3,239 matches
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medicamente TESAVEL poate fi utilizat împreun cu majoritatea medicamentelor . Utilizarea TESAVEL cu alimente i b uturi Pute i utiliza TESAVEL cu sau f r alimente i b uturi . Sarcina i al ptarea Femeile gravide sau care inten ioneaz s r mân gravide trebuie s discute cu medicul înainte de a utiliza TESAVEL . Nu trebuie s utiliza i TESAVEL în timpul sarcinii . Nu se cunoa te dac TESAVEL trece în laptele uman . Nu trebuie s utiliza i TESAVEL dac al pta i sau inten
Ro_1040 () [Corola-website/Science/291799_a_293128]
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medicamente TESAVEL poate fi utilizat împreun cu majoritatea medicamentelor . Utilizarea TESAVEL cu alimente i b uturi Pute i utiliza TESAVEL cu sau f r alimente i b uturi . Sarcina i al ptarea Femeile gravide sau care inten ioneaz s r mân gravide trebuie s discute cu medicul înainte de a utiliza TESAVEL . Nu trebuie s utiliza i TESAVEL în timpul sarcinii . Nu se cunoa te dac TESAVEL trece în laptele uman . Nu trebuie s utiliza i TESAVEL dac al pta i sau inten
Ro_1040 () [Corola-website/Science/291799_a_293128]
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medicamente TESAVEL poate fi utilizat împreun cu majoritatea medicamentelor . Utilizarea TESAVEL cu alimente i b uturi Pute i utiliza TESAVEL cu sau f r alimente i b uturi . Sarcina i al ptarea Femeile gravide sau care inten ioneaz s r mân gravide trebuie s discute cu medicul înainte de a utiliza TESAVEL . Nu trebuie s utiliza i TESAVEL în timpul sarcinii . Nu se cunoa te dac TESAVEL trece în laptele uman . Nu trebuie s utiliza i TESAVEL dac al pta i sau inten
Ro_1040 () [Corola-website/Science/291799_a_293128]
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their whims, the brutal or innocent way they related to everything around them, their apparently meaningless actions, their everyday triumphs and emoțional catastrophes, the moments when they felt alone or happy. To Korczak, the child was never a tiny little mân who doesn’ț understand what’s happening to him/her because he/she is small and helpless: “There is no such thing aș ‘children’, there are only humans - with a completely different scale of values, a different set of experiences
Respect pentru copilărie () [Corola-website/Science/295708_a_297037]
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on the left never understood, namely that you can have novels extremely relevant for the “left-wing eye” written by conservatives. Right now, I’m reading Franzen, even if some of his interpretations of current events boggle the mind. But the mân is obsessed with capturing everyday struggles. Incidentally, he writes one novel a decade and tries to capture the essence of each period. Șo far he’s succeeded în doing that with two novels. Eugenides is also a good example. În
Unde-s marginalii în literatura nouă? () [Corola-website/Science/295732_a_297061]
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which is something I heard my grandfather talk about. There were people from very different environments and of different ethnicities who came to work în the mines and they didn’ț always get along. The other person is a young mân from Petrila who was a security guard at the mine at that time. He hâd to guard the scrap-iron which is for many people the main source of income. People steal the iron and sell it. He talks about his
„Am înțeles care e miza mea ca actor. Nu e vorba doar despre mine, e și despre celălalt” () [Corola-website/Science/295718_a_297047]
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at the mine at that time. He hâd to guard the scrap-iron which is for many people the main source of income. People steal the iron and sell it. He talks about his schedule and you can see a young mân’s perspective on the Jiu Valley. He worked 12 hours every 24 hours and made 350 lei a month (roughly 80 euro) în 2011. Monica: I tell the story of a 37-year-old woman who lives în the Bosnia neighborhood în
„Am înțeles care e miza mea ca actor. Nu e vorba doar despre mine, e și despre celălalt” () [Corola-website/Science/295718_a_297047]
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Boalexperienced such a dynamic with a play he staged în 1962. It was based on personal stories about a metal workers’ strike în Sânto André and was written by one of the workers. At a performance în Sânto André, the mân on whom the villain was based protested vigorously, leading to interaction with other audience members upon whom other characters were based. What followed spontaneously anticipated Forum Theatre în the active audience involvement elicited: “The real people other characters were modeled
De la povestire personală la act politic () [Corola-website/Science/295715_a_297044]
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Despite their anxiety, the SoHo artists enjoyed certain political advantages în the struggle. "One thing that hâș never been adequately acknowledged," an early activist says, "is the importance of John Lindsay. We hâd în the mayor a cultured, sensitive, educated mân who understood~ the value of art în the life of this city. SoHo would not have been established under Wagner and certainly never under Beame. The Lindsay administration was absolutely vital to our success. Throughout the struggle, we hâd the
De la producția artistică la piața imobiliară () [Corola-website/Science/295756_a_297085]
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she asked him: “How are the people here?” and he replied: “Just a bunch of Gypsies.” That’s when I started to understand their world, because I could have gone a long time seeing only the nice Doru Frollu, the mân who shared some pizza with the kids. [...] Interview conducted by David Schwartz [1] Cherecheș & Cherecheș, a law firm which bought the ownership rights over several buildings în the Rahova-Uranus-Sabinelor area from the descendants of former owners. Many tenants accuse the
Evacuați, artiști și agenți ai gentrificării: Proiectele din Rahova-Uranus / Interviu cu Cristina Eremia () [Corola-website/Science/295760_a_297089]
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Silvia were staying, on Banu Mantă, they demolished it to make a business. A. S.: How was your life în the building?</b> M. I.: It was fine. We stayed upstairs for about 4 days until the architect came - an old mân about 50 years old, wearing glasses - and then we moved to the basement. He was with Mihai, a tall, young fellow. They used a key to get în. We figured they were landlords if they used a key. When the
Păzirea ruinelor - un articol în două episoade despre gentrificare și anti-squatting () [Corola-website/Science/295768_a_297097]
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Orange - a discriminatory blog post by a Moldovan student at the Sorbonne which mentioned 27 reasons why he loved Moldova, including its intolerance towards sexual minorities; Yellow - a connecting monologue, constructed aș a testimony about a real situation - a young mân of 27 who killed himself în December 2010 because he was being blackmailed by 2 police officers who threatened to reveal his sexual orientation to his parents and work colleagues; Green: an episode of the Sare și Piper (Salt and
ROGVAIV – proiect de artă activă împotriva oricărei forme de discriminare () [Corola-website/Science/295781_a_297110]
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but aș a trophy, aș a supreme object of male pleasure. The domination of hypersexualization and the hegemony of the cult of female sexuality thus become a discourse of consumerism, which promises the emancipation of women and the satisfaction of mân’s desires. But the promised emancipation is to be found, for women, only în the realm of seduction, of sexuality aș a means of success, aș an ideal which is worth any sacrifice. The obsession with a fulfilling feminine sexuality
Patriarhatul, mașina de vise. Metamorfoză și hipersexualizare () [Corola-website/Science/295778_a_297107]
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evolution of patriarchy reinvents beauty under the guise of gender equality, leaving unchanged the basic elements which reinforce and reproduce specific relations of domination. The woman remains caught between two conflicting identities: 1) the woman who, în relation to the mân, is reduced to “erotic object, stimulus and satisfaction of deșire, the warranty of male stability, the prize which acknowledges his efforts, the expression of his virility”[6] and 2) the woman fulfilling a family role, therefore chaste, sacred, embodying the
Patriarhatul, mașina de vise. Metamorfoză și hipersexualizare () [Corola-website/Science/295778_a_297107]
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purity and beauty of creation. În other words, the trophy-hypersexuality and the passive availability of woman versus beauty aș a symbol of purity and maternity. Beauty is therefore created aș a typically feminine attribute: “The woman is (beautiful), while the mân is în a process of becoming șo. This is why the mân hâș to earn his beauty through actions and ideas, while the woman rests în her own beauty, caught up în her own complacency.”[7] The woman’s attractiveness
Patriarhatul, mașina de vise. Metamorfoză și hipersexualizare () [Corola-website/Science/295778_a_297107]
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passive availability of woman versus beauty aș a symbol of purity and maternity. Beauty is therefore created aș a typically feminine attribute: “The woman is (beautiful), while the mân is în a process of becoming șo. This is why the mân hâș to earn his beauty through actions and ideas, while the woman rests în her own beauty, caught up în her own complacency.”[7] The woman’s attractiveness represents the supreme blessing which exempts her from the “burden” of an
Patriarhatul, mașina de vise. Metamorfoză și hipersexualizare () [Corola-website/Science/295778_a_297107]
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your sexuality... I didn’ț wish to be a homosexual. The concept of “pride” doesn’ț mean anything to me. I’m not proud to be gay, aș I’m not proud to be Romanian or proud to be a mân. I hâd no contribution to either of these things, even though I don’ț regret them, either. I don’ț regret being Romanian or being a mân or being gay. This is the hand I’ve been dealt and I
„A fi gay este un act politic, este o declarație de emancipare eminamente politică.” () [Corola-website/Science/295779_a_297108]
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they take different forms, more hypocritical ones. I mean, în the rest of society, the middle class, things happen în a more subtle way - people show off în such a way aș to avoid looking like show-offs. [...] Aș a gay mân, do you feel the pressure to be more masculine, more macho? Yeah, you do, it’s somehow... There’s a sort of masculinity complex în gay environments. First of all, it’s how society sees you, like a sort of
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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whole drag thing or whatever) and all this leads you to somehow think “I gotta be a mân, what the hell? Șo what if I fuck other men? Can’ț I be a mân? I can’ț be a proper mân if I fuck other men?” There is a sort of masculinity complex within the culture, aș well. I mean, if you’re too effeminate, it’s harder to find a date than if you were more macho. Șo many play
„E un soi de ură de sine” () [Corola-website/Science/295777_a_297106]
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the Wrong Place took shape în the minds of its authors, Alice Monica Marinescu and David Schwartz, after a meeting with an Afghan migrant during a trip to Central Asia. Several months later, he was represented aș Jamal, a young mân dreaming of a better world who was still searching for a different life, going through his fourth experience aș a migrant: Iran, Afghanistan, Germany and Uzbekistan. The other characters are Estera - an old Jewish refugee during World War 2, Sonia
Nu ne-am născut în locul potrivit: despre refugiu și neapartenență () [Corola-website/Science/295802_a_297131]
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searching for a different life, going through his fourth experience aș a migrant: Iran, Afghanistan, Germany and Uzbekistan. The other characters are Estera - an old Jewish refugee during World War 2, Sonia - a refugee from former Yugoslavia, Selim - a Palestinian mân from Gază, born în Kuwait and granted asylum în România, and Samira - a Christian woman from Iraq, seeking asylum în România shortly after the country was invaded by UȘ troops. [caption id="attachment 1702" align="aligncenter" width="600"] Born în the
Nu ne-am născut în locul potrivit: despre refugiu și neapartenență () [Corola-website/Science/295802_a_297131]
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whom I hâd tremendous respect and who killed himself when he was confronted with a similar situation to that of mine. I’m talking about my uncle, from whom I learned a great deal. He was an extraordinary person, a mân for whom having nowhere to go, despite spending many years of his life în Kuwait and being the head of a Board of Education, a mân for whom being told: “You have nowhere to go and you need a visa
„Povestea mea putea fi spusă de altcineva” () [Corola-website/Science/295728_a_297057]
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uncle, from whom I learned a great deal. He was an extraordinary person, a mân for whom having nowhere to go, despite spending many years of his life în Kuwait and being the head of a Board of Education, a mân for whom being told: “You have nowhere to go and you need a visa for your wife and child” was unacceptable. He took the ultimate step. [...] Do you think that theater should have a social and political function? Yes, I
„Povestea mea putea fi spusă de altcineva” () [Corola-website/Science/295728_a_297057]
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marginalized and impoverished children în Kenya? Do you think the economical situation will improve? Ok. Right now although the world might not agree, we have a good government. There is a lot of hope în me and în the common mân for tomorrow. Yes, I believe the situation will improve but I also know that, that will take a long time because like I said before, value systems have changed and there is a lot of greed. What are your artistic
„Comunitățile ar trebui să se ajute reciproc și să se dezvolte împreună” () [Corola-website/Science/295740_a_297069]
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should you help ouț family members?”, “is it a bad thing to say ‘enough is enough’ and kick the relatives ouț at some point?”. Another exercise - improvised by the young volunteers from Szomolya - depicts a typical situation: an ethnic Hungarian mân and a Romă woman fall în love. How will the families and the village react? Can love defeat prejudice and racism? În an interview with one of the participants, a girl explained why an ethnic Hungarian and an ethnic Romă
Facem sau nu teatru pentru toți? Despre proiectul Noul spectator (Új néző) () [Corola-website/Science/295741_a_297070]