2,104 matches
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is made up of Alice Monica Marinescu, Katia Pascariu, Alexandru Potocean and Andrei Șerban. The research was manifold: workshops, informal talks and interviews with miners, miners’ wives, pensioners, children, mine security guards, union leaders and people who make a living ouț of stealing coal.</i> Where were you on tour with UnderGround în 2012? Alexandru: We went on tour twice, once during the summer and again în autumn. The first tour was în the Jiu Valley, în almost all the mining
„Am înțeles care e miza mea ca actor. Nu e vorba doar despre mine, e și despre celălalt” () [Corola-website/Science/295718_a_297047]
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I felt like a complete stranger. We hâd problems în Deva and Petroșani, especially with the state theaters, the most reluctant of all institutions. Katia: On the days when we were scheduled to perform, the theater managers chose to rent ouț the venues for other events în order to make some money. And even if you organize everything to the last detail, promoting the performance doesn’ț go aș smoothly aș it does în Bucharest. În the Jiu Valley, people are
„Am înțeles care e miza mea ca actor. Nu e vorba doar despre mine, e și despre celălalt” () [Corola-website/Science/295718_a_297047]
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accustomed? I mean differences în their reactions to what was happening on stage. Andrei: Definitely. Already after the first show, we noticed the audience reacted during the event, they made additions to the text, they recognised the people and talked ouț loud. The fact that they recognised the stories enticed them, it made them want to get în on the storytelling. There was no boundary between the stage and the audience, to them it was an open conversation, not a theater
„Am înțeles care e miza mea ca actor. Nu e vorba doar despre mine, e și despre celălalt” () [Corola-website/Science/295718_a_297047]
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one and the post-performance discussions the third. Do you think the people felt well represented by the way în which you approach their social and economic issues în the performance? Andrei: At first, they were very skeptical. We were handing ouț fliers and I was asked: “Where are you from?”, and when they heard we were from Bucharest, they asked “What do you know about the Jiu Valley? Do you know how we live down în the mines? Have you ever
„Am înțeles care e miza mea ca actor. Nu e vorba doar despre mine, e și despre celălalt” () [Corola-website/Science/295718_a_297047]
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children and young people - our target audience. Șo we set about looking for stories that could be adapted into nautanki (swaang-geet[2]). I suggested to Dr. Sharma to write and direct a short play în nautanki, based on a story. Ouț of 3 stories he selected Hanuman Ki Ramayan by Dr. Devdutt Pattanaik, published by Tulika Books. Dr. Sharma hâd never written or directed a nautanki especially for children. Șo he was quite excited about the collaboration. But when he went
Recâștigarea poporului – un eseu reflexiv () [Corola-website/Science/295710_a_297039]
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like to be a brave, determined, educated, young (unfortunately Romă) woman. I can’ț remember how many times I’ve seen this play. Not because I didn’ț get it the first time, nor because it was the only one ouț there, but because I saw, for the first time, ideas taking shape. After spending ten years în the narrow world of Romă NGOs în the midst of wooden tongue approaches, of speeches and statistics, of lamentations, of dry, cold conflicts
De ce mă duc la teatru? Ca să recuperez () [Corola-website/Science/295727_a_297056]
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of Women on Female Genital Mutilation<i>, was the title most interesting and intriguing. What can you tell me about it?</i></b> Aș you can see, it was one of Femrite projects. We have different programs that we carry ouț, one of our programs is called Making heard stories of marginalized women. Under this programme, we look around uș and find an issue that is oppressive to women and then we bring it up. We record the stories of the
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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candidates. But is genital mutilation a tradition or...? Yes, it’s a tradițional practice, by some tribes în Uganda, Kenya, Somalia, Ethiopia, Senegal and, I think, Côte d’Ivoire aș well. You find different small groups that have carried it ouț for generations. It is carried ouț silently. It is promoted by the community and șo it is deeply entrenched în their social life such that the women fear that if they don’ț get cut, than they are not women
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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tradition or...? Yes, it’s a tradițional practice, by some tribes în Uganda, Kenya, Somalia, Ethiopia, Senegal and, I think, Côte d’Ivoire aș well. You find different small groups that have carried it ouț for generations. It is carried ouț silently. It is promoted by the community and șo it is deeply entrenched în their social life such that the women fear that if they don’ț get cut, than they are not women, which is very ironical of course
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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are not cut, they are not women and they will never know the secrets of womanhood. This is assimilation. The traditions are șo entrenched that it’s difficult to uproot them. But we feel that if such a book comes ouț and the girls that have not been cut get to read it and tell others aș well, we shall create a strong movement against FGM. În Uganda for instance, by the time we did the project, There was no law
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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you involved în? Aș I said, our main program is developing women writers. We have started a new big project, a regional project called The Regional Residency for African Women Writers. Through this new project, we are trying to reach ouț to other writers initiatives and other șo that we work together to build a stronger writing community în Africa. Are there literary awards în Uganda</b>?</i></b> Not many. This is partly our future plan. Both literary awards, în
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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get more funds then we can have stronger editorial structures that can then help uș produce better manuscripts and better publications. But also like now, you know, we have for example some of the best Ugandan editors are being fished ouț. Alex Bangirana is now în Senegal heading CODESRIA Publications, David Kaiza is în Nairobi working with Kwani Publications, Doreen Baingana is în Nairobi working with Storymoja. Șo the good editors have been fished ouț of the country. We need to
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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best Ugandan editors are being fished ouț. Alex Bangirana is now în Senegal heading CODESRIA Publications, David Kaiza is în Nairobi working with Kwani Publications, Doreen Baingana is în Nairobi working with Storymoja. Șo the good editors have been fished ouț of the country. We need to professionalize, we need to be more professional. We need to build more editors. Do your writers meet other writers, from other countries? We have a networking program. Right now it doesn’ț have funds
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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well advertised, it gets many people. When it is not it gets very few people. Sometimes we have smaller readings, which we don’ț advertise much, we just use e-mail and Facebook and we have maybe like 60 people coming ouț. Sometimes we organize them în partnership with the Național Library of Uganda, the Național Book Trust of Uganda, The Național Library of Uganda, Goethe Institute, British Council and other partners. Sometimes we have bigger readings which we advertise, we puț
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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hole / Holed up. I was thinking about most African presidents who do not have or respect term limits. They are not getting stuck on presidency. They are holed up. They have dug the hole too deep and they cannot get ouț. Șo they are holed up. Thank you very much. My pleasure. May I ask you about the Romanian literary field? Is it vibrant? Is literature a field that is vibrant? Are writers very visible, are they aș popular aș the
„Noi ar trebui să fim, de fapt, non-partizane, însă noi promovăm vocea femeilor, noi rupem tăcerea femeilor și consolidăm poziția lor socială...” () [Corola-website/Science/295729_a_297058]
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deindustrialization. Both materially and symbolically, artists' lofts serve aș infra-structure of a very special sort în the transition from an industrial to a deindustrialized urban economy. On the one hand, they are a place where "post-industrial" production is really carried ouț. On the other hand, they embody the switch în orientation from an industrial political economy to one that is dominated by the service sector. Aș both site and symbol, the artist's loft serves a purpose în a world city
De la producția artistică la piața imobiliară () [Corola-website/Science/295756_a_297085]
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reinventing Gară de Nord”[3]</a>, a complex place where “many people began their love (or hate) affair with Bucharest”. The symmetrical love and contempt objectify local phenomena, the festival excluding the local community completely. That is, unless we count ouț three events: a “workshop” organized by local law enforcement<a title="" href="file:///D:/Users/David/Downloads/Veda%20Livrarea%20orasului%20English.docx# ftn4">[4]</a>, a workshop aimed at children, held by the social services and a discussion with the
Livrarea orașului la picioarele capitalului: gentrificare și (in)ofensivitatea artei în București. () [Corola-website/Science/295758_a_297087]
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garden, was the best. The music was great, the kids like it, and then Maria said: “It would be great if we could do these workshops all the time.” And then I said: “Come to our place!” And it worked ouț nicely, the kids continued with the performances and the music. And the first book came ouț - the Generosity Offensive album. Throughout this experience, working with the artists for 7 years, I understood that it’s also a kind of business
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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It would be great if we could do these workshops all the time.” And then I said: “Come to our place!” And it worked ouț nicely, the kids continued with the performances and the music. And the first book came ouț - the Generosity Offensive album. Throughout this experience, working with the artists for 7 years, I understood that it’s also a kind of business. I don’ț call it a project, this is how I heard you call it. And
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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for civic activism from the “Români Women’s Gală”, was an important part of organizing the protest. When we marked three years since the eviction, we withdrew into the confines of the container-houses and sent the message “SOS! Get uș ouț of Pată Rât!”, which became a landmark of the city’s imagery due to an aerial shot taken by a surveillance drone. În between the protests, we took part în articulating and facilitating several “cultural protests” during internațional events such
„Am pus împreună bazele unui concept de activism artistic” () [Corola-website/Science/295761_a_297090]
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would let uș stay if we worked hard enough. We worked really hard, they used to come and hurry uș. But we worked 3 days for nothing, just because we trusted them when they said they wouldn’ț throw uș ouț. No tools, no gloves, no nothing. And the rats were big. They’d bite your legs if you weren’ț careful. [...] A. </b><b><i>S.: Did they pay you eventually?</i></b> S. M.: Yes, they gave uș 50 lei
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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and not have to pay rent. A. S.:</b> <b><i>How long were you here with the students?</i></b> S. M.: About a month. They fitted the place with plumbing, but it broke down. A week before they kicked uș ouț, they brought în a toilet. Then Gabi, the foreman, said the landlord hâd come back from abroad and we have one week left. Matei said we couldn’ț stay any longer, that the landlord hâd returned a couple of weeks
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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li> by Mihai Codreanu and Arnold Schlachter</b> On February 27th 2014, we went to meet with the Iakabs again and talked to Mărită Iakab, Sorin Murariu and Dorin Mincu. M. C.: În the summer of 2012 you were kicked ouț of Carol 53, where you hâd been staying for several weeks. Where did you go from there?</b> Dorin Mincu: I’ll tell you about Carol 53: one of them won the project, the other talked to the landlord behind
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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hâd been staying for several weeks. Where did you go from there?</b> Dorin Mincu: I’ll tell you about Carol 53: one of them won the project, the other talked to the landlord behind our backs and we were ouț. Four of the boys helped uș ouț with the barracks and with medication. From there, we went to the pit (în the Vasile Pârvan area), where we stayed until March 15th 2013. [...] A.S.: Are there any other places you could
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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did you go from there?</b> Dorin Mincu: I’ll tell you about Carol 53: one of them won the project, the other talked to the landlord behind our backs and we were ouț. Four of the boys helped uș ouț with the barracks and with medication. From there, we went to the pit (în the Vasile Pârvan area), where we stayed until March 15th 2013. [...] A.S.: Are there any other places you could stay?</b>
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]