3,149 matches
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unicul copil (Judecătorii, 11: 30 sq.). Nu c vorba, în cazul lui Avraam, de sacrificiul primului născut, ritual care, de altfel, n-a fost cunoscut decât mai 2(1 Legendele patriarhale vorbesc despre anumiți arbori sacri: de exemplu, Stejarul din More (12: 6) și Stejarul din Mamvri (13: 18 etc.). Acești arbori ai patriarhilor, a căror venerare devenea supărătoare.au fost proscriși mai târziu, când s-au condamnat locurile de cult canaaneene, ridicate, pe dealuri, sub orice copac înfrunzit" (Deuteronomul, 12
[Corola-publishinghouse/Science/85022_a_85808]
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up. That is why, there couldn't miss a minimal contextualization, the references to age of onset and the interference of politics in literary space being essential for a generation that was forced to shape or respond to such assertions more than in any other age. It can thus be stressed that, although sometimes they made some concessions to the totalitarian regime, they have the merit of writing an authentic poem, reflecting the spirit of their time - full of contradictions, supporting
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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poem reflected the same anxieties marking the end of an era (or, in his case, the end of a century). The poem was illustrative for the allegorical structure of some symbolist poem, it was a demystifying "ars poetica". It contains more than mere romantic reflections of the poet/ misunderstood genius; it also hints indirectly to the abyss the poet has to face and to how society perceived his accomplishments- ("comique et laid"). The expression generation of the Albatross is able to
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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poetry of social inspiration, praising the class struggle. The poetry of the fifth century which actually left an imprint in the history of Romanian literature mostly pertains to the early stage of this time-span because, after that, political interferences generate more and more versifiers instead of poets. While the voices of the inter-war poets are heard more and more rarely since the latter prefer publishing only retrospective anthologies, the new generation manages to evince itself by means of their truly valuable
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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social inspiration, praising the class struggle. The poetry of the fifth century which actually left an imprint in the history of Romanian literature mostly pertains to the early stage of this time-span because, after that, political interferences generate more and more versifiers instead of poets. While the voices of the inter-war poets are heard more and more rarely since the latter prefer publishing only retrospective anthologies, the new generation manages to evince itself by means of their truly valuable works. These
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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left an imprint in the history of Romanian literature mostly pertains to the early stage of this time-span because, after that, political interferences generate more and more versifiers instead of poets. While the voices of the inter-war poets are heard more and more rarely since the latter prefer publishing only retrospective anthologies, the new generation manages to evince itself by means of their truly valuable works. These poets belong either to the Albatross group, to the Literature Circle of Sibiu or
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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imprint in the history of Romanian literature mostly pertains to the early stage of this time-span because, after that, political interferences generate more and more versifiers instead of poets. While the voices of the inter-war poets are heard more and more rarely since the latter prefer publishing only retrospective anthologies, the new generation manages to evince itself by means of their truly valuable works. These poets belong either to the Albatross group, to the Literature Circle of Sibiu or to the
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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did the Albatross preserve some structural elements of Cadran, it also borrowed from it a series of ideas. One can also notice some sort of eclectics in terms of opinions that were expressed. The aims of the magazine are made more conspicuous in number 7 when the attitude of its writers betrayed their protests. Previous numbers had presented the need for the writers to be original, on this occasion though they openly distinguish themselves from the historical avant-garde, they attack the
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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of the Albatross, we have inspected some elements that could be considered as landmarks in the real life of the poets who make the subject of our study (Geo Dumitrescu, Ion Caraion, Constant Tonegaru, Dimitrie Stelaru); yet these landmarks are more or less reflected in their work. The chapter in itself is divided into two sections, one of which covered recurring themes and motifs in the lyrics of these poets. Of course among these one theme stands out - the obsession of
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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or even to death. The journey is symbolically represented by aquatic or fluid metaphors either related to the passage of time or to memories that get lost. Everything seems to be part of a strange ritual of initiation - strange because, more often than not, it ends in failure or disappointment. The poet is generally under the impression that this ordinary world is unfamiliar to him so he surprises the reader with his perspective on the surrounding environment. It is the route
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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metaphors, and thus it is imperative to find alternatives so as to lure the reader in this partially unpoetical universe. The solutions the Albatross poets coined will be resumed by Marin Sorescu as well as by contemporary writers. There is more the one form to dialogism which is perceived either as an imaginary conversation with the reader or with the poet himself or as an indirect dispute over patterns of creation or literary techniques. Allusions are, consequently, very common, literary themes
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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mundane facts or figments of the poet's imagination. One of the literary genres preferred by the poets of this generation is the 'ekphrastic poem', a text which seems to paint a real or imaginary picture in a bidimensional perspective. More often than not the setting is imaginary; it is deformed copy of the reality lacking the third dimension, namely the height - the capacity to spiritually rise above the sordid world. The fifth chapter, Poetry of the Albatross - echoes in the
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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who voiced his nostalgia of the absolute), the self-reference, the transformation of the world in text, the poetic act is perceived as an exercise of honesty, everyday occurrences become worthy of poetry, the poets express their inner feelings in a more authentic manner, the intertextual references, the less frequent use of metaphors (descriptions feature less figures of speech, narrations seem to permeate the poems and confer the latter the characteristics of a diary) the preference for the ludic and the irony
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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avant-garde while anticipating the changes that will leave a mark in Romanian literature. To conclude, one can distinguish, in one form or another, the impact of the political background and its oppressive characteristics in the entire poetry of this generation. More often than not the reaction is common to all poets of the Albatross - either they take refuge in a virtual, dream-like universe, in imaginary settings reflecting their fears and beliefs, or they transfer reality in their imaginary world as the
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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of these writers became victims of the regime or were indicted by history. To discuss their socio-political activity, to debate whether they were to blame or not in their relationship with the communist regime (Geo Dumitrescu, Ion Caraion) would seem more appropriate in the context of a sociological study into the effects of the pressures of the political environment on human personality. During these controversial discussions theorists often forget one conspicuous aspect, the literary one. Consequently, our approach will be mainly
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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the obsessive elements that become defining for their creations. It is a kind of poetry which vacillates between expressing certainties (mundane, outrageous, racy or even absurd) and hesitating in portraying a universe which, despite its apparent familiarity, becomes fluid and more and more indistinguishable, somewhere between reality and imagination, between the commonplace and the oneiric. A permanent movement back and forward from transitivity to reflexivity characterises all these texts. It is this precise vacillation that poets of the Albatross and those
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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elements that become defining for their creations. It is a kind of poetry which vacillates between expressing certainties (mundane, outrageous, racy or even absurd) and hesitating in portraying a universe which, despite its apparent familiarity, becomes fluid and more and more indistinguishable, somewhere between reality and imagination, between the commonplace and the oneiric. A permanent movement back and forward from transitivity to reflexivity characterises all these texts. It is this precise vacillation that poets of the Albatross and those of the
Poezia generației albatrosiste by Cristina Ciobanu () [Corola-publishinghouse/Science/84975_a_85760]
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Research", în World Politics 49(3): 430-51. Collier, D. și J. Mahon, (1993), "Conceptual "Stretching" Revisited: Adapting Categories in Comparative Analysis", în The American Political Science Review, 87(4):845-55. Conacher, Duff, (2011), "Don't Cut Vote Subsidy, Make it More Democratic", în The Tyee, 9 June 2011. Conaghan, C. M., (2000), "The Irrelevant Right: Alberto Fujimori and the New Politics of Pragmatic Peru", în K. J. Middlebrook (ed.), Conservative Parties, the Right, and Democracy in Latin America, Baltimore: The Johns Hopkins
Populismul în Europa și în cele două Americi: amenințare sau remediu pentru democrație? () [Corola-publishinghouse/Science/84983_a_85768]
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Politics and Societies 18(4): 651-96. ------ (2006), Elected Affinities: Democracy and Party Competition in Slovakia and the Czech Republic, Palo Alto, CA: Stanford University Press. Deegan-Krause, K. și T. Haughton, (2008), Expert Survey on Populism in Slovakia. ------ (2009), "Toward a More Useful Conceptualization of Populism: Types and Degrees of Populist Appeals in the Case of Slovakia", în Politics & Policy 37(4): 821-41. Degregori, C. I., (2000), La Década de la Antipolítica: Auge y Huida de Alberto Fujimori y Vladimiro Montesinos, Lima: Instituto
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2007), "Austria", în European Journal of Political Research 46(7-8): 876-90. Farney, J., (2009), Social Conservatives and the Boundaries of Politics in Canada, PhD. Dissertation, Department of Political Science, University of Toronto. Fawn, R., (2001), "Czech Attitudes Towards Roma: 'Expecting More of Havel's Country"', în Europe-Asia Studies 53(8): 1193-219. Fernandes, S., (2007), "Barrio Women and Popular Politics in Chávez's Venezuela", în Latin American Politics & Society 49(3): 97-127. Ferrero Costa, E., (1993), "Peru's Presidential Coup", în Journal
Populismul în Europa și în cele două Americi: amenințare sau remediu pentru democrație? () [Corola-publishinghouse/Science/84983_a_85768]
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în accesul vascular îl reprezintă tehnica Seldinger. Tehnica Seldinger este o procedură medicală pentru a obține acces sigur la vasele de sânge și la alte organe luminale. Este numită după dr. Sven Ivar Seldinger 1921- 1998, un radiolog suedez din Mora, Dalarna care a introdus procedura în 1953. Această procedură permite abordul vascular cu ajutorul ghidurilor și microghidurilor pe care se ascensionează apoi cateterele si microcateterele. În anii ’70 Serbinenko anticipând avantajele chirurgiei minim invazive realizează embolizarea anevrismelor cerebrale cu baloane detașabile
Tratat de chirurgie vol. IV. Neurochirurgie by Dana-Mihaela Turliuc, Andrei Cucu, Alexandru Chirirac, Sergiu Gaivas, Ion Poeată, Nicolae Dobrin () [Corola-publishinghouse/Science/92122_a_92617]
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sepsis and meningitis. J.Infect.Dis,1998;177:766-769. 238. Shukhe A, Asaf V, Kosakov K: Primary peritonitis due to Streptococcus pyogenes. Harefuach 2001; 140(8): 704-705. 239. Sibbald WJ, Marshall J, Christou N: Sepsis clarity of existing terminology or more confusion? Crit Care Med., 1991; 19(8): 996-998. 240. Simici P: Patologia chirurgicală a apendicelui. În: Cecul în patologia chirurgicală, sub red. E.Proca, Ed. Med.Buc.1986, pp 334-337. 241. Sirakov M, Chupeltovski S: Biliary peritonitis: retrospective analysis of
Peritonitele acute: tratament etiopatogenic by Dorin Stănescu () [Corola-publishinghouse/Science/91842_a_93199]
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has a special place. We also presented some reviews on those authors published in Romanian written media. CONCLUSIONS The present paper brings to the readers' attention some relevant aspects of the reception of Finnish literature and culture in Romania, or, more precisely, in Romanian language. We are convinced it can find a proper place among other researches focusing on Finland from the Romanian perspective. One important achievement was the bibliographical part, we managed to set up a solid bibliography on the
Literatura și cultura finlandeză: o perspectivă românească by Paul Nanu () [Corola-publishinghouse/Science/84965_a_85750]
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that first facilitates learning and, in time, leads to a synchronisation in body, cognition, affectivity and actions between all educational actors. Using gestures in didactic communication as professional or methodological 'tools' means to try and become aware of these acts more often than not carried out unwittingly and to take benefit from the advantages of this process: * A favourable first impression and managing a good relation with a new class of pupils; * It facilitates learning by ensuring an attractive way to
Gestul în comunicarea didactică by ALINA MĂRGĂRIŢOIU [Corola-publishinghouse/Science/949_a_2457]
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își propune și, evident, nu realizează un astfel de obiectiv o determină pe Karlyn Kohrs Campbell să își mărturisească, în final, dezamăgirea: adresa președintelui "reprezintă, așa cum s-au exprimat mai toți comentatorii, pur și simplu "mai mult de același fel" (more of the same, în limba engleză)"320. Putem, acum, preciza, faptul că Forbes Hill numea întreprinderea critică a lui Karlyn Kohrs Campbell "criticism intrinsec"321 și aprecia că, pe temeiul acestui criticism intrinsec, autoarea condamna adresa lui Nixon din 3
Criticismul retoric în ştiinţele comunicării. Atelier pentru un vis by Georgiana Oana Gabor () [Corola-publishinghouse/Science/934_a_2442]