3,149 matches
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logicii ideale a istoriei cu o logică „reală“, ci, mult mai simplu, el ține de accen tuarea dimensiunii senzoriale, concrete (sensory concreteness) a istoriei. Ca principiu formulat de Wohlfarth, istoricul „seeks to abandon the traditional prerogatives of authorship for a more marginal, anonymous and subterranean position from which, ideally, to let the historical materials speak for themselves.“ Actul istoricului este, într-o primă specificare, unul de ascultare: vocea interpretului lasă locul celei a obiectului, face să se audă trecutul în simpla
City Lights: despre experienţă la Walter Benjamin by Ioan Alexandru Tofan () [Corola-publishinghouse/Science/1346_a_2383]
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natura adevărată, cea de ruină. De aici drama copilului con fruntat cu asemenea obiecte - tensiunea dintre existența diurnă, trainică și cea nocturnă, a „viselor rele“: „The bourgeois apartment might adopt the guise of heroic immortality, but it actually constitutes nothing more than a site of decay and disintegration. The middle-class interior is home to the ruination of things““. Postexistența acestor obiecte ale copilăriei le dovedește caracterul dialectic: moștenite, ele ajung pe mâna anticarilor, la fel cum mo numentele, uitată fiind semnificația
City Lights: despre experienţă la Walter Benjamin by Ioan Alexandru Tofan () [Corola-publishinghouse/Science/1346_a_2383]
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achievement of a long-term doctoral effort which resulted in a weighty and carefully documented study. The author starts from the premise that, in Romania, the events of December 1989 marked the beginning of a period of obvious freedom, which has more to do with the spiritual and less with actual reality, as the latter involves a long-standing remodelling of mindsets and social practices. She aims to analyse in detail those aspects of religious discourse that were signs of spiritual freedom; this
Discursul religios în mass-media. Cazul României postdecembriste by Liliana Naclad [Corola-publishinghouse/Science/1410_a_2652]
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a făcut pe om după chipul și asemănarea să. Blake spune, în acest sens, în Annotations to Swedenborg's Divine Love and Divine Wisdom: "Mân can have no idea of any thing greater than Mân aș a cup cannot contain more than its capaciousness But God is a mân not because he is șo percievd by mân but because he is the creator of mân" (E: 603)79. Și artistul este încă mai explicit în Annonations to Lavater's Aphorisms on
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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scurt timp după sosirea soților Blake la căsuța lor de țară, artistul elogiază fără rețineri atmosferă naturală cu totul specială. Vocile spiritelor se fac mai clar auzite în acest loc: "Felpham is a sweet place for Study. because it is more Spiritual than London Heaven opens here on all sides her golden Gates her windows are not obstructed by vapours ... voices of Celestial inhabitants are more distinctly heard & their forms more distinctly seen [...]" (E: 710). 2.3.2.5. Muzele Nebunia
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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clar auzite în acest loc: "Felpham is a sweet place for Study. because it is more Spiritual than London Heaven opens here on all sides her golden Gates her windows are not obstructed by vapours ... voices of Celestial inhabitants are more distinctly heard & their forms more distinctly seen [...]" (E: 710). 2.3.2.5. Muzele Nebunia extatica indusă de muze este descrisă în termeni plastici de Platon în dialogul Phaidros. Socrate explică acolo că există trei versiuni de tulburare de origina
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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Felpham is a sweet place for Study. because it is more Spiritual than London Heaven opens here on all sides her golden Gates her windows are not obstructed by vapours ... voices of Celestial inhabitants are more distinctly heard & their forms more distinctly seen [...]" (E: 710). 2.3.2.5. Muzele Nebunia extatica indusă de muze este descrisă în termeni plastici de Platon în dialogul Phaidros. Socrate explică acolo că există trei versiuni de tulburare de origina divină: cea oraculara (sau mantica
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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pretutindeni. Thomas Phillips citează chiar relatarea lui Blake legată de apariția arhanghelului Gabriel: "I looked whence the voice came, and was then aware of a shining shape, with bright wings, who diffused much light. Aș I looked, the shape dilated more and more: he waved his hands; the roof of my study opened; he ascended into heaven; he stood în the sun, and beckoning to me, moved the universe" (Bentley, Jr., 1975, p. 38). Este legitim să ne întrebăm, în acest
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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Phillips citează chiar relatarea lui Blake legată de apariția arhanghelului Gabriel: "I looked whence the voice came, and was then aware of a shining shape, with bright wings, who diffused much light. Aș I looked, the shape dilated more and more: he waved his hands; the roof of my study opened; he ascended into heaven; he stood în the sun, and beckoning to me, moved the universe" (Bentley, Jr., 1975, p. 38). Este legitim să ne întrebăm, în acest punct, daca
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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este dublată de una extrasenzoriala, aptă de a-i induce subiectului un sentiment sacru sau divin 110. În There is No Natural Religion, Blake subliniază explicit acest aspect: "Man's perceptions are not bounded by organs of perception. he percieves more than sense (tho' ever șo acute) can discover" (E: 2). Concluzia se impune de la sine: "He who sees the Infinite în all things sees God" (E: 3). Corolarul acestor idei este forumat în The Marriage of Heaven and Hell: "If
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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atingă fericirea celesta și cunoașterea supremă (vom vedea că, în eposul Jerusalem, acest Homo Magnus este incarnat de Isus). Acesta este mesajul blakean definitiv în privința salvării spirituale: "I each particle gazed / Astonishd Amazed / For each was a Mân / [...] / My Eyes more & more / Like a Șea without shore / Continue Expanding / The Heavens commanding / Till the Jewels of Light / Heavenly Men beaming bright / Appeard aș One Mân / Who Complacent began / My limbs to infold / În his beams of bright gold / Like dross purgd
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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fericirea celesta și cunoașterea supremă (vom vedea că, în eposul Jerusalem, acest Homo Magnus este incarnat de Isus). Acesta este mesajul blakean definitiv în privința salvării spirituale: "I each particle gazed / Astonishd Amazed / For each was a Mân / [...] / My Eyes more & more / Like a Șea without shore / Continue Expanding / The Heavens commanding / Till the Jewels of Light / Heavenly Men beaming bright / Appeard aș One Mân / Who Complacent began / My limbs to infold / În his beams of bright gold / Like dross purgd away
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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Urizen arose & leaning on his Spear explord his dens / He threw his flight thro the dark air to where a river flowd / And taking off his silver helmet filled it & drank / But when unsatiated his thirst he assayd to gather more / Lo three teriffic women at the verge of the bright flood / Who would not suffer him to approach. But drove him back with storms" (E: 344-345). Zeul rațiunii nu se desparte de cărțile sale, nutrind speranța inutilă că știința consemnata
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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also evinced that, în Blake, one should not hasten to speak about the dominance of either agent, but, rather, concentrate on the conjunction of these elements at both the empirical and the creative levels, if one wished to gain a more credible insight into the development of the artist's often baffling visionariness. În the third part of my research, I have focused on the concept of 'vision,' which I have presented aș a binary one, encompassing both empirical (those visions
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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fără să vrea în propria grădină. Episodul este inclus în Lives of the Most Eminent British Painters, Sculptors, and Architects (1830) de Cunningham: "I was walking alone în my garden, there was great stillness among the branches and flowers and more than common sweetness în the air; I heard a low and pleasant sound, and I knew not whence it came. At last I saw a broad leaf of a flower move, and underneath I saw a procession of creatures of
Demiurgul din Londra. Introducere în poetica lui William Blake by Cătălin Ghiţă [Corola-publishinghouse/Science/1394_a_2636]
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în cercetarea socială. Analiza multivariată de interdependență. Polirom, Iași. Dale, Level A., Gale, W. Jr. (1991), Managerial Communication, Homewood, Illinois. De Vito, Joseph A. (1985), Human Communication: the basic course, Harper & Row, 3rd edn, New York. Dimbleby, R., Burton, G. (1998), More Than Words. An Introduction to Communication, 3th Edition, Routledge, London and New York. Dîncu, Sebastian-Vasile (1996), Comunicarea de masă, în Rotariu, T., Iluț, P. (Coord.) Sociologie, Editura Mesager, Cluj-Napoca. Enătescu, V. (1987), Comunicarea extraverbală, Editura Științifică și Enciclopedică, București. Ender, Ph
Strategii de comunicare eficientă by Mircea Agabrian () [Corola-publishinghouse/Science/1074_a_2582]
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participates like any other human function , without any interference from anybody, to that vital impetus that is the principle of becoming. It alone causes to the superiour spirits, those complex inner developments which enhance all living cells and all tendencies. More than it happens in life, when facing death and when facing love, man appears in his structural authenticity 263". By means of this eternal human feeling which characterizes inter and intra-personal relationships, analyzed rigorously "scientific" (the "anamnesis" was taken
Slavici sau iubirea ca mod de viață by Steliana Brădescu () [Corola-publishinghouse/Science/1060_a_2568]
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and only great work of fantastic literature. The singularity seems to send the work in the field of "literary experiments". Things are not at all like this. Although Slavici does not chose to keep the formula on the fantastic any more, surprisingly, "The Crows' Inn" demonstrates the existence of will and technique to create this one. The over-flow of precision, throughness of catching strange happenings, makes maximum use of Slavici's resources and talent of a realist writer. The writer's
Slavici sau iubirea ca mod de viață by Steliana Brădescu () [Corola-publishinghouse/Science/1060_a_2568]
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and spirit numbness followed. For almost five centuries, European civilization spread worldwide, and with the Renaissance, followed by the scientific revolution and then, by the industrial one, entered an accelerated period of its evolution, which changed the face of humanity more than all the 7000 years since the establishment of the first human civilizations in the Mediterranean area. The evolution of the ideas that accompanied these changes is, of course, less spectacular, but their degree of wear is much lower than
Matematica și cunoașterea științifică by Viorel Barbu () [Corola-publishinghouse/Science/1112_a_2620]
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ianuarie 2011 ***. (2012). List of current products. Product Manager Air and Command Tactical Trainers PM ACTT, http://www.peostri.army.mil/PM-CATT/PM ACTT.jsp. Abstract To say today that the education is passing a crisis period is something completely trivial. More than that, as any triviality, this one is not raising any worried reactions either. We are identifying three causes of this state of things in the education: first of it, the demolishing critics of the postmodernism, which were accusing the
Lecția uitată a educației. Întâlnirea Micului Prinț cu vulpea by EMIL STAN () [Corola-publishinghouse/Science/1107_a_2615]
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the second hand, the development of the internet and the birth of the virtual environment placed the school in an inadequacy state with the skills gained by the children by playing computer games, using social media, visiting specialized sites, etc.; more than that, the virtual environment is seen today as a space of liberty, of choices without consequences, while the school is set-up for disconnection, being assimilated with duties and constraints. The third problem is that the consumist hedonism of the
Lecția uitată a educației. Întâlnirea Micului Prinț cu vulpea by EMIL STAN () [Corola-publishinghouse/Science/1107_a_2615]
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having extended culture research to issues of cultural politics, inheritance of cultural goods, the proportion between school and culture. The American school continued the rich field tradition of cultural anthropology, it introduced new methods and themes of investigating culture and, more important, it analysed and explained contemporary cultural manifestations. The author passed values through different thinking filters: philosophical, anthropological, economical and sociological; it analysed them from the thinkers` point of view in different epochs (antiquity, renaissance, enlightenment, modernism and post-modernism), it
Societatea românească azi by Constantin Crăiţoiu [Corola-publishinghouse/Science/1063_a_2571]
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examples come from researches in which he was directly involved. Due to its educational clearness, the work is a very good handbook for students. Due to its magnitude, it is an excellent working tool for cultural phenomena researches. In what more "pragmatic" levels are concerned, the book is also an impulse to cultural lecturing of marketing phenomenon in Romania. Along the book but mostly in the last part, the author gives great importance to values in the Romanian society. The prevailing
Societatea românească azi by Constantin Crăiţoiu [Corola-publishinghouse/Science/1063_a_2571]
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and stereotypes in particular, the investigation of the image in the fourth chapter considers the concept of meta-image built by Hercules Millas, a concept that highlights the impact and influence of the image that identity believes otherness has of it, more precisely the image the self believes the other has about itself. Thus, the image of perception that the other has about me is essential in shaping representations of otherness and in defining stereotypes. Most often, the meta-image is activated when
Morfologia Imaginii by CORINA DABA-BUZOIANU [Corola-publishinghouse/Science/1013_a_2521]
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that there is no object in itself, as it is instead constructed through the way in which conscience relates to it, we can also say that the subject exists to the extent that, through conscience, it relates to itself, or, more precisely, it has an image of its own existence and then the existence of the other. In the absence of representation, the subject does not have a meaning because it does not have self-awareness. As it involves the idea of
Morfologia Imaginii by CORINA DABA-BUZOIANU [Corola-publishinghouse/Science/1013_a_2521]