu excepția următoarelor părți: - râdă din Brest, - micul golf Camaret, - zona litorala
32006D0214-ro () [Corola-website/Law/294748_a_296077]
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bazinul râului Anglin, de la izvoare până la barajele: ― Châtellerault, pe râul Vienne (baraj EDF), în departamentul Vienne, ― Saint-Pierre-de-Maillé, pe râul Gartempe, în departamentul Vienne, ― Bénavent, pe râul Creuse, în departamentul Indre, ― Douadic, pe râul Suin, în departamentul Indre, ― Bossay-sur-Claise, pe râul Clăise, în departamentul Indre-et-Loire. 5.A. ZONE DIN IRLANDA AUTORIZATE ÎN CEEA CE PRIVEȘTE SHV ― Irlanda 2, cu excepția insulei Cape Clear. 5.B. ZONE DIN IRLANDA AUTORIZATE ÎN CEEA CE PRIVEȘTE NHI ― Irlanda 2. 6.A. ZONE DIN ITALIA AUTORIZATE ÎN CEEA CE PRIVEȘTE SHV ȘI NHI 6.A.1
32006D0214-ro () [Corola-website/Law/294748_a_296077]
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organiza unde era fată de măritat sau fecior de însurat, fiind prilej de ajutorare și petrecere, dar având și rol de a pregăti formarea unei noi familii. Fetele își chemau și drăguții, care legau snopii, îi adunau și îi puneau clăi. După ce terminau de secerat, fetele alegeau spicele cele mai frumoase și împleteau o cunună. Se alegea apoi, dintre secerătoare, o fată, cea mai frumoasă și mai vrednică, care trebuia să ducă cununa, pe cap, până la gazdă acasă. Ea era fie
Leșu, Bistrița-Năsăud () [Corola-website/Science/300881_a_302210]
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social housing requests. These efforts were made în association with the “Un toit pour tous” (A Roof for All) organisation. DALO - (Droit au logement opposable) refers to the possibility of someone requesting social housing to challenge the refusal of their clăim în front of an administrative tribunal or a mediation committee. Prior to this, the refusal for social housing requests went undisputed. Public stands în support of asylum seekers în Grenoble, most of them Romă from the former Yugoslavia. Their right
(English) Racism, Evictions and Organizing for the Housing Rights of Roma Migrants in France (part I) () [Corola-website/Science/296121_a_297450]
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the Museum of the Civilisation of Europe and the Mediterranean, at 1 pm each Sunday - that is what is trendy! Mucem, inseparably associated with MP2013, was founded ouț of the need to create spectacular objects, which you can inaugurate and clăim: "Marseilles is not only the city of criminals and Kalashnikov rounds. Here we have culture, aș here we have Mucem!" Nevermind that Mucem hâd stood empty for months (including the day of its pompous opening), or that even today not
O carte poștală din Marsilia - fragmente* () [Corola-website/Science/296108_a_297437]
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aspect rațio, though a packaging error appears on the 2000 Warner release, claiming that the film is presented în anamorphic widescreen when, în reality, it is simply letterboxed and not anamorphic (the MGM version of the DVD makes no such clăim). The R1 releases also include the film trailer and a 10 minute "behind-the-scenes" featurette "2010: The Odyssey Continues" (made at the time of the film's production), though this is not available în other regions. The film was released on
2010 (film) () [Corola-website/Science/324357_a_325686]
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shaman în the area that the World Tree brings life to all things. However, he still doesn't know where or what it is. Deeper în the caverns, Tarnum finds a barbarian tribe which is working with the necromancers. They clăim to follow Vorr, one of the three Ancestors who hâș turned into a barbarian war god. Tarnum enters a lush cavern, believing that the World Tree must be nearby. Tarnum thinks that if he can convince the barbarians not to
Heroes Chronicles () [Corola-website/Science/322515_a_323844]