1,553 matches
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d ever witnessed. How did people generally react, though? Were there mostly grown-ups and older people, or were there kids aș well? The first tours were somehow better organized and we performed în larger villages or în small towns which hâd a community center or a school and we hâd people from neighboring villages brought over on the bus. They were mostly grown-ups, elderly folks and teenagers. When people brought their kids along, Luminița, the director, would stay outside and play
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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Were there mostly grown-ups and older people, or were there kids aș well? The first tours were somehow better organized and we performed în larger villages or în small towns which hâd a community center or a school and we hâd people from neighboring villages brought over on the bus. They were mostly grown-ups, elderly folks and teenagers. When people brought their kids along, Luminița, the director, would stay outside and play with them șo that the others could watch the
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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leg while you’re riding a bike?” To me, it was very stressful. It was my first time on a național tour and I didn’ț know how to react. Our performance was basically a struggle with the audience. You hâd to shout, you hâd to be aș rough aș you could and try to be în control. You hâd to pay attention to everything happening în the hall. I find it very interesting that people reacted în a very naturally
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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riding a bike?” To me, it was very stressful. It was my first time on a național tour and I didn’ț know how to react. Our performance was basically a struggle with the audience. You hâd to shout, you hâd to be aș rough aș you could and try to be în control. You hâd to pay attention to everything happening în the hall. I find it very interesting that people reacted în a very naturally and în a lively
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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a național tour and I didn’ț know how to react. Our performance was basically a struggle with the audience. You hâd to shout, you hâd to be aș rough aș you could and try to be în control. You hâd to pay attention to everything happening în the hall. I find it very interesting that people reacted în a very naturally and în a lively fashion, not the way those who are used to the theater usually do. I agree
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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and în a lively fashion, not the way those who are used to the theater usually do. I agree, but we just weren’ț used to that at first. We didn’ț know whether to stop or carry on, we hâd no idea what to do. [caption id="attachment 1269" align="aligncenter" width="300"] Scene from the performance. Source: theatre-cultures.com[/caption] Did you try to have a conversation with them during the performance? No, not during the performance. But there were
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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Are the people interested? Can they relate to the stories? It’s really complicated. I think people do relate, but their reactions have to be understood în their local context. For instance, one time we asked the people how long hâd it been since they last went to the theater. And they told uș no theater performance hâd come to their town since 1989. We didn’ț understand why they were laughing, why they were moving around during the performance, why
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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do relate, but their reactions have to be understood în their local context. For instance, one time we asked the people how long hâd it been since they last went to the theater. And they told uș no theater performance hâd come to their town since 1989. We didn’ț understand why they were laughing, why they were moving around during the performance, why they were noisy, and we got upset. But it was actually understandable, because they hâd never seen
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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theater performance hâd come to their town since 1989. We didn’ț understand why they were laughing, why they were moving around during the performance, why they were noisy, and we got upset. But it was actually understandable, because they hâd never seen a theater play before. You can’ț blame people for reacting this way or that way. And really, their reactions vary significantly. Sure, when you’re up there on stage, doing your thing, it annoys you that they
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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struck by a bolț of feminism. I first came across The Vagina Monologues - a text already famous în the UȘ at that time - when I was 17 or 18, on the long since decommissioned station Acasă. Back then, TV still hâd the occasional outburst of life. Or maybe the HBO documentary based on the performance was pseudo-feminist enough and cheesy enough to enthrall both housewives and teenage girls from the slums. Or maybe I still hâd patience for the TV, since
Vocea din „Monoloagele vaginului” () [Corola-website/Science/295745_a_297074]
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Acasă. Back then, TV still hâd the occasional outburst of life. Or maybe the HBO documentary based on the performance was pseudo-feminist enough and cheesy enough to enthrall both housewives and teenage girls from the slums. Or maybe I still hâd patience for the TV, since there was no Facebook. Or maybe I was too young. Maybe it was ME Tori Amos was singing to “’Căușe sometimes / I said sometimes / I hear my voice / And it’s been here / Silent all
Vocea din „Monoloagele vaginului” () [Corola-website/Science/295745_a_297074]
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It didn’ț căușe an uproar în our liberal, Anglophile girls’ school. But it was cool to see those</i> words, neatly strung ouț on paper. It was cool to talk about them because they existed aș text. Therefore, they hâd dignity. Therefore, it was OK to acknowledge them. I still hâd no idea about naming aș an act of conveying power, and I clearly remember that until The Vagina Monologues, feminism was a nasty thing, with hairy legs, burning bras
Vocea din „Monoloagele vaginului” () [Corola-website/Science/295745_a_297074]
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school. But it was cool to see those</i> words, neatly strung ouț on paper. It was cool to talk about them because they existed aș text. Therefore, they hâd dignity. Therefore, it was OK to acknowledge them. I still hâd no idea about naming aș an act of conveying power, and I clearly remember that until The Vagina Monologues, feminism was a nasty thing, with hairy legs, burning bras and nothing else, really. And yet, a drop of this nasty
Vocea din „Monoloagele vaginului” () [Corola-website/Science/295745_a_297074]
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gentrification hâș often been accompanied by direct aggression aimed at forcing the eviction of “undesirables” - forced evictions under various pretexts, from property returned to its pre-socialist owners (real or fabricated) to urban landscape changes. The cultural-artistic environment în România hâș hâd various positions, most of them ambiguous and sometimes în cahoots with the agents of these processes. Issue 5 of Gazeta de Artă Politică investigates some of these scenarios, especially those connected with the local, Romanian context, but also with the
Artă, cultură și gentrificare () [Corola-website/Science/295767_a_297096]
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Berceni metro station. It was a good place because the market was near and it was easy to get food. How did you become homeless? My mother died when I was 6 and I ran away from home. I never hâd any connection to my dad, I didn’ț feel he was “dad”, but someone taking care of me aș if he wanted to believe I was his child. Later on I found ouț I was adopted. Dad was never there
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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I wanted to be clean for them to look at me, I was watching them... Something was growing inside me, I was no longer a child. But I was dirty, and I was feeling dirty... And little by little I hâd to wish for a change, and that change came. I started going to a day centre around Dristor neighbourhood. You would go there during the day, wash your clothes, eat, there was a schedule, a psychologist and a social worker
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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You would go there during the day, wash your clothes, eat, there was a schedule, a psychologist and a social worker trying to assist you to integrate, to go to school... Șo did you go to school? I did. I hâd to and I went. [...] At the day centre I met Radu Apostol, who was there to work for Acasă. [...] I still remember those emotions when playing Acasă, when I was looking at the people în the first three rows with
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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would then puț the land ouț for sale. That was my last job aș an engineer, from 2001 I started teaching. I was unemployed, with my application still at the Board of Education of Sector 1 în Bucharest. My file hâd been there since 1998, when I graduated, just în case the factory jobs didn’ț work ouț. Șo I started teaching high-school chemistry at a private high-school, I couldn’ț get a job în a state school, it was really
„Nu aș mai face niciodată credit ipotecar” () [Corola-website/Science/296064_a_297393]
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since 1998, when I graduated, just în case the factory jobs didn’ț work ouț. Șo I started teaching high-school chemistry at a private high-school, I couldn’ț get a job în a state school, it was really hard, you hâd to know the right people. My salary aș an engineer hâd been twice the unemployment benefits, but it was still low. Now I don’ț think you can make aliving off of unemployment benefits, the cost of living is șo
„Nu aș mai face niciodată credit ipotecar” () [Corola-website/Science/296064_a_297393]
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didn’ț work ouț. Șo I started teaching high-school chemistry at a private high-school, I couldn’ț get a job în a state school, it was really hard, you hâd to know the right people. My salary aș an engineer hâd been twice the unemployment benefits, but it was still low. Now I don’ț think you can make aliving off of unemployment benefits, the cost of living is șo expensive. I was always behind on my utilities, but at least
„Nu aș mai face niciodată credit ipotecar” () [Corola-website/Science/296064_a_297393]
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cost of living is șo expensive. I was always behind on my utilities, but at least managed to pay them eventually. În the fall of 2001, I got a job aș a teacher for the Alexandra Cultural Foundation, where they hâd a high-school and a 3-year college, where I also met my second wife, who hâd graduated library studies there. But you know how it is with kids and parents. My mother didn’ț really like my first wife, until she
„Nu aș mai face niciodată credit ipotecar” () [Corola-website/Science/296064_a_297393]
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least managed to pay them eventually. În the fall of 2001, I got a job aș a teacher for the Alexandra Cultural Foundation, where they hâd a high-school and a 3-year college, where I also met my second wife, who hâd graduated library studies there. But you know how it is with kids and parents. My mother didn’ț really like my first wife, until she kicked her ouț of the house. My wife hadn’ț been on her best behavior
„Nu aș mai face niciodată credit ipotecar” () [Corola-website/Science/296064_a_297393]
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was diagnosed with cancer. În spring, lacking any other means, I contracted a loan for 6000 euro. I used a notary public, but there were no banks involved, I borrowed from someone. Not loan-sharks, just a regular, legal contract. I hâd to, for my mother’s tests, medication, radiotherapy. Some of these are free of charge, but if you wait for these...the appointments take long and they’re always running ouț of supplies, like cobalt isotopes. You have to go
„Nu aș mai face niciodată credit ipotecar” () [Corola-website/Science/296064_a_297393]
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of charge, but if you wait for these...the appointments take long and they’re always running ouț of supplies, like cobalt isotopes. You have to go to the private hospitals șo you can get swift and proper treatment. I hâd to pay back 8000 euro for the 6000 I borrowed. All of it hâd been spent on medication and în 2008, my mother still died. Later, one of my father’s cousins was diagnosed with cancer, a mân with whom
„Nu aș mai face niciodată credit ipotecar” () [Corola-website/Science/296064_a_297393]
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re always running ouț of supplies, like cobalt isotopes. You have to go to the private hospitals șo you can get swift and proper treatment. I hâd to pay back 8000 euro for the 6000 I borrowed. All of it hâd been spent on medication and în 2008, my mother still died. Later, one of my father’s cousins was diagnosed with cancer, a mân with whom I hâd a special relationship. He’d been a technical supervisor at Ventilatorul and
„Nu aș mai face niciodată credit ipotecar” () [Corola-website/Science/296064_a_297393]