2,190 matches
-
to re-enact the production of a failure. In turn, one could notice the conversion of a generous idea the idea of (melo)dramatic emotion into a narrative technique, which, while generating thousands of novelistic pages, is disfiguring them at the same time. However, a critical mind cannot rest on the acknowledgement of sheer literary inability. It is rather a matter of literary pragmatics, that is to say, a matter of genre practice and orientation according to preeminent values, what the genesis
Scriitorul si umbra sa. Volumul 1 by Antonio Patraş [Corola-publishinghouse/Science/1053_a_2561]
-
anthropology" was given by Roger Chartier, în a short interview first published în 2005 în the Romanian Cultural Institute's journal Cultură then republished în the Caietele de Antropologie Istorică (Notes on Historical Anthropology) by the seminar group of the same name at the Faculty of History and Philosophy at the University of Babeș-Bolyai. Chartier discusses many topics and argues strongly for the concepts of "mentalities", "historical anthropology" and "cultural history": "The history of mentalities was practised by the founders of
Studenți români la Universitatea Liberă din Bruxelles (a doua jumătate a veacului al XIX -lea prima parte a secolului al XX -lea) by Laurenţiu Vlad () [Corola-publishinghouse/Science/1076_a_2584]
-
de hăuri de vremuri tot pîrguie roadele închipuirii poporului nostru. Sînt parcă de neînțeles obiceiuri destule și crezuri atîtea luate eresuri în lipsa cunoașterii lungilor căi ce ne pot îndrepta spre firești zămisliri ale multor din ele. O apucătură de-o samă cu omul e datul, din cele ce ai dobîndit într-un fel oarecare, și altora. Datul pe care îl știm că se cheamă ,,pomană“. Pe șerpuitorul său curpăn petrecem acum cititorul. Și dacă pe ici colo călca-vom alăturea drumului
Memoria unui muzeu by Mărioara Buraga () [Corola-publishinghouse/Science/1656_a_3005]
-
prag“ al intrării în lumea basmică este semnalat prin sintagma Amu, cică... Finalul canonic (motivul nunții împărătești) este însoțit de formula de încheiere, particularizată prin nota de umor: Și mai fostau poftiți la nuntă crai, crăiese și mpărați, oameni în samă băgați, șun păcat de povestariu, fără bani în buzunariu. Între aceste puncte strategice ale textului, structura basmului conține două unități compoziționale (fiecare însumând câte patru secvențe, separate prin formula mediană). Această compoziție duală este anticipată prin sfatul craiului, care își
Şi tu poţi lua 10 la BAC! Ghid complet pentru probele de limbă, comunicare şi literatură română by Mioriţa Baciu Got, Rodica Lungu, Ioana Dăneţiu () [Corola-publishinghouse/Science/1365_a_2894]
-
Fiecare „prag“ al intrării în lumea basmică este semnalat prin sintagma Amu, cică... Finalul canonic (motivul nunții împărătești) este însoțit de formula de încheiere, particularizată prin nota de umor: Și mai fostau poftiți la nuntă crai, crăiese șimpărați, oameni în samă băgați, șun păcat de povestariu, fără bani în buzunariu. Între aceste puncte strategice ale textului, basmul se structurează din două unități compoziționale (fiecare însumând câte patru secvențe, separate prin formula mediană), fiind „alcătuit din con topirea a două povești“ (Al.
Şi tu poţi lua 10 la BAC! Ghid complet pentru probele de limbă, comunicare şi literatură română by Mioriţa Baciu Got, Rodica Lungu, Ioana Dăneţiu () [Corola-publishinghouse/Science/1365_a_2894]
-
patience until through the long process of centuries we become contemporaries of the Greek and Romans; then it is easy to see men will not scruple in many instances boldly to prefer us.") 71 Idem. ("Thus it is that the same prejudice abases us in one age in order to exalt us in another; thus one becomes first the victim and then the divinity.") 72 Cf. Roger Duchêne, Jean de la Fontaine, Fayard, Paris, 1990, p. 450. 73 La Fontaine, Épître à
[Corola-publishinghouse/Science/1558_a_2856]
-
one struggle to find out what has been done, once for all, better than it can ever be done again, and to find out what remains for us to do, and plenty does remain, for if we still feel the same emotions as those which launched the thousand ships, it is quite certain that we come on these feelings differently, through different nuances, by different intellectual gradations. Each age has its own abounding gifts yet only some ages transmute them into
[Corola-publishinghouse/Science/1558_a_2856]
-
clucerul Constantin Cantemir, un bătrân de 70 ani; acestuia îi impunea, în schimbul domniei, să nu se atingă de copiii boierului Gavriliță "pentru căci el vedea și cunoștea Gavriliță că feciorii lui, că nu sunt toți așezați la minte, că o samă sunt cam slobivi"37. Termenul caracterizează nu alienarea în sine, ci un comportament slobod, superficial. În secolul al XVIII-lea acest termen nu se mai utiliza. S-a pierdut și termenul de îndrăcire, termen care ilustra odinioară alienarea. Variantele ca
[Corola-publishinghouse/Science/1491_a_2789]
-
Colecție de texte, Lyceum, vol. I, II, București, 1970. 7. Laurian A. T. și Massima I. C., Dicționarul limbii române¸ București, 1890. 8. Mardare Cozianu, Lexicon slavo-român (publicat de G. Crețu), București. 9. Neculce Ion, Letopisețul Țării Moldovei și O samă de cuvinte, București, 1969. 10. Papadima Ovidiu, Literatura populară română, București, 1968. 11. Samarian Pompei, Medicina și Farmacia în trecutul românesc, vol. I, II, III, Călărași, București, 1935-1938. 12. Șăineanu L., Dicționarul universal al limbii române, București, 1896; idem, 1922
[Corola-publishinghouse/Science/1491_a_2789]
-
normal a fi forțată să producă ceea ce nu poate produce și nu este în specificul ei. Fiind veche, ea este și bogată, dar nu în cuvinte în primul rînd, ci în locuțiuni, și, de aceea, de la un singur cuvînt, precum samă, se pot crea numeroase echivalente locuționale corespunzătoare multor cuvinte și expresii din limba germană. Vechimea milenară a românei îi sugera însă lui Eminescu o bogăție de esență, fundamentată pe o experiență de viață apreciabilă, care să-i dea posibilitatea înnoirii
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
Nevertheless, one can notice that even if the two directions that govern the foundation of the philosophy of language are detachable in theory, the history of philosophical reflection reveals that in fact they work together in the course of the same investigation. Consequently, if the main elements that govern the foundation of the philosophy of language are related to the inward perspective, one cannot overlook the fact that relating language to other realities (spiritual, social and material) in the human sphere
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
speech (the use of language) always takes place between a speaker and a listener, and its finality, the possibility to convey information, consists in the fact that between the two is established a relationship, an implicit agreement to understand the same things by the same statements. Consequently, the speakers attribute to the listeners the same abilities to understand language facts that they themselves have, keeping within the boundaries of habits that allow the proper deciphering of the new elements. This goal
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
language) always takes place between a speaker and a listener, and its finality, the possibility to convey information, consists in the fact that between the two is established a relationship, an implicit agreement to understand the same things by the same statements. Consequently, the speakers attribute to the listeners the same abilities to understand language facts that they themselves have, keeping within the boundaries of habits that allow the proper deciphering of the new elements. This goal of the speakers, which
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
and its finality, the possibility to convey information, consists in the fact that between the two is established a relationship, an implicit agreement to understand the same things by the same statements. Consequently, the speakers attribute to the listeners the same abilities to understand language facts that they themselves have, keeping within the boundaries of habits that allow the proper deciphering of the new elements. This goal of the speakers, which is determined by the fact that they aim at communicating
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
which is determined by the fact that they aim at communicating with the listeners, represents the otherness, or the manifestation of language as inter-subjectivity. Language is not used in its entirety, and it does not suppose the involvement of the same means by all of the speakers, or even by the same speaker if the occasion is different. Consequently, there are several functional languages that can be activated; yet, different combinations of these are used when speaking. Among these functional languages
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
with the listeners, represents the otherness, or the manifestation of language as inter-subjectivity. Language is not used in its entirety, and it does not suppose the involvement of the same means by all of the speakers, or even by the same speaker if the occasion is different. Consequently, there are several functional languages that can be activated; yet, different combinations of these are used when speaking. Among these functional languages, we will distinguish, as G. Ivănescu pointed out, the vernacular language
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
the literary language from the point of view of the intercultural contact and of the linguistic change. Thus, if at the level of vernacular language (and culture) influences occur due to the fact that speakers of different languages share the same living space, on the level of literary language the influence develops starting from a certain degree of superiority (in terms of civilisation) that allows for distances, in both time and space. More than that, the contact with superior cultures and
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
manifestation of (logical) thinking or of reason, and on the other hand the manifestation of imagination, and sometimes of fantasy. What results from this activity are statements, which give rise to discourse, as they interconnect in order to render the same notional content. Within the statements, the elements of the language are structured in sequences meant to convey information regarding states of things in the sphere of reality, or to render an attitude, an intention, or the will of the speaker
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
it, the intensely individualised character become essential. Therefore, on this particular occasion the creative genius manifests itself freely, putting forth individuality as universality, even though this individuality cannot accept to be included in a category alongside other elements of the same type. Nevertheless, from an ontological point of view philosophy and poetry are two distinct cultural realities, and equally different are the linguistic instruments implied in their achievement, which made Paul Ricoeur state that they are in fact two peaks that
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
reality, of a world that is known and named, and which can be analysed, interpreted and conveyed to others as well as received from them. This relationship with other people guarantees the forming of the individuals' self conscience; at the same time, the awareness of sharing with the other speakers the same heritage of knowledge and values helps them control the meaning of otherness. The practice of relating to reality through language and the communication with the others through language provides
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
can be analysed, interpreted and conveyed to others as well as received from them. This relationship with other people guarantees the forming of the individuals' self conscience; at the same time, the awareness of sharing with the other speakers the same heritage of knowledge and values helps them control the meaning of otherness. The practice of relating to reality through language and the communication with the others through language provides human beings with a vast space for free self-manifestation, and the
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
libertinism and that the manifestation of one's own will does not imply voluntarism: thus, the ordinary speaker perceives intuitively, and the genuine scholar understands rationally the extent of the boundaries within which they can manifest themselves properly. At the same time, by the use of language speakers find out that there are several ways of speaking about the same state of things, thus understanding that reality is external to language and that applying the latter to reality and performing the
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
intuitively, and the genuine scholar understands rationally the extent of the boundaries within which they can manifest themselves properly. At the same time, by the use of language speakers find out that there are several ways of speaking about the same state of things, thus understanding that reality is external to language and that applying the latter to reality and performing the discourse imply variability, which implies in its turn different ways of interpreting and using the linguistic means. Therefore, on
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
becoming purpose, encouraging the individuals to go on their own and produce worlds parallel to those already existing through systems of ideas (the case of philosophy) or groups of representations and ideas (like in the case of lyric poetry). The same habit of expressing creativity through language produces in the other speakers the propensity to accept the strongly individualised suggestions of the personalities who forge new cultural values. We could conclude that the philosophical perspective projects language as a means allowing
Elemente de filozofia limbii by Ioan Oprea () [Corola-publishinghouse/Science/1424_a_2666]
-
în atenția radiară a autorului intră câte ceva din toate: sentimentul patriei și ethnos (motive de realizări poetice cu totul remarcabile), mituri și ethos, timp, psihologie și arte, schițe de portret, fragmente de jurnal, transpoziții "în chip de vers" din O samă de cuvinte ori din Istoria Ieroglifică. Felurite glose, mai toate dând utilizare paradoxului, rostirii în contrasens, toate purtând sigiliul unui spirit nonconformist, sunt destinate, aparent, lecturii de-sine-stătătoare; ele sunt însă imperios necesare, în ansamblu, oricărui demers hermeneutic vizând fenomenul Stănescu
[Corola-publishinghouse/Science/1545_a_2843]