307 matches
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attachment 1495" align="aligncenter" width="550"] Arnold Schlachter, Carol 53, 2014.[/caption] M. C.: What do you know about the building at Carol 53?</b> Mărită Iakab: We knew it hâd been empty for 7 or 8 years. After the Revolution, half of it was made up of revolutionaries, the other half was office space. We didn’ț know who the landlord was. M. C.: Why did you go into the building?</b> M. I.: We hâd nowhere to go. Where I
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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caption] M. C.: What do you know about the building at Carol 53?</b> Mărită Iakab: We knew it hâd been empty for 7 or 8 years. After the Revolution, half of it was made up of revolutionaries, the other half was office space. We didn’ț know who the landlord was. M. C.: Why did you go into the building?</b> M. I.: We hâd nowhere to go. Where I and Silvia were staying, on Banu Mantă, they demolished it
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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să rămâi indiferent la superbă idee de a transforma omenirea într-un loc mai bun și mai prietenos?[:en]by Irina Costache I first came across Nina Cassian în her volumes Memory aș Dowry. From her diary notes spread across half a century, I built an image of her aș a sort of feminist-poetic ideal. Nina Cassian seemed to be a free woman, open to experimenting (either poetically, politically or amorously), a woman dedicated to her work (maybe the only woman
Nina Cassian: despre cum să trăiești idealul nobil al comunismului () [Corola-website/Science/295776_a_297105]
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or when the critical diagnosis appears to be confirmed not just by reality, but also by an audience. Maybe the obstacle în the path of the generalization of the message is precisely the lack of a symbolic / hermetic / fetishist / magic half în their language. [caption id="attachment 1743" align="aligncenter" width="600"] Independent Moldova . Erratum. Photo: Teatru-Spălătorie, 2014.[/caption] A social justice reading of the current social, political and/or cultural context of Moldova, of its recent history, one which does not
Cultura independentă şi întoarcerea la lucrurile însele: câteva reflecţii din Moldova () [Corola-website/Science/295808_a_297137]
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every year, and for me that was 100 lei (roughly 22 euro) for 3 people. I hâd to pay the state taxes and also the consulate tax. But the latter was paid by ARCA, I have to say. They paid half of it the first time I applied for a residence. What do you feel about the role of the theater? Some say the theater should talk about beautiful things, not embark on a social critique. People have to see the
„Trebuie să ducem povestea mai departe” () [Corola-website/Science/295731_a_297060]
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them.” In 2007, the story of Rodica Sandu - a cleaning lady at Telec school in Bicazu Ardelean - was hyped up by the media, who emphasized the degradation of the education system. Rodica Sandu began teaching English at the school where half the teaching hours were available after she passed the exam and got a 7 (out of 10), which allowed her to be a substitute teacher. In 2009, Bogdan Georgescu (theater director and playwright), together with Andreea Eșanu (actress), began documenting
În teatrul comunitar „nu poți să o ții langa în lumea ta!” () [Corola-website/Science/295738_a_297067]
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Tell me a bit about the period when you lived on the street. Where were you staying? Aș you can realize, nothing was safe about where I was staying. I lived on the street since I was six and a half years old, until I was 17. At first, there was that feeling of total freedom, that nobody was bothering me about when I came în, when I went ouț, where I ațe. I was a kid and you know how
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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mân with a club beating the hell ouț of you because he can! I was picked up by policemen many times on the street. They would take me to the station and beat the hell ouț of me for like half an hour. They would hit me with their clubs aș if I were a rug. I sometimes wonder why all those things happened to me; and I think only really strong people get to live things like that. I feel
„Orice om pe lumea asta trebuie să aibă un loc unde să doarmă, să mănânce și să se spele” () [Corola-website/Science/296060_a_297389]
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were no issues with my second wife, except this time her parents didn’ț want me at all, even though I hadn’ț given them a reason to dislike me. It ended în divorce once again, after one and a half years. I was disappointed, but I filed for divorce and moved on. În 2005, after some tests, my mother was diagnosed with cancer. În spring, lacking any other means, I contracted a loan for 6000 euro. I used a notary
„Nu aș mai face niciodată credit ipotecar” () [Corola-website/Science/296064_a_297393]
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West 3) common and contra. Is there a european left? Perspectives on european wide emancipatory political struggles, against the background of postcolonial relations west-east-south 19:00 Social Centre CLACA The struggle of the workers of Berlin „Mall of Shame“. Since half a year ago, 7 romanian workers fight for their unpaid salaries and organize themselves în the Anarcho-Syndicalist federation FAU against the investors of the Mall of Berlin. Some of them will present and discuss the actual situation în Berlin and
(English) International workshop IDEE – Ideas, Debate, Exchange, Education. Bucharest, 9-16 of May () [Corola-website/Science/295856_a_297185]
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Senzorii mobili sunt considerați întotdeauna ca fiind "dispersați geografic". "Domeniu instrumentat" (6): domeniul specificat de afișare certă al unui radar. "Durata impulsului" (6): durata unui impuls "laser" măsurată la un nivel de jumătate din intensitatea duratei totale (FWHI - Full Width Half Intensity). "Echipament de producție" (1 și 9): scule, șabloane, mandrine, armături, mecanisme de reglare, echipament de testare, alte mașini și componente de acest fel, limitate la acele proiecte special concepute sau modificate pentru "dezvoltare" sau pentru una sau mai multe
32006R0394-ro () [Corola-website/Law/295187_a_296516]
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si la oamenii de litere care au trăit și muncit la Rehovot: Moshe Smilanski, fratele acestuia Meir „Siko” și nepotul S.Izhar, poetul și traducătorul de limbă idiș Yehoash, poetul Shin Shalom, poeta Rahel Bluwstein, poeții Alexander Pen și Avraham Halfi care au lucrat în livezile Rehovotului, Nahum Gutman și Binyamin Tamuz care au lăsat povestiri despre aceste locuri („Enigmă vacanței mari”, „Nisipurile de aur”), textierul și traducătorul Dan Almagor și mulți alții.
Rehovot () [Corola-website/Science/300221_a_301550]
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înregistrările trupei. A doua căsătorie lui a fost cu Skylar Satenstein, un medic, între 1997 și 2004. Cei doi au doi fii, Myles (n. 1998) și Layne (n. 2001). Myles își urmează tatăl la tobe, cântând în formația "My Missing Half". Lars a avut o relație cu actrița Connie Nielsen la mijlocul anului 2004 până în 2012, după divorțul sau de Skylar și cei doi au avut primul lor copil, Bryce Thadeus Ulrich-Nielsen, (n. 2007), născut în Sân Francisco. Nielsen are, de asemenea
Lars Ulrich () [Corola-website/Science/299815_a_301144]
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să comenteze la adresa muzicii lor li s-a părut foarte deplasat. De aceea Bob a fost greu acceptat de către formație. Însă după 10 luni de certuri nesfârșite, 10 luni tensionate și foarte grele (surprinse de filmul „A year and a half în the life of Metallica” partea 1 ) Metallica, pe 13 august 1991, a scos pe piată „Albumul Negru”. Albumul a avut un succes fără precedent în istoria Heavy-Metalului, oamenii stăteau la cozi enorme pentru a-l cumpăra. Muzică de pe acest
Metallica () [Corola-website/Science/299797_a_301126]
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the new prefect, Eric le Douaron, to prove a decisive firm hand against illegal immigration. The rule of thumb is crystal clear: all clandestines must be sent back to their original countries.” And not last, the president pledged to dismantle half the romă settlements regarded aș illegal în the following 3 months by giving the prefects the power to handle evictions themselves. Another point on his agenda covered the reform of illegal immigration policies, în order to avoid the return of
(English) Racism, Evictions and Organizing for the Housing Rights of Roma Migrants in France (part I) () [Corola-website/Science/296121_a_297450]
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age I moved from Delea Veche street, where I was born, on the Elisabeta boulevard. [...] The first house I remember is the one on Nicușor street [Bucharest ed.n.] în which we lived when I was around six - six and a half. It was a house with a ground floor and an upper floor with a slightly sloping roof. There must have been three if not four rooms; I know that we hâd one entrance through the front and one through the
(English) A Subjective History of Housing in Romania as Seen by the “Moses Rosen” Rest Home Residents. THE INTERWAR PERIOD: 1920-1930 (part II) () [Corola-website/Science/296138_a_297467]
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legătură cu subcultura care ultragia Anglia la sfârșitul anilor 60. Acești modși postmoderni, vin mai degrabă pe filiera bătrânilor punkiști John Cooper Clarke și Mark Smith puși pe subiecte mai recente, care seamănă cu cele ale lui The Streets sau Half Mân Half Biscuit. </spân></spân><spân style="color: #252525;"><spân style="font-size: medium;"> Dincolo de estetic, băieții sunt mai degrabă o trupă de post-punk, în primul rând pentru spirit avangardist, vers caustic și asumat politic.</spân></spân></spân></p> Versurile joacă
No one’s bOthered () [Corola-website/Science/296153_a_297482]
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subcultura care ultragia Anglia la sfârșitul anilor 60. Acești modși postmoderni, vin mai degrabă pe filiera bătrânilor punkiști John Cooper Clarke și Mark Smith puși pe subiecte mai recente, care seamănă cu cele ale lui The Streets sau Half Mân Half Biscuit. </spân></spân><spân style="color: #252525;"><spân style="font-size: medium;"> Dincolo de estetic, băieții sunt mai degrabă o trupă de post-punk, în primul rând pentru spirit avangardist, vers caustic și asumat politic.</spân></spân></spân></p> Versurile joacă între ambiguitatea
No one’s bOthered () [Corola-website/Science/296153_a_297482]
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connecting them with the subculture which was causing outrage în lațe 1960s England. These postmodern mods are more likely influenced by punk stalwarts such aș John Cooper Clarke and Mark Smith, and tackle current issues, just like The Streets and Half Mân Half Biscuit do. Aesthetics aside, the boys are more or less a post-punk band, considering their avant-garde spirit and politically-charged caustic lyrics. The lyrics are laced with the ambiguity of a beatnik talking to a neighborhood lad; Jason cusses
No one’s bOthered () [Corola-website/Science/296153_a_297482]
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with the subculture which was causing outrage în lațe 1960s England. These postmodern mods are more likely influenced by punk stalwarts such aș John Cooper Clarke and Mark Smith, and tackle current issues, just like The Streets and Half Mân Half Biscuit do. Aesthetics aside, the boys are more or less a post-punk band, considering their avant-garde spirit and politically-charged caustic lyrics. The lyrics are laced with the ambiguity of a beatnik talking to a neighborhood lad; Jason cusses heavily and
No one’s bOthered () [Corola-website/Science/296153_a_297482]
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hâd two rooms: a bedroom and a so-called living room where all the household activities were taking place. The bedroom hâd a window, the living room didn’ț, șo the light was coming în through the door; the door was half wooden and its upper side was glass, șo the light could come în. Our kitchen was somewhere on the left side of the courtyard - each family hâd its kitchen randomly allocated în the yard. The shed was far în the
O istorie subiectivă a locuirii în România, din perspectiva rezidentelor și rezidenților căminului „Moses Rosen”. PERIOADA INTERBELICĂ: ANII 1920 - 1930 () [Corola-website/Science/296134_a_297463]
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Knox și Hamilton. Atunci comitatul combinat cuprindea cea mai mare parte a suprafeței care urma să devină Michigan Territory. dar și porțiuni care urmau să intre în componena statelor de astăzi Ohio, Indiană, Illinois și Wisconsin. În 1800, the western half of Michigan was attached to Indiană Territory when it was established aș a separate government from the Northwest Territory. Wayne County was reduced to the eastern portion of Michigan and remained a part of the Northwest Territory. Knox County hâd
Michigan (teritoriu SUA) () [Corola-website/Science/307498_a_308827]
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was also expanded to include the western portion of the Upper Peninsula and a small sliver of the Lower Peninsula along the shore of Lake Michigan. When Ohio was admitted aș a state of the Union în 1803, the eastern half of Michigan was attached to the Indiană Territory. At that time, the old Wayne County technically ceased to exist. A second incarnation of Wayne County was subsequently created from Knox and St. Clair counties, encompassing all of the Lower Peninsula
Michigan (teritoriu SUA) () [Corola-website/Science/307498_a_308827]
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England and New York to reach Michigan by water through Albany. În 1834, all of the lands acquired în the Louisiana Purchase that were aș yet unallocated and lay east of the Missouri River (generally, the Dakotas, Iowa and the western half of Minnesota) were attached to the Michigan Territory, ăn area that was officially characterized aș "north of Missouri and east of the Missouri and White Earth Rivers." At this point, Michigan Territory included what is now the states of Michigan
Michigan (teritoriu SUA) () [Corola-website/Science/307498_a_308827]
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a fost înlocuit de către Ciro Palma. La data de 21 iulie 1998 a început comercializarea unui nou material discografic, intitulat "The Dance". Fiind un disc în format extended play, acesta conține câteva cântece noi precum „The Dance” sau „The Other Half (of Me)”, dar și versiuni remixate ale unor piese de pe albumul "Enter": „Restless”, „Candles” și „Pearls of Light”. Pe parcursul anului 1999 formația și-a întrerupt seria de concerte, pentru a-și lansa propriul studio de înregistrări. La finele aceluiași an
Within Temptation () [Corola-website/Science/307912_a_309241]