902 matches
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of a powerful, radical feminist movement, women’s place în society hâș continued to be violently regulated by patriarchal structures even after 1989. At the same time, the public presence of LGBT communities is still în its infancy, în a period of coagulating identities and resisting multiple forms of oppression and exclusion în a context where homosexuality was only decriminalized în 2001. For the most part, the current cultural-artistic scene reproduces the mainstream discourses on gender and sexuality, and representations remain
Artă, gen, sexualitate () [Corola-website/Science/295787_a_297116]
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the ‘anarchism’ of the 1990s and the tame neoliberalism after the EU integration. My writing is a kind of psychotherapy by means of which I’m trying to understand what was happening to me during those crazy years; the transition period is my Freudian shadow.” What did you aim to discuss în “Soldații”? What drove you? I wanted to somehow get a grip on the time spent în Ferentari, say things nobody hâd said yet and etch a description of its
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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internalized homophobia. Nowadays, if you’re born în an urban area, în a middle class family, people are somehow more tolerant of homosexuality and you don’ț end up hating yourself for it. But I went through a really rough period. The 90s were... They were unreal. People were shouting ouț their homophobia. În the media, the homosexual was the archetypal “Romanian criminal”, there was a newspaper publishing all sorts of dubious stuff, it was made-up news. Homosexuality was criminalized back
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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part of the historical process. The historian must therefore “interpret” the dată by deeming some of the information irrelevant for his account and excluding them from the narrative. On the other hand, în his effort to reconstruct a certain historical period “aș it was”, the historian cannot exclude from his narrative an account of an event or series of events for which there isn’ț enough dată to allow a plausible explanation. This means the historian hâș to “interpret” the material
Problematizarea istoriei recente în teatrul independent din România post-socialistă – reflecții teoretice () [Corola-website/Science/295796_a_297125]
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allowed the reproduction of those institutions).[4]</a> Hence, the life experience of certain social groups (women, slaves, industrial workers, immigrants, peasants etc.) have been “selected” and “interpreted” aș irrelevant for historicization according to the dominant ideology of the respective period (the discipline of history serving the formation and evolution of the idea of nation-state throughout the 19<sup>th</sup> and 20<sup>th</sup> century more than any other). The second way of relating to the past considers this
Problematizarea istoriei recente în teatrul independent din România post-socialistă – reflecții teoretice () [Corola-website/Science/295796_a_297125]
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numărul 8 al Gazetei de Artă Politică a rezultat în urmă atelierului respectiv. At a time when survivors or witnesses of Fascist/Nazi regimes, both în România and în Europe, are getting older and fewer, we aim to discuss this period în recent history în order to understand the present. The reasons for that are manifold: - The decisions taken during that period affect our lives today - There is a continuity between the repressive structures and institutions of the Fascist regime and
Naționalism, fascism și Holocaust în istoria românească () [Corola-website/Science/295827_a_297156]
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Fascist/Nazi regimes, both în România and în Europe, are getting older and fewer, we aim to discuss this period în recent history în order to understand the present. The reasons for that are manifold: - The decisions taken during that period affect our lives today - There is a continuity between the repressive structures and institutions of the Fascist regime and those od today - The analysis of antifascist struggles and movements might offer uș models of political cooperation and action - The current
Naționalism, fascism și Holocaust în istoria românească () [Corola-website/Science/295827_a_297156]
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artă contemporană postsovietice, [2] Marc Verlan, (n. 1963, Cocieri, Dubăsari) Artist contemporan moldovean. [:en]by Ovidiu Țichindeleanu The city of Kishinev is a massive construction site. În the Eastern European public spaces, one of the asymmetrical struggles of the transition period was fought between the concrete of the common housing blocks and the digitally processed images of the commercial billboards. Șo long aș most of the inhabitants hâd trained their gaze on black-and-white TV sets, the blocks hâd been “silver” and
Cultura independentă şi întoarcerea la lucrurile însele: câteva reflecţii din Moldova () [Corola-website/Science/295808_a_297137]
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paradigmatic shifts, unlike inherences. But multiple external and internal influences, be they implicit or explicit, are never translated în a linear fashion or în a single environment. This is part of the reason why the social history of the transition period is written at Teatrul Spălătorie / Theatre Washroom (the mass migration of the labor force, both eastward and westward; the succession of naționalist and Western ideologies; the oral history of the Holocaust or of LGBT daily life etc.), the history of
Cultura independentă şi întoarcerea la lucrurile însele: câteva reflecţii din Moldova () [Corola-website/Science/295808_a_297137]
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just assault each other until they created a deconstructionist hotchpotch for the sake of deconstruction. Șo I’d rather say it aș it is: The Vagina Monologues came at the right time. Total mindfuck: they’re talking about the first period on TV, about the rapes în Bosnia, about all the screws and sprockets which make up the vulva, about the words that never appear în subtitles. About - big deal! - things everyone’s familiar with nowadays. Allegedly. I was about 18
Vocea din „Monoloagele vaginului” () [Corola-website/Science/295745_a_297074]
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to which the teacher was subjected by the people around her. It turns out they didn’t have a problem with her being a teacher and a cleaning lady, they just had a problem with her being a cleaning lady, period. If she were to decide one day to sell notebooks, they wouldn’t have bought any because she was a cleaning lady. I was completely put off by this aspect of the story. In the performance, all the things I
În teatrul comunitar „nu poți să o ții langa în lumea ta!” () [Corola-website/Science/295738_a_297067]
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social body segregating the marginals. The unrepresented self-represented themselves and defined their own poetic and political position. (<strong>Mihaela Michailov</strong>)</em> [caption id="attachment 3816" align="aligncenter" width="1024"] Photo from Acasă play[/caption] Tell me a bit about the period when you lived on the street. Where were you staying? Aș you can realize, nothing was safe about where I was staying. I lived on the street since I was six and a half years old, until I was 17
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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independence of Moldova, în 1991, until the present day. When the team from Teatru-Spălătorie invited me to work on a performance, the idea was to pitch several research topics and I insisted on coming to Kishinev before the actual rehearsal period în order to find a topic of local interest to work on together. To do this, I needed time for research, especially since Moldovan reality is very different from the Romanian one, even more șo from the one în Bucharest
„Despre aceste lucruri nu se vorbește nici acolo, nici aici.” () [Corola-website/Science/295807_a_297136]
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which hâș little bearing on the issues of ordinary people and on the ways în which they experienced history. And then, asking questions like “Why is Moldova the poorest country în Europe?” or “What was it like during the Soviet period?”, we inevitably ended up doing a performance about Moldova’s recent history, where the identity issue is only touched upon. It is not the main issue.[...] [caption id="attachment 1737" align="aligncenter" width="600"] Independent Moldova. Erratum, 2014. Photo: Teatru-Spălătorie[/caption
„Despre aceste lucruri nu se vorbește nici acolo, nici aici.” () [Corola-website/Science/295807_a_297136]
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other examples from the theatre or from literature where you can see this type of history revisited? These topics are just aș delicate here aș they are în România. We don’ț have a theatre performance on the post-socialist transition period în România. The transition from state capitalism, according to a so-called “socialist” model, to market capitalism after 1990, was extremely brutal. It was an ordeal for many. I’ve seen two sociological studies, done by the British, which concluded that
„Despre aceste lucruri nu se vorbește nici acolo, nici aici.” () [Corola-website/Science/295807_a_297136]
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România. The transition from state capitalism, according to a so-called “socialist” model, to market capitalism after 1990, was extremely brutal. It was an ordeal for many. I’ve seen two sociological studies, done by the British, which concluded that this period (the1990s) hâș experienced the highest number of avoidable, peacetime deaths în European history. Deaths caused by depression, alcoholism, people losing their homes, their jobs and șo on. În Moldova, the situation was even harder, because the 1980s were relatively prosperous
„Despre aceste lucruri nu se vorbește nici acolo, nici aici.” () [Corola-website/Science/295807_a_297136]
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măsurile antisemite ale guvernului Goga-Cuza, au întreținut pe tot parcursul perioadei interbelice o atmosfera antisemită, pregătind în același timp terenul pentru excesele antisemite care urmau să se aibe loc sub regimul Ion Antonescu.[:en]By Elisabeth Weber</b> The interwar period, often dubbed “The Golden Age of Romanian Culture”, was also the age of student violence and disorder. Several student strikes and many violent conflicts between “Christian” students and Jews left their mark on the everyday academic life of those times
Cu carte și ciomag – Mișcarea studențească antisemită în perioada interbelică () [Corola-website/Science/295833_a_297162]
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Ioana Florea, Isabela Panek, Jelena Steigerwald</b> Between 1937 and 1945, more than 250.000 people from all over Europe, including Northern Transylvania, were imprisoned by the Nazi regime în Buchenwald concentration câmp and its adjacent camps. Testimonies from this period were given by survivors în interviews taken în 1998, 2002, 2005 and during a discussion between Miklós/Nicolae Kallós, Ladislau/Vasile Nuszbaum, László Székely, <i>the activists from “Third Generation Buchenwald” and researchers from the UȘ Holocaust Memorial Museum, which
„Cred că nu e numai ţelul nostru, e interesul umanităţii.” Supravieţuitori români ai lagărului de concentrare Buchenwald () [Corola-website/Science/295842_a_297171]
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State Security tracked, arrested and interrogated minors just like the future Communist political police would. The same documents reveal that the interwar years laid the foundation for the future repressive legislation of the communist years. Administrative internment for a certain period of time on the basis of suspicion of conducting anti-state activity was a common practice during the interwar years aș well. Another repressive provision of the 1936 penal code, which was valid until 1968, was article 209, “conspiracy against the
Persecutarea activistelor și activiștilor de stânga în România înainte de 1945 () [Corola-website/Science/295829_a_297158]
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thing. În august 1991, the government of Petre Român issued ordinance 562, which facilitated the selling of homes built by the state. For instance, the minimum down payment hâd to be only 10% of the entire value and the installment period was limited to 25 years. 80% of people who were still paying rent to the state became owners în a short time spân. Yes, they prioritized buying the homes for those still paying rent to the state. That’s how
„[C.E.C.] nu aveau voie să-mi rețină mai mult de o treime din salariu, pentru că atunci se considera că trebuie să mai și trăiesc din banii ăia” () [Corola-website/Science/296006_a_297335]
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spațiu este utilizat pentru a aduce informațiile suplimentare solicitate în mod expres de către Comisie. Sintaxa mesajului ***[PLEASE INSERT TEXT FROM ORIGINAL]*** Descrierea rubricilor Nume Format Descriere Antetul declarației: frecvența datelor este 1 [IDENTIFICATION]* Cod de identificare atribuit de DG AGRI [PERIOD]* Data (LLAA) Perioada la care se referă faxul [RESPNAME]* Text liber (250 caractere) Numele și prenumele persoanei responsabile de declarație [RESPPHONE] Text liber (50 caractere) Telefonul persoanei responsabile de declarație [RESPFAX] Text liber (50 caractere) Faxul persoanei responsabile de declarație
32006R0883-ro () [Corola-website/Law/295306_a_296635]
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N + 4 ... sfârșitul exercițiului financiar; - explicația utilizării subpozițiilor "9999999"; - un spațiu pentru comentariu liber. Sintaxa mesajului ***[PLEASE INSERT TEXT FROM ORIGINAL]*** Descrierea rubricilor Nume Format Descriere Antetul declarației: frecvența datelor este 1 [IDENTIFICATION]* Codul de identificare atribuit de DG AGRI [PERIOD]* Data (AAAALL) Perioada de cheltuieli [LANGUAGE]* 2 caractere Codul ISO al limbii Conținutul declarației: frecvența datelor este de 1 până la n [SUBITEM]* Număr (15) Subpoziție [DESCRIPTION]* Text liber (600) Formularea subpoziției [AMOUNT]* Număr (15,2) Suma declarată [AMOUNT CUMUL]* Număr
32006R0883-ro () [Corola-website/Law/295306_a_296635]
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city hâș survived practically unchanged since that time until the present day. The following three hundred years, running until the middle of the 17th century, were quite prosperous for the city. The most important historical buildings were built during this period. This golden age came to an end în 1655 when Swedish forces captured the city în the course of the Deluge. After briefly holding ouț în the city, the withdrawing Swedes blew up the castle and caused heavy damage to
Sandomierz () [Corola-website/Science/297842_a_299171]
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If the Messiah will come, there will be no complains for sure. MIHAELA BÂRLEGI The house of the future will be a special one. At the entrance buttons will help uș to control that we need. This will be a period of automation when robots will make all the household chores. People will fly în their electric cars that charges from outlets. Children will study using computers and laptops. The houses will be round în such way that you can see
Locuințe în viitor imaginate de rezidentele și rezidenții Căminului Rosen () [Corola-website/Science/296101_a_297430]
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the rent periodically: a while after moving în, the landlord would ask for a higher rent. If we couldn’ț pay the new rent, we hâd to move ouț. That’s why we lived în 12 different houses în that period and we moved ouț 12 times! It’s said that moving ouț three times produces losses and damages equal to a house fire. [...] The first house I remember - must have been around the year 1920. It hâd a 40-50 metres
O istorie subiectivă a locuirii în România, din perspectiva rezidentelor și rezidenților căminului „Moses Rosen”. PERIOADA INTERBELICĂ: ANII 1920 - 1930 () [Corola-website/Science/296134_a_297463]