2,037 matches
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whole world, no matter of the country, language and nationality. This fact was also proved by the organization of events such as The World Exhibition of the Catholic Press, The World Congress of the Catholic Press, by the creation of some institutions whose role was to reunite the press activity (Annex 32 and Annex 43; ASV, Fondul Archivio della Nunziatura Apostolica in Romania 1920-1933, busta 19, fascicolo 59, ff. 690-710). 1032 Silvia Grosu, "Valențele presei clericale din Basarabia (1918-1940)", in Studii
Catolicii în spaţiul public. Presa catolică din România în prima jumătate a secolului al XX-lea by Iulian Ghercă [Corola-publishinghouse/Science/908_a_2416]
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seen as copies of the Cosmic genesis, in a theogonic and anthropogenic way, symbols of natural and human fertility expressing feminity through sexuality, maternity, maternal, paternal, filial, erotic exclusive, erotic selective or multiple love. The sacred courtesans are servants of some Goddesses in temples offering sexual services to humble people, in hierogamic and sacred unifications between a male and female divine force pattern. Some examples are: ishtarishtu (Ishtar goddess priests), quadeshtu (Quadeshtu goddess priests), and devadasis, in India, hierodules in Greece
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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maternity, maternal, paternal, filial, erotic exclusive, erotic selective or multiple love. The sacred courtesans are servants of some Goddesses in temples offering sexual services to humble people, in hierogamic and sacred unifications between a male and female divine force pattern. Some examples are: ishtarishtu (Ishtar goddess priests), quadeshtu (Quadeshtu goddess priests), and devadasis, in India, hierodules in Greece, Bacchantes and Maenads in Rome. Following this pattern, Christian and non Christian dissenters such as Sabatini (with Jewish people), Adami, bogomils, castrated, etc.
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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this pattern, Christian and non Christian dissenters such as Sabatini (with Jewish people), Adami, bogomils, castrated, etc. with Christians practiced multiple sexual relations in orgiastic processions. The real courtesans are part of a special social category, which existed only in some periods of history, in some cultures but with an unknown statute. These are hetaerist from the Greeks, ganika from the Hindu people, hua (girls-flowers) from the Chinese people, meretrices and meretriculae from the Romans, geisha from the Japanese people as
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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Christian dissenters such as Sabatini (with Jewish people), Adami, bogomils, castrated, etc. with Christians practiced multiple sexual relations in orgiastic processions. The real courtesans are part of a special social category, which existed only in some periods of history, in some cultures but with an unknown statute. These are hetaerist from the Greeks, ganika from the Hindu people, hua (girls-flowers) from the Chinese people, meretrices and meretriculae from the Romans, geisha from the Japanese people as well as mistresses of rich
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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real-historical and literary fictions courtesans and courtesans-like behaviour, reason offered by female goddesses, exclusively or by sacred unions (hierogamies) with male gods implied in cosmogony (Universe creation), theogonic birth and development of divinities), anthropogony (birth and evolution of human being). Some female divinities represent symbols of Earth fertility, maternal fertility, love, voluptuousness as well, and they master the sacred prostitutes in temples, sacred models for courtesans and courtesans-like. This mythological reason is exemplified by some goddesses: Inanna, Ishtar, Astarte, Hathor, Lakshmi
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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birth and evolution of human being). Some female divinities represent symbols of Earth fertility, maternal fertility, love, voluptuousness as well, and they master the sacred prostitutes in temples, sacred models for courtesans and courtesans-like. This mythological reason is exemplified by some goddesses: Inanna, Ishtar, Astarte, Hathor, Lakshmi, Mylitta, Anahita, Lilith, Nü Wa, Aphrodite, Venus, Bendis, Drăgaicele, Ama no Uzume, Frigg etc. and they are symbols of erotic behaviour and conducts in different mythologies: Sumero-Babylonean, Egyptian, Hindu, Semitic, Iranian, Chinese, Greek, Roman
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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seduction power, sex-appeal, talents and give value to their attractiveness for conquering men with important social position, to be desired by them and to influence them to make decisions in their own benefit. Due to their charm and seduction power some courtesans entered history and marked the life of souverans, noblemen, bankers, scholars and gave colour to the political and cultural life of the society of that time. They attracted, conquered and fascinated with their beauty, sensuality, smartness, intelligence, true art
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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the life of souverans, noblemen, bankers, scholars and gave colour to the political and cultural life of the society of that time. They attracted, conquered and fascinated with their beauty, sensuality, smartness, intelligence, true art of dialogue and refined love. Some were shocked with their fickleness, extravagance, opulence, greed, prodigality and cruelty. They were very strong in their apparent weakness. The courtesans (and courtesans-like) generated favourable situations for themselves as well as their followers and influenced political decisions. Able to express
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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framework at the imperial, royal and noble courts. They always had a positive influence on the physical, psychical and spiritual equilibrium of the most influential people, smoothed their failures and disappointments, and well compensated the affective-erotic routine from their families Some went further and decisively implied in political decisions (by request or not), and sometimes substituted the souverans' will in obtaining political, economic and cultural initiatives. The courtesans were beautiful, sensual, smart, ambitious and cultivated. They were both admired and respected
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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their successes. Their life was often with luxuries, born titles, accumulated luxuries, won thrones as well as havingthem offered to their relatives, dominated the political life and favoured the close ones, offered charitable help for spiritual and cultural reasons, and some were remarkable spies. Some of them died as goddesses (in ancient times), as models for their followers, some were beloved and eternally admired by artists, while others retired in monasteries and died forgotten. With few exceptions, most of them were
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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was often with luxuries, born titles, accumulated luxuries, won thrones as well as havingthem offered to their relatives, dominated the political life and favoured the close ones, offered charitable help for spiritual and cultural reasons, and some were remarkable spies. Some of them died as goddesses (in ancient times), as models for their followers, some were beloved and eternally admired by artists, while others retired in monasteries and died forgotten. With few exceptions, most of them were unhappy, although brightened for
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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offered to their relatives, dominated the political life and favoured the close ones, offered charitable help for spiritual and cultural reasons, and some were remarkable spies. Some of them died as goddesses (in ancient times), as models for their followers, some were beloved and eternally admired by artists, while others retired in monasteries and died forgotten. With few exceptions, most of them were unhappy, although brightened for a while. No matter their qualities they remained inferior to any wife. Some nuances
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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followers, some were beloved and eternally admired by artists, while others retired in monasteries and died forgotten. With few exceptions, most of them were unhappy, although brightened for a while. No matter their qualities they remained inferior to any wife. Some nuances exist to this spectacular category that used feminity charm, and I called this category-courtesans-like. The courtesans and the courtesans-like have common features. All of them put their beauty and smartness in evidence, and put in value their qualities. This
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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the courtesans-like have only episodically erotic conducts and behaviours, using their charm and seduction to fulfil their purposes. A common feature is still the fact that both partners the seduced and the seducers depend on each other. I considered courtesans-like some empresses, queens, princesses, wives of military and political men: Hatshepsut, Queen of Shaba, Sammuramat, Cleopatra, Valeria Messalina, Sabina Popaea, Wu Zetian, Theodora, Lucrezia Borgia, Regina Margot, Maria Antoaneta, Ecaterine the Great, Joséphine, Emma Hamilton, Maria Catargi Obrenovici, Martha Bibescu, Elena
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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etc.. All of them used their charm to gain the throne, and to pass this to their descendants, to maintain and make their political power stronger as well as to get richer and richer. In the same category, I included some writers, singers, dancers, actresses: Sapho, Ban Zhao, Sei Shonagon, Mata Hari, Isadora Duncan, Josephine Baker, Georges Sand, Colette and others. Tey occasionally used their seduction power to advance and maintain in the art's world, to show their real talents
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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of courtesans-like just because they are hard working for themselves and for their families, being at risk of rape, illness, contempt, persecution and death. In order to deepen and nuance the psychological analysis of their behaviours and conducts I outlined some characters from universal literature and from Romanian literature which are treated by the authors with understanding, admiration and compassion but in an ironic and contemptuous way. The Greek and Roman hetaerism was exemplified by Ovidius' work, Amores, and by Lucian
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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Charlet și Myriam Hayem (Pierre La Mure), Sonia (F.M.Dostoievski), Lara (Boris Pasternak), Komako (Yasunari Kawabata), Delgadina (Gabriel Garcia Marquez), Maria (Paulo Coehlo), Lucia (Arthus Japin), Yoko (Takeo Arishima), Komako (Yasunari Kawabata), Sayuri (Arthur Golden). From Romanian literature I chose some interesting figures of lovers: Chera Duduca (Nicoale Filimon), Chira Chiralina (Panait Istrati), Didina (Eugen Barbu). Among the paid sex practitioners in bordellos, in hotels and on the streets, I mentioned: Manka, Tamara, Jenia, Liubka and others (Alexandr Kuprin), Béné (Bénédicte
Curtezane şi pseudocurtezane: în mitologie, istorie, literatură by Elena Macavei [Corola-publishinghouse/Science/942_a_2450]
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educaționale), nr. 1(17)/2003, Chișinău. Hart, S. (1996), Differentiation and the secondary: Curriculum debates and dilemas, Routledge, Londra. Hawkridge, D. și Vincent, T. (1992), Learning Difficulties and Computers. Access to the Curriculum, Jessica Kingsley Publishers, Londra. Hundert, J. (1982), „Some Consideration of Planning the Integration of Handicapped Children into Mainstreaming”, În Journal of Learning Disabilities, 15/1982, pp. 73-80. Jeffree, D., McConkey, R. și Hewson, S. (1993), Teaching the Handicapped Child, Redwood Press Limited, Londra. Jenkinson, J.C. (1997), Mainstream or
Psihopedagogia persoanelor cu cerințe speciale. Strategii diferențiate și incluzive în educație by Alois Gherguț () [Corola-publishinghouse/Science/2107_a_3432]
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culturii grecești în Europa și în lume. Totuși, timp de aproape două secole, tipografiile au imprimat lucrările clasice din antichitatea greco-latină și mult mai puțin lucrările scrise de contemporani. Primele reviste științifice, ca periodice, apar: în Anglia: „Philosophical Transactions giving some Account of the World” (organ științific al Societății Regale, apărută în 1645 prin contopirea Societății Filologice din Oxford cu Colegiul Invizibil din Londra), Franța: „Le Journal des Savants” (Paris, începând cu 1665, apare săptămânal), Italia: „Giornale dei Letterati” (Roma, 1668
Tratat de diabet Paulescu by Constantin Ionescu-Tîrgovişte () [Corola-publishinghouse/Science/92244_a_92739]
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philosophical Study of Summa theologiae I 75 86, Cambridge University Press, Cambridge, 2003 PERLER, Dominik și HAAG, Johannes (eds.), Ideen: Repräsenta tionalismus în der frühen Neuzeit. Texte und Kommentare, Walter de Gruyter, Berlin, 2010 PERLER, Dominik, „Essentialism and Direct Realism: Some Lațe Medieval Perspectives“, în Topoi, vol. 19, nr. 2, 2000, pp. 111a 122 PERLER, Dominik, Theorien der Intentionalitaet im Mittelalter, Vitto rio Klostermann Verlag, Frankfurt am Main, 2002 PETERSON, Craig și PUGH, Matthew S. (eds.), Analytical Thomism. Traditions în Dialogue
De la quo la quod: teoria cunoaşterii la Toma din Aquino şi d-ul care face diferenţa by Elena Băltuţă () [Corola-publishinghouse/Science/1339_a_2704]
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momentul prezent al unei contemplații, el își eliberează vocea mesianică și eliberează câmpul de posibilități pe care îl conține: „While the materialist historian constructs a particular past accor ding to the dictates of the hour, the historicist painstakingly recons tructs some bygone era out of a tell-tale need to forget the present.“ Figura istoricului ca chiffonnier este una, după cum arată Wohlfarth, profund teologică. Actul său este cel al unei salvări universale, atentă la resturile lumii, la cei uitați de marșul triumfal
City Lights: despre experienţă la Walter Benjamin by Ioan Alexandru Tofan () [Corola-publishinghouse/Science/1346_a_2383]
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wandering): „First, if it is true that a spatial order organizes an ensemble of possibilities (e.g., by a place in which one can move) and interdictions (e.g., by a wall that prevents one from going further), then the walker actualizes some of these possibilities. In that way, he makes them exist as well as emerge. But he also moves them about and he invents others, since the crossing, drifting away, or improvisation of walking privilege, transform or abandon spatial elements.“ Certeau
City Lights: despre experienţă la Walter Benjamin by Ioan Alexandru Tofan () [Corola-publishinghouse/Science/1346_a_2383]
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literary space either by presenting a world dominated by an absurdity that prevails or by recreating the entire cultural space at the parodic, satiric and ludic level. The protesting or the depressive attitude is expressed in the act of finding some expressive resources of the language less explored up to that moment. There is also the possibility that these writers try to create other myths, a second universe based on unconscious tendencies to respond in a compensatory way to the ego
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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onset and the interference of politics in literary space being essential for a generation that was forced to shape or respond to such assertions more than in any other age. It can thus be stressed that, although sometimes they made some concessions to the totalitarian regime, they have the merit of writing an authentic poem, reflecting the spirit of their time - full of contradictions, supporting through poems and theoretical articles the primacy of the aesthetics in regard to other aspects highlighted
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]