2,104 matches
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subject” aș the ultimate candidate for representation or, indeed, liberation, but there is very little agreement after all on what it is that constitutes, or ought to constitute, the category of women. The domains of political and linguistic “representation” set ouț în advance the criterion by which subjects themselves are formed, with the result that representation is extended only to what can be acknowledged aș a subject. În other words, the qualifications for being a subject must first be met before
Feminismul și subversiunea identității () [Corola-website/Science/295774_a_297103]
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subjects themselves are formed, with the result that representation is extended only to what can be acknowledged aș a subject. În other words, the qualifications for being a subject must first be met before representation can be extended. Foucault points ouț that juridical systems of power produce the subjects they subsequently come to represent. Juridical notions of power appear to regulate political life în purely negative terms—that is, through the limitation, prohibition, regulation, control, and even “protection” of individuals related
Feminismul și subversiunea identității () [Corola-website/Science/295774_a_297103]
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If this analysis is right, then the juridical formation of language and politics that represents women aș “the subject” of feminism is itself a discursive formation and effect of a given version of representational politics. And the feminist subject turns ouț to be discursively constituted by the very political system that is supposed to facilitate its emancipation. This becomes politically problematic if that system can be shown to produce gendered subjects along a differential axis of domination or to produce subjects
Feminismul și subversiunea identității () [Corola-website/Science/295774_a_297103]
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It was 1974, șo 5 years after the events. He read me the article. He read and spoke French well. That was the first time I saw gays marching and realized that actually, “faggots” were not that dumb. They were ouț there marching and hâd something to say. That’s when something lit up în me. This article was like a Godsend. The image of those American gays protesting remained în my head ever since. I wasn’ț șo afraid anymore
„A fi gay este un act politic, este o declarație de emancipare eminamente politică.” () [Corola-website/Science/295779_a_297108]
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area, în a middle class family, people are somehow more tolerant of homosexuality and you don’ț end up hating yourself for it. But I went through a really rough period. The 90s were... They were unreal. People were shouting ouț their homophobia. În the media, the homosexual was the archetypal “Romanian criminal”, there was a newspaper publishing all sorts of dubious stuff, it was made-up news. Homosexuality was criminalized back then, it was considered something extremely deviant. Gays were seen
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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dubious stuff, it was made-up news. Homosexuality was criminalized back then, it was considered something extremely deviant. Gays were seen aș leaches clinging to your dick. Those days are over, however. Now things are more subtle, back then, homophobia was ouț în the open. Besides, I was “în the closet” until I was 25-26, șo people would consider me straight and they would be very open about their hatred of gays. And you end up identifying with the homophobic opinions without
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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anything. I lived there for 4 years. This is actually annoying, because I feel like saying “Fuck you, you go live there for 4 years then come and teach me a lesson.” This really pisses me off: when someone hanging ouț only în the city center, going only to bars and parties în that area and maybe doing some volunteer work where they talk to people for a couple of minutes, teaches me about fetishizing and racism when they have no
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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coordinated by Mihaela Michailov (playwright), Vlad Petri (photographer) and David Schwartz (director). The research was manifold: workshops, open discussions and interviews with miners, miners’ wives, pensioners, children, security guards at the mine, union leaders and people who make a living ouț of stealing coal. Underground is an archive-performance of the life testimonies of endangered communities. The performance aims to revalue the stories, the issues and the culture of those social categories often ignored în post-Socialist Romanian theater: working-class communities.</i> The
Despre performarea realităților din Valea Jiului în teatrul SubPământ () [Corola-website/Science/295797_a_297126]
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post)socialist condition. The people living în the region have gradually (some quite rapidly) become a dislocated, marginal group both symbolically and în terms of their usefulness for contemporary capital. În the mainstream media, we/they are mostly depicted aș ouț of touch with current realities. This situation is partly reproduced even în smaller, allegedly more progressive, circles. Aș my interest for the Jiu Valley communities gradually became one of research, aș well, I actively sought ouț academic, journalistic or documentary
Despre performarea realităților din Valea Jiului în teatrul SubPământ () [Corola-website/Science/295797_a_297126]
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are mostly depicted aș ouț of touch with current realities. This situation is partly reproduced even în smaller, allegedly more progressive, circles. Aș my interest for the Jiu Valley communities gradually became one of research, aș well, I actively sought ouț academic, journalistic or documentary inițiative where I could find at least a part of the reality I knew. Projects interested în more than just the static stereotype of the miner and of the “mining” community or în the folklore of
Despre performarea realităților din Valea Jiului în teatrul SubPământ () [Corola-website/Science/295797_a_297126]
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20History%20English.docx# ftn9">[9]</a> Another survivor, born în Mogilev, concludes that the population of his hometown hâd an attitude of sympathy towards Jews and only a small part was pleased by the fact that the Jews were driven ouț of town to the ghetto.<a title="" href="file:///D:/Marus/GAP/numărul%207/Diana%20Dumitru%20-%20Clear%20History%20English.docx# ftn10">[10]</a> At the same time, the conclusion of survivors regarding the attitude of the Bessarabian population is
Atitudinea populației ne-evereiești din Basarabia și Transnistria față de evrei în perioada Holocaustului: o perspectivă a supraviețuitorilor () [Corola-website/Science/295809_a_297138]
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best schools în Bucharest,” aș mom kept boasting. Granted, things were a bit more bourgeois than în the neighborhood, and they were far superior în the “discipline” department. After being smacked several times by some teachers, standing straight for hours ouț on the hallway because I was sniggering with my desk-mate, learning that I’d better shave my sideburns completely and being embarrassed to tell dad he hâș to come to school to talk to the class-master, I decided to embrace
Programul de ieri al luptei de clasă. Post scriptum la Capete înfierbântate () [Corola-website/Science/295801_a_297130]
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performance, it seemed a bit exaggerated - maybe that’s why it was removed from subsequent representations. [caption id="attachment 1697" align="aligncenter" width="600"] Heated Minds, 2013. Photo: Monica Marinescu[/caption] It didn’ț matter that much, anyway. I was edited ouț without any particular reason, since those who made it on film were saying the exact same things I was. I liked the performance: the combination of independent theatre staged în an improvised location and the very credible acting rubbed me
Programul de ieri al luptei de clasă. Post scriptum la Capete înfierbântate () [Corola-website/Science/295801_a_297130]
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own world and nothing added up... Things were really confusing. Anyhow, the performance was really good and that’s why you go to the theatre, after all, not to learn more about the topic. Imagine my surprise when I found ouț later that, Iliescu’s accent notwithstanding, all those unbelievable things those people were talking about were for real. And that convoluted, grotesque, yet dramatic story, made up of pieces that didn’ț match, was mostly true. I say ”mostly” because
Programul de ieri al luptei de clasă. Post scriptum la Capete înfierbântate () [Corola-website/Science/295801_a_297130]
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talking about were for real. And that convoluted, grotesque, yet dramatic story, made up of pieces that didn’ț match, was mostly true. I say ”mostly” because each of those people remembered things differently and hâd obviously left some bits ouț, just like I have în my story. For about two weeks I watched on youtube all the interviews these guys hâd taken for the performance. All în all, roughly 25 hours în which those people talk about mind-boggling things. For
Programul de ieri al luptei de clasă. Post scriptum la Capete înfierbântate () [Corola-website/Science/295801_a_297130]
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on youtube all the interviews these guys hâd taken for the performance. All în all, roughly 25 hours în which those people talk about mind-boggling things. For the final cut, they’d only chosen parts of them and maybe edited ouț some commas, but all those things about the Securitate, the Piața Universității phenomenon (University Square), FSN (Național Salvation Front), dark-skinned people and people wearing dark, prisons în Măgurele, vicious beatings and hatred on both sides, they were all there în
Programul de ieri al luptei de clasă. Post scriptum la Capete înfierbântate () [Corola-website/Science/295801_a_297130]
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He is one of the five “voices of migration” from the performance Born în the Wrong Place. Since I am the one who tells his story and he is the first “character” I became friends with, I tried to find ouț more about him during the time we worked together. It wasn’ț very difficult, because Bashar is very generous when it comes to his life experience. His stories are clippings of real life, never simple, always ironic, sometimes shocking. It
„Povestea mea putea fi spusă de altcineva” () [Corola-website/Science/295728_a_297057]
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I going to invite my anatomy professor or whoever to a play în Arabic?” It was absurd. I chose to ignore the jokes some people made, like “if we get în here, are we gonna be executed on the way ouț?” or “are you sure no bombers will show up?”. Most performances were at the Students’ House and at the Children’s Palace. That’s when I got a passion for photography and it’s the reason I signed up for
„Povestea mea putea fi spusă de altcineva” () [Corola-website/Science/295728_a_297057]
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Nobody talks about cancer patients, for instance. It’s a taboo everywhere, not just în România. I like to talk about all sorts of issues. I say something, she says something, you say something - and something good hâș to come ouț of it. Because I can’ț make the best choice on my own. I talk a lot with the kids, we even have meetings. Aș a mother, I could make all the decisions myself, but I don’ț want to
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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a girl, you finished school, it’s time to get a job, get married and that’s it. I need to talk about things, have a proper discussion. We fight, we make up, we cry, we laugh. We throw everything ouț into the open and something good hâș to come of it. [...]
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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id="attachment 1326" align="aligncenter" width="300"] The New Spectator[/caption] The New Spectator introduces a couple of newlyweds who are confronted by issues such aș “what’s more important: the house or the car?”, “to what extent should you help ouț family members?”, “is it a bad thing to say ‘enough is enough’ and kick the relatives ouț at some point?”. Another exercise - improvised by the young volunteers from Szomolya - depicts a typical situation: an ethnic Hungarian mân and a Romă
Facem sau nu teatru pentru toți? Despre proiectul Noul spectator (Új néző) () [Corola-website/Science/295741_a_297070]
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newlyweds who are confronted by issues such aș “what’s more important: the house or the car?”, “to what extent should you help ouț family members?”, “is it a bad thing to say ‘enough is enough’ and kick the relatives ouț at some point?”. Another exercise - improvised by the young volunteers from Szomolya - depicts a typical situation: an ethnic Hungarian mân and a Romă woman fall în love. How will the families and the village react? Can love defeat prejudice and
Facem sau nu teatru pentru toți? Despre proiectul Noul spectator (Új néző) () [Corola-website/Science/295741_a_297070]
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I remember we were în Căușeni and during the post-performance discussion, somebody asked: “How dare the director wear pants on stage?” This was her biggest problem. I mean, the violence against women was one thing, but how dare she come ouț on stage în her pants? This was my first shock. I couldn’ț imagine that after this performance, the most disturbing thing was the director’s pants. It was the weirdest reaction I’d ever witnessed. How did people generally
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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în the play, I’m eating oats. And I kept hearing from the audience “Bonne appetite!” or “Enjoy!” And there’s also a story about someone taken to Turkey without her consent - she was being trafficked - who talks about climbing ouț of her hotel window on the 3rd floor, falling and breaking her leg and spine. The actress tells this story while on a bike and she goes on about her broken leg, when someone în the audience says: “How come
„Spectacolul nostru era practic o luptă cu spectatorii” () [Corola-website/Science/295736_a_297065]
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up the vulva, about the words that never appear în subtitles. About - big deal! - things everyone’s familiar with nowadays. Allegedly. I was about 18. At the next book fair I went to (with my parents, aș always), I took ouț a bill from the envelope with my scholarship money, covered the small book containing The Monologues with my hand and then brought it with me to class. It didn’ț căușe an uproar în our liberal, Anglophile girls’ school. But
Vocea din „Monoloagele vaginului” () [Corola-website/Science/295745_a_297074]