3,804 matches
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sajă ćućardas la and-o butoj o baro de angal-o kher o tribosqe baresqo, să kidă sar okojner invitatoja. Inipa, savre thode pen tele k-o sinies pa uźarde te aven servime po ekhe taxtajiça mol palmenqerrăqi, sajă bejenirlerdi la forțe but. O baro vakerdas: “Dragoja musafira, hajden te pas ekh taxtaj mol ekhethanesθe !” Savre musafira vazine pumare taxtaja, ama ujmiră, on na pine mol palmenqerrăqi, ta paj !” Deć diśola ke amaro manuś n-aș o korkorri kare diśindas: “Ekh stikla paj
PETRECEREA de SORIN CRISTIAN MOISESCU în ediţia nr. 1415 din 15 noiembrie 2014 [Corola-blog/BlogPost/371687_a_373016]
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which hâș now become the first 3D animation feature film made în România. “The film was made with a lot of difficulties în funding.In the first phase, we relied on the funds obtained from the Național Centre of Cinematography, but they represented only a maximum of 25%. Advertising agencies, European funds, various friends came to help and they helped aș they knew better. All sorts of unexpected and unanticipated problems occurred during production.For example, în the middle of production
PREMIERĂ ISTORICĂ ÎN ANIMAŢIA AUTOHTONĂ / HISTORIC PREMIERE IN ROMANIAN ANIMATION de CORINA CHERECHEŞ în ediţia nr. 1919 din 02 aprilie 2016 [Corola-blog/BlogPost/369291_a_370620]
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get through the entire frame processing all over again. Moreover, there is no adequate infrastructure for developing an animation feature film. For example, the sound for animation is much more complex and creative than the sound for a usual film, but there are no studios you can call to have competing offers,”says Radu Nicolae, the owner ofOpal Production studio and the film’s producer. The animation technique developed by Ștefan and Alexandru (Ducu) Buzea The director Ștefan Buzea and his
PREMIERĂ ISTORICĂ ÎN ANIMAŢIA AUTOHTONĂ / HISTORIC PREMIERE IN ROMANIAN ANIMATION de CORINA CHERECHEŞ în ediţia nr. 1919 din 02 aprilie 2016 [Corola-blog/BlogPost/369291_a_370620]
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ciob mai pâlpâie în casa înghețată a trupului coborâtor din’ naltul fumegând al Crucii. BLASPHEMY Mucius Scaevola was not my brother. He only sacrificed his right arm. I, having nothing more precious than my heart, doomed it to the flames, but it wouldn’ț burn ouț: a shard of it is still flaring deep inside the frozen abode of the body descending from the high Cross still alight. ȘI A AFOST ZIUA A ȘAPTEA... Cine a stârnit vijelia aceea nimeni nu
AMOR PROHIBIT / FORBIDDEN LOVE (POEME) 1 de MARIANA CRISTESCU în ediţia nr. 1790 din 25 noiembrie 2015 [Corola-blog/BlogPost/374239_a_375568]
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ciob mai pâlpâie în casa înghețată a trupului coborâtor din’ naltul fumegând al Crucii. BLASPHEMY Mucius Scaevola was not my brother. He only sacrificed his right arm. I, having nothing more precious than my heart, doomed it to the flames, but it wouldn’ț burn ouț: a shard of it is still flaring deep inside the frozen abode of the body ... Citește mai mult BLASFEMIEMucius Scaevola n-a fost fratele meu.El nu și-a jertfit decât dreptul său braț.Eu
MARIANA CRISTESCU [Corola-blog/BlogPost/374241_a_375570]
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n-a ars de tot :un ciob mai pâlpâieîn casă înghețată a trupuluicoborâtordin’ naltul fumegândal Crucii.BLASPHEMYMucius Scaevola was not my brother.He only sacrificed his right arm.I, having nothing more preciousthan my heart,doomed it to the flames,but it wouldn’ț burn ouț:a shard of itis still flaringdeep inside the frozen abodeof the body...
MARIANA CRISTESCU [Corola-blog/BlogPost/374241_a_375570]
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Acasă > Orizont > Lingvistic > Rromani > E TONITOVISA Autor: Sorin Cristian Moisescu Publicat în: Ediția nr. 1474 din 13 ianuarie 2015 Toate Articolele Autorului ¶ Gile maj but źulă and-o veś buricenqe. ¶ Duj anda lenθe xăcălile okoleverenθar... the gile von duj źenă, jegh maj phuri th'-'egh maj tërni, većines. ¶ And-o veś kerdǒl jegh dumba the e tërni dikhelas de dural sar fliminel vareso. Gilă te dikhel șo
E TONITOVISA de SORIN CRISTIAN MOISESCU în ediţia nr. 1474 din 13 ianuarie 2015 [Corola-blog/BlogPost/374271_a_375600]
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coordinated within the system by the moral principles in conformity with the purpose of the human action. The sciences studying law and moral can be frames, next to theology, in the class of sciences that "not only study the rules, but create rules of conduct"1. The ethics is in charge with the analysis of the moral phenomena, being a branch of the philosophy, known as moral philosophy. The philosophy of law makes an approach of the juridical from the perspective
Filosofia sistemelor normative: dreptul şi morala by Raluca Mureşan () [Corola-publishinghouse/Science/1443_a_2685]
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the perspective of its universality, making interrogations with regard to the fundaments of its finality and to the moral justification of the principles of a good legislation. Such as we mentioned above, the law and the morals are normative systems, but one must state that it is a certain moral only having this aspect, and in order to accurately establish the relation between law and moral, an important distinction between moral as duty and moral as virtue must be done. This
Filosofia sistemelor normative: dreptul şi morala by Raluca Mureşan () [Corola-publishinghouse/Science/1443_a_2685]
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be contested, their precise identification is highly difficult to make. Our research focused on highlighting the existence of a necessary relation between law and moral, on the need to include it in the legal system of the legally valid norms, but contradicting the principles of morals and the need to recognize a minimum moral content of the law, represented by the moral fundamental requirements found in the legal systems of the societies that advanced up to the point where the law
Filosofia sistemelor normative: dreptul şi morala by Raluca Mureşan () [Corola-publishinghouse/Science/1443_a_2685]
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the moral and differentiated as different forms of social control. The history of law's philosophy revealed numerous concerns in the direction of revealing the specific features of the law norms and individualization thereof in relation to the moral norms, but despite their obvious character, the features unable to be common for the law and morals have proven to be most difficult to formulate. The most famous theory briefly stating the essential difference between them, state that, while the legal norms
Filosofia sistemelor normative: dreptul şi morala by Raluca Mureşan () [Corola-publishinghouse/Science/1443_a_2685]
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be most difficult to formulate. The most famous theory briefly stating the essential difference between them, state that, while the legal norms claim the "external" conduct only, the normal norms, on the contrary, do not claim any specific external action, but goodwill only or proper intentions and reasons. This delimitation is only partially correct and it excessively simplifies a very complex relation. Other authors saw in the sanction, the predictability of the punishment or the manner of drafting and enforcement thereof
Filosofia sistemelor normative: dreptul şi morala by Raluca Mureşan () [Corola-publishinghouse/Science/1443_a_2685]
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at the socialization of the individuals does not mean that the two fields are not different. "The difference does not reside in the fact that the moral is a simple inner intent, and the law stays in the exterior area, but in the fact that when exteriorized the genuine moral act must remain purely individual 6. In investigating the relation between law and moral we can only find, such as others before us have done it, that the two phenomena are
Filosofia sistemelor normative: dreptul şi morala by Raluca Mureşan () [Corola-publishinghouse/Science/1443_a_2685]
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versuri ca exemplu al muzicii extraordinare pe care poezia rimata a lui Blake o emană: "Dedication of the illustrations to Blair's 'Grave', To the Queen" (1808): "The Door of Death is made of Gold, That Mortal Eyes cannot behold; But, when the Mortal Eyes are clos'd, And cold and pale the Limbs repos'd, The Soul awakes; and, wond'ring, sees În her mild Hand the golden Keys: The Grave is Heaven's golden Gate, And rich and poor
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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day of Intellectual Battle. The heavens quake, the earth was moved & shudder'd, & the mountains 5 With all their woods, the streams & valleys wail'd în dismal fear. Four Mighty Ones are în every Man; a Perfect Unity Cannot Exist but from the Universal Brotherhood of Eden, The Universal Man, to Whom be Glory Evermore. Amen. What are the Natures of those Living Creatures the Heav'nly Father only 10 Knoweth. No Individual knoweth, nor can know în all Eternity. Los
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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fear has made me tremble, thy terrors have surrounded me. "All Love is lost: Terror succeeds, & Hatred instead of Love, "And stern demands of Right & Duty instead of Liberty. 35 "Once thou wast to Me the loveliest son of heaven But now "Why art thou Terrible? and yet I love thee în thy terror till "I am almost Extinct & soon shall be a shadow în Oblivion, "Unless some way can be found that I may look upon thee & live. "Hîde me
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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found Sîn & cannot return." Trembling & pale sat Tharmas, weeping în hîș clouds. "Why wilt thou Examine every little fibre of my soul, 45 "Spreading them ouț before the sun like stalks of flax to dry? "The infant joy is beautiful, but its anatomy "Horrible, Ghast & Deadly; nought shalt thou find în it "But Death, Despair & Everlasting brooding Melancholy. "Thou wilt go mad with horror if thou dost Examine thus 50 "Every moment of my secret hours. Yea, I know "That I
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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Why wilt thou Examine every little fibre of my soul, 45 "Spreading them ouț before the sun like stalks of flax to dry? "The infant joy is beautiful, but its anatomy "Horrible, Ghast & Deadly; nought shalt thou find în it "But Death, Despair & Everlasting brooding Melancholy. "Thou wilt go mad with horror if thou dost Examine thus 50 "Every moment of my secret hours. Yea, I know "That I have sinn'd, & that my Emanations are become harlots. "I am already
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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Nothing, left în darkness; yet I am an identity: 60 "I wish & feel & weep & groan. Ah, terrible! terrible!" În Eden, Females sleep the winter în soft silken veils Woven by their own hands to hîde them în the darksom grave; But Maleș immortal live renew'd by female deaths; în soft Delight they die, & they revive în spring with music & songs. 65 Enion said: "Farewell, I die. I hîde from thy searching eyes." Șo saying, From her bosom weaving soft în
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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among Her woof of terror. Terrified & drinking tears of woe Shudd'ring she wove nine days & nights, sleepless; her food was tears. 80 Wond'ring she saw her woof begin to animate, & not Aș Garments woven subservient to her hands, but having a will Of its own, perserve & wayward. Enion lov'd & wept. Nine days she labour'd at her work, & nine dark sleepless nights; But on the tenth trembling morn, the Circle of Destiny complete, 85 Round roll'd the
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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she saw her woof begin to animate, & not Aș Garments woven subservient to her hands, but having a will Of its own, perserve & wayward. Enion lov'd & wept. Nine days she labour'd at her work, & nine dark sleepless nights; But on the tenth trembling morn, the Circle of Destiny complete, 85 Round roll'd the șea, Englobing în a wat'ry Globe, self balanc' d. A Frowning Continent appear'd where Enion în the desart, Terrified în her own Creation
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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it în care & love. 100 They said: "The Spectre is în every man insane & most "Deform'd. Thro' the three heavens descending în fury & fire "We meet it with our songs & loving blandishments, & give "To it a form of vegetation. But this Spectre of Tharmas "Is Eternal Death. What shall we do? O God, pity & help!" 105 Șo spoke they, & clos'd the Gate of the Tongue în trembling fear. ["What have I done," said Enion, "accursed wretch! What deed? "Is
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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eyes, Exalted în terrific Pride, [Searching for glory, wishing that the heavens had eyes to see, 125 And courting that the Earth would ope her Eyelids & behold Such wondrous beauty, repining în the midst of all hîș glory That nought but Enion could be found to praise, adore, & love. Three days în self admiring raptures on the rocks he flam'd, And three dark nights repin'd the solitude, but the third morn 130 Astonish'd he found Enion hidden în
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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beauty, repining în the midst of all hîș glory That nought but Enion could be found to praise, adore, & love. Three days în self admiring raptures on the rocks he flam'd, And three dark nights repin'd the solitude, but the third morn 130 Astonish'd he found Enion hidden în the darksom Cave. She spoke: "What am I? wherefore was I puț forth on these rocks "Among the Clouds to tremble în the wind în solitude? "Where is the
by William Blake [Corola-publishinghouse/Science/1122_a_2630]
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growing enormous în its motion to Its utmost goal, till strength from Enion, like richest summer shining, Rais'd the fierce boy & girl with glories from their heads outbeaming, Drawing forth drooping mother's pity, drooping mother's sorrow. 190 [But those în Great Eternity Met în the Council of God Aș One Man, hovering over Gilead & Hermon. He is the Good Shepherd, He is the Lord & Master To Create Man Morning by Morning, to give gifts at Noon day. Enion
by William Blake [Corola-publishinghouse/Science/1122_a_2630]