819 matches
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ready for a political comeback or we will see a period of decreasing support for PSD? Is PSD support base aging and getting smaller? We tried to answer these questions by making a simple analysis of the evolution of Romanian Left în the past. Keywords: Romanian Left, electoral base, exit poll analysis, PSD Introducere Fiecare eșec electoral al partidului de stânga 1 din România a fost urmat, în spațiul public, de două tendințe distincte. Prima se referea la iminentă dispariție a
Polis () [Corola-journal/Science/84977_a_85762]
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we will see a period of decreasing support for PSD? Is PSD support base aging and getting smaller? We tried to answer these questions by making a simple analysis of the evolution of Romanian Left în the past. Keywords: Romanian Left, electoral base, exit poll analysis, PSD Introducere Fiecare eșec electoral al partidului de stânga 1 din România a fost urmat, în spațiul public, de două tendințe distincte. Prima se referea la iminentă dispariție a respectivei organizații politice în primul rând
Polis () [Corola-journal/Science/84977_a_85762]
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52. 24 Robert, M. Entman, "Cascading Activation: Contesting the White House's Frame After 9/11", în Political Communication, 20, 2003, pp. 417-418. 25 Todd, Gitlin, The Whole World is Watching: Mass Media în the Making and Unmaking of the Left, University of California Press, Los Angeles, 2003, p. 7. 26 Shanto, Iyengar, Donald Kinder, News That Matters: Television and American Opinion, University of Chicago Press, Chicago, 1987, p. 14. 27 Class, H. De Vreese, "News framing: Theory and typology", în
Polis () [Corola-journal/Science/84981_a_85766]
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2003. Gamson, William A, Modigliani, Andre, "Media Discourse and Public Opinion on Nuclear Power: A Constructionist Approach", în American Journal of Sociology, 95, 1989. Gitlin, Todd The Whole World is Watching: Mass Media în the Making and Unmaking of the Left, University of California Press, Los Angeles, 2003 Goffman, Erving, Frame analysis: An essay on the organization of experience, Harvard University Press, Cambridge, MĂ, 1974. Haineș, Rosemarie Televiziunea și reconfigurarea politicului. Studii de caz: Alegerile prezidențiale din România din anii 1996
Polis () [Corola-journal/Science/84981_a_85766]
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sent by the coordinator was ten times higher. The women who agreed to contribute to this volume come from distinct management areas, have different ages and represent many fields of activity across the country. While reading this pages, we are left with the strong experience that competence, ambition, ability to innovate and willingness to perform were the necessary ingredients for success. Dan MIHALACHE Naționalismul. Identitatea etnoculturala și proiectul elitelor (Naționalism. Etno-cultural identity and the elites' project) Dragoș Dragoman, Naționalismul. Identitatea etnoculturala
Polis () [Corola-journal/Science/84978_a_85763]
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social networks stands aș a social theme concerning physical and psychic wellbeing, thus considering it aș a clinical disorder to be treated with a neuropsychiatric approach and pharmacological treatments. All aspects and features - the positive ones too - of social networks left aside, individuals are changing their way of life - în job, consumption, personal skills, family and married life - and spending more and more time on the web to the detriment of real life and daily activities such aș meeting people, going
Polis () [Corola-journal/Science/84979_a_85764]
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junk, segments of some daily rituals mysteriously recalibrated through a breeze of decomposing beauty. The supreme sign: a papal sceptre with a thistle on top, announcing the emaciation of everything once existed. The ones belonging sometime to mân: invested, used, left, objects which are still marked by human prints (the ustensil) of old. Re-beamed. Waiting for a reinvestment. It seems.
Calodemonic Explanations #1 [Corola-blog/BlogPost/96605_a_97897]
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to spill into Europe and clăim its booty. It hâș felt the heel of virtually every invader of Europe since the fall of the Român Empire: Germanic tribes, Huns, Slavs, and later the Mongolian Golden Horde and the Ottoman Turks left an imprint on the shattered population. Ruled by Slavs, Hungarians, Turks and Greeks, and having significant German-Saxon and Hungarian minorities, România hâș absorbed the flavours of them all. Just travel the nations surrounding România and sample their cuisine - then cross
INVADAŢII INVADÂNDU-I PE INVADATORI – „TESTAMENT” – ANTOLOGIE DE POEZIE ROMÂNĂ ÎN LIMBA ENGLEZĂ de DANIEL REYNAUD în ediţia nr. 1502 din 10 februarie 2015 [Corola-blog/BlogPost/382288_a_383617]
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You have probably seen that I was selected în Say Rouge team from the most common edition of fashion street în România, organised by Glamour magazine. 100 girls, 10 teams, 11 ambassadors(fashion bloggers) and a lot of cheerfulness. I left Iași Wednesday morning, 6 sleepy girls from Moldova region ? (you know, you never have enough time when you need to go somewhere and you leave everything to the last minute). I find myself most often în this kind of situation
How was Glamour Street Fashion Show 2016 () [Corola-blog/BlogPost/92327_a_93619]
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pe bunica-n pragul ușii Cu covrigii calzi în mâini tremurătoare... Mi-e dor de-un ceai de tei, la mine-acasă, De vatra mea nimic nu mă desparte... De unde avioanele-astea toate, Unde mă duc, de ce așa departe? I NEVER LEFT MY HOME I never left my home... I never did... Fast airplanes, take off and fly away! Why do the people ask for where I am? My heart is here, it's good for me to stay. Deserts and oceans
POEME DIN CUMPĂNA VIEŢII de DANIEL IONIŢĂ în ediţia nr. 1794 din 29 noiembrie 2015 [Corola-blog/BlogPost/383153_a_384482]
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Cu covrigii calzi în mâini tremurătoare... Mi-e dor de-un ceai de tei, la mine-acasă, De vatra mea nimic nu mă desparte... De unde avioanele-astea toate, Unde mă duc, de ce așa departe? I NEVER LEFT MY HOME I never left my home... I never did... Fast airplanes, take off and fly away! Why do the people ask for where I am? My heart is here, it's good for me to stay. Deserts and oceans linger în the distance Fast
POEME DIN CUMPĂNA VIEŢII de DANIEL IONIŢĂ în ediţia nr. 1794 din 29 noiembrie 2015 [Corola-blog/BlogPost/383153_a_384482]
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Vlașca, pilotul observă că acul direcțiometrului rămâne înțepenit în dreptul indicatorului „Tot înainte” (Only ahead). — Fi-v-ar licența a dracu’! zise cu năduf Amărășteanu și trânti un pumn în bord. Acul, spre deosebire de alte dăți, nu mai reveni însă spre stânga (Left). În același timp, văzu uimit cum dungulița roșie din vitezometru crește lin, dar ferm, spre valori atinse numai atunci, la predarea licenței, cu piloții lor. — Tovarășe comandant! spuse îngrijorat Amărășteanu. — Ce-i? răspunse Aciobăniței, care moțăia în fotoliul comandantului, cu
[Corola-publishinghouse/Imaginative/2120_a_3445]
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Se leagănă pe aripile ei de lumină Tremură în purpura nopții; Mai înainte de a-și căuta cuibul ei oceanic În încăperile vestului..."2 " Și atunci cum noaptea scăpăta Și minutarul stelelor arată dimineața 1 Tennyson: In memoriam. 2 Shelley: The left me at the silent time. - Cum minutarul stelelor înclină către dimineață La capătul drumului o lienescentă și vaporoasă lumină se ivi; Al Astarteei diamant crescent Se înalță cu îndoitul lui corn..."1 " Deși ziua destinelor mele e apusă Și steaua
Opere by Ion Barbu [Corola-publishinghouse/Imaginative/295564_a_296893]
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o flacără /din steaua sub care visez; /parcă aș fi schimbat în cuvânt / firul infinit al ierbii, / așa de adânc mă doare / Universul”. Ocheadele visului însă se cer confirmate: „Even from the dream eyes /I shed tears /when my thought left / uncovered / on a star / with a bride-like / mysterious shadow” (Chiar și din ochii visului) sau se doresc conștientizate: „Și eu tot un ochi sunt / al liniștii asurzitoare / scuturat de foc / din glob în glob /până peste marea / noapte care trece
MISTUIRE CELESTĂ, ÎN VIZIUNEA LIVIEI CIUPERCĂ de MARIAN MALCIU în ediţia nr. 956 din 13 august 2013 [Corola-blog/BlogPost/364322_a_365651]
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skies, abandoning its creation. The divinity's place is taken by the director, a director who conceives various scenarios, which randomly guide the individual's destiny: “the director who hâș signed my present time/ hâș looked over a book/ and left it open/ on a table with rocks/ and cliffs wound my body now” (The director). It is a destiny without finality, against whom the individual cannot fight, for he will crash into the ocean nonetheless: “into the memory/ the horizon
„APARENT/ ILLUSORY” O NOUĂ APARIŢIE EDITORIALA SEMNATĂ DE POETA DACINA DAN de MIHAELA GHEORGHIU în ediţia nr. 2173 din 12 decembrie 2016 [Corola-blog/BlogPost/360912_a_362241]
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road “which leads nowhere” (În dreams it's snowing still), “without knowing where it will end,/ the road” (The road), a circular road “where the voice is/ how the step hurts/ when returning/ meandering around/ back to where it hâd left from” (Father). One can notice two registers în the book “Illusory”, one which cries and another which defies or mocks, aș well aș two aspects, one belonging to the past and the other to the present: “my blonde locks would
„APARENT/ ILLUSORY” O NOUĂ APARIŢIE EDITORIALA SEMNATĂ DE POETA DACINA DAN de MIHAELA GHEORGHIU în ediţia nr. 2173 din 12 decembrie 2016 [Corola-blog/BlogPost/360912_a_362241]
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Bastilia Bookshop în Bucharest, the occasion being the launch of his volume Testament - Anthology of Modern Romanian Verse, published by Minerva Publishing House.Daniel Ioniță selected and translated eighty poems into English (together with Eva Foster and Daniel Reynaud). Having left România more than 30 years ago, Daniel lives în Australia where he works at the University of Technology în Sydney (he does not teach literature, but another discipline). Testament presents 56 Romanian poets born between 1821 (Vasile Alecsandri) and 1960
INSULA CUVINTELOR DE-ACASĂ de LUCIAN VASILESCU în ediţia nr. 1048 din 13 noiembrie 2013 [Corola-blog/BlogPost/363178_a_364507]
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work is “unfortunately” incomplete - the author was the first to admit this - and the reasons were very understandable and objective - editorial deadlines. It is also “fortunately” incomplete, because Romanian poetry was written between 1821 and 1960, but also to the left and to the right of these years, which allows Testament to be “dilated” for future editions. Therefore Testament is an open work, and I hope that the author and the publishing house will have the strength to carry it forward
INSULA CUVINTELOR DE-ACASĂ de LUCIAN VASILESCU în ediţia nr. 1048 din 13 noiembrie 2013 [Corola-blog/BlogPost/363178_a_364507]
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unfair which fairly doth excel; For never-resting time leads summer on To hideous winter, and confounds him there; Sap checked with frost, and lusty leaves quite gone, Beauty o'er-snowed and bareness every where: Then were not summer's distillation left, A liquid prisoner pent în walls of glass, Beauty's effect with beauty were bereft, Nor it, nor no remembrance what it was: But flowers distilled, though they with winter meet, Leese but their show; their substance still lives sweet
ACESTE ORE ÎMBRĂCATE-N CĂLDURA GINGAȘĂ A VIEȚII de MIHAELA TĂLPĂU în ediţia nr. 1601 din 20 mai 2015 [Corola-blog/BlogPost/367689_a_369018]
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străini în clădirea CTV. Dacă aflu amănunte despre vreo contribuție către familia ei o să vă anunț. Dumnezeu să o odihnească. Doina -------------------------------------------- Hi, I have heard today that she is ok! Her mother, step father is also ok. I heard Irina left work an hour before the earthquake, very lucky aș her building was demolished and her work colleague was killed. Very sad time, thanks for making contact. Norelle. -------------------------------------------- Dragă doamna consul, Doamna Irina Davis lucrează la un nursing home în Christchurch
CELULA DE CRIZĂ de CRISTI DUMITRACHE în ediţia nr. 56 din 25 februarie 2011 [Corola-blog/BlogPost/348984_a_350313]
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Și obosit pe pernă ta albă la noapte voi veni Să te fur fără cuvinte. [4] TIME Time wraps around more time The hour-glass distils the ages A wanderer through my own youth I pay the toll of daring. My left arm around you I beacon the angels with the other My memory keeps you velveted like a dream în agony. I am the cry from the bark Of a tree And tired I shall come On your white pillow tonight
POEME BILINGVE (I) de WALTER CHIURLEA în ediţia nr. 448 din 23 martie 2012 [Corola-blog/BlogPost/362099_a_363428]
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Daniel Ioniță is perhaps one of the last romantics among anthology writers. Established în Australia, în Sydney, and working în a field different to that of a literary professional, he continued to read Romanian poetry, aș he did before he left his native country. "The whole story of the translations - explains Daniel Ioniță - started în fact în modest fashion. I intended to translate a few poems for my children, my nephews and nieces, and a few other younger friends. The common
POEZIA DATĂ ÎN DAR de ALEX ŞTEFĂNESCU în ediţia nr. 699 din 29 noiembrie 2012 [Corola-blog/BlogPost/351361_a_352690]
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lost love, or some deep regret, or some infinite joy? Sometimes I guess the clouds, themselves, no longer suffer Șo many billions of tons of weight. They feel the breaking deep inside themselves And from then on there's nothing left to lose: they flood the park, the streets, the gutters, They drain over the walkways full of people. And no one says "what is it with these clouds now? What's gotten into them? Why don't they carry their
POEME BILINGVE (3) de DANIEL IONIŢĂ în ediţia nr. 867 din 16 mai 2013 [Corola-blog/BlogPost/370987_a_372316]
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are you". They might perchance be dancing, those eyes, or be sad, But through them, în their dance, or în their weeping That soul strips naked before you, În eyes no longer lying or pretending, For now there's nothing left to lose for them, Or perhaps there is nothing more to gain. You, me, the bus, the stations, or the buildings, Are witnesses like to a universal conflagration Where our opinion is of no import, And if we speak, it
POEME BILINGVE (3) de DANIEL IONIŢĂ în ediţia nr. 867 din 16 mai 2013 [Corola-blog/BlogPost/370987_a_372316]
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you and I cannot strip them off anymore. They stick to your body like a calligraphy thousands of years old Written by a Chinese scribe from the Emperor's palace Who did not have any more news from his sweetheart, Left somewhere în a village hanging în some distant memory. În the meantime the calligraphy of my words strings itself on your body Running faster and faster, flightier and flightier, Șo that I cannot fathom it anymore. Now and then I
POEME BILINGVE (6) de DANIEL IONIŢĂ în ediţia nr. 1237 din 21 mai 2014 [Corola-blog/BlogPost/370237_a_371566]