1,547 matches
-
the first Rebel Cup of Social Movements - a football tournament which we organized on the land where the municipality demolished the old bus station to build a disco. They have been trying to gentrify the center of the city for over 20 years, but the resistance movement is very strong - Sao Paulo is probably the only major city în relatively wealthy countries where the center hâș yet to be gentrified. We organized this tournament în which 32 teams took part and
„74 de comunități urmează să fie evacuate din cauza Cupei Mondiale” () [Corola-website/Science/295764_a_297093]
-
Interview with Cristina Eremia Cristina Eremia is a member of Rahova-Uranus-Sabinelor community and the leader of a group of tenants threatened with eviction from the nationalized houses which are being returned by the state to those who clăim pre-socialist rights over them. During 2009-2011, she was the co-initiator and host of LaBomba Community Center. În this interview, we talk about the community’s view on the artistic projects and activities în the area, the relation with the artists and the authorities
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
-
world, because I could have gone a long time seeing only the nice Doru Frollu, the mân who shared some pizza with the kids. [...] Interview conducted by David Schwartz [1] Cherecheș & Cherecheș, a law firm which bought the ownership rights over several buildings în the Rahova-Uranus-Sabinelor area from the descendants of former owners. Many tenants accuse the firm of forging documents în order to obtain the property rights over the buildings.
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
-
Schwartz [1] Cherecheș & Cherecheș, a law firm which bought the ownership rights over several buildings în the Rahova-Uranus-Sabinelor area from the descendants of former owners. Many tenants accuse the firm of forging documents în order to obtain the property rights over the buildings.
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
-
faptul că de curând, Carol 53 se descrie ca fiind „artgallery”. [4] Gruparea "Frontul comun pentru dreptul la locuire" lupta pentru această cauză. Vezi: http://fcdl.ro/despre-noi/</a> [:en]The Iakabs have been living în Bucharest without a roof over their heads. The family takes shelter în abandoned buildings and is constantly on the move because they are driven away either by the landlord, by people authorized by the landlord or by other homeless people looking for shelter. În June
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
-
gewesen (“how it actually was”) principle, which attempts to impose a positivist “historical truth”, represents the dominant historiographical model of the post-socialist period în România and Moldova. În the last 7-8 years, the artistic attempts to question the commonly-held views over the recent history of România and Moldova have gradually begun to inițiate a debate on the historiographical canon, which is one of the main suppliers of the ideology of the transition period. By means of performative elements, ăn artistic project
Apel la texte și intervenții – GAP 7: Teatrul istoriilor recente () [Corola-website/Science/295780_a_297109]
-
many years later, when, by accident, I came across her Securitate file. În all the chaos of the reading room at the Council for the Study of the Securitate Archives, I didn’ț browse only the usual files, but also over 100 pages of wiretapping from the evenings în 2 Mai. For over 10 years, Nina Cassian (“objective Miră”) was under the surveillance of the Securitate, her manuscripts were photocopied, her phones bugged and her letters intercepted. I have no idea
Nina Cassian: despre cum să trăiești idealul nobil al comunismului () [Corola-website/Science/295776_a_297105]
-
În all the chaos of the reading room at the Council for the Study of the Securitate Archives, I didn’ț browse only the usual files, but also over 100 pages of wiretapping from the evenings în 2 Mai. For over 10 years, Nina Cassian (“objective Miră”) was under the surveillance of the Securitate, her manuscripts were photocopied, her phones bugged and her letters intercepted. I have no idea if the writer suspected anything or if she even cared. I know
Nina Cassian: despre cum să trăiești idealul nobil al comunismului () [Corola-website/Science/295776_a_297105]
-
gewesen (“how it actually was”) principle, which attempts to impose a positivist “historical truth”, represents the dominant historiographical model of the post-socialist period în România and Moldova. În the last 7-8 years, the artistic attempts to question the commonly-held views over the recent history of România and Moldova have gradually begun to inițiate a debate on the historiographical canon, which is one of the main suppliers of the ideology of the transition period. By means of performative elements, ăn artistic project
Teatrul istoriilor recente () [Corola-website/Science/295786_a_297115]
-
finally to become a woman, aș if there were a telos that governs the process of acculturation and construction. Gender is the repeated stylization of the body, a set of repeated acts within a highly rigid regulatory frame that congeal over time to produce the appearance of substance, of a natural sort of being. A political genealogy of gender ontologies, if it is successful, will deconstruct the substantive appearance of gender into its constitutive acts and locate and account for those
Feminismul și subversiunea identității () [Corola-website/Science/295774_a_297103]
-
mother was an architect and his father was deputy director at a design institute and he received a Rothring drawing kit from Germany. Back then it was a big deal. I was already drawing by then and he invited me over to test the kit. He also loved drawing. We drew, we hâd fun, we cuddled, and then he told me: “Let me show you something!”. And he showed me a Paris Match from 1969, with an article on the Stonewall
„A fi gay este un act politic, este o declarație de emancipare eminamente politică.” () [Corola-website/Science/295779_a_297108]
-
is to keep the memory of the concentration câmp Buchenwald alive, through collective action, and to build a vivid and meaningful internațional memory dealing with the Nazi crimes committed at Buchenwald and beyond. Through the memories of prisoners from all over Europe and the world, Buchenwald hâș always been an internațional place. Therefore we want to explore the history of naționalism, fascism and memory politics în different European countries. 16th October History of fascism and Holocaust în România 10.30 am
Nationalism, fascism and the Holocaust in Romanian History – a critical approach International Workshop from the 16th to the 20th October 2014 in Bucharest () [Corola-website/Science/295793_a_297122]
-
start losing your touch, you try to compensate by acting more macho. But beyond this, there still is a sort of macho complex which I also have and I think many în this world have. And I tried to get over this complex în the novel and said “Fuck it, my character is gonna be passive.” [...] [caption id="attachment 1560" align="aligncenter" width="600"] Ionuț Dulămiță, No title, 2014.[/caption] What’s your character’s take on gay men? There was a
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
-
archetypal “Romanian criminal”, there was a newspaper publishing all sorts of dubious stuff, it was made-up news. Homosexuality was criminalized back then, it was considered something extremely deviant. Gays were seen aș leaches clinging to your dick. Those days are over, however. Now things are more subtle, back then, homophobia was ouț în the open. Besides, I was “în the closet” until I was 25-26, șo people would consider me straight and they would be very open about their hatred of
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
-
b> of homosexuality în România before and after 1989. The paradoxes of censorship functioned perfectly. Even though it was forbidden, there was gay life în România.</i> I’m still surprised by the fact that when people try to bond over beers, spritzers or grandma’s tea, they inevitably end up dancing around the same story - how and how much we suffered under Communism. It little matters whether they are direct victims of the regime or not, anticommunist suffering is a
Teatrul istoriei recente: o scenă cu bunici () [Corola-website/Science/295804_a_297133]
-
the last concern of a stat which forced millions of its citizens to find opportunities of subsistence outside its borders. This is why many refugees leave or dream of leaving for Western Europe, for those countries where they can start over: Iraqi citizens, refugees în România, working în Germany, Sweden, France, England... The experience of exile is thus reproduced, “home” is nowhere to be found and rights exist only aș a prerogative of modern bureaucracies which refuse to offer them în
Nu ne-am născut în locul potrivit: despre refugiu și neapartenență () [Corola-website/Science/295802_a_297131]
-
Kurt Cobain, while dad settled for the rest: “Bibliotecă pentru toți” (A Bookcase for All), “Secolul XX” (The 20th Century) and a heap of other collections and novels I wandered into myself every now and then. They killed each other over the history books. În ’95, after mom insisted and pulled some strings, I was moved to a school în the centre, where I was assigned to a class alongside all kinds of rich brats, sent there în the hope that
Programul de ieri al luptei de clasă. Post scriptum la Capete înfierbântate () [Corola-website/Science/295801_a_297130]
-
I see day-in day-out value systems changing. Young people are, more and more, wanting to get rich quickly. If theater can show them how to get money soonest, then it would make sense, but I see monetary value taking precedence over other values and it is saddening. În a context where the children, the artists, and the whole social and economical system is în poor conditions, do you think that art can change something without the help of the politics and
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
-
of women who have been victims of domestic violence în The Republic of Moldova. The performance developed from interviews conducted with women from villages across the country, it premiered în 2010 în </i><i>Chișinău and it was staged în over 40 villages and small towns în Moldova. The cast is made up of Snejana Puica, Mihaela Strâmbeanu, Ina Surdu, Irina Vacarciuc, directed by Luminița Ticu.</i><i> I talked to Irina Vacarciuc, ăn actress on the independent scene, about the
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
-
people, or were there kids aș well? The first tours were somehow better organized and we performed în larger villages or în small towns which hâd a community center or a school and we hâd people from neighboring villages brought over on the bus. They were mostly grown-ups, elderly folks and teenagers. When people brought their kids along, Luminița, the director, would stay outside and play with them șo that the others could watch the performance. There were all sorts of
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
-
a massive fund-raising bandwagon, for glorifying a form of râpe în the inițial version of the text and șo on. I understand these arguments and I mostly agree with them. The Monologues have become obsolete and have been partly taken over by the mainstream, aș have many texts which voice realities silenced for a long time. Today’s good feminism is different, it’s more relaxed, more inclusive and it doesn’ț impose the privilege of the white, middle-class woman on
Vocea din „Monoloagele vaginului” () [Corola-website/Science/295745_a_297074]
-
The rain stopped. I can hear the wind blowing through the acacias, the barbed wire, the windows. I light a match and check the time. Three o’clock. I get up, take my coat from the hanger and puț it over the blankets. I’m still freezing. În the meantime, Simion also got up. I can hear him say “Good morning. You freezing?” ‘I’m freezing, yes’, I reply. He jumps ouț of bed and goes ouț into the hallway. He
Zile de lagăr () [Corola-website/Science/295839_a_297168]
-
ouț. But I suspect a guy from Galați ratted me ouț. I’m a gym teacher there, at a local high-school. I like to party sometimes. Ad I also like wine. Couple of years ago, I argued with some guy over a woman, and since I have a short fuse, I slapped him a couple of times. I wish it were more than a couple of times. Now the guy is cozying up to the new regime. Șo he ratted me
Zile de lagăr () [Corola-website/Science/295839_a_297168]
-
brought them here, under the pretext that they were from Chan-Kai-Shek’s Chină, and therefore enemies of the Axis and of România. “What Chan-Kai-Shek’s Chină”, they kept complaining. They hadn’ț hâd any contact with their home country în over 30 years. But nobody wanted to hear them. Șo they remained here. And they were puț to work în the factory, since they were very poor. They were really handy! They were the best workers. The products of the câmp
Zile de lagăr () [Corola-website/Science/295839_a_297168]
-
the factory, since they were very poor. They were really handy! They were the best workers. The products of the câmp are șold în Bucharest, and the earnings go to the Ministry of the Interior. After three commissions passed them over, a commission presided by Gelep listened to them and decided to release them. Zlătescu stepped în. ‘I can’ț release them, they’re my best workers în the alabaster workshop. The câmp needs them, they bring în good money.’ The
Zile de lagăr () [Corola-website/Science/295839_a_297168]