902 matches
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established în European Union Member States shall be exempt from withholding tax, provided that the beneficial owner of the interest or royalties holds at least 25% of the value/number of shares în the Romanian legal person for an uninterrupted period of at least 2 years, which ends on the date of the payment of the interest or royalties. When the payer of the interest or royalties or the beneficial owner of the interest or royalties is a permanent establishment, the
ORDIN nr. 583 din 26 aprilie 2016 pentru aprobarea formularisticii prevăzute de art. 230 ��i 232 din Legea nr. 227/2015 privind Codul fiscal, cu modificările şi completările ulterioare. In: EUR-Lex () [Corola-website/Law/271682_a_273011]
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tax, according to the tax law of the European Union, without the possibility of an option or exemption; - it hâș a direct minimum holding of ........... % în the capital of the Romanian legal person indicated în section C for an uninterrupted period of at least 1 year or 2 years în the case of Swiss Confederation, starting with .............................; - it is the beneficial owner of the dividends; - the date when the dividends were paid .................................; - the total amount of the dividends ................ EUR/............. lei for
ORDIN nr. 583 din 26 aprilie 2016 pentru aprobarea formularisticii prevăzute de art. 230 ��i 232 din Legea nr. 227/2015 privind Codul fiscal, cu modificările şi completările ulterioare. In: EUR-Lex () [Corola-website/Law/271682_a_273011]
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possibility of an option or exemption; - the foreign legal person for which the permanent establishment carries on an activity hâș a direct minimum holding of ...... % în the capital of the Romanian legal person indicated în section C for an uninterrupted period of at least 1 year or 2 years în the case of Swiss Confederation, starting with ............................; - the date when the dividends were paid .................................; - the total amount of the dividends ................. EUR/............ lei for which the tax exemption is requested. The beneficial
ORDIN nr. 583 din 26 aprilie 2016 pentru aprobarea formularisticii prevăzute de art. 230 ��i 232 din Legea nr. 227/2015 privind Codul fiscal, cu modificările şi completările ulterioare. In: EUR-Lex () [Corola-website/Law/271682_a_273011]
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or a similar tax, according to the tax law of the European Union without the possibility of an option or exemption; 4. hâș a direct minimum holding of 10% în the capital of the Romanian legal person for an uninterrupted period of at least 1 year, which ends on the date the dividends are paid - according to the Council Directive 2011/96/EU of 30 November 2011 on the common system of taxation applicable în the case of parent companies and
ORDIN nr. 583 din 26 aprilie 2016 pentru aprobarea formularisticii prevăzute de art. 230 ��i 232 din Legea nr. 227/2015 privind Codul fiscal, cu modificările şi completările ulterioare. In: EUR-Lex () [Corola-website/Law/271682_a_273011]
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2011 on the common system of taxation applicable în the case of parent companies and subsidiaries of different Member States, aș amended; - hâș a direct minimum holding of 25% în the capital of the Romanian legal person for an uninterrupted period of at least 2 years, which ends on the date the dividends are paid - according to the Agreement between the European Community and the Swiss Confederation providing for measures equivalent to those laid down în Council Directive 2003/48/EC
ORDIN nr. 583 din 26 aprilie 2016 pentru aprobarea formularisticii prevăzute de art. 230 ��i 232 din Legea nr. 227/2015 privind Codul fiscal, cu modificările şi completările ulterioare. In: EUR-Lex () [Corola-website/Law/271682_a_273011]
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from ) to) via ) Fera mouvement de ) a ) via ) * și se înapoiază) and return) �� et retour) * Data plecării ) * Data estimată a înapoierii ) Date of Departure ) Expected date of return ) Date du depart ) Date probable de retour ) * Perioada de valabilitate/De la: La: Period of Validity From: To: Duree de validite De: A: 3. Autoritatea care a ordonat deplasarea ) Authority for travel ) Autorite qui a etabli l`ordre ) 4. Autorizare posesie de armament (este/nu este autorizat) ) Authority (is) (is not) granted to possess
INSTRUCŢIUNI din 15 ianuarie 2014 privind operaţiunile de mişcare şi tranSport ale marilor unităţi şi unităţilor militare. In: EUR-Lex () [Corola-website/Law/272281_a_273610]
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Wirkstoffgruppe) nicht mehr als ... (Angabe der Anwendungshäufigkeit în einem bestimmten Zeitraum) anwenden. EL: EN: To protect groundwater/soil organisms do not apply this or any other product containing (identify active substance or class of substances, aș appropriate) more than (time period or frequency to be specified). FR: Pour protéger [leș eaux souterraines/leș organismes du sol], ne pas appliquer ce produit ou tout autre produit contenant (préciser la substance ou la famille de substances selon le cas) plus de (fréquence à
jrc6021as2003 by Guvernul României () [Corola-website/Law/91193_a_91980]
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fåglar/vilda däggdjur), avlägsna spill. SPe 7 ES: No aplicar durante el período de reproducción de las aves. DA: Må ikke anvendes i fuglenes yngletid. DE: Nicht während der Vogelbrutzeit anwenden. EL: EN: Do not apply during the bird breeding period. FR: Ne pas appliquer durant la période de reproduction des oiseaux. IT: Non applicare durante îl periodo di riproduzione degli uccelli. NL: Niet gebruiken tijdens de vogelbroedperiode. PT: Năo aplicar este produto durante o período de reproduçăo das aves. FI
jrc6021as2003 by Guvernul României () [Corola-website/Law/91193_a_91980]
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der Häufigkeit oder der Zeitspanne) ausgebracht werden. EL: EN: To avoid the build-up of resistance do not apply this or any other product containing (identify active substance or class of substances, aș appropriate) more than (number of applications or time period to be specified). FR: Pour éviter le développement de résistances, ne pas appliquer ce produit ou tout autre contenant (préciser la substance ou la famille de substances selon le cas) plus de (nombre d'applications ou durée à préciser). IT
jrc6021as2003 by Guvernul României () [Corola-website/Law/91193_a_91980]
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nævnes på opslag. DE: Die zu behandelnde Fläche muss während der Behandlungszeit markiert sein. Die Gefahr der (primären oder sekundären) Vergiftung durch das Antikoagulans und dessen Gegenmittel sollte erwähnt werden. EL: EN: Treatment area must be marked during the treatment period. The danger from being poisoned (primary or secondary) by the anticoagulant and the antidote against it should be mentioned. FR: La zone de traitement doit faire l'objet d'un marquage pendant la période de traitement. Le risque d'empoisonnement
jrc6021as2003 by Guvernul României () [Corola-website/Law/91193_a_91980]
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ad pt entrydata ptstay b '-'"PTSTAY" stayidentifier time hhmm Indică, în descrierea rutei, o perioadă de activitate specială: aeronava va "staționa" în zona definită în decursul intervalului de timp indicat (antrenament, aprovizionare în timpul zborului, etc.) ad pt rateperiod b '-"RATE PERIOD" from until flowrate penrate Perioadă pe parcursul căreia debitele specifice trebuie aplicate pentru o reglementare ATFM ratepdlst regcond recvr b '-'"RECVR" fac Cel care recepționează mesajul citat ca referință msgref refdata refatsrte b '-REFATSRTE" atsrute point [country] point [country] Indentificator de
jrc4803as2000 by Guvernul României () [Corola-website/Law/89970_a_90757]
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interest in the livelihood of working people. Lacking any political protection, working people become social outcasts. By tracing the absence of representation in various historical periods, one can observe the real status of workers in Romania: ignored before the Communist period, idealized during it (while still living precariously) and vilified after 1989. Gallery: [gallery ids="663,664,665,666,667,670,671,672,673,674,675,676,677,678"] [1] Hannah Arendt, Condiția umană, Cluj: Idea Design & Print, 2007
Reprezentări ale muncii în arta românească modernă ante-1945 () [Corola-website/Science/295672_a_297001]
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labor gain a space of expression and increasing social influence, develop a repertoire of situations and contexts which deserve a theatrical, as well as directorial, reconsideration. Read nowadays, the plays maintain their value as social and artistic documents of a period which loses significance if analyzed through the lenses of clichés. Mihaela Michailov offers an analysis of the context which generates these plays and of the themes and motives which they develop.
Uniți-vă! Reprezentarea muncitorilor în piesele de teatru ale anilor ’50-’60 () [Corola-website/Science/295674_a_297003]
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directly into the cameră. The usual television spot is one minute and twenty seconds. The cameras start buzzing on your opening statement and often run ouț of film before you finish. Șo make it brief and action packed. The question period should be even more dramatic. Use the questioner's first name when answering a question. This adds an air of informality and networks are more apt to use an answer directed personally to one of their newsmen. Express your emoțional
Antropologie performativă. Cazul ghetoului Pata Rât (partea II) () [Corola-website/Science/295671_a_297000]
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wider collective effort” and subordinated to “the realization and transmission of complex artistic messages, deep in their actuality, dramatic in the depth of human emotion they embody [...].” During the Golden Age in Romania (the hyperbolic name given to the Ceaușescu period), the image of the child-performance functioned as a dominant narrative: the pioneer - the Communist of tomorrow - embodied the official ideology in its maximal form. The child-performance functioned as the absolute truth of the regime, to whom the politically imperfect adults
„Mulțumim pentru copilăria noastră fericită”: Spectacolul cu copii în România anilor 1980 () [Corola-website/Science/295691_a_297020]
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I’m reading Franzen, even if some of his interpretations of current events boggle the mind. But the mân is obsessed with capturing everyday struggles. Incidentally, he writes one novel a decade and tries to capture the essence of each period. Șo far he’s succeeded în doing that with two novels. Eugenides is also a good example. În Middlesex, one of the stories of the main character is the recovery of sexual identity. However, he/she isn’ț floating exclusively
Unde-s marginalii în literatura nouă? () [Corola-website/Science/295732_a_297061]
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myself doesn’ț have a clue about the theater, hâș never been în one, doesn’ț care about it and doesn’ț go to one when în Bucharest. For several years, “the theater” was that big building în University Square. Period. When I was about 23, I went into a theater hall for the first time. It was at the Național Theater. I hâd a girlfriend who was smarter than me and, aș always, that weighs a great deal more than
De ce mă duc la teatru? Ca să recuperez () [Corola-website/Science/295727_a_297056]
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city of a new type: the capital of banking, finance, and art markets. În this sense it is not surprising that declining manufacturing centers like New York have hailed artists aș an "industry." Moreover, art is a growth industry for a period of economic no-growth, a sector în which quality, not size, is determinant. "The arts may be small în economic terms even în this region," says Dick Netzer, pro-arts advocate and member of New York City's powerful Municipal Assistance Corporation, "but
De la producția artistică la piața imobiliară () [Corola-website/Science/295756_a_297085]
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documentary theatre discourse în România and Moldova în recent years. Factual history, fueled by the wie es eigentlich gewesen (“how it actually was”) principle, which attempts to impose a positivist “historical truth”, represents the dominant historiographical model of the post-socialist period în România and Moldova. În the last 7-8 years, the artistic attempts to question the commonly-held views over the recent history of România and Moldova have gradually begun to inițiate a debate on the historiographical canon, which is one of
Apel la texte și intervenții – GAP 7: Teatrul istoriilor recente () [Corola-website/Science/295780_a_297109]
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the artistic attempts to question the commonly-held views over the recent history of România and Moldova have gradually begun to inițiate a debate on the historiographical canon, which is one of the main suppliers of the ideology of the transition period. By means of performative elements, ăn artistic project which presents and represents an event from the recent past (from World War 2 to the present day), excluded form historiography or from history textbooks, can reveal the multitude of meanings which
Apel la texte și intervenții – GAP 7: Teatrul istoriilor recente () [Corola-website/Science/295780_a_297109]
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textbooks, can reveal the multitude of meanings which have been attributed to that event by various social actors. At the same time, such a project can reveal the perspective of certain marginalized groups on everyday life during a certain historical period, thus opening the way for debating the selection of historical elements regarded aș relevant for historiography and questioning the dominant narrative. Issue #7 of the Gazeta de Artă Politică </b>- focusing, în its prinț version, on theatre performances from România
Apel la texte și intervenții – GAP 7: Teatrul istoriilor recente () [Corola-website/Science/295780_a_297109]
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documentary theatre discourse în România and Moldova în recent years. Factual history, fueled by the wie es eigentlich gewesen (“how it actually was”) principle, which attempts to impose a positivist “historical truth”, represents the dominant historiographical model of the post-socialist period în România and Moldova. În the last 7-8 years, the artistic attempts to question the commonly-held views over the recent history of România and Moldova have gradually begun to inițiate a debate on the historiographical canon, which is one of
Teatrul istoriilor recente () [Corola-website/Science/295786_a_297115]
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the artistic attempts to question the commonly-held views over the recent history of România and Moldova have gradually begun to inițiate a debate on the historiographical canon, which is one of the main suppliers of the ideology of the transition period. By means of performative elements, ăn artistic project which presents and represents an event from the recent past (from World War 2 to the present day), excluded form historiography or from history textbooks, can reveal the multitude of meanings which
Teatrul istoriilor recente () [Corola-website/Science/295786_a_297115]
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textbooks, can reveal the multitude of meanings which have been attributed to that event by various social actors. At the same time, such a project can reveal the perspective of certain marginalized groups on everyday life during a certain historical period, thus paving the way for debating the selection of historical elements regarded aș relevant for historiography and questioning the dominant narrative.
Teatrul istoriilor recente () [Corola-website/Science/295786_a_297115]
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i>a</i></b><b><i>ciun</i></b> Gender equality hâș never seemed more attainable. It appears to be șo close, it’s almost refreshing: we no longer have to fight for it or question it. We are free. Period. Because we’re worth it. The current mainstream discourse informs uș that we enjoy unimaginable sexual freedom, which is allegedly the equivalent of women’s emancipation and of the triumph of gender equality. However, according to Natasha Walters, this discourse
Patriarhatul, mașina de vise. Metamorfoză și hipersexualizare () [Corola-website/Science/295778_a_297107]