3,149 matches
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a multiplicity of impersonal, general, details (Laughter, 1900). By contrast, the perception of the artist is active: it clarifies and intensifies the dată of ordinary perception, via an energetic process of imaginative projection. The Romanian poet, himself aspiring to a more direct vision of reality, possibly found în these formulations a confirmation of his own intuitions. He could not but adhere to the position of someone who claimed that the function of art was to recover, through reflection and symbolization, that
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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and the epiphany, which illuminates a life's moment characterized by the profundity of perception and the discernment of a certain cosmic order--, are the necessary and sufficient conditions for generating the "effect" of the poem. Pure poetry offers a more direct vison of reality, because intuition transcends the closed frames by means of which intelligence appropriates the world, yet this is possible only after a long intellectual effort of synthesis that involves continuous self-detachment. The fundamental problem that faces the
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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poems". 4 Autorul american însuși, vede în Eureka, încununarea unei căutări de-o viață: "I must die. I have no deșire to live", notează el, într-o scrisoare către Maria Clemm, "since I have done "Eureka". I could accomplish nothing more" (citat de Ostrom, 1966, 2, p. 452). 5 Claude Richard. Edgar Allan Poe, journaliste et critique, 1978, p. 474: "Le poème est donc avânt tout une révélation, non pas d'une vérité ... mais de la Vérité, unique et harmonique, qui est
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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which may result from it - we require something like a mental gyration on the heel [emphasis added]. We need șo rapid a revolution of all things about the central point of sight that, while the minutiæ vanish altogether, even the more conspicuous objects become blended into one. Among the vanishing minutiæ, în a survey of this kind, would be all exclusively terrestrial matters. The Earth would be considered în its planetary relations alone. A mân, în this view, becomes mankind; mankind
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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is a principle abundantly sufficient to account for the constitution, the existing phenomena and the plainly inevitable annihilation of at least the material Universe". 19 Idem, pp. 30-31: "The willing into being the primordial particle, hâș completed the act, or more properly the conception, of Creation. We now proceed to the ultimate purpose for which we are to suppose the Particle created that is to say, the ultimate purpose șo far aș our considerations yet enable uș to see it the
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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found the sole absolute assumption of my Discourse. I use the word " assumption" în the ordinary sense; yet I maintain that even this my primary assumption, is very, very far indeed from being really a mere assumption. Nothing was ever more certainly -no human conclusion was ever în fact, more regularly - more rigorously deduced" - but alas! The processes lie ouț of the human analysis - at all events are beyond the utterance of the human tongue". 21 Idem, p. 31: "The assumption
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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use the word " assumption" în the ordinary sense; yet I maintain that even this my primary assumption, is very, very far indeed from being really a mere assumption. Nothing was ever more certainly -no human conclusion was ever în fact, more regularly - more rigorously deduced" - but alas! The processes lie ouț of the human analysis - at all events are beyond the utterance of the human tongue". 21 Idem, p. 31: "The assumption of absolute Unity în the primordial Particle includes that
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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word " assumption" în the ordinary sense; yet I maintain that even this my primary assumption, is very, very far indeed from being really a mere assumption. Nothing was ever more certainly -no human conclusion was ever în fact, more regularly - more rigorously deduced" - but alas! The processes lie ouț of the human analysis - at all events are beyond the utterance of the human tongue". 21 Idem, p. 31: "The assumption of absolute Unity în the primordial Particle includes that of infinite
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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catastrophe is at hand". 29 Idem, p. 140. 30 Ibidem. 31 Idem, p. 33. 32 Idem, p. 49. 33 Ibidem: "We walk about, amid the destinies of our world existence, encompassed by dim but ever present Memories of a Destiny more vast - very distant în the bygone time, and infinitely awful. "[...] Aș Memories we know them". 34 Idem, p. 143. 35 Eul profund, pe care il identifica astfel nu este eul propriu, închis în materie, ci eul cosmic, nemuritor, liber, conștient
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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arrangement of the particulars of the scene, of the details of the picture, would be sufficient to modify, or perhaps to annihilate its capacity for sorrowful impression [...]. Shaking off from my spirit what must have been a dream, I scanned more narrowly the real aspect of the building. Its principal feature seemed to be that of an excessive antiquity. The discoloration of ages hâd been great. Minute fungi overspread the whole exterior, hanging în a fine tangled web-work from the eaves
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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men have thought thus, ) aș on account of the pertinacity with which he maintained it. This opinion, în its general form, was that of the sentience of all vegetable things. But, în his disordered fancy, the idea hâd assumed a more daring character, and trespassed, under certain conditions, upon the kingdom of inorganization. I lack words to express the full extent, or the earnest abandon of his persuasion. The belief, however, was connected (aș I have previously hinted) with the gray
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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în Graham's Magazine, măi 1849, poetul american face următorul comentariu: "Let a mân succeed ever șo evidently - ever șo demonstrably - în many different displays of genius, the envy of criticism will agree with the popular voice în denying him more than talent în any. Thus a poet who hâș achieved a great (by which I mean an effective) poem, should be cautious not to distinguish himself în any other walk of Letters. În especial - let him make no effort în
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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a finer poem (if we test it, aș we should, by its measure of exciting the Poetic Sentiment) than one who, without such metaphysical acumen, shall be gifted, în the most extraordinary degree, with the faculty of Ideality". [...] "It is more than possible that the mân who, of all writers, living or dead, hâș been most successful în writing the purest of all poemsthat is to say, poems which excite most purely, most exclusively, and most powerfully the imaginative faculties în
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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1997, pp. 880-881. 19 Plato, "Phaedrus", în Complete Works, 1997, p. 527. 20 Edgar Allan Poe, Eureka, 1848, p. 140: "We walk about, amid the destinies of our world existence, encompassed by dim but ever present Memories of a Destiny more vast - very distant în the bygone time, and infinitely awful". 21 Ion Barbu, "Poezia leneșa" (1928), în Versuri și proza, 1984, p. 170. În studiul "Legendă și somnul în poezia lui Blaga", în Versuri și proza, 1984, p. 172, Barbu
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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în the verdure and the mountain-slopes and the smiling waters of Paradise, and be rendered at length a fit dwelling-place for mân: - for mân the Death-purged - for mân to whose now exalted intellect there should be poison în knowledge no more - for the redeemed, regenerated [s.n.], blissful, and now immortal, but still for the material, mân". 48 Henri Bergson, "La pensée et le mouvant", în Oeuvres, 1970, p. 1382: "Ecoutons une mélodie en nous laissant bercer par elle: n'avons-nous pas
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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Ballads and Other Poems, by Henry Wadsworth Longfellow, Aprilie, 1842, Graham's Magazine, în Essays and Reviews, 1984, p. 695: "That the chief merit of a picture is its truth, is an assertion deplorably erroneous. Even în Painting which is, more essentially than Poetry, a mimetic art, the proposition cannot be sustained. Truth is not even the aim. Indeed it is curious to observe how very slight a degree of truth is sufficient to satisfy the mind, which acquiesces în the
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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even the aim. Indeed it is curious to observe how very slight a degree of truth is sufficient to satisfy the mind, which acquiesces în the absence of numerous essentials în the thing depicted. An outline frequently stirs the spirit more pleasantly than the most elaborate picture. We need only refer to the compositions of Flaxman and of Retzch. Here all details are omitted nothing can be farther from truth. Without even color the most thrilling effects are produced. În statues
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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of the truthful ability of these artists but they were not even classed among their pictures. If truth is the highest aim of either Painting or Poesy, then Jan Steen was a greater artist than Angelo, and Crabbe is a more noble poet than Milton". 37 În The Complete Tales and Poems of Edgar Allan Poe, 1982, p. 425. 38 Edgar Allan Poe, Eureka, 1848, p. 143: "Think that the sense of individual identity will be gradually merged în the general
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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Poe, Eureka. A Prose Poem by Edgar A. Poe, 1848, p. 143. 70 Idem, p. 130. 71 Idem, p. 140: "We walk about, amid the destinies of our world existence, encompassed by dim but ever present Memories of a Destiny more vast - very distant în the bygone time, and infinitely awful". 72 Hermes Trismegistus, The Emerald Tablet, 1923, p. 562: "That which is above is from that which is below, and that which is below is from that which is above
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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33. 103 Idem, p. 119. 104 Idem, p. 134. 105 Idem, p. 120. 106 Edgar Allan Poe. "A Sequel to Marginalia, Godey's Lady's Book, August 1845", în Essays and Reviews, 1984, p. 1363: "Men of genius are far more abundant than is supposed. În fact, to appreciate thoroughly the work of what we call genius, is to possess all the genius by which the work was produced. But the person appreciating may be utterly incompetent to reproduce the work
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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but a great deal depends also upon properties strictly moral for example, upon patience, upon concentrativeness, or the power of holding the attention steadily to the one purpose, upon selfdependence and contempt for all opinion which is opinion and no more în especial, upon energy or industry. Șo vitally important is this last, that it may well be doubted if any thing to which we have been accustomed to give the title of a "work of genius" was ever accomplished without
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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uș to the southern pole itself. It must be confessed that a supposition apparently șo wild hâș every probability în its favor. The crew pace the deck with unquiet and tremulous step; but there is upon their countenances an expression more of the eagerness of hope than of the apathy of despair. În the meantime the wind is still în our poop, and, aș we carry a crowd of canvass, the ship is at times lifted bodily from ouț the șea
Gândul din gând: Edgar Poe și Ion Barbu by Remus Bejan () [Corola-publishinghouse/Science/84958_a_85743]
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judicioși dacă, din punct de vedere lingvistic, ne vom transforma în contemporani ai auitorul/ui ? S-ar putea oare pleda pentru reținerea implicațiilor moderne cuprinse în aceste versuri ale lui Marvell : My vegetable love would grow Vaster than empires and more slow 8 ** <nota> * Și este bine / Să ai o damă [astăzi : o doamnă] acasă care să te-ngrijească / Și să te țină-n frâu. </nota> <nota> ** Iubirea-mi mereu vie [astăzi : de zarzavat] ar crește neîncetat / Mai trainică mai mare
[Corola-publishinghouse/Science/85059_a_85846]
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pare orientată în mod perfid exact în direcția greșită (adică peiorativă): *But as some serpents' poison hurteth not Except it be from the live serpent shot, So doth her virtue need her here, to fit That unto us ; she working more than it. * * Otrava unor șerpi poate s-omoare / Doar cât sânt vii. La fel, virtutea ei / Nu face rău cât nu-i și ea aici ; / Decât virtutea, dânsa e mai tare. Acesta este probabil tipul caracteristic de imagine radicală. Un
[Corola-publishinghouse/Science/85059_a_85846]
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Poghirc replied to Iordan's criticisms and objections în an article, point by point. 0.2. However, I am not interested here în the respective polemics (continued by Iordan în another article), but în Poghirc's reaffirming the conviction (once more with this occasion), according to which "Hașdeu is, undoubtedly, the author of some great and genuine ideas" (Poghirc 1970: 165). În fact, resenting another imputation, C. Poghirc would state (în the above mentioned monograph) that he did not show any
Studii de ştiinţa limbii by Bogdan Petriceicu Hasdeu () [Corola-publishinghouse/Science/896_a_2404]