2,037 matches
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concept of generation in the field of literary history, Albert Thibaudet also delineated its scope and distinguished within a generation several decades (later called age groups). In order to be able to speak of a generation there have to be some common viewpoints on existence and on creation, however, Thibaudet refuses to use the concept in a restrictive acceptation thereby admitting that the members of a generation are creative individualities, which in any literary history there might be exceptions that elude
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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term generation of the Albatross not because we believed in the myth of a magazine often perceived as involved in the antifascist resistance but because it refers to Baudelaire's poem which marked all young writers of that time. Although some disapproved of the association between the name of the Albatross magazine and the war generation due to its limitations and because the representatives of this generation outnumber the ones who were featured in the ephemeral pages of the afore-mentioned periodical
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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writers. Apart from the inherent distinctions - a different environment, other paragons, a different educational background, apart from the fact that both denominations exclude a series of writers who do not pertain to either of them, the term Albatross writer encompasses some of the gist of this literary stage. The name of the magazine is explicitly connected (by the quotation on the front page) to Baudelaire's renowned poem The Albatross. Baudelaire portrayed a different literary vision yet, fundamentally, his poem reflected
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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The Albatross. Baudelaire portrayed a different literary vision yet, fundamentally, his poem reflected the same anxieties marking the end of an era (or, in his case, the end of a century). The poem was illustrative for the allegorical structure of some symbolist poem, it was a demystifying "ars poetica". It contains more than mere romantic reflections of the poet/ misunderstood genius; it also hints indirectly to the abyss the poet has to face and to how society perceived his accomplishments- ("comique
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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in agreement with the demands of their age. As far as the topics tackled and the 'recommended' sources of inspiration are concerned, this truly is a decade of transition. In this respect one can notice the vacillations, the hesitations of some of the poets who made their debut with modernist poems, some even influenced by the avant-garde, only to be converted to the poetry of social inspiration, praising the class struggle. The poetry of the fifth century which actually left an
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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the topics tackled and the 'recommended' sources of inspiration are concerned, this truly is a decade of transition. In this respect one can notice the vacillations, the hesitations of some of the poets who made their debut with modernist poems, some even influenced by the avant-garde, only to be converted to the poetry of social inspiration, praising the class struggle. The poetry of the fifth century which actually left an imprint in the history of Romanian literature mostly pertains to the
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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towards fame. Cadran constitutes at least partially the frame of reference on which Geo Dumitrescu will establish the Albatross magazine. It is worth revealing the journalistic climate in which the Albatross magazine came out because it allows us to make some remarks on the importance of this publication. The Albatross case is not singular in its time but it deserves credit for having promoted authentic art instead of art serving the interests of one political regime or another. Our insistence in
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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serving the interests of one political regime or another. Our insistence in discussing the content of the two magazines is justified by the presentation of how the Albatross phenomenon was perceived at that time. The opinions are divided to extremes - some exaggerate the role of this magazine in the antifascist movement, others minimise its contribution. Cadran was politically oriented towards the left and it constantly vacillated between literature and extra-literature. The articles containing its guiding principles profess an orientation towards the
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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towards the aesthetic (although there is a constant tendency to subordinate literature to social issues), the need to escape ‚the ivory tower', the rejection of sentimentalism and intimism and the penchant towards social topics. Not only did the Albatross preserve some structural elements of Cadran, it also borrowed from it a series of ideas. One can also notice some sort of eclectics in terms of opinions that were expressed. The aims of the magazine are made more conspicuous in number 7
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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escape ‚the ivory tower', the rejection of sentimentalism and intimism and the penchant towards social topics. Not only did the Albatross preserve some structural elements of Cadran, it also borrowed from it a series of ideas. One can also notice some sort of eclectics in terms of opinions that were expressed. The aims of the magazine are made more conspicuous in number 7 when the attitude of its writers betrayed their protests. Previous numbers had presented the need for the writers
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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try to regroup by shortly taking over the periodical Our thoughts or by stating their viewpoints in other contemporary journal, such as The Echo, The Time. In the onset of the fourth chapter, Poetry of the Albatross, we have inspected some elements that could be considered as landmarks in the real life of the poets who make the subject of our study (Geo Dumitrescu, Ion Caraion, Constant Tonegaru, Dimitrie Stelaru); yet these landmarks are more or less reflected in their work
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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for the day-to-day life and the mundane, a preference which is accompanied by a rejection of ‚poetic language'. Reality is still a pretext for them to convey in their works the nightmarish visions that seem to be haunting their souls. Some of the poems illustrative for this generation recreate, directly or indirectly, an often imaginary journey to exotic locations, to the erotic universe or even to death. The journey is symbolically represented by aquatic or fluid metaphors either related to the
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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to clarify the scope of the expression ‚poetry of the Albatross' which is defined as a form of poetry questioning literary elements that are generally taken for granted. Its poems are oriented towards realism although they do make use of some techniques of the avant-garde but only if they serve a literary purpose. They are centred on the mundane, the prosaic and protest against hyperaesthetic poems. Among the legacies this poetry left in contemporary literature we could distinguish the mistrust in
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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to employ them; our intention was to emphasize their literary value. Considering that the writers created their works in an age of political pressures, they were sometimes lured by ideologies which were later reproved. Due to a twist of fate, some of these writers became victims of the regime or were indicted by history. To discuss their socio-political activity, to debate whether they were to blame or not in their relationship with the communist regime (Geo Dumitrescu, Ion Caraion) would seem
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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human personality. During these controversial discussions theorists often forget one conspicuous aspect, the literary one. Consequently, our approach will be mainly of an aesthetic nature, insisting on the few poets who were utterly original in their way of writing. Although some similarities can be established between members of the Literary Circle of Sibiu and poets of the Albatross, this study will focus on the latter (including Caraion, who had come close to this group at his debut without actually being a
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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viziunea/contemplarea (θεωρία), ci a întunericului. Acesta este motivul pentru care, potrivit Sfântului Grigorie, sufletul nu experiază nici o înțelegere. Ci, mai curând, sufletul pătrunde în întunericul luminos (ὀ Θεϊος γνόφος)<footnote Kathryn Rombs, “Gregory of Nyssa’s Doctrine of Epektasis: Some Logical Implications”, Studia Patristica, vol. 37, Peeters, Leuven, 2001, pp. 288-289. footnote>. Tema aceasta a întunericului divin (ό Θεϊος γνόφος) sau a întunericului supra-luminos (ὀ λαμπρός γνόφος) se leagă de o tradiție anterioară ce urcă la Filon din Alexandria, care
Din comorile Teologiei Părinților Capadocieni by Liviu Petcu () [Corola-publishinghouse/Science/151_a_441]
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Beck, București, 2008. Carp Radu, Gal Dacian Grațian, Mureșan Sorin, Preda Radu, În căutarea binelui comun, Eikon, Cluj-Napoca, 2008. Carp Radu, "The Autonomy of Religious Denominations in Romania: Canonical Issues, Constitutional and Legal Framework, and the Application of Principles in Some Recent Cases", în Kanon XXI (2010) Carp Radu, "Religion in the Public Sphere: Is There a Common European Model?", în Journal for the Study of Religions and Ideologies, X (2011). Carp Radu, Religie, politică & statul de drept. Secvențele unei acomodări
Politograma. Incursiuni în vocabularul democrației by Radu Carp () [Corola-publishinghouse/Science/84982_a_85767]
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Guvernului nr. 53/2008,M. Of. nr. 50 din 22 ianuarie 2008. 251 Despre autonomia religiilor în România, vezi: Radu Carp, The Autonomy of Religious Denominations in Romania: Canonical Issues, Constitutional and Legal Framework, and the Application of Principles in Some Recent Cases, Kanon XXI (2010), pp. 257-266. Pentru o versiune adusă la zi a acestei contribuții: Radu Carp, Religie, politică & statul de drept. Secvențele unei acomodări, Humanitas, București, 2013, pp. 64-79. Pentru un comentariu al prevederilor constituționale referitoare la autonomia
Politograma. Incursiuni în vocabularul democrației by Radu Carp () [Corola-publishinghouse/Science/84982_a_85767]
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cultural, cel științific și cel educațional. Dintr-o perspectivă mai largă, culturală, se pot delimita cinci accepții (forme) ale termenului (cf. Judge, 1994): "The most common is that based on efforts to formally relate the insights of particular disciplines, providing some form of logical meta-framework through which they may be integrated at a higher level of abstraction and interdisciplinarity. The second is associated much more intimately with individual experience in the moment (...). Illustrative use of metaphor and figurative language may be
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has dawned on us two years ago (the academic year 2007-2008) ; its progress and metamorphosis needed a long time to be comepalpable. At the beginning there was an interdisciplinary approach; only after that we tried a transdisciplinary one. It implied some working team meetings and discussions to reach an agreement concerning the subject matter and its contents and the didactic unity of the goals we had in view. The project was carried on for two years, involving activities attended by high
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during the workshops could help students develop their abilities to understand fundamental truths (about nature, humankind etc.). The present book was born out in the need to share our experience with other teachers. It is the first step to yield some alternative understanding of the need of change of the present day paradigm of education; that could produce reflections on the way the public education should be in the future. Perhaps, we might be successful in our attempt of proving that
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like this book to come up with a coherent image of our entreprise at "Moise Nicoara" National College in Arad (Romania): from the theoretical documentation and presentation to our practical activities. Another desire is to offer to all those interested some details concerning our workshops, furthermore, if anyone would like to perform something similar, they could have a starting point. Last but not the least, we wanted to describe the environment we worked in, and to provide an accurate image of
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we wanted to describe the environment we worked in, and to provide an accurate image of the problems we faced during our entreprise and especially after it. The first chapter of the book is an introduction to transdisciplinarity that provides some basic guidemarks to understand this concept in Basarab Nicolescu's view and their implications in the educational issues. It follows the description of our didactic experimentour due reflections. The most important chapter concerns the didactical scenarios we have designed and
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what results? What was the specificity of gender policies in Romania, before 1989? Our perspective is trying to combine the analysis and evaluation of public policies based on technical elements (mapping legislative and institutional mechanisms) with the attempt to identify some deeper and less visible elements, such as latent values and operational objectives. Thus, our main hypothesis is that such policies had as main objective the legitimation of regime and not women's empowerment. Although formally similar to Western developments, gender
Statutul femeii în România comunistă. Politici publice și viața privată () [Corola-publishinghouse/Science/84992_a_85777]
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Partea a II-a CĂSĂTORIA, FAMILIA ȘI POLITICA DEMOGRAFICĂ REPRESIVĂ A REGIMULUI CEAUȘESCU Regimul matrimonial în comunism Luminița DUMĂNESCU Abstract: In the present work I propose a theoretical analyse of the matrimonial behavior of Romanians under communism. I will expose some considerations on the following issues: ways and means of forming families, the place and role of spouses in the family, family size, growth and education. Marriage remains the only way of founding a family and the proportion of married people
Statutul femeii în România comunistă. Politici publice și viața privată () [Corola-publishinghouse/Science/84992_a_85777]