1,125 matches
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Caragiale fabulist și parodist" în Buletinul Universității Petrol-Gaze din Ploiești, volum LV, seria Stiințe umaniste, nr. 4/2003, pp. 13-19. Ilie, Loredana, "Caragialismul în perioada interbelică", Annales Universitatis Apulensis, Philologica, Tom 1, Alba Iulia, 2003, pp. 113-119. Ilie, Loredana, "Nonaristotelismul caragialian", publicat în volumul Ion Bălu, Editura Universității din Ploiești, 2003, pp. 81-90. Ilie, Loredana, "Pișicherul postcaragialian", Buletinul Universității Petrol-Gaze din Ploiești, vol. LV, seria Științe Umaniste, nr. 4/2003, pp. 7-13. Ilie, Loredana "Pe urmele lui Mitică", Jurnalul literar, serie
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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Loredana, "Pișicherul postcaragialian", Buletinul Universității Petrol-Gaze din Ploiești, vol. LV, seria Științe Umaniste, nr. 4/2003, pp. 7-13. Ilie, Loredana "Pe urmele lui Mitică", Jurnalul literar, serie nouă, an XV, nr. 13-18, iulie-august 2004, p. 8. Ilie, Loredana, "Universul tipologic caragialian", Buletinul Universității Petrol-Gaze din Ploiești, vol. LVI, seria Științe Umaniste, nr. 1/2004, pp. 53-62. Ilie, Loredana, "Caragialism în tendințele și căutările prozatorilor târgovișteni", Jurnalul literar, serie nouă, an XVI, nr. 5-10, martie-aprilie-mai 2005, p. 16. Ilie, Loredana, "Hipotextul caragialian
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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caragialian", Buletinul Universității Petrol-Gaze din Ploiești, vol. LVI, seria Științe Umaniste, nr. 1/2004, pp. 53-62. Ilie, Loredana, "Caragialism în tendințele și căutările prozatorilor târgovișteni", Jurnalul literar, serie nouă, an XVI, nr. 5-10, martie-aprilie-mai 2005, p. 16. Ilie, Loredana, "Hipotextul caragialian la Mircea Horia Simionescu", Buletinul Universității Petrol-Gaze din Ploiești, vol. LVII, seria Filologie, nr. 1/2005, pp. 126-133. Ilie, Loredana " Cântăreața cheală o comedie a comediei", Analele Universității Spiru Haret, seria Filologie, Limbi și literaturi străine, An XI, nr. 11
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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Universității Spiru Haret, seria Filologie, Limbi și literaturi străine, An XI, nr. 11, 2008, pp. 266-274. Ilie, Loredana, " Rămânem cu râsu'plânsu'", în volumul Poezie românească. Tendințe și direcții actuale, Editura Universității din Ploiești, 2009, pp. 55-63. Ilie, Loredana, "Hipotextul caragialian în opera lui Tudor Arghezi", în Philologica Jassyensia, anul VI, Nr. 2 (12), 2010, Iași, pp. 85-92. Ilie, Loredana, "One Century of.... Caragialism in Romanian Literature", Buletinul Universității Petrol-Gaze din Ploiești, Seria Filologie, vol. LXII, nr. 4, 2010, Ploiești. Ilie
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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Caragialism in Romanian Literature", Buletinul Universității Petrol-Gaze din Ploiești, Seria Filologie, vol. LXII, nr. 4, 2010, Ploiești. Ilie, Loredana, "Urmuz postcaragialian", în volumul LIMBA, CULTURA, CIVILIZATIE. Idei în dialog 2010, Editura Politehnica Press, București, 2010, pp. 216-220. Ilie, Loredana, "Teme caragialiene și variațiuni postcaragialiene", în volumul LIMBA, CULTURA, CIVILIZATIE. Idei in dialog, Editura Politehnica Press, București, 2010, pp. 221226. Ilie, Loredana, "Satira caragialiană și postcaragialiană", în volumul Crossing Boundaries in Culture and Communication, vol. 1, nr. 2, Editura Universitară, București, 2010
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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volumul LIMBA, CULTURA, CIVILIZATIE. Idei în dialog 2010, Editura Politehnica Press, București, 2010, pp. 216-220. Ilie, Loredana, "Teme caragialiene și variațiuni postcaragialiene", în volumul LIMBA, CULTURA, CIVILIZATIE. Idei in dialog, Editura Politehnica Press, București, 2010, pp. 221226. Ilie, Loredana, "Satira caragialiană și postcaragialiană", în volumul Crossing Boundaries in Culture and Communication, vol. 1, nr. 2, Editura Universitară, București, 2010. Mihăilescu, Dan C., "Fascinația și comedia puterii", Revista de istorie și teorie literară, I, nr, 21, 1994. János, Szász, "Urmuz și Kafka
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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the reverberations of Caragialism among the literary manifestations of the comic and of the absurd so as to prove the overwhelming influence of our great playwright, the creator of a continuously germinating work. In order to determine that an undeniable Caragialian tradition has been established in our literature, defining the notion of Caragialism is essential. The first pages of the book, in the section Caragiale's Sign, analyse the two meanings of the term. First of all, Caragialism is more than
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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features of Caragiale's work, namely those features that can be found at the intersection of the typological axis with the thematic and the stylistic ones. Certain computer techniques may be used to devise the figure or icon of the Caragialian imaginary creation, a sort of chromosomal matrix that is unique and non-repeatable, but whose genes are recognized in heirs of the same literary dynasty. If a copy of the same imaginary corpus were discovered, one would only notice an epigonic
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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of certain types such as the one of Mitică, of the pseudo scientist, of the demagogue, therefore of those types that represent the quintessence of Caragiale's art, second, the approach of certain themes that are immediately associated with the Caragialian ones, such as the theme of the urban family or that of politics, third, the use of certain textual techniques that were experimented in his prose, namely, "the list", "the theme and variations" technique, selfreferentiality, etc. forth, the revaluation of
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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s work was not imposed on the public by means of explanatory footnotes, as E. Lovinescu prophesied 1, but by its vivid presence in the substance of the literature that was written after the dramatist's death. Out of the Caragialian "games with more strategies"2, the one played with his posterity was won not because he assured himself a place in our great classical writers' Pantheon, but due to the fact that he opened more lodes that could be later
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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Sebastian, Liviu Rebreanu), the writers affiliated to the "School of Târgoviște" (Mircea Horia Simionescu, Costache Olăreanu) and then the poets and prose writers of the 80's (Mircea Nedelciu, Gh. Crăciun, Sorin Preda etc.) revalue the elements of a certain Caragialian "textual engineering", while a great deal of the present day media resorts to the authority of Caragialian irony and gibe. Therefore, we can speak of a certain pliancy of Caragialism that maintains its essence in time, imposing itself through some
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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then the poets and prose writers of the 80's (Mircea Nedelciu, Gh. Crăciun, Sorin Preda etc.) revalue the elements of a certain Caragialian "textual engineering", while a great deal of the present day media resorts to the authority of Caragialian irony and gibe. Therefore, we can speak of a certain pliancy of Caragialism that maintains its essence in time, imposing itself through some of its components, in an endless flow. Our option for a global definition of Caragialism is consequently
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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must refer in an unbiased manner to all its constituents that are successively selected as its representatives. All these being said, the second meaning of the term Caragialism is obvious, namely that of an attitudinal and aesthetic parentage of the Caragialian spirit and art. This perspective involves a lot of other themes, which are, yet, only indirectly linked to our discussion: the problem of the cultural impact, of the national specific traits that were characterised as "caragialoeminescian" (Radu Cosașu), of the
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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perspective involves a lot of other themes, which are, yet, only indirectly linked to our discussion: the problem of the cultural impact, of the national specific traits that were characterised as "caragialoeminescian" (Radu Cosașu), of the negative view on the "Caragialian attitude". What we need to emphasize here is that Caragiale's work has survived for exactly one century due to the fact that it has been carried forward, restored and revalued by a considerable number of literary heirs. This Caragialian
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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Caragialian attitude". What we need to emphasize here is that Caragiale's work has survived for exactly one century due to the fact that it has been carried forward, restored and revalued by a considerable number of literary heirs. This Caragialian literary inheritance includes various types of writers that did not necessarily sign an explicit declaration of their acknowledged belonging to the Caragialian tradition. Such confirmation of literary lineage can be found in numerous articles written by the Romanian authors of
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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fact that it has been carried forward, restored and revalued by a considerable number of literary heirs. This Caragialian literary inheritance includes various types of writers that did not necessarily sign an explicit declaration of their acknowledged belonging to the Caragialian tradition. Such confirmation of literary lineage can be found in numerous articles written by the Romanian authors of the 80's. The Caragiale Model signed by Florin Iaru, A New School of Caragiale, by Ion Simuț, The Continuous Competition by
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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novel Parallel Confessions, in Mircea Horia Simionescu's Dictionary of Names, in his novels The Frock, Teachings for Dolphin, in Mircea Nedelciu, Adriana Babeți and Mircea Mihăieș's postmodern Romanian novel The Woman in Red etc The last category of Caragialian literary heirs includes the writers that can be called "Promethean offsprings" because they seem to deliberately try to distinguish themselves from the Caragialian tradition. Mihail Sebastian and George-Mihail Zamfirescu are among these creators who seem to give replies to Caragiale
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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Babeți and Mircea Mihăieș's postmodern Romanian novel The Woman in Red etc The last category of Caragialian literary heirs includes the writers that can be called "Promethean offsprings" because they seem to deliberately try to distinguish themselves from the Caragialian tradition. Mihail Sebastian and George-Mihail Zamfirescu are among these creators who seem to give replies to Caragiale's vision, plot solving or characters' structure. Nevertheless, by doing so, they implicitly admit the impossibility of ignoring their great predecessor's lesson
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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differs from the reality described by Caragiale. In the same way, Miss Nastasia is an even crueler version of Caragiale's female character Anca from his drama Năpasta (Injustice). The Idol or Ion Anapoda resumes and vaguely distorts a famous Caragialian character, namely, Cănuță, while the posthumous drama, The Holy Transfiguration, is a political scenario completely different from that of Caragiale's plays, by its rather visionary, unrealistic unmasking of corruption managed by the enthusiastic saviour, Pamfil, a character with no
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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No name, and the campers from The Holiday Game are not far away from Caragiale's nosy parkers and triflers while, in The Last Hour, the blackmail theme and the manipulation of the press are also clear marks of the Caragialian domain. Therefore, for all these categories of writers, including the ones who try to delimit themselves from the known pattern, we can find certain Caragialian thematic, stylistic or typological constants that were adapted by virtue of a more or less
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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the blackmail theme and the manipulation of the press are also clear marks of the Caragialian domain. Therefore, for all these categories of writers, including the ones who try to delimit themselves from the known pattern, we can find certain Caragialian thematic, stylistic or typological constants that were adapted by virtue of a more or less admitted "successoral vocation", making Caragiale's marks visible throughout the "texture" of Romanian literature. In order to establish clear patterns that these marks form, if
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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the "texture" of Romanian literature. In order to establish clear patterns that these marks form, if we extrapolate the famous distinction between transtextual relations as G. Genette suggested in Palimpsestes. La litérature au second degré, we can refer to the Caragialian posterity as to a second degree kind of literature. This would include a constellation of "hypertexts" connected on the basis of certain Caragialian "hypotexts", an impressive amount of "metatexts" and, first of all, a real intertextual plasma that flows through
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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relations as G. Genette suggested in Palimpsestes. La litérature au second degré, we can refer to the Caragialian posterity as to a second degree kind of literature. This would include a constellation of "hypertexts" connected on the basis of certain Caragialian "hypotexts", an impressive amount of "metatexts" and, first of all, a real intertextual plasma that flows through Romanian literature and is made visible by means of innumerable quotations, allusions, in general any kind of "intertextual traces" (Riffaterre) able to update
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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play Mitică Popescu, Mircea Horia Simionescu's short-story The Fast Train of Compliments and Ioan Lăcustă's series of sketches Waiting at Mr. Caragiale's Door. These examples confirm, for each important phase of Romanian literature, the rebirth of the Caragialian model by means of homage-like pastiche and parody. On the contrary, the amount of pieces of writing in which Caragiale's work survives due to intertextual resuscitations is impossible to establish and we believe that it is unequalled by any
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]
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belonging to writers fascinated or intrigued by their great predecessor. The overview of the main representatives of the comic modes in the Romanian literature was necessary for an incipient delineation of Caragiale's literary descendants. In the second chapter, The Caragialian and the Post-Caragialian Comic, we started from the assumption that this lineage should be primarily sought in the territory governed by the comic, since it is the most striking brand of Caragiale's work. Therefore, we delimited the sections corresponding
Un veac de caragialism. Comic și absurd în proza și dramaturgia românească postcaragialiană by Loredana Ilie [Corola-publishinghouse/Science/1088_a_2596]