2,458 matches
-
Partea 1: Concepte generale (ediția a 2-a). 15. Eurocontrol [Maastricht Upper Area Control (UAC) Systems Division] FDE ICD Part 1 Integration Test Plan Version 1.0, dated 10 May 1996 (disponibil numai în limba engleză). 16. Eurocontrol FDE ICD Part 1 - Reliability, Avaibility and Security - Technical Report Version 1.0, dated 20 April 1997 (disponibil numai în limba engleză). 17. Recomandarea X. 32 (1993) (Rev. 1) a UIT-T, Interfața între ETTD și ETCD pentru terminale care funcționează în mod
jrc4803as2000 by Guvernul României () [Corola-website/Law/89970_a_90757]
-
în interfața declarată se poate stabili prin intermediul testelor de validare a cerinței. F.3. Bibliografie Documentul de mai jos prezintă un interes pentru testele de realizări ale prezentului standard Eurocontrol: Eurocontrol [Maastricht Upper Area Control (UAC) Systems Division] FDE ICD Part 1 Integration Test Plan Version 1, dated 10 May 1996 [Referința 15] (disponibilă numai în limba engleză) F.4. Metode și procedee de reglare F.4.1. Realizările ICD-ului pot face apel la anumite opțiuni și versiuni ale ICD
jrc4803as2000 by Guvernul României () [Corola-website/Law/89970_a_90757]
-
întrucât dreptul la o audiere, a persoanelor afectate de decizia asupra intrării în conturile taxelor vamale de import sau export după eliberare și a petiționarilor pentru restituirea sau strângerea taxelor vamale de import sau export, trebuie garantată; întrucât, prin urmare, parților astfel interesate le trebuie dată oportunitatea să-și exprime comentariile în scris asupra obiecțiilor pe care comisia intenționează să le facă prin deciziile ei; întrucât o astfel de situație necesită o ajustare a limitei de timp, pentru adoptarea acestor decizii
jrc3837as1998 by Guvernul României () [Corola-website/Law/88999_a_89786]
-
production and placing instead of it imported products that the citizens of Șerbia should buy from credits, thus incurring more and more debt. În this hostile setting only rare companies have managed to survive the privatization or dissolution. The major part of the Mining and Smelting Basin of Bor (RTB) în east Șerbia (city of Bor) is still owned by the state. The RTB hâș șo to speak “recovered” during the previous couple of year because the price of precious metals
#034;Colectivul de muncitori#034;: Intervenție politică și artistică la Exploatarea Minieră RTB () [Corola-website/Science/295678_a_297007]
-
19.00 and I have to let the public în - I’m also the technical director now - and I make sure everything’s running smoothly during the performance. Because I’m also a technical director now, I have to take part în the rehearsals, aș well [...]. Where did you work before coming to work în the theater? I completed ten school years. Well, actually, when I finished eighth grade, I registered with an agricultural school. I didn’ț like it there
„E important să fie respect în relațiile de muncă” () [Corola-website/Science/295673_a_297002]
-
believe art can change the world. But if it manages to știr some discussions on certain delicate issues, then it’s an important step forward.” For Matei Bejenaru, making art with workers represents a form of social involvement from the part of the artist, who then becomes a participant observer, a subject of the documented work: “I made smokers for pork and used them with the people în the neighborhoods în the 90s, I made over-sized clothes în a Romanian textile
„Am făcut gem în Barcelona din căpşunile culese de căpşunarii noştri” () [Corola-website/Science/295668_a_296997]
-
strong focus on the bodies, which were conceptualized în a Pavlovian way: the actor was supposed to become a lab dog șo “thoroughly trained that he could respond immediately, aș if by reflex action, to the needs dictated by his part”,[4]</a> and technological: “în future the actor must go even further în relating his technique to the industrial situation. For he will be working în a society where labor is no longer regarded aș a curse bus a joyful
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
-
the propriety of all and theatre would finally dissolve into everyday life. His literary adviser, Ivan Aksyonov, explained it later: “the theatrical performance was to be given up în favour of a free play of workers at rest who spent part of their leisure time în a game that was perhaps improvised next to the temporarily abandoned workplace.”[ 11] Meyerhold was only a part of a dedicated group of directors, playwrights, stage-designers and actors who actively tried to apply în theatre
Teatrul ca muncă şi muncitorul de teatru () [Corola-website/Science/295675_a_297004]
-
the rest of uș, but the boys clearly need Tamás the most. În Ózd, when we ask the children at the end of each day what they enjoyed the most during that day, they always answer that the rehearsals, the part of the day when they get to come up with their own ideas, use their imagination or acting skills. They love that-even those children who are otherwise shy. On the other hand, when we talk to directors and teachers în
Clovnii () [Corola-website/Science/295693_a_297022]
-
I was little, I used to love reading books whose main heroes were children. When I was nine and the heroes were 10 or 12, I already regarded them aș grown-up and felt very good în their company. The sad part is that I still enjoy children’s books and I still relate to the older heroes (laughing</i>). When I read books with and about adults, I instinctively take a step back and view them through a critical lens. When
„Literatura pentru copii este un act profund subversiv” () [Corola-website/Science/295700_a_297029]
-
The theme of issue 4 of G.A.P. is Art with/for Excluded Groups and it is comprised of a series of articles, interviews and theoretical texts which analyze the ways în which excluded/marginal communities, groups and individuals take part and are (re)presented în various artistic forms în the public sphere. Hence, we propose identifying and debating forms of participatory and documentary art - în România, aș well aș în the Republic of Moldova, Hungary, the UȘ, Kenya, Uganda - which
Arta categoriilor excluse () [Corola-website/Science/295714_a_297043]
-
musician and director) managed to develop educațional theater workshops. The participants were children from School no. 55 în Republică neighborhood în Bucharest. The only selection criteria were attendance and participation. The children who came on a regular basis and took part în the theatrical games gradually made up the team of educațional theater. We believe it is very important that the selection be determined solely by the participant’s choice and his/her ability and availability to get involved în the
Educația prin Teatrul Educaţional () [Corola-website/Science/295709_a_297038]
-
participant în the artistic act” - problematizes the role of the viewer for whom the cultural act becomes part of everyday life. The performance is the link with what people recognize happens to them every day or the challenge to take part în what could happen to them. This repositioning of the viewer makes him/her be more actively involved în what he/she sees. The viewer is no longer a passive, docile witness to what hâș been prepared for him/her
Teatrul spectatorului indecent () [Corola-website/Science/295711_a_297040]
-
to their legitimating stories. [...] The viewer is no longer a passive individual, culturally immunized, observing a ficțional reality with which he/she hâș no relation, but is the one who interferes and changes both the reality and those who are part of it. The question that follows is: what kind of actor does this viewer need în order to have a conversation and how non-self-centered must the performance become în order to encapsulate the existence of the people interfering în its
Teatrul spectatorului indecent () [Corola-website/Science/295711_a_297040]
-
heritage stories, passed down from generation to generation. Such stories keep childhood inside a closed circuit of narrative figures: Snow White, the prince, the princess, the ogre etc. and protect children’s imagination instead of provoking it. For the most part, children’s theaters recycle fairytales, preserving the authority of the sleeping beauties and enchanted horses. The problem is that în many repertoires, they represent the only narrative path. The child won’ț “risk” his/her imagination for fear of not
Al cui este teatrul pentru copii și adolescenți? () [Corola-website/Science/295713_a_297042]
-
didn’ț involve only miners, because everyone thinks only of miners when they hear of the Jiu Valley. We also talked about women, children, the elderly. And this was something very well received. [...] [caption id="attachment 1209" align="aligncenter" width="300"] Part of the UnderGround team at the entrance to Petrila mine. Photo: Vlad Petri, 2012.[/caption] Tell uș a bit about the people whose stories you perform. Katia: I play a 90-year-old lady who was a well-known seamstress în Petrila, and
„Am înțeles care e miza mea ca actor. Nu e vorba doar despre mine, e și despre celălalt” () [Corola-website/Science/295718_a_297047]
-
we can.” În time, we found that în spițe of the enthusiasm of the project, nobody în the community - including the local and educațional administration - actually expected the integration process to work. It’s not about clear-cut opposition on the part of the majority - we expected that initially, especially since there were precedents în the UȘ, Croația and other European countries, and also în other cases of segregation în România. În Târgu Lăpuș, the ethnic Romanian parents were not surprised to
„Filmul e o unealtă care poate fi folosită de cei care luptă să schimbe lumea” () [Corola-website/Science/295717_a_297046]
-
audience we shall include more sounds, songs and also add touch-based activities related to props and costumes of the play. Research and theatre lab processes shall be done în collaboration with institutions and experts working with children with special needs. Part one - Nautanki</em> The journey of our first play Hanuman Ki Ramayan started not with the text, but with a workshop on nautanki[1]</b></a></i> în Feb 2012. Dr. Devendra Sharma happened to be în India this year
Recâștigarea poporului – un eseu reflexiv () [Corola-website/Science/295710_a_297039]
-
felt this performance was a little bit about me, aș well. The message seemed șo convincing and explicit that I brought tens, maybe hundreds, of friends to see the play, to see Alină Șerban and understand how I saw this part of the world without having to listen to my NGO stories. I invited friends, journalists, co-workers, comrades, aunts, cousins, neighbors, members of Parliament. I learned, during the spân of over a year, that all these people understood the message, no
De ce mă duc la teatru? Ca să recuperez () [Corola-website/Science/295727_a_297056]
-
I talked about all this with Danilo Cajazeira, a geography teacher and amateur footballer, member of the Sao Paulo branch of the World Cup Popular Committees.[ 1] How did the resistance movement develop and how did you end up a part of the Popular Committee? During the past eight years, I’ve been playing football for several amateur teams made up of anarchists and punkers. Sao Paulo hâș a special amateur football scene, because the city was built on the banks
„74 de comunități urmează să fie evacuate din cauza Cupei Mondiale” () [Corola-website/Science/295764_a_297093]
-
took shape în 2011, hâș embraced the World Cup Popular Committees throughout Brazil. This movement undertakes research and fights the consequences large urban projects have on the inhabitants of the city. One of the football teams I play for is part of one such Committee and I have been a part of this movement for over a year and a half. Can you tell me more about the organization methods and actions of the World Cup Popular Committee în Sao Paulo
„74 de comunități urmează să fie evacuate din cauza Cupei Mondiale” () [Corola-website/Science/295764_a_297093]
-
for over 20 years, but the resistance movement is very strong - Sao Paulo is probably the only major city în relatively wealthy countries where the center hâș yet to be gentrified. We organized this tournament în which 32 teams took part and there were also debates besides games. We also take part în protests organized by our partners. For instance, last Saturday, for March 8th, we took part în protests for women’s rights where we specifically asked for women’s
„74 de comunități urmează să fie evacuate din cauza Cupei Mondiale” () [Corola-website/Science/295764_a_297093]
-
Sao Paulo is probably the only major city în relatively wealthy countries where the center hâș yet to be gentrified. We organized this tournament în which 32 teams took part and there were also debates besides games. We also take part în protests organized by our partners. For instance, last Saturday, for March 8th, we took part în protests for women’s rights where we specifically asked for women’s rights to be upheld în context of the World Cup. Brazil
„74 de comunități urmează să fie evacuate din cauza Cupei Mondiale” () [Corola-website/Science/295764_a_297093]
-
yet to be gentrified. We organized this tournament în which 32 teams took part and there were also debates besides games. We also take part în protests organized by our partners. For instance, last Saturday, for March 8th, we took part în protests for women’s rights where we specifically asked for women’s rights to be upheld în context of the World Cup. Brazil hâș seen a rise în trafficked women, including underage ones, în host cities. Women’s rights
„74 de comunități urmează să fie evacuate din cauza Cupei Mondiale” () [Corola-website/Science/295764_a_297093]
-
are soon to be evicted because of the World Cup. The government claims only 6 families have been evacuated în order to renovate the stadium, but we know there are many more communities affected by the gentrification în the eastern part of the city, a traditionally impoverished area, where this process hâș been accelerated since 2007, when Brazil officially became the host of the World Cup. For instance, we, together with a group of architects, helped a community located only 800
„74 de comunități urmează să fie evacuate din cauza Cupei Mondiale” () [Corola-website/Science/295764_a_297093]