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Corola-publishinghouse/Science/1394_a_2636

Hand: Essays for the Study of Willliam Blake's Art and Aesthetics. Los Angeles: Hennessey & Ingalls, 1973. ---. William Blake and the Language of Adam. Oxford: Clarendon P, 1989. Esterhammer, Angela. The Romantic Performative: Language and Action în British and German Romanticism. Stanford, CA: Stanford UP, 2000. Fairchild, Hoxie Neale. Religious Trends în English Poetry. Vol. 3: 1780-1830, Romantic Faith. 1949. New York and London: Columbia UP, 1970. Fehrman, Carl. Poetic Creation: Inspiration or Craft. Trans. Karin Petherick. Minneapolis: U. of Minnesota P.

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
10th ed. Princeton, N.J.: Princeton UP, 1990. ---. Myth and Metaphor. Selected Essays 1974-1988. Ed. Robert D. Denham. Charlotesville, London: UP of Virginia, 1996. ---. Spirituș Mundi: Essays on Literature, Myth, and Society. Bloomington, London: Indiană UP, 1976. ---. A Study of English Romanticism. 1968. Chicago: The U of Chicago P, 1982. ---. A World în a Grain of Sand: Twenty-two Interviews with Northrop Frye. Ed. Robert D. Denham. New York, Sân Francisco, Bern, Frankfurt am Main, Paris, London: Peter Lang, 1991. Fulford, Tim, ed. Romanticism

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
Romanticism. 1968. Chicago: The U of Chicago P, 1982. ---. A World în a Grain of Sand: Twenty-two Interviews with Northrop Frye. Ed. Robert D. Denham. New York, Sân Francisco, Bern, Frankfurt am Main, Paris, London: Peter Lang, 1991. Fulford, Tim, ed. Romanticism and Millenarianism. New York and Basingstoke: Palgrave Macmillan, 2002. Fuller, David. Blake's Heroic Argument. London, New York, and Sydney: Croom Helm, 1988. Gallant, Christine. Blake and the Assimilation of Chaos. Princeton, N. J.: Princeton UP, 1978. Gilchrist, Alexander. Life of William

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
Blake's Prelude: Poetical Sketches. Baltimore, London: The Johns Hopkins UP, 1982. Goodman, Nelson. Languages of Art: An Approach to a Theory of Symbols. 1976. 5th ed. Indianapolis: Hackett, 1985. Goodson, A.C. "Romantic Theory and the Critique of Language". Questioning Romanticism. Ed. John Beer. Baltimore, London: The Johns Hopkins UP, 1995. 3-28. Gourlay, Alexander. "A Glossary of Terms, Names, and Concepts în Blake". The Cambridge Companion to William Blake. Ed. Morris Eaves. Cambridge: Cambridge UP, 2003. 272-87. Grams, David. The Random

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
1985. ---. William Blake: Poet and Painter: An Introduction to the Illuminated Verse. 1964. Chicago, London: The U of Chicago P, 1978. Hamlyn, Robert și Michael Phillips. William Blake. London: Țațe, 2000. Hanke, Amala M. Spatiotemporal Consciousness în English and German Romanticism: A Comparative Study of Novalis, Blake, Wordsworth, and Eichendorff. Berne, Frankfurt am Main, Las Vegas: Peter Lang, 1981. Harding, Rosamund E.M. An Anatomy of Inspiration. Cambridge: W. Hefer & Sons, 1940. Harper, George Mills. "The Divine Tetrad în Blake's Jerusalem

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
Nidditch. Oxford: Oxford UP, 1978. Hume, Nancy G., ed. Japanese Aesthetics and Culture: A Reader. Albany: State U of New York P, 1995. James, William. The Varieties of Religious Experience. London: Collins, 1961. Jasper, David. The Sacred and Secular Canon în Romanticism. Hampshire, London: Macmillan, 1999. Johnson, Mary Lynn. ""Milton" and Its Context". The Cambridge Companion to William Blake. Ed. Morris Eaves. Cambridge: Cambridge UP, 2003. 231-50. Johnstone, Henry W. The Problem of the Self. U Park: Pennsylvania State UP, 1970. Journal

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
și Ernest Sosa, eds. A Companion to Metaphysics. Oxford, Cambridge, MĂ: Blackwell, 1995. Kitson, Peter, ed. Romantic Criticism 1800-1825. London: B. Ț. Batsford, 1989. Klabes, Günter. "Political Reality and Poetic Mission: Hölderlin's and Shelley's Heterocosm". English and German Romanticism: Cross-Currents and Controversies. Ed. James Pipkin. Heidelberg: Carl Winter Universitätsverlag, 1985. 301-21. Lacoue-Labarthe, Philippe și Jean-Luc Nancy. The Literary Absolute: The Theory of Literature în German Romanticism. Trans. Philip Barnard și Cheryl Lester. Albany: State U of New York P, 1988

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
Reality and Poetic Mission: Hölderlin's and Shelley's Heterocosm". English and German Romanticism: Cross-Currents and Controversies. Ed. James Pipkin. Heidelberg: Carl Winter Universitätsverlag, 1985. 301-21. Lacoue-Labarthe, Philippe și Jean-Luc Nancy. The Literary Absolute: The Theory of Literature în German Romanticism. Trans. Philip Barnard și Cheryl Lester. Albany: State U of New York P, 1988. Laird, John. Problems of the Self: An Essay Based on the Shaw Lectures Given în the University of Edinburgh, March 1914. London: Macmillan, 1917. Lambert, Malcolm. Medieval

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
s Memoirs of his Child. 1806. Poole, Washington D. C.: Woodstock, 1997. Maritain, Jacques. Creative Intuition în Art and Poetry. 1954. New York, Scarborough, Ontario: New Amer. Lib., 1974. Matthews, Susan. ""Jerusalem" and Naționalism". Ed. Stephen Copley și John Whale. Beyond Romanticism: New Approaches to Texts and Contexts 1780-1832. London, New York: Routledge, 1992. 79-100. Mavrodin, Irina. Poiețica și poetica. Craiova: Ed. Scrisul Românesc, 1998. McCann, Andrew. Cultural Politics în the 1790s: Literature, Radicalism and the Public Sphere. Basingstoke, London: Macmillan, 1999. McGinn

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
1984. 2-39. Mee, Jon. Dangerous Enthusiasm: William Blake and the Culture of Radicalism în the 1790s Oxford: Clarendon P, 1992. Mitchell, W.J.T. Blake's Composite Art: A Study of the Illuminated Poetry. Princeton, N.J.: Princeton UP, 1978. Morse, David. Romanticism: A Structural Analysis. London, Basingstoke: Macmillan, 1982. Morton, A.L. The Everlasting Gospel: A Study în the Sources of William Blake. London: Lawrence and Wishart, 1958. Mowinckel, Sigmund. "Cult and Prophecy". Prophecy în Israel: Search for an Identity. Ed., introd

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
Dictionary and Handbook of Poetry. New York, London: Longman, 1985. Negrici, Eugen. Sistematică poeziei. 1988. București: Editură Fundației Culturale Române, 1998. The New Jerusalem Bible. Henry Wansbrough, gen. ed. New York: Doubleday, 1985. Newlyn, Lucy. ""Questionable Shape": The Aesthetics of Indeterminacy". Questioning Romanticism. Ed. John Beer. Baltimore, London: The Johns Hopkins UP, 1995. 209-33. Nicolaus Cusanus. Of Learned Ignorance. 1954. Ed. W. Stark. Trans. Fr. Germain Heron. Introd. D.J.B. Hawkins. Westport, CT: Hyperion P, 1979. Novalis. Schriften: die Werke Friedrich von Hardenbergs. 4

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
Early Christian Thought: Essays în Honour of A.H. Armstrong. Ed. H.J. Blumenthal și R.A. Markus. London: Variorum, 1981, 108-23. O'Donoghue, N.D. "Mystical Imagination". The Religious Imagination Ed. James P. Mackey. Edinburgh: Edinburgh UP, 1986. 186-205. O'Neill, Michael. Romanticism and the Self-Conscious Poem. Oxford: Clarendon P, 1997. Ostriker, Alicia. Vision and Verse în William Blake. Madison, Milwaukee: The U of Wisconsin P, 1965. Otto, Peter. Constructive Vision and Visionary Deconstruction: Los, Eternity, and the Productions of Time în the

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
Manchester UP, 1984. Paulson, Ronald. Book and Painting: Shakespeare, Milton and the Bible: Literary Texts and the Emergence of English Painting. Knoxville: The U of Tennessee P, 1982. Peckham, Morse. "Cultural Transcendence: The Task of the Romantics". English and German Romanticism: Cross-Currents and Controversies. Ed. James Pipkin. Heidelberg: Carl Winter Universitätsverlag, 1985. 35-57. Peters, Francis E. Jerusalem: The Holy City în the Eyes of Chroniclers, Visitors, Pilgrims, and Prophets from the Days of Abraham to the Beginning of Modern Times. 1985

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
SPCK, 1987. Phillips, Michael, ed. Interpreting Blake. Cambridge, London, New York, Melbourne: Cambridge UP, 1978. Pierce, John B. The Wond'rous Art: William Blake and Writing. Madison, Teaneck: Fairleigh Dickinson UP; London: Associated UP, 2003. Pipkin, James, ed. English and German Romanticism: Cross-Currents and Controversies. Heidelberg: Carl Winter Universitätsverlag, 1985. Platon. Dialoguri. Trad. dialogurilor: Cezar Papacostea. București: Editură IRI, 1995. Platon, Opere. 7 vol. Vol. I. Ed. îngrijita de Petru Creția și Constantin Noica. Trad. dialogurilor: Francisca Băltăceanu, Marta Guțu, Sorin Vieru

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
Religion: Speeches to Its Cultured Despisers. Trans. John Oman. Introd. Rudolf Otto. New York: Harper & Row, 1958. Sheppard, Anne. "Plato and the Neoplatonists". Platonism and the English Imagination. Ed. Anna Baldwin și Sarah Hutton. Cambridge: Cambridge UP, 1994. 3-18. Simpson, David. Romanticism, Naționalism, and the Revolt against Theory. Chicago și London: U of Chicago P, 1993. Smith, Mark Trevor. "All Nature Is But Art": The Coincidence of Opposites în English Romantic Literature. West Cornwall, CT: Locust Hill P, 1993. ---. "Striving with Blake

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
of other equally significant characteristics. On the contrary, whenever opportunity hâș risen, I have tried to single ouț and to exploit passages, characters or plot developments which might facilitate the reader's understanding of Blake's poetry. Keywords: William Blake, Romanticism, poetics, interpretation Résumé Le Démiurge de Londres propose une approche interprétative de la poétique de William Blake, dont l'œuvre n'a pas fait l'objet, jusqu'à présent, dans la critique roumaine, d'études approfondies qui mettent en évidence leș

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
Pacea care urmează să fie atinsă sub îndrumare divină este, potrivit lui Abrams, "o condiție îmbunătățită a omenirii pe acest pământ, care va dura veșnic" (1984, p. 344). 161 O utilă colecție de eseuri, dedicată, inter alia, problemei chiliasmului blakean este Romanticism and Millenarianism (2002), editata de Tim Fulford. 162 O bună introducere în gnosticismul blakean este cartea lui A.D. Nuttall, The Alternative Trinity: Gnostic Heresy în Marlowe, Milton, and Blake (1998). Cea mai utilă propedeutica în complexă relație intelectuală care se

Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
Corola-publishinghouse/Science/2062_a_3387

Research Journal, 4, pp. 213-232. Eisenberger, R., Cameron, J. (1996), „Detrimental effects of rewards: Reality or myth?”, American Psychologist, 51, pp. 1153-1166. Ellenberger, H.F. (1970), The discovery of the unconscious, Basic, New York. Engell, J. (1981), The creative imagination: Enlightenment to romanticism, Harvard University Press, Cambridge, MA. Erikson, E. (1950), Childhood and society, Norton, New York. Feist, G.J., Runco, M.A. (1993), „Trends in the creativity literature: An analysis of research in the Journal of Creativity Behavior (1967-1989)”, Creativity Research Journal, 6, pp.

Manual de creativitate by Robert J. Sternberg [Corola-publishinghouse/Science/2062_a_3387]
Corola-publishinghouse/Science/84941_a_85726

afinități cu opera lui Poe; vezi poemul său obsesiv, The Raven / Corbul (1845).] [**haunted groves: locurile bîntuite (de ființe supranaturale sau de spiritele celor morți) au devenit un element definitoriu în romanul gotic englez, dar și în romantismul "întunecat" (dark romanticism) al lui Poe.] Iată cîteva exemple suplimentare din ediția în engleză modernizată publicată de Walter Skeat în 1883 (în volumul al doilea din Opere, care conține exclusiv Poemele lui Rowley): Bristowe tragedie; or, The death of Syr Charles Bawdin / Tragedie

Thomas Chatterton: universul magic by Mihai A. Stroe (2015) [Corola-publishinghouse/Science/84941_a_85726]
and prose, pp 1-786. New York: Oxford University Press. Bosmajian HA (2006) Burning books. Jefferson, NC: McFarland. Brackett V (2008) British poetry: 17th and 18th centuries. New York: Facts on File. Bristow J, Mitchell RN (2015) Oscar Wilde's Chatterton: literary history, romanticism, and the art of forgery. New Haven: Yale University Press. Britton J (1813) An historical and architectural essay relating to Redcliffe Church, Bristol: illustrated with plans, views, and architectural details: including An account of the monuments, and anecdotes of the

Thomas Chatterton: universul magic by Mihai A. Stroe (2015) [Corola-publishinghouse/Science/84941_a_85726]
s Sons. Kersey J (1708) Dictionarium Anglo-Britannicum: or, A general English dictionary. London: printed by J. Wilde for J. Phillips et al. Lacy E (1910) The Bard of Mary Redcliffe. Philadelphia: Printed by Sherman and Company. Lee D (2005) Forgeries. Romanticism: an Oxford guide, pp 521-537. Roe N, ed. Oxford: Oxford University Press. Macpherson J (1760) Fragments of ancient poetry, collected in the Highlands of Scotland, and translated from the Galic or Erse language. Edinburgh: printed for G. Hamilton and J.

Thomas Chatterton: universul magic by Mihai A. Stroe (2015) [Corola-publishinghouse/Science/84941_a_85726]
Masson D (1899) Chatterton: a biography, ed. rev. London: Hodder and Stoughton. Mathews W (1891) Civilization and suicide. The North American Review, vol 152, No. 413, pp 470-484. Cedar Falls: University of Northern Iowa. Maunder A (2010) Encyclopedia of literary romanticism. New York: Facts on File. Menand L (1993) Objective correlative. The new Princeton encyclopedia of poetry and poetics, p 848. Preminger A, Brogan TVF, ed. New York: MJF Books. Meyerstein EHW (1930) A life of Thomas Chatterton. New York: Scribner's Sons. Minois

Thomas Chatterton: universul magic by Mihai A. Stroe (2015) [Corola-publishinghouse/Science/84941_a_85726]
Sunwise Turn. Richetti J, ed. (2005) The Cambridge history of English literature: 1660-1780. New York: Cambridge University Press. Richmond J (1888) Prefatory notice. The poetical works of Thomas Chatterton, pp 7-29. London: The Walter Scott Publishing Co. Roe N, ed. (2005) Romanticism: an Oxford guide. Oxford: Oxford University Press. Roe N (2012) John Keats: a new life. New Haven: Yale University Press. Rossetti DG (1890) The collected works, in two volumes. Vol 1: Poems, prose-tales and literary papers. London: Ellis and Elvey

Thomas Chatterton: universul magic by Mihai A. Stroe (2015) [Corola-publishinghouse/Science/84941_a_85726]
banks": Chatterton and post-colonialism. Thomas Chatterton and romantic culture, pp 48-63. Groom N, ed. New York: St. Martin's Press. Williams J (2009) Peter Ackroyd's Chatterton, Thomas Chatterton, and postmodern romantic identities and attitudes: "This is essentially a Romantic attitude". Romanticism, 15 (1), pp 33-40. London: Greenwich Academic Literature Archive. Wilson D (1869) Chatterton: a biographical study. London: Macmillan and Co. Wordsworth W (2008) The major works. Gill S, ed. Oxford: Oxford University Press. Yonge CF (1906) Suicide: some of its

Thomas Chatterton: universul magic by Mihai A. Stroe (2015) [Corola-publishinghouse/Science/84941_a_85726]
Corola-journal/Journalistic/9100_a_10425

la vederea ruinelor, expresie a slavei strămoșești, deci, așa cum au arătat Călinescu, M. Anghelescu și alții, Cârlova adaptează la necesități locale răspînditul motiv preromantic". Cu oarecare pedanterie, N. Manolescu notează: "Singurul poet, din prima generație romantică, atașat deplin spiritului High Romanticismului - așa cum l-a definit Virgil Nemoianu - este la noi Ion Eliade Rădulescu". Ori, dornic de revizuire: "S-a spus că Eliade e nul ca poet liric (Iorga) sau că e de preferat în fabule (Cioculescu), fiind el un clasiciazant, în

Nicolae Manolescu față cu poeții romantici (II) by Gheorghe Grigurcu (2007) [Corola-journal/Journalistic/9100_a_10425]